Customer Reviews

Tomorrow Never Dies (Widescreen)

5 star:		(40)
4 star:		(26)
3 star:		(6)
2 star:		(13)
1 star:		(7)

 

 

Only place I could get this DVD was on Amazon. It completed my collection. Classic Bond with Peirce Brosnan. Good action. An almost plausible plot. It is interspersed with the typical Bond humor from that time. I love the scene with the Helicopter chasing Bond on the Motorcycle. Kudo's to the stuntmen a marvelous scene.

The movie playing last week was As a longtime James Bond fan I had to see Tomorrow Never Dies, or James Bond versus Jonathan Price.

A communications mogul (Price) sets up a communications satellite monopoly, which, unlike DeBeers and other monopolies, is allowed to operate in the United States. To further his power, Price is creating news and having the stories ready as the news happens. His ultimate goal is to start World War III and control all communications afterwards. He will do this by using his armada of communications satellites which will broadcast to a dying world where electromagnetic pulses have rendered televisions inoperable. Oh, I guess he didn't think far enough ahead.

Utilizing the common man's (or should I say scriptwriter's) lack of understanding Geo-Positional Satellites (GPS) he convinces a warship that it is in neutral territory and not in Chinese-controlled waters. Then, utilizing a stealth boat made possible by the theft of some stealth skin (you know, that ultra expensive stuff that becomes completely useless if it gets even slightly damp) and steals a cruise missile. Bond is aided by a Chinese agent (Michelle Yeoh) and they go to Viet Nam where the sunken ship is (oh, didn't they say it was sunk in Chinese waters?). There they confront many bad guys and helicopters that can hover sideways and whose blades can repeatedly chop through buildings with no bad effects.

OK, so the plot, if it can be called that, has a few problems. But it is an action film and plots in action films have less importance than how far the hero can fall. The bad plot is not necessarily because Ian Fleming did not write the story. After all, he did write DOCTOR NO about the madman trying to corner the guano market (the studio gave the madman nuclear capabilities and cut the guano completely from the story). But the movie is fun, nonetheless, with many great lines. While I can't say much for the new Moneypenny, the new M is fantastic.

Years after Ian Fleming's death the "James Bond" series rolls on, recycling the original stories for audiences who never read the original novels. Their villains were in turn Soviet KGB, then organized crime; now one of the most powerful publishers in the Free World! Is Fleming turning over in his grave? This film shows how a powerful publisher can create the news, and not just distort it (use your own example). [Will the viewers make the connection to the Real World?] "Eliot Carver" seems to be modeled after Robert Maxwell (was he the front man for powerful forces who stayed in the background?) There are changes to reflect modern culture and political correctness. James Bond still circulates among high-levels to gather information. But one scene shows him overindulging in vodka, as if to suggest a growing problem in an aging operative.

Bond is caught snooping in the villain's lair, but makes his escape despite the efforts of many guards (who are of various races for this equal opportunity employer, and also recalls Bond's enemies from past films). A former lover of Bond's is murdered (as in "Goldfinger"). The killer in the hotel room looks like he was recycled from "Doktor Strangelove". The car chase in the indoor parking lot recalls "Diamonds Are Forever", but is more spectacular. The skydiving to the wrecked ship recalls other films. Bond and Wai Lin (the female Chinese operative) are caught and brought before Eliot Carver (another recurring scene from Fleming's novels). The villain never delegates these tasks. Their escape shows the product placement of BMW and Land Rover (and reminds me of a Jackie Chan film). They escape the Heckler & Koch MP-5 firing villains. The attack scene in the shop recalls another Jackie Chan film, with its choreographed ballet of action. [Could this ever happen in the real world?] I suspect the scenes in Asia were for that market of film viewers.

The final scene in the "stealth boat" recalls many earlier Bond films. But Eliot Carver seems to be lacking in a villainous character, unlike the classic Bond villains. [Imagine Pee Wee Herman as Goldfinger?] The ending is full of sound and fury, symbolizing the defeat of the villain, his henchmen, and the Plan for World Domination. The earlier Bond films seemed to have had wittier dialogue. The most surprising thing about this film is its villain: a powerful businessman in the Free World, not a parvenu who attacks one of the British Monopolies and has links to the Soviets or the ChiComs.

