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on June 3, 2004
I have lost count of the times I've seen this movie, and have lately sat through yet another viewing. As it is deep, exploratory and powerfully moving, I make no apologies for still finding something in it. I may even be preaching to the nostalgically converted when, as a boy, I grew up with it, seeing it on its territory, the 'big screen.' Having felt the same satisfaction then, I now find the space to appreciate it at a deeper emotive level. Those timeless emotions of thought and feeling in it, are layers I continue to find and appreciate. Why does this film continue to stand the test of time? Because of its eloquent handling of feelings and conditions everyone feels, from the brutality of tyranny to subsequent reconciliation. I have read some overtly
critical opinion about Heston's acting being 'wooden,' 'overblown,' 'pretentious.' If his is bad acting, what do you consider good? Isn't it just a case of appropriate or straight acting?
I think Heston's performance is sedate, solemn, deep with meaning, as is the case with most of the other stars who compliment his. William Wyler judges walking towards doorways and entrances, standing in them, turning up unexpectedly, with
classic precision which is almost theatrical.
The scene where Hur meets and crippled dying Messala learning his mother and sister have become lepers, is one of my favourites, dealing with the theme of human intimacy and tragedy in a moving way. Heston's shadowy figure standing in the doorway at Boyd's assertion, 'there Drusus, I knew he'd come,' is beautifully harmonised by Miklos Roza's music. I therefore agree with a comment that Boyd is Heston's foil dominating every scene he's in, making Hur see the incompletness or hollowness of his chariot victory. I see no enemy, a sweat-glistened Heston admits. Then Boyd rasps, 'is there still enough of a man left here for you to hate? Let me help you,' struggling in his crippled body. Wyler folds over this scene beautifully. Hur pulling Messala's dead hand grasp from his leather shirt, then walking into a deserted stadium looking yonder, languishing, yet not languished. As all the other stars in the picture bridge the gap of Heston's at times stylised or dull acting, there are many scenes like this one. But I think Boyd, not Hugh Griffith, should have received the oscar for best supporting actor. He went on to play a 'nicer' Roman officer named Livius opposite Sophia Loren in samuel Bronston's THE FALL OF THE ROMAN EMPIRE.
BEN HUR, because of its long-term devotion to the timelessness of psychological pain, misery, devotion, loyalty, healing, reconciliation and ultimate fulfillment, are what set it apart from today's generation. It belongs to a different era, one which had the space to explore those themes of humanity, lost today. Like comparable epics, such as SCHINDLER'S LIST or THE LAST EMPEROR, it has the strength to move. But despite obvious artifice and incorrect historical detail which don't measure up to the book, it is more lasting than the present materialist mediocrity. What is more enduring; that or something richly achieved with conviction, purpose and
quasi-Shakesperean? I know which I would choose.
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TOP 500 REVIEWERon April 24, 2008
It's definitely one of my favorites of all time because it's got stuff that most movies don't have: Everything. MGM and company unintentionally created a work of popular art that could only be fully appreciated in its original, pristine print, 70mm, super widescreen glory. It is no longer possible to make a film like Ben-Hur. Oh, George Lucas tries with all his computerized graphics, but this is a REAL spectacle, not some virtual one. 8,000 extras, tens of thousands of costumes, a $15 million budget (in the 1950's!), massive sets depict the power of Rome on the grandest possible scale. It took six years to complete production. Yet, its focus remains sharply on the detail, the private human experience of it all. The story doesn't get lost in the enormous vision of the work.

Ben-Hur is a drama at its best. It's the story of a family that had it all, was destroyed and then given their lives back. Ben Hur depicts both the best and worst of the Roman Empire, its glory and progress and the oppression of the less fortunate who lived under its rule.

There are two action scenes that really get my heart pounding each time this. First, the scene on the galley where the slaves are put through a grueling, forced rowing of their ship under the eye of General Quintus Arrius. The way that scene builds with the alternating of the camera from the slaves to the drums to the general, all the while picking up the pace, is quite riveting. Second, the chariot race. Some of the best action ever produced by Hollywood. The race itself keeps people on the edge of their seats. It appears to have been put together close to real time, which makes it all the greater.

