5 of 5 people found the following review helpful
on July 18, 2004
Mellon Collie and the Infinite Sadness is the greatest combination of musical genius ever created. I feel that Billy Corgan achieved Musical Immortality with the earth shattering collection that is these two CDs. A huge collection of all types of rock, so no matter what your flavor, you will find it all in this stunning variety. It's the only album I have ever listened to that I have thoroughly enjoyed each and every one of the songs. Galapogos, Tonight, Tonight, Bullet With Butterfly Wings, Stumbleine, and Zero rank among my all time favorite songs. I completely recommend the collection of B-Sides from this album found in the "Aeroplane Flies High" box set. If you have never heard of the Smashing Pumpkins (Shame, if you haven't) or simply have never picked up this album, do now, as you will enjoy it till the end of time. It's just too bad the greatest band ever formed is no longer around, but their music will live on forever
1 of 1 people found the following review helpful
on October 17, 2008
"Mellon Collie and the Infinite Sadness" is an incredible work from the American alternative band The Smashing Pumpkins. Released on October 24th of 1995, the double CD (triple album) features some incredibly diverse styles and more input from D'arcy Wretzky and James Iha, though certainly Billy Corgan is still the dominant creative member of the band.
The album is not afraid to take some chances. It opens with an instrumental, which is relatively soft. There is tremendous diversity, as the sound can go from acoustic to very heavy and vice-versa from one song to the next. The majority of the album is made up of relatively short pieces of less than five minutes, but there are a few longer pieces mixed in with the 28 tracks. The shorter pieces tend to stick to one type of sound, while a couple of the longer pieces are more diverse within themselves.
The opening instrumental leads into the excellent "Tonight, Tonight", but the softer and more orchestrated sound doesn't sound last as it then turns much heavier with tracks like "Jellybelly", and "Zero", and the first single "Bullet With Butterfly Wings". The contrast in sounds goes back and forth, between the heavy and the light until eventually the group delivers a longer piece itself filled with contrast in "Porcelina of the Vast Oceans", which is then followed with the first half closer "Take Me Down". The album is a concept album of sorts, dealing with the very simple realities of life and death.
The second CD is more of the same, which is to say more diversity of sound and more changes and surprises. The transition from "1979" to "Tales of a Scorched Earth" is a great example of moving from one type of sound to almost its polar opposite from track to track. Not that every track change is so dramatic, but their changes help to keep things fresh and interesting. There also is a rather unusual use of tunings as well as instruments. Overall, this is an album which one needs to listen to many times, and one which the listener will hear something new each time. With its incredible diversity, there may be pieces which you don't like on this album, but for myself I found that they were all at least intriguing. From the titles mentioned before, to the delightfully odd "We Only Come Out at Night" and the stalker song done as a simple love song "Lilly (My One and Only)", this is a great album to experience over and over.
