Customer Reviews

The Patriot (Special Edition)

5 star:		(306)
4 star:		(146)
3 star:		(96)
2 star:		(67)
1 star:		(92)

 

 

Le film The Patriot a été reçu en bon état et conforme à l'annonce du vendeur. Le DVD fonctionne très bien.

l'histoire se continue avec Gibson,de coeur vaillant découverte de l'Amérique à la cruxifaction du Christ il l'exploitant de son grand talent un autre réussite, bravo.

this was a great experience , dealing with this company was great, I really like this product. very very good

Superb Sound Quality, 5/5
Fantastic Clear 1080p Picture as expected 5/5
A bit Bare Bones 3/5
Movie Itself is of course fantastic 5/5

Purchased on sale, Couldn't be happier.

I'm not going to waste your time retelling , for the umpteenth time, what "The Patriot" is about, or its inaccuracies. Most of the reviewers before me have done a fine (and sometimes not so fine) job doing that already. Instead, I will explain why I feel this is a very good movie and would make a worthwhile addition to your DVD library.
When a movie is historically accurate ("Gods and Generals," for instance), it gets panned because of the lack of political correctness, or it's too slow, or overly long, etc. When it isn't historically accurate ("The Patriot"), it still gets panned for not being historically accurate. You can't win!
I found The Patriot to be an engulfing movie filled with suspense, excitement, humor, drama, and, dare I say it, enough historical accuracy for the viewer to get an understanding of the time and events in which this movie takes place.
I guess what appeals to me most in this movie is the fact that they do not attempt to bring the late 20th century mores and morals (or lack of) into the 18th century, as too many of today's Hollywood flicks make it a point to do ...I had to laugh at the fact that these liberal do-gooders were so upset that there were children in "The Patriot" who actually were allowed to brandish a (gasp!) musket! C'mon people! This is supposed to be a movie representing life in the late 18th century Revolutionary War time. Kids with guns was as common and accepted as kids with skateboards today - more, in fact. These revisionist historians would prefer to 'Disney - fy' our history and remove any truths they deem politically incorrect.
There are wonderful examples why this movie is slightly above many others when it comes to the period in time it is attempting to revise. For example, the old custom of 'bundling,' where one would lie in the same bed as their sweetheart fully clothed and sometimes restrained as to ensure no funny business could happen, takes place in this movie, as does some of the archaic language from the time period, used in the dialogue ("take me in his stead!").
It's these sort of subtle historical gems that helps me to overlook the inaccuracies of the battle dress - not that I am happy about that inaccuracy at all. But, unless you get a truly passionately produced movie ...we sometimes have to, unfortunately, settle for a bit less. But less is not always bad.
One day, I hope someone does the Revolutionary War right and produces/directs the ultimate movie about the birth of our great nation...But, until then, "The Patriot" and "The Crossing" will have to do.

First of all, let me make one thing clear: this may be about the American Revolution, but this didn't happen. It's fiction- HISTORICAL fiction, but still fiction.

I thought it was very good, though, taking that into consideration. Gibson was very good; but the whole him-taking-on-about-ten-Brits-armed-with-rifles-with-just-a-hatchet thing was a just a bit unbelievable. Just a bit...

This movie's got something for everyone... action, adventure, war, family, friendships, and they even tie in a few love lines. I was crying when Gabriel's wife and the town was burned in the church... and it was really hard to keep your eyes dry when Susan started running toward her father when he was riding away and said "I'll say anything!"...

Movie magic, and the war is dramatized no end. Then again... WHAT war isn't dramatized nowadays? And when has there ever been a movie about the American Revolution?

Oh- yeah- almost forgot. Gibson's character is based loosely around this guy named 'Swamp Fox' that used covert methods of attack against the British in the Revolution. But- I said loosely. VERY loosely.

Good movie, and the only reason it's rated R is that there's violence. As in, a LOT of violence.

Once again, people crave for authenticity...the way it really happened....and once again, I say, "It's a movie. It's entertaining and moving....I didn't take my history book along to make sure it was totally accurate. I like escapism, and movies that move me." This movie did that. It's beautifully filmed by the respected Caleb Deschanel; the music by John Williams is moving, and the cast on a whole is exceptional. Mel Gibson has been labeled an okay actor, but if you look deep inside his performances, the man does his best in filling whatever shoes his role dictates. As the family-oriented and somewhat stubborn father, he evokes the pain he feels from his actions in an earlier battle with the French; he seems devastated by his youngest daughter's silence to him; and he loves his family. Joely Richardson is effectively cast as Mel's sister in law, who helps take care of his family during this crisis. Heath Ledger is all gungho and spirited as Gabriel, and plays well with the rest of his cast. Tom Wilkinson is superb as Cornwallis, a man steeped in tradition and British fanfare. His scene with Gibson in which the patriot negotiates for the release of his 18 prisoners is exceptional. Jason Isaacs is pure evil in his role as the heartless Haverton (or whatever), and shows that war to him is merely licensed murder. The rest of the supporting cast: Chris Cooper, Rene Auberjonois, Adam Baldwin, Gregory Smith, Mira Boorkem, and Donal Logue, in particular, are great additions.
The movie is a manipulative film, of course...how else would it work, but it's to director Roland Emmerich's credit, that when the credits were over, I felt moved and touched. That's what films are meant to be in my opinion.