Although the movie slows down after the race I am still moved by what happens later. The movie follows up with how Judah dealt with the festering anger inside him and what happens to his mother and sister. His love, Esther, helps the family and tries to console Judah. I really like the character of Esther that is portrayed.

Most of all, the greatest character of all in this movie is that of Christ. In Christ we see someone suffering without the hatred and vengeance that is so shown by Judah. A favorite scene of mine is when Christ gives Judah water to drink. The Roman commander orders him to stop. Jesus looks at him and the soldier is speechless. That says it all.

Charlton Heston has said that this movie could not be made today because of the prohibitive budget that would be required. Heston gives a sensitive and intelligent performance, as does most of the supporting cast. Ben-Hur's 11 Oscar nominations has been equaled by very few films. There have been similar efforts in the past (The Ten Commandments (50th Anniversary Collection), Cleopatra, etc.) but nothing matches the dramatic intimacy balanced with the epic extravagance of Ben-Hur. Truly a film in a class by itself and an actor that will be miss.
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BEN-HUR [1959] [3-Disc Ultimate 50th Anniversary Collector's Edition] [Blu-ray] [UK Release] The Entertainment Experience of a Lifetime!

Meticulously restored frame by frame and digitally remastered. This High-definition Blu-ray 3-disc masterpiece, hits greater heights with the arrival of this stunning visual splendour, thundering action and towering drama of this record-setting winner of 11 Academy Awards® including Best Picture. Charlton Heston brings physical and moral presence to his Best Actor Oscar® winning his role of Judah Ben-Hur, a Jewish nobleman in Palestine, whose heroic odyssey includes enslavement by the Romans, vengeance against his tormentors during a furious arena spectacular chariot race and the fateful encounters with Jesus Christ, Best Director Oscar ® winner William Wyler masterfully grips the reign of an enduring and spellbinding spectacular. Narrated by Finlay Currie.

FILM FACT: Awards and Nominations: 32nd Academy Awards® for Best Picture for Sam Zimbalist (posthumous award). Academy Awards® for Best Director for William Wyler. Academy Awards® for Best Actor in a Leading Role for Charlton Heston. Academy Awards® for Best Actor in a Supporting Role for Hugh Griffith. Academy Awards® for Best Art Direction for Set Decoration, Color, Edward C. Carfagno and William A. Horning (posthumous award) (art direction); Hugh Hunt (set decoration). Academy Awards® for Best Cinematography, Color, Robert L. Surtees. Academy Awards® for Best Costume Design, Color, Elizabeth Haffenden. Academy Awards® for Best Special Effects for A. Arnold Gillespie, Robert MacDonald and Milo Lory. Academy Awards® for Best Film Editing for John D. Dunning and Ralph E. Winters. Academy Awards® for Best Music for Scoring of a Dramatic or Comedy Picture, Miklós Rózsa. Academy Awards® for Best Sound Recording for Franklin Milton for M-G-M Studio Sound Department. Andrew Marton received a Special Achievement Award for directing the chariot race sequence. Charlton Heston was nominated for a Golden Globe® Awards in the Best Performance by an Actor in a Motion Picture and Drama category. The picture also won the BAFTA Award for Best Film, the New York Film Critics Circle Award for Best Film, and the Directors Guild of America Award for Outstanding Directorial Achievement in a Motion Picture for William Wyler's masterful direction.