The 18th James Bond movie. Since the release of DR. NO in 1962, the James Bond series had established a prototype for rip-roaring action and thrills, evil villains, beautiful women and amazing gadgets. However the definite contributing factor the ongoing success was the ability to change with times, thus making each idea, and each film special in its' own creative way. Bond is more than a Super Agent Spy, he is a hero for the ages, and as the tradition would continue for TOMORROW NEVER DIES, 007 now finds himself against the global communications industry. Hot off the success of GOLDENEYE, Pierce Brosnan once again delivers a dynamite performance as James Bond; confident, fearless, determined, charismatic, irresistible to women, and still with a thirst for dry vodka martinis. Under a clever Bruce Feirstein screenplay, two beautiful women are presented; Teri Hatcher as 007's one time flame Paris Carver, and Michelle Yeoh as tough Chinese Agent Wai Lin. With tried and true elements placed new and fresh, exotic locations in France, Thailand, Germany, Mexico and the United States, and a thrilling music score by David Arnold, TOMORROW NEVER DIES further punctuates the James Bond series even after a successful 35 year wake.

THE ASSIGNMENT: While on a routine voyage, the HMS DEVONSHIRE submarine was mysteriously attacked and sunk in the Chinese sea. The incident is quickly publicized on newspaper accounts thus stirring much controversy and alarm in MI6 headquarters. The culprit: Elliot Carver, a media obsessed megalomaniac, wants to realize his dream of world domination through means of TV, radio and newspaper media accounts. He buys influences, technologies and anyone capable of harnessing information to him, in order to create 'events' to be publicized by this media organization first while securing a monopoly on the world's media coverage. Great Britain and China are unaware of this and place themselves on full nuclear alert, while Carver awaits take over China as another media outlet, which will gain him full control of the Chinese government, following imminent armageddon. Bond quickly befriends Wai Lin, a suspicious, yet helpful Chinese Agent and locates Carver's HQ. Together they must stop the maniac and prevent World War 3.

THE VILLAINS: Jonathan Pryce as Elliot Carver, Ricky Jay as Henry Gupta, Gotz Otto as Stamper, and Vincent Schiavelli as Dr. Kaufman.

HIGHLY RECOMMENDED! BUY IT!

"Tomorrow Never Dies" is the eighteenth overall James Bond Film and the second wonderful film starring Pierce Brosnan in the lead role as James Bond. Of his first four films in that role I would definitely have to say that this one ranks up there with his first performance as Bond, James Bond. From the fast paced action sequences to the overall premise of the film, "Tomorrow Never Dies" entertains from the very first scene to last as everybody involved in the making of this film did exactly what they intended to do with a Bond film, which is making one to remember!

Performance wise, Pierce Brosnan furthers that which he started in "Goldeneye" by making the role his as he brings a darker and harsher yet capably witty tone to Bond that hadn't been seen in a Bond film since the first James Bond himself, Sean Connery. I would caveat that in that I thought Timothy Dalton accomplished that as well but as he was only allowed to do two films in the role I must be in the minority on that opinion.

As with all James Bond films, we're treated to a pair of new Bond babes in Teri Hatcher and international martial arts superstar Michelle Yeoh, both of which are incredibly beautiful and talented actresses. Although Teri Hatcher's role in this film is a very brief one, I would definitely have to say it was memorable. Michelle Yeoh's role in this film brings her right up there with James Bond himself as far as the action sequences go. It is most certainly interesting to see a Bond film turn into a Bruce Lee film in a particularly eventful sequence.

Director Roger Spottiswoode who may best be known for "Air America" or even "The 6th Day" does a great job with this film, solidifying his status as a quite capable director of action films.

