Top positive review
Even when they're "bad", they're good
on April 5, 2005
So there it is. U2's least-acclaimed album, the only stain in the group's otherwise flawless discography. Many critics and fans were appalled and/or disappointed by U2's will to experiment a more synthetic, electronic sound. Why would they do that? How could U2, one of the world's greatest rock bands (keyword here is rock),operate such a change in their music? Some people perceived Pop as a kind of betrayal of U2's rock roots and as a mere attempt to cash in on the popularity of pop-dance music (when they certainly didn't need it). What the band's fundemental motivations were, I don't know. What I do know, is that unlike many fans and critcs, I absolutely love this album. Sure, it might not be their best, but it's a far cry from being any bad. And while too many people labelled Pop as being too electronica-tinged (which makes you wonder if those people have ever listened to any other song on the album than Discothèque), I believe that it's still has its fair share of rock. Staring at the Sun, for example, is classic U2. But the "unpopularity" of the album didn't seem to affect U2's indestructible reputation, given the incredible success of the PopMart tour that followed. Bono et al. have long been forgiven, thanks to one of the world's most loyal fanbase and the release of All That You Can't Leave Behind, which brought back U2's true rock sound. Anyway, even if they tried, they couldn't make a very bad album.