on June 27, 2013
The second, third, and fourth Star Trek movies are the best of the Star Trek movies in my opinion. While second and third movies are dark, this comedy brings light taste to the movies and is very enjoyable. It has always been my favourite of the Star Trek movies. While the second and third really are more dramatic (I did love them as well), this movie still shows how important teamwork is (they would not leave Chekov behind. Also, while the story is a bit weird (i.e. the spaceship that wants to talk to humpback whales) as Spock points out there is more intelligent life on the planet than just humans and does demonstrate how destructive humans have been.
on August 17, 2007
i enjoyed this installment of the Star Trek franchise quite a bit.in my opinion,it's better than the previous ones.i think they did a very good job here,balancing many different elements.there is certainly the action/adventure element here but there is also so quite a bit of humour.the writing is very intelligent and witty.there is also the element of danger,which is very real in this one.the threat is very grave and imminent.the suspense factor is high here too.the story itself is very well written and well paced.this is almost a comedy at its heart.the dialogue is very sharp and fresh.it's more of a family movie than the previous ones.there is some mild language,but it is not used maliciously.it does actually serve the story.the movie is also a cautionary tale i think,to humanity.i think it's just as relevant today as it was then,maybe more so.generally,this movie is probably the most fun of the original Star Trek movies,in terms of comedic value.i also think it is probably the best of the original movies.for me,Star Trek 4:The Voyage Home is a definite 4/5
on January 26, 2007
"The Voyage Home" was the fourth of the Star Trek films and hit the movie screens in 1986. It focuses on the crew of the original series, commanded by James Kirk, and ties up a few loose ends from the previous two films.
The film opens in 2286, three months having passed since the end of "The Search of Spock", with the approach of a strange probe - apparently on a course to Earth. The first Starfleet vessel to encounter it is the USS Saratoga - unfortunately, the energy signal being transmitted by the probe leaves the Saratoga powerless and drifting in space. Affecting every starship and starbase it meets in the same way, it finally reaches Earth. Settling into orbit, it directs its signals towards the planet's oceans - which are promptly ionised, leading to raging storms around the planet.
Having stolen - and subsequently destroyed - the Enterprise, visited an off-limits planet and commandeered a Klingon Bird of Prey, Kirk and his crew are on Vulcan preparing to return to Earth. In preparation for the trip, they have carried out a few minor alterations to their captured ship. Fully expecting to be court-martialed when they arrive at Earth, McCoy has also renamed it the HMS Bounty. They only hear about the probe's approach and its effects en-route, however. Spock - whose rehabilitation is not yet complete - analyses the probe's signals and believes the language to be that of humpback whales. Unfortunately, given that the species is extinct in the 23rd Century, there can be no response. This leaves the crew with only one option : they must travel back in time to a period to when humpback whales weren't extinct, capture at least one of them and return with it (or then) to the 23rd Century. Using the 'slingshot' method they discovered during their famous 5-year mission, Kirk and his crew travel to the late 20th century. There, they decide to target two whales living in captivity in San Francisco. Naturally, there are complications...
Directed by Leonard Nimoy, "The Voyage Home" also saw Nicholas Meyer (director of "The Wrath of Khan" and "The Undiscovered Country") contribute to the screenplay. Meyer - whose involvement in a Star Trek movie is practically a guarantee - initially wanted the bulk of the action to take place in Paris, rather then San Francisco. Nevertheless, despite the odd 'serious' point - most obviously, the damage caused by humans hunting the humpback to extinction - this is still a very funny movie. The comments on, and the attempts to use, the period's vernacular are sure to raise a smile, while the interplay between Kirk, Spock and McCoy has rarely been bettered.
on July 17, 2004
Another classic trek movie, this one from 1986, is awesome, and the most shocking thing about it is that it doesn't even take place in space, save for about 15 minutes! Instead it takes place in 1986, where the crew members go back in time to capture two whales to stop the destructive calls of an intergalactic whale species trying to contact the long-extinct whales. The whole plot sounds like it would suck beyond belief, but it comes close to being the best trek movie, and is one of my faves ever.