The Premise:

This wonderful Bond film in reality has two great opening sequences as we're treated to the standard pre main title James Bond super action sequence which involves 007 infiltrating a Black Market auction of high tech military equipment and him stirring things up and then we're treated to a sequence in which the villain of the film is rousing things up between the British Navy and the Chinese Air Force off the coast of China which adds a wonderful dramatic element to the feel of the entire film.

What follows from there is one of the best Bond films to date as James Bond does what he does best, save the world from total disaster while getting a babe or two in the process...

I highly recommend this eighteenth Bond film to any and all fans of the series and to those who like great action films that actually have a plot as well. {ssintrepid}

Special Features:

This particular DVD is a bit threadbare when it comes to Special Features but in the end, what are these DVD's all about, the movie and it's a great one.

-8 Page Booklet Featuring Trivia, Production Notes and a Revealing Look at the Making of the Film.
-Original Theatrical Trailer

For the first time in years, a Bond film attempts something novel in terms of plot by making the villain a maniacal media mogul (am I being redundant?) patterned, it seems, on Rupert Murdoch. Very appropriate, if you ask me.

But "Tomorrow Never Dies" doesn't dwell on story, and with Michelle Yeoh on hand as a butt-kicking Chinese agent, it shouldn't. Not since Diana Rigg's Emma Peel on TV's "The Avengers" has a member of the fairer sex distinguished herself as an action star worthy of her male counterparts. Yeoh kicks considerable life into this 18th entry in the Bond saga, something Jonathan Pryce as the villain fails to do. Pryce is merely adequate, but is still more deserving of something better than smug-faced Teri Hatcher as his wife. But it doesn't matter. This is Yeoh's show all the way.

Brosnan eases comfortably into Bond's skin in his second-go-round as 007, but is once again saddled with an absolutely horrendous title song sung (if that's the word) by Sheryl Crow. Stick around through the closing credits, though, and your ears will be rewarded with a treat: K.D. Lang singing "Surrender," a terrific ballad that utilizes the film's title and should have served as the theme.

Ok, i like Bond movies but this one stinks I fell asleep about an 45 minutes through. Has its moments but it isn't worth buying. Spend your money on real action, like, I don't Know, TERMINATOR!!!!!

This is a very good Bond entry until the final half hour when the action takes over any sense of excitment.
I' m also concerned about the scene where Wai-lin disposes of enemy agents with karate and lets them lay on the floor of her state of the art lab. What if they wake up ?!?
Still, two excelent chase scenes (one involving a bike and a helicopter, another in a parking lot), an excelent performance by Pierce Brosnan and a suprising appearance by Q, more than make up for whatever mistakes take place later.

Although it was originally planned that Pierce Brosnan would take on the James Bond mantle from Roger Moore in the mid-80s, the exhilaration of "Goldeneye" (his actual first Bond film) wears off rather quickly, I'm afraid.

You see, I've been spoiled by superior and definitive renditions of the Moore and Connery Bonds to be swayed by Brosnan's working class efforts. Or maybe the product placement is just too obvious in recent 007 films? Either way, this film is just a blip on the screen of an otherwise unstoppable series.

The pros: the sizzling Michele Yeoh as the latest Bond girl, who's both lethal and beautiful, in the best traditions of the genre.

***The proper use of henchmen--Gotz Otto revamping Robert Shaw's oversized killer who nevertheless is no match for Bond.

***And finally, the suitably grandiose (if unoriginal) world-domination plot that has since been missing in action.

The cons: Teri Hatcher--Bond girls have never been famous for their acting skills, but Hatcher looks and sounds out-of-place here.

***An unappealing villain--Jonathan Pryce doesn't have the charisma or the physical appeal to be a proper Bond villain (much less a memorably one).

***The title song by Sheryl Crow; easily one of the worst in the series. The outro closing torch number by K.D. Lang should have been the title cut; it's classic Bond fare.

***Product placement is far too obvious in this film; enough is enough, guys.

Overall, a briskly paced entry in the Bond canon, but it's not firing on all cylinders.

Out of all the bond films, this one has to be the worst!All we need now in the 21st century is a chines bond girl!!