Cast: Charlton Heston, Jack Hawkins, Haya Harareet, Stephen Boyd, Hugh Griffith, Martha Scott, Cathy O'Donnell, Sam Jaffe, Finlay Currie, Frank Thring, Terence Longdon, George Relph, André Morell, Claude Heater, Les Ballets Africains (uncredited), Ady Berber (uncredited), Marina Berti (uncredited), Hugh Billingsley (uncredited), Jerry Brown (uncredited), Robert Brown (uncredited), Joe Canutt (uncredited), Otello Capanna (uncredited), Richard Coleman (uncredited), Antonio Corevi (uncredited), Michael Cosmo (uncredited), Alfredo Danesi (uncredited), David Davies (uncredited), Princess Carmen de Hohenlohe (uncredited), Victor De La Fosse (uncredited), Liana Del Balzo (uncredited), Mino Doro (uncredited), Franco Fantasia (uncredited), Dino Fazio (uncredited), José Greci Richard Hale (uncredited), Claude Heater (Jesus uncredited), John Horsley (uncredited), Eddie Juaregui (uncredited), Duncan Lamont Howard Lang (uncredited), Lord Layton (uncredited), John Le Mesurier (uncredited), Cliff Lyons (uncredited), Luigi Marra (uncredited), Ferdy Mayne (uncredited), Aldo Mozele (uncredited), Remington Olmsted (uncredited), Laurence Payne (uncredited), Stella Rho (uncredited), Count Mario Rivoltella (uncredited), Noel Sheldon (uncredited), Ralph Truman (uncredited), Raimondo Van Riel (uncredited), Irina Wassilchikoff (uncredited), Joe Yrigoyen (uncredited) and Nazzareno Zamperla (uncredited)

Director: William Wyler

Producers: Sam Zimbalist, Joseph Vogel (uncredited), Sol C. Siegel (uncredited) and William Wyler (uncredited)

Screenplay: Christopher Fry, Gore Vidal, Karl Tunberg, Maxwell Anderson and S. N. Behrman

Composer: Miklós Rózsa

Cinematography: Robert L. Surtees

Video Resolution: 1080p [Technicolor]

Aspect Ratio: 2.76:1 [Ultra Panavision 70 and MGM Camera 65]

Audio: English: 5.1 DTS-HD Master Audio, English: 5.1 Dolby Digital, 5.1 Castilian Spanish, 5.1 Czech, 5.1 French, 5.1 German, 5.1 Italian, 5.1 Brazilian, 1.0 Portuguese and 1.0 Hungarian

Subtitles: English, Brazilian Portuguese, Castilian, Spanish, Croatian, Czech, Danish, Dutch, Finish, French, German, Greek, Hebrew, Hungarian, Icelandic, Italian, Korean, Latin Spanish, Norwegian, Polish, Portuguese, Romanian, Swedish and Thai

Region: All Regions

Number of discs: 3

Running Time: 212 minutes

Studio: Warner Home Video

Andrew's Blu-ray Review: 'BEN-HUR' is A Tale of the Christ is one of the most beloved literary classics of all time, and although it's seen numerous film iterations before, especially in 1907 and 1925, both of which were silent films, and it was William Wyler's retelling in 1959 that really made 'BEN-HUR' a household name, and there's a host of reasons for that. The first of which being a story that's epic in both concept and scope for Judah Ben-Hur, a wealthy prince in Jerusalem, seemingly has it all. His people are kind to him, and in turn, he's kind to his people. Not in a 'worship me or it's a thousand lashes' kind of way, but he genuinely treats the people who serve him as equals, friends even. However, things change when Judah Ben-Hur is visited by Messala, an old friend that now serves the Roman Empire as a military tribune. The two get along swimmingly just as if old times were upon them, but it isn't long before Messala lays out a terrifying ultimatum: Judah Ben-Hur must tell his people to roll over and be conquered, and if he doesn't, then Rome will take it by force. Judah insists he will do no such thing, and the two part ways. As promised, Rome's military marches into Judea with the understanding that their presence isn't welcome. Watching from a roof top is the Judah Ben-Hur family, where suddenly a roof tile slips and strikes the governor appointed by Rome. Although Messala knows Judah Ben-Hur is against violence and would never stoop low enough for such a stunt, he sees the situation as an opportunity. By turning on an old friend and his family, he could make the people of Judea fear him, so he promptly condemns Judah to the galleys and imprisons his mother and sister. Judah Ben-Hur vows to one day return and have his vengeance.