The awesomeness of the movie, unlike the rest of the series, comes not from suspense and action scenes, but the hilarious and often touching culture shock the crew faces in mid-80's San Fransisco. There is so much to laugh at: the crew earnestly walking along the SanFran streets, Sulu in his cape, Kirk in his red StarFleet uniform, and unforgettably, Spock in his monk robe with the belt tied around the tops of his pointy ears, making him look like an angry ninja master with a botched Botox job. Also hilarious is McCoy's disgust at how rudimentary 20th Century medical practices are/were. In a scene inside a hospital, he asks a woman what ails her, she responds she has kidney dialysis, and he's like, "What is this, the dark ages?! Swallow this, and call me if you have any problems." Several scenes later she is wheeled out claiming a miracle.
There is much more in the movie I won't spoil for you (or more like I'm too f*#&ing lazy to write any more), so turn the PC off and rent this great flick, also it's been on AMC recently, so try that too.
on December 23, 2002
STAR TREK IV: The Voyage Home is considered one of the most entertaining Star Trek films of our time, and it's considered a success due in large part to Leonard Nimoy's directorial efforts and the great interaction between the cast members, especially Kirk and Spock...who, together, provide some funny moments.
We pick up where STAR TREK III left off, with Kirk and McCoy and Crew on the planet with the rejuvenated Spock ready to leave on the Klingon bird of prey. When they encounter a mysterious probe in their travels, they decipher it to realize that it is actually the song of a humpback whale. They travel back to Earth to San Francisco, where we have some of the greatest moments between Kirk and Spock as they travel in San Francisco in search of the woman who is trying to save the whales from being extinct. The crew of the Enterprise comes together to save the humpbacks and it brings some good action into the film, but this is more about the human interaction between the characters in the film, and not so much about the action. It's a refreshing approach, and it gives the film a lot of strength.
STAR TREK IV: The Voyage Home is a thoroughly enjoyable film from beginning to end, with a better premise and more enjoyable plot then the film to follow. Consider this: The Voyage Home is considered the best film in the Trek series, but I believe that honor goes to The Wrath of Khan. However, that doesn't mean Star Trek IV isn't as good; The Voyage Home is just as good a film, and makes for a wonderful addition to any Trekkie's film collection.
on August 30, 2002
The last installment of the Trek trilogy is widely regarded as the best movie of the franchise by many because it was the most mainstream movie in the franchise. This film has a very light-hearted story based on what happens when mankind is too shortsighted that they end up almost causing their own extinction. It's also got some of the best comedy the Trek franchise has ever seen because the characters are forced to endure life in the 20th century for most of the movie. The humor works very well, and it helped Star Trek get more of an audience than it ever had before. It was a daring attempt to broaden the Trek franchise and it worked out for the best. As far as I'm concerned, this is where the Trek movies with the original cast should have stopped. I have no interest in parts V or VI because in my opinion, neither one of them had the excitement or the charm of any of the films in the II-III-IV trilogy. This movie is highly recommended for both Trek fans, as well as non-Trek fans.
on July 31, 2002
This is a good movie if you want comedy. Anyways, the entire crew is back, back to the past that is. A probe causing earths atmosphere to go haywire sends the crew back to 1986 or so to find two whales, preferabbly Humpback. Spock calculates everyhing from memory, but leads the crew into a dilemma. The dilithium crystal in the "enemy wessel" (don't ask-they're in a klingon warbird) has run dry and they have to find more. They each split up into teams: Kirk and Spock find the whales; Scotty, McCoy, and Sulu find the plexiglass and helicopter; and Uhura and Chekov find the dilithium. Everybody but Uhura and Chekov find everything. Due to radiation, only one can beam up at a time. Uhura beams up, and the guards find Chekov. Prepare for the chase scene! It doesn't last very long though. He falls off a ledge and ends up in the hospital. Prepare for another chase scene!! Kirk and McCoy go to the hospital, and when they get back, they've got the beam up coordinates and everything set to go. The whale-chick(forgot her name) wants to go with them, and stay with George and Gracie(the whales), proving the point that "you don't see a marine biologists everyday in the 24th century." Using the sling-shot effect with the sun, the crew makes it back to the 24th century, to face the charges agaisnt them. But, since they did all that they did, the headguys forget all the charges, but demote Kirk back to Captain. The probe leaves and everyone is happy. The End!!!!