The Smashing Pumpkins are Billy Corgan (lead vocal, guitar, piano), James Iha (guitar, vocals), D'arcy Wretzky (bass, vocals), and Jimmy Chamberlin (drums, vocals). Guest artists include the Chicago Symphony Orchestra ("Tonight, Tonight"), and Greg Leisz (pedal and lap steel guitar on "Take Me Down")
1 of 1 people found the following review helpful
on July 8, 2000
Mellon Collie and the Infinite Sadness is a unique album due to its wide expansion of musical genres. It flows slowly form the beginning until you hit the song "Jellybelly" which turns the album into a swirling melodic work of art with its twisting guitar notes. Mellon Collie satisfies all your tastes for music. The orchestra of symphony in the song "Tonight, Tonight" proves that Billy Corgan is not only a master at songwriting and the guitar, but at performing songs that lead totally away from the rock world, and still count as rock. Not only a c.d. for all tastes of music, but also in a small way, you can count Mellon Collie in as a tribute c.d. that not only honors teenage angst and pain, but to the band Queen. The song "Porcelina of the Vast Oceans" is a 9:21 opus of soft melody combined with the rifts of James Iha and his guitar to commemorate the band in a way. The first c.d. not only houses soft, lullabye songs such as "Tonight, Tonight" and "Porcelina of the Vast Oceans" but loud, in- your- ear guitar playing songs that travel from the depths of "Zero", and "Bullet With Butterfly Wings", to the heights of "Love", and "Muzzle". In a way, the entire c.d. seems to find ways to mold the heavy, angstful guitar notes into a brighter, happier tone which is a success in this c.d. The second c.d. in this double set entitled "Twilight to Starlight" definitely delivers the heavy, poetic guitar playing, as the first c.d. does. The c.d. starts, with slow, rythmic guitar, and floods over its banks in the songs "Bodies", "Tales of a Scorched Earth", and "XYU" creating a metallic masterpiece. Again, the spectrum of all music is filled within this "Part 2" section of Mellon Collie. With songs such as "Thirty Three", "1979", and "Beautiful", the spectrum is filled by songs loaded with love, sadness, and in some brief moments, originality. So, to wrap up this review, let me say this; Mellon Collie and the Infinite Sadness is one of those rare gems of a rock c.d. that is worth its weight in gold. Any music fan who has not picked up this wonder, needs to, so they can take the journey through a c.d. that never lets up, and always delivers what you want.
on July 8, 2015
Back when this album first came out many people didn't understand it... We were mostly at the end of the grunge era and pop was taking over the music industry... But what is amazing about this album is that in a whirlwind of cheap pop stars on the rise and mostly dying rock bands it managed to rise from the underdark of no more place for alt rock on mainstream radios and make its way to the top still and this is what makes an album a true masterpiece Billy Corgan did an amazing work on this album and once again with this remaster he does it again! The presentation is sublime all of the discs gatefold have pictures on one side and the tracklist on the other... It also includes a pictures and liner notes (for every single song i might add) book which is simply amazing and in my opinion one of the highlight is the actual lyrics book from the cd release but in blown up format that alone is worth the price haha :) but the tracks have all been remastered and well it's on vinyl so of course it sound amazing! If you are hesitating don't anymore and go buy this masterpiece! Cheers
on July 11, 2004
"Mellon Collie and the Infinite Sadness" by the Smashing Pumpkins was easily the biggest (in every sense of the word) album to hit in the post-grunge alternative rock heyday that was my adolescence. In fact, I would say that this was the early peak of the movement - a seemingly bloated double album by a band that had a slew of hits off their major label debut just a few years earlier. Soon enough, everyone had a "Zero" shirt and listened to this album day and night, or at least the half-dozen or so singles that were played on modern rock radio.
The best thing I can say about this release is that I have no problem sitting down and listening to the whole thing (that's two hours, kids), even 9 years after its initial release. And it's solid. The whole double-disc affair holds up well for those entire two hours. The reason that it doesn't get the coveted five-star rating is that the bulk of the songs are good, with a few occassional forays into "great." Fortunately, there are no duds on this album. "Muzzle," "Tales of a Scorched Earth," "1979," "X.Y.U.," and "An Ode to No One" are the cream of the crop, but like I said, the rest of the album deserves repeated listenings.
Anyone that grew up around this time and listened to alternative rock either owned this at one point, knew someone that did, or still does own it. It really is an essential release for its time and place, and it holds up very well into the 21st century.
on June 22, 2004
Ok, so I am not pretending to have listened to them since they first started out in whomever's garage, and so on like so many "fans" I have talked to. I am a big Smashing Pumpkins fan, and that is through listening to their music as it comes, and on my own terms. Sorry, but I am not a fan to brag that I knew something before anyone else. In fact, I was never a huge fan until this cd came out. Siamese Dream was played minimally, and the others the same. The more and more I listened to MCIS however, the more I couldn't go in between sessions of listening. This caused me to go back, and reevaluate my previous thoughts on their other cd's. That is a sign of greatness, being able to change people's views on accomplishments already made by new great achievments. These cd's have songs for any kind of mood you could ever be in, and then some. From Porcelina (my favorite song) to Tonight, Tonight, to 1979, every song on this cd deserves to be listened to over and over again. I am a fan of music, and based on the thousands of dollars I have spent on hundreds of cd's, I can safely say this is the best investment ever (never been a big fan of burning cd's). Personally, right below the Pumpkins are Sevendust and Spice 1 (funny how they are all S's), so diversity is not an area where I am lacking I believe. Take it for what you will, but for someone who loves music, and drags 600 cd's to work with me everyday, I could not live without this pair. They are essential, beyond any other single cd or set I own. I know you will think the same when you listen.