Personally, I went a really long time in my life without paying any attention to the likes of 'The Ten Commandments' or 'BEN-HUR,' as I thought them to be religious films and honestly, I'm not exactly the religious type. That being said, when I did decide to put my bias aside and give them a try, I fell in love. There's so much to appreciate in 'BEN-HUR.' Because of the massive set designs, insane amount of extras and wardrobe, and the finest details paid to the practical effects in the film, 'BEN-HUR' is impressively immersive for a film that's 50 years old. Despite a running time that one would expect to make a film feel like it's dragging on forever, 'BEN-HUR' is engaging from beginning to end for all of the reasons I've praised above. Even when the film isn't being 'busy' with a confrontation or action or anything else 'exciting', the character development is done well enough to ensure things move along at a very nice pace. More importantly, 'BEN-HUR' also seems to have quite a bit of replay value to it. I've seen it before, and now I've seen it again, for what seems like the first time thanks to the restoration on this stunning Blu-ray disc, but we'll get to that in a minute... yet I already feel like I want to schedule a little time to give it yet another screening. I don't care if you're 20 and have some kind of disposition that makes you think a film from the 1950's can't be good, or if you're 60 and have seen this film 15 times, then 'BEN-HUR' is a timeless classic and one that I personally believe can be enjoyed by most everyone. If you've been hesitant because of its age, don't be. When people praise films as being timeless, this is the kind of film they're talking about. If you've been hesitant because of a possible religious element at play, don't worry. The religious aspects aren't so in your face they're preachy. Trust me, put these typical and yet understandable, concerns aside and see what you've been missing.

Blu-ray Video Quality ' For many of you, I'm sure this is the part of the review you're most curious about. Although the previous inferior NTSC DVD release looked okay, but has this 6K restoration and sourced from an 8K restoration. really served this film's justice, being superior in high-definition in every perceivable way. Oh boy it is totally awesome. The 'BEN-HUR' 1080p encoded transfer and the awesome 2.76:1 aspect ratio is the most astonishing catalogue title I've ever seen. As I have said at the beginning of the review. Anybody out there that still clings such ignorant claims as 'old things can't look any better in HD and should watch this Blu-ray and educate themselves in what film looks like, no matter the era it came from. Yes, make no mistake about it folks; 'BEN-HUR' is the best looking release of 2011. Film enthusiasts everywhere have needed to rejoice. There are so many titles, and Warner Bros. is typically an offender here, that are a given a swift kick in the pants just so they can be pushed onto retail shelves, but 'BEN-HUR' is exactly what film enthusiasts crave. The image has been faithfully preserved to retain natural grain structure, while also faithfully reproducing every last detail and colour to perfection. I honestly wouldn't be surprised if this film looks better than it did during its theatrical debut. Not only does everything look immaculate up close and personal, but details in the distance look just as good as if you were looking out a window. I don't think I've ever written so much for a video portion of a review, but 'BEN-HUR' deserves every word. Simply put it, this release is a no brainer in terms of upgrading from your old horrible inferior NTSC DVD, as 'BEN-HUR' debut in high-definition is reference quality that every catalogue title should strive to achieve.

Blu-ray Audio Quality ' Unsurprisingly, the 5.1 DTS-HD Master Audio track also achieves perfection. The previous inferior DVD's, although sounding quite good, didn't exactly sound natural. Sound effects were a little loud for the track, probably just for the sake of being so. The same can be said for the score, which to my ears sounded like it was a little harsh at its peak moments. This has been rectified for this Blu-ray release, as the sound effects sound natural and 'fit' better in the overall sound design, and the score now sounds majestic instead of just noisy. Dialogue is always clean and crisp, and never sounds tinny. A good chunk of the track overall comes through the front speakers, and the most sound envelopment you get for the most part is hearing dialogue fade from left to right. There are some sound effects that come from the rears for ambience though, which completely took me by surprise for a film that's 50+ years, and they actually don't sound 'tacked on'. They too, sound natural. The entire sound stage actually gets rather rowdy during the sea battle and chariot scenes though, and you'll be impressed just by how immersive those scenes can be. Honestly, any and all of the faults that can be found in the sound design is just that, a fault of the sound design, most likely of the time. However, this is the most faithful representation of 'BEN-HUR' I've ever experienced, and is likely to be the best we'll ever hear. More top notch marks for a stunning release!