on July 29, 2002
Star Trek IV was the well anticipated sequel to The Search for Spock. Trek III left a cliffhanger so large that the filmmakers had a veritable world of possibilities available. The mid-eighties Eco-trend was pulled off perfectly in its time, and the present. Species are still on the brink of extinction, global warming, and rainforests are still a problem. STIV takes the trek fans and non-trek fans on a wild ride back in time to 1986 to combat the extinct species problem. The 23rd century is devoid of: Whales. An alien probe is unleashing punishment on man for his abuse, and ultimate extinction, of the "humpback" whale. Kirk and crew (minus the Enterprise) have to go back in time to bring a couple of whales to the 23rd century to thwart the probes destruction. Spock is not himself, but he's far more hilarious, and the crew must travel in a rust bucket Klingon ship that is battle damaged from the late starship Enterprise. The movie is filled with twists and turns that are sure to still please fans and closet fans alike. Remember, Kirk and Co. are still outlaws in the 23rd century, and strangers in the 20th.
on December 10, 1998
I found STAR TREK IV THE VOYAGE HOME to be a great film but not the best of them all and here's why. I mean WILLIAM SHATNER, LEONARD NIMOY, DEFOREST KELLY and the rest of the cast do a great job acting out the story but at times I felt the film went off focus on saving whales than earth. Which was the reason KIRK and company were there anyway. Maybe there should've been more focus on that point. Althougth this movie has a lot of humerous moments that are just hysterical wait till you see MCCOY in a 20th century operating room. And KIRK AND SPOCK on a bus LEONARD NIMOY does just a wonderful job directing as he did with STAR TREK III but I felt that this movie could've left out that whale expert she at times was too overbearing and the diaolouge between her and KIRK was a llitle too soap-operay for my taste. But all in all if you love STAR TREK see STAR TREK IV THE VOYAGE HOME and have mostly a great time watching like I did.
on February 12, 2004
The nice thing about the original Trek series and films is that they supported a variety of genres from action to comedy. For every "The Trouble with Tribbles" there was a "City on the Edge of Forever" or "Mantrap". Trek IV falls into the former category. While the film starts off with a serious threat (a McGuffin almost worthy of Hitchcock--an alien threatening the world because there's no one there that speaks its language!), the differences between men and women from the future and those living in the 80's creates a lot of potential for comedic hijinks.
A mysterious alien probe has entered the solar system sending out a message that Starfleet can't decode or respond to. The atmosphere of Earth is being thorn apart in response. The crew of the Enterprise in their captured Klingon ship receive an urgent message from the Earth to avoid the planet. Spock deciphers the message and realizes why there's no one to answer; it's whalesong. The only solution available (since Whales are extinct) is to go to 20th Century Earth and obtain whales and return to the future.
The premise is ripe with comic possibilities and director Leonard Nimoy takes advantage of every one of them. It's not the best Trek film but it is the most popular because it's so accessible (it also grossed the most at the box office for the original Trek films). All the actors are clearly having a blast with the next to last of the quartet of interrelated films (The Undiscovered Country refers back to 2 and 3's back story and has a light connection to 4 as well).
The newly remastered edition is a huge step up from the previous edition. The anamorphic widescreen transfer is much sharper and clearer than the previous edition. The sound mix, while not as good as a current release, uses the 5.1 surround sound format very well. The great picture and sound are augmented by cool extras. You get extras galore. Nimoy's director's commentary and the Trek text commentary provide interesting distractions the third or fourth time you watch the film. The text commentary is filled with bits of trivia, points out production gaffes and has some very funny observations about the film, the crew and the Trek universe.
The extras on disc two includes a moving tribute to actor Mark Lenard. Unfortunately, there aren't any clips from other television programs he appeared on (like "Planet of the Apes")or movies but we do get personal photos as well as a moving rememberence by his two daughters and wife. The production featurettes aren't quite as exhaustive as some of the other DVD sets (ST:TMP springs to mind)but are interesting particularly the section on visual effects that discusses the time travel sequence. Storyboards are also included (although it might have been more interesting to put them on disc one where they could be compared to the finished sequences).
I'm hoping that Paramount upgrades The Next Generation DVDs with as much care. While Nemesis has some fine extras, it could have been done better. Generations has absolutely nothing beyond the film (and a rather tepid transfer at that) while First Contact only has the trailers. Insurrection similarly has the trailer plus a standard productin featurette. Regardless of how you feel about the films, Paramount needs to do more value added stuff for the Trek fan base. The Next Generation, Deep Space Nine and Voyage have much better extras than any of the Next Generation films (or the original series for that matter).
Each of the films have their strengths and weakenesses and while there's some minor plot contrivances, they don't harm the entertainment value of Trek IV. For a good time call Captain Kirk and crew. They'll keep you entertained with this installment of the Trek franchise.