Okay, I don't know why all the negative criticism about this movie. First, let me tell folks that this is a movie you should look at without expecting it to totally change your life or your outlook on it. It is not a history lesson; it is based loosely on some facts, but basically it is fiction with the backdrop of the American Revolution, and how great that was, and so is this movie. Mel Gibson was excellent. There were other people in the movie who also played their roles superbly. It is a brutally real story of war in people's own backyards and towns, and focuses on one man's struggle to protect his family from the horrors of the war around them. Whoever says this movie blows has expected way too much from a movie like this, and expects a movie to just dramatically alter their feelings. Don't listen to the criticism; see the movie for yourselves, and then decide based on the storyline itself, not its historical inaccuracies. And all props go out to director Roland Emmerich!

What makes a film "realistic"?

Well, that depends on the subject matter. If the film is intended as a historical recreation, then it needs to be exact in terms of both events and aesthetics. If, on the other hand, the purpose is entertainment, then the standard is different.

Everyone knew going in that "The Patriot" was a fictional story. Given that, it's sole burden to "realism" was to capture the feel of the era as accurately as possible. It did so with remarkable skill. If these people had really lived, this is certainly what it would have been like.

The truth is, almost every negative review this movie has gotten is from one of two sources: (1) defensive Brits trying to to avoid some kind societal guilt (something akin to racism) for the actions of their ancestors and (2) people who dislike the messages Mel Gibson has put into his more recent movies (especially since he's now even daring to make a movie about Jesus!).

It seemed for a time that Mel Gibson thought that the one thing that makes a new picture better than his last picture is a higher body count. Rack up an astonishing 182 dead bodies in 'The Patriot'. This includes death by all manner of devices 'civilised' and otherwise, including a beheading by cannonfire. Did such things happen? Indeed. Do such things continue to happen around the world? Well, there are fewer tomahawk axings (save at the occasional baseball game) but, yes, alas, we still live in a violent world. Does a movie like 'The Patriot' gorify, er, I mean, glorify it too much?

I thought this was a reasonably good movie. I could have done without the more than 1-dead-body-per-minute body count, but I thought this was an interesting tale.

--Double standards in movies--
One thing that irritates me, if you will permit me a brief digression, is that this epic film competed in epic terms, with the earlier summer release Gladiator. One criticism of Gladiator I heard over and over was that it was not true to the history of the time. I did not hear that criticism levelled at The Patriot, which is just as fictional while being based in a real-world scenario.

Of course, another parallel with Gladiator that I couldn't help but notice is that of a major villain (the emperor Commodus in G, and the despicable Tavington (played admirably by Jason Isaacs) here) taunting our hero to try to make him lose his cool, only to be rebuffed and get his come-uppance later.

Ah, formulas aren't just for the chemistry lab...

--Basic Plot--
Mel Gibson turns in his usual good performance as Benjamin Martin (how colonial a name is that?), a widowed single father of a large brood of children, who had had enough of war in the French and Indian War (perhaps America's most forgotten war), reluctantly goes along with his idealistic son as he determines the best way to preserve his family (his personal definition of and attachment to liberty) is to drive the British out.

There is a dark secret in Martin's past (which I won't reveal here). Alas, I didn't think it was THAT dark, but then, in colonial times, well...

Of course, the British (in this film, and in real life) had no reason to think that they could ever lose this war (the loss of the colonies is perhaps best likened to America's failure in Vietnam -- how can a superpower, and Britain the strongest superpower of the time, lose a war against underequipped, ill-trained, poorly disciplined... well, you get the drift).

The battlefield drama, the struggle to decide what is right and wrong, the fight with the inner demons and the past, make this an interesting psychological drama despite the pile of dead bodies in the background.

--Production notes--
The costs were staggering, but this held all the elements for a summer blockbuster -- star power, compelling theme (ID 4 also grabbed the July holiday slot, and did well, and shares many of the same people in production with The Patriot). Many have described this as the American Braveheart -- I wonder, if Gibson were not in, if that would be true? Gibson claims not to have given much advice to the filmmakers of 'The Patriot', whereas he was in charge of Braveheart. If the battlefield scenes look similar, that is because battlefield scenes do look similar, over time (and across films).

--Historical notes--
This movie shows in stark terms some of the conditions and costs of the American Revolution/War with the Colonies. It is perhaps one of the more regrettable wars in human history, much more akin to the American Civil War a century later, as it pitted relatives and friends against each other. Could there have been a better way?

Alas, we'll never know.