Blu-ray Special Features and Extras:

Disc One and Two:

Newly re-mastered and restored from original 65mm film elements.

Audio Commentary: Commentary by Film Historian T. Gene Hatcher with scene specific comments from Charlton Heston: Commentary by T. Gene Hatcher with Charlton Heston is a little different than most commentary tracks we've accustomed to listening to, as T. Gene Hatcher and Charlton Heston were recorded separately. Charlton Heston provides commentary for nearly a third of the film in bits and pieces, whereas film historian T. Gene Hatcher fills in the rest of the time frame. Although you'd expect the commentary to be dry since the two people involved weren't in the same room to bounce off of one another, this couldn't be further from the truth. Heston remembers many details about his time filming 'Ben-Hur' and is able to provide discussion that has a wealth of information and just as much as heart. Hatcher is very knowledgeable about the film and provides a very factual, yet thoughtful account in regards to the history of 'BEN-HUR' and its production. It's a long movie, and a lengthy track, as is continued on Disc 2, but if you've seen this film numerous times, you'd be doing yourself a disservice by not listening to what these guys have to say, especially Charlton Heston. This really feels more like history than a commentary!

Special Feature: Music-only track showcasing Miklós Rózsa's score: The music-only track shines a beacon on Miklós Rózsa's glorious score, which could easily stand alone as a major symphonic work. The gifted composer brilliantly evokes the Biblical period with a majestic main theme, but his subtle underscoring of incidental moments lends the movie great warmth and fervour. Rarely does film music merit an isolated track, but Miklós Rózsa's exceptional, OSCAR® winning score deserves to be not only heard, but honoured, and thankfully Warner has done just that with this track.

Theatrical Trailers: 1959 Loew's Theater Teaser; 1959 Theatrical Trailer; 1961 General Release Trailer; 1961 General Release Trailer and the 1969 70mm Re-issue Trailer.

Disc Three:

NEW! Special Feature: Charlton Heston & BEN-HUR: A Personal Journey [2012] [1080p] [78:00] This is an all new, feature length documentary in 1080p, that chronicles Charlton Heston's life while filming the cinema changing 'BEN-HUR.' In 1958, Charlton Heston travelled with his family to Rome by steamship on a risky gamble in' the making of an epic film which would become known as one of the most successful and critically acclaimed films of all time, 'BEN-HUR.' It would eventually go on to win eleven Academy Awards® and including Best Actor for Charlton Heston, but no one knew that at the time. 'BEN-HUR,' directed by William Wyler, would either make or break not only the studio, M-G-M but also determine the fame, fortune and career of actor Charlton Heston. Charlton Heston and 'BEN HUR' incorporates never-before-seen 16mm footage and photographs taken on the set of 'BEN-HUR' by Charlton's wife, photographer Lydia C. Heston, as well as interviews with Heston's contemporaries, including Tom Selleck, director Mike Newell, producer Peter Snell and filmmaker (and son) Fraser C. Heston, his daughter Holly Rochell and his wife, Lydia Clarke Heston. The film shows the inside story of the making of 'BEN-HUR' from Heston's perspective and how it formed him as an artist and actor in the years to follow. Directed by acclaimed documentary filmmaker Laurent Bouzereau and executive produced by Fraser C. Heston for the 50th Anniversary release and restoration of 'BEN-HUR.' It is a Warner Brothers Home Entertainment production, in association with Agamemnon Films and Blue Collar Productions.

Special Feature: BEN-HUR 1925 silent version, from the Thames Television restoration with stereophonic orchestral score by composer Carl Davis [143:00] Finally, out of the 'behind the scenes' sub-menu, we come to the silent film that preceded William Wyler's epic by 34 years. At nearly two and a half hours in length, the silent picture is interesting to see, although I admit it's not a style that I can really sit through entirely. What I did see was fairly impressive though - There were many more extras than I would have anticipated for a film this age, making the amount of costumes to be seen rather astonishing, and the picture quality is quite good considering. But, the rest is fairly typical for silent films of the era. Most of the physical acting and emoting are absolutely dreadful. Over-acted and almost comical to see, this really does destroy the epic-ness that this story deserved. I guess in 1925 though, you didn't have much choice! Still though, again, this is a great piece for such a historical collection contained within a box.

Special Feature Documentary: BEN-HUR: The Epic That Changed Cinema [2005] [58:00] Current filmmakers such as Ridley Scott reflect on the importance and influence of the film on modern epics. This documentary appeared on the 2005 DVD release, and no expense seemed to be spared in order to deliver the goods. Contained within are interviews with William Wyler (archive footage) and Charlton Heston (2001 Interview archive footage), as well as some modern day filmmakers Ridley Scott and George Lucas and fans of the film alike. Whereas the previous documentary really goes as 'behind the scenes' as you can get, this one reflects mostly on the impact 'BEN-HUR' had on cinema as a whole. Other contributors to the special documentary are Bruce Crawford, Ben Burtt, Arnon Milchan, Fraser Clarke Heston, Robert Dalva, Ernest R. Dickerson, Arthur Max, Don Davis, Irvin Kershner, Anthony Pratt, Janusz Kaminski, Sharen Davis, Elia Cmiral, Joel Cox, Caleb Deschanel and Michael Douglas.

Special Feature Documentary: BEN-HUR: The Making of an Epic, hosted and narrated by Christopher Plummer [1994] [58:00] Pretty much anything that wasn't mentioned in the detailed commentary or documentaries listed above is included here. This supplement details the path the story took from novelisation in 1880, to stage productions, to silent films in 1907 and 1925, to the 1959 epic featuring Charlton Heston. Interviews, behind-the-scenes footage and interviews with members of the cast and crew that were on the scene are all included here. Consider this an 'overall' look at 'Ben-Hur' and its history through expressions and art. Appearing in the special documentary are Rudy Behlmer, Gore Vidal, J.J. Cohn, William Wyler (archive footage), Catherine Wyler, Ralph E. Winters, Edward Carfagno Jr., Richard Edlund (Special Effects Director), David Raksin (Composer), Joe Canutt (Stunt Man), Yakima Canutt (2nd Unit Director archive footage), Cesare Danova (archive footage uncredited), Haya Harareet (archive footage uncredited), Marc Klaw (archive footage uncredited), Benito Mussolini (archive footage uncredited), Irving Thalberg (archive footage uncredited) and Edward D. White (archive footage uncredited).

Special Feature BEN-HUR: A Journey Through Pictures [1959] Audio-visual recreation of the film via stills, storyboards, sketches, music and dialogue: This is pretty much just a still gallery in motion, but it's worth taking a look at all the promo material that's here. This Blu-ray boxed set is seemingly very much geared towards those with an interest in cinematic history, so this shouldn't disappoint.

Special Feature: Screen Tests [1959] [30:00] Leslie Nielsen and Cesare Danova / Leslie Nielsen and Yale Wexter (without sound) / George Baker and William Russell, Haya Harareet Hair and Makeup Test (without sound).

Special Feature: Vintage Newsreels Gallery: Costliest Film Makes Screen History / The Night BEN-HUR Comes to Broadway / West Coast Welcomes Ben-Hur / VIP Opening: Capital Welcome for Ben-Hur / Japan's Emperor Goes to the Movies / Oscar Likes Ben-Hur.

Special Feature: Highlights from the 4/4/1960 Academy Awards® Ceremony [10:00] This is a lengthier look at the 1960 Academy Awards® includes acceptance speeches from most of the 'BEN-HUR' winners. We see Janet Leigh, Tony Curtis, Haya Harareet, Charlton Heston, James Stewart, Elizabeth Taylor, and Eddie Fisher arriving at the gala, and such notable presenters as Natalie Wood and Robert Wagner, Olivia de Havilland, Gene Kelly, and John Wayne. Wyler accepts both his own Best Director award and Hugh Griffith's supporting Oscar, and Sam Zimbalist's widow takes home the Best Picture honour for her recently deceased husband.

Theatrical Trailer Gallery [14:00] A trailer gallery showcases a teaser and four theatrical previews, all of which trumpet the movie's drama, spectacle, and inspirational nature.

Finally, 'BEN-HUR' is the quintessential epic, and this spectacular 50th Anniversary Edition from Warner Home Video may just be the quintessential Blu-ray collector's set. Boasting arguably the finest 1080p transfer of any classic film, exceptional audio, supplements galore and classy packaging, this is without question one of the top Blu-ray releases of the year and a must-own for every film aficionado. So clear some shelf space and give this thrilling Academy Award® winning film a prominent spot in your library, and enjoy the passion, spectacle, and, above all, the eye-popping, fully restored image of one of Hollywood's grandest and greatest achievements. So all in all I am so proud to have this in my Blu-ray Collection. Highly Recommended!

Andrew C. Miller ' Your Ultimate No.1 Film Fan
Le Cinema Paradiso
WARE, United Kingdom
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on May 10, 2013
When I first saw this movie it indicated to degree what the times in those days may very weel have been like and tunjust manner in which poeple were treated in those days and what might heave occurred when sometimes it was corrected durong the time that occrrured during the time of the Roman Empire's conquest of the verious parts of what we know as the middle east.
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on March 19, 2010
This movie is as good as when it came out and hasn't lost any of its qualities.
It can be watched again and again.

What i was expecting to be better was the image grain which is worse than i really expected,
considering the fact that the DVD's were made from the original 65mm prints; one has to take
into account the fact that this is really an old movie, and today's film stock has improved
immensely compared to even a few years ago. This should not be a deterrent for watching
or buying this movie, as the colors are excellent and the resolution is very good.

The extras are mostly interesting and give a better understanding of both the movie and the history
behind it all.

I would rate the movie itself 5/5*
for the technical side: 4.5/5*
and the extras 4/5*

Equipment used for viewing: Pioneer Elite Pro-950HD monitor TV (pro. calibrated).
Sound: Hafler DH110/DH500 pre/power amps
Yamaha surround.
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on March 29, 2011
MGM at its peak, with a very capable acting group. Carries a fantasy story about a man who eventually becomes a Christian. Without many of the distortions about Jesus and gives a fairly accurate view of life under Roman domination and corruption, however clearly missing the true nature of Jewish rebellion and the religous hypocrisy that existed at that time. Much of the picture does not deal with the religous opposition Jesus faced and their role in turning Jesus over to the Romans. However it does accurately protray how many Jews were attracted to Jesus message and flocked to him and adopted his teaching.
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on September 30, 2014
Will never buy a DVD from Amazon again. I have a 54" Sony and this damn DVD is a widescreen version using one third of the screen, I can barely make out the characters from my chair on the other side of the room and cannot watch the movie. It is going to my MIL who still has a small 17" TV in her bedroom. Whoever I bought this from should have made it very clear the picture format in the AD. It makes no difference though, will buy from a store in future so I can read the DVD container for picture format. After buying so many movies from Amazon this is a real disappointment. I do not know how it can even be for sale in this format that cannot be changed to fit all TV screens. It fits them all but you have to sit 4 ft from the screen to watch it.
Greg Leslie
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on