on May 8, 2004
'Mellon Collie and the Infinite Sadness' was probably the most influential double album of the 90s, and arguably moreso than Pink Floyd's Wall album or the Beatles' White album (neither those artists greatest). And although I prefer NIN's Fragile album, this is more diverse and eclectic.
I was first exposed to the entire album nearly three years ago, and I kept listening because every track stood out so much to me.
The band's first two studio albums, Gish and Siamese Dream showed the band's ability to have many midtempos and a solid mix of soft and more rocky songs on their discs. On this album, there are several hits, yet it's also an album needed to be heard with an open ear, but surpringly, many people have caught up to opening their minds on this one. And even though Billy isn't the greatest singer to everyone, I like his vocals because they never fail to show the emotion intended in the albums.
The singles aged well, also. "Tonight Tonight" has some of Billy's best lyrics ever, and is a good way to build an album up from an awesome piano instrumental. It's got many strong things in it. As well as the fact that "Zero" has the craziest guitar solo ever, even though I don't care as much for the lyrics admittedly. As well as the fact that "Bullet With Butterfly Wings" is instantly catchy and everyone knows the chorus. "Thirty Three" kind of reminds me of "Disarm", but it's distinct enough from that one to where it stands out on its own, and I still love it. As well as the fact that it has their biggest hit ever, "1979", with a bit of a new wave influence, as that one also had well-done lyrics and some memorable bass from D'arcy. One thing I remember about the time when I was 8/9 years old and this album came out was the music videos, all which were experiences. MTV actually played music videos then, and Smashing Pumpkins vids for that matter.
The band's electronic side even slightly comes in on this album. That's how much it's got in it. Songs like "Love" and "We Only Come Out At Night" have elements of that, although the latter is more of its own style.
Some songs, I feel, are as long as they should have been. "Thru The Eyes of Ruby" is just amazing, so that song's placement is very valid. "X.Y.U." is just explosive, one of the album's heaviest, with an amazing guitar solo, and some of Corgan's most memorable yells in music.
As well as the fact that there are other ways to describe tracks unlisted. There is cool guitar on "Farewell and Goodnight" that stands out,
Jimmy Chamberlain's drum talent still shines through, whether it be the memorable cymbals of "Lily" or in many other tracks on the album. I was shocked that I liked the follow-up album which lacked his drumming.
So all in all, this album has almost everything. Music has influences that range from heavy rock to even classical and jazz influences, as shown in the title track.
This was their most diverse album ever made, so if you look in that for an album, pick this up first from the band. However, I prefer 'Adore' and 'Siamese Dream' to this, but it's still excellent, and that's not by much that I prefer the two. I wonder how you wouldn't own this in the first place, but it's a double album, so I guess that's why. So I guess, if you see it used and have the money for a full album and wouldn't be willing to spend 25 dollars, buy this used.
on May 2, 2004
Not many albums leave me with as many conflicting emotions as this one. I love a great deal of the songs on "Mellon Collie and the Infinite Sadness", but I can't stand a good number as well. However, the feeling I have when I have completed the album is like no other. I always feel like I have just taken a magnificant and long journey.
Overall, I like the melodic songs better than the hard rockers, but there are a few exceptions. My favorite soft songs include "Tonight, Tonight", "Cupid de Locke", "Porcelina of the Vast Oceans", "Take Me Down", "1979", "Thru the Eys of Ruby", "We Only Come Out at Night" and "Lily (My One and Only)". I do also like many of the rockers, including "Zero", "Bullet with Butterfly Wings", "Muzzle", and "XYU".
However, my least favorite song of all time is the awful "Tales of a Scorched Earth". When I listened to it (I skip it now) I used to think, I thought the Smashing Pumpkins were an ALTERNATIVE band. When did they decide to try to be hard core metal? The song does not work.
That misstep aside, "Mellon Collie and the Infinite Sadness" is a gem of an album, a breathtaking musical experience and an amazing double album. Buy it. You won't be disappointed.
"Mellon Collie and the Infinite Sadness" avoids the pitfalls of many double albums -- too much filler, too few good songs, not enough of the good stuff. Instead, this is in the spirit of the Beatles' "White Album" or Pink Floyd's "The Wall." Billy Corgan's tight writing and the Smashing Pumpkins's brilliant instrumentation make this sweeping double album a must-have.
The first disc, "Dawn to Dusk," builds up slowly with a mournful piano song, only to bounce into the sweeping "Tonight Tonight." Forming the rest are sizzling rockers ("Jellybelly," "Zero"), sparkling softer songs ("Cupid De Locke"), and quiet alt-rock ("Galapagos") and a few songs that stray into unknown musical turf (the sweeping ten minute "Porcelina of the Vast Oceans"). "Take Me Down" ends the first disc on the same quiet note that it began on.
Second disc "Twilight To Starlight" starts off on a very different foot. Jerky guitar riffs and drumming start off, sounding like a warm up, before exploding into the solid "Where Boys Fear To Tread." Having gotten that over with, Corgan and Co. switch into a somewhat quieter collection: gentle acoustics ("Thirty-Three," "Stumbleine," the sweet "In the Arms of Sleep"), catchy alt-rock (new-wavey "1979," "Thru The Eyes of Ruby"), blistering hard rock ("Tales of a Scorched Earth," "XYU"). The gentle "Farewell and Goodnight" rounds off the double album on a quiet note.
"Mellon Collie" has just about every kind of music you can hope to find -- ballads, prog, metal, alt-rock, and so on. A handful of songs feel superfluous, but the vast majority of them just feel like a musical quilt. That is, two musical quilts. The tone of each disc is quite different, with "Dawn to Dusk" being a rockier album more in tune with the past Pumpkins releases. "Twilight To Starlight" has a more experimental, sad feel.
Billy Corgan's reedy voice weaves seamlessly into the complex music, singing songs about loneliness, pessimism and longing for love. His songwriting is exceptional here ("breathing under water, and living under glass..."); his style is best described as poetry set to music. James Iha also dips into songwriting with "Take Me Down" and cowritten "Farewell and Goodnight." Guitar riffs both furious and gentle, sweeping strings, piano, Chamberlin's percussion and D'arcy's good bass work move up and down the scale, from soft to scathing.
With its epic music and tight lyrics, "Mellon Collie and the Infinite Sadness" is madly brilliant and among the best work that the Smashing Pumpkins did. Dark, sweet, sad, and angry, this is a modern classic.
on April 7, 2004
This is one of the Smashing Pumpkins' best.Billy Corgan may not have the greatest voice ever but he's still very interesting and writes very poetic lyrics.When I first listened to this album I wasn't sure if I really liked it and I forgot about it.A few weeks later I got it out and it wasn't until I listened to "Here Is No Why" that I thought that the Smashing Pumpkins really were one of the greatest bands ever.They are certainly one of the most quirky and original bands.Billy Corgan's lyrics are very poetic and downright hypnotic at times.There's a very nice blend of some hard rock and soft acoustic songs on both of the albums."Bullet With Butterfly Wings" won a well-deserved Grammy for Best Hard Rock Song of the Year;however,I feel that "Here Is No Why" deserves it more."Here Is No Why",in my opinion,has the greatest chorus ever.I love the part about being "In Sad Machines".Some other highlights are "Zero","Porcelina Of the Vast Oceans",and "Through the Eyes of Ruby".Overall I think this is an album that belongs in everyone's CD collection.Also get the Smashing Pumpkin's earlier album Siamese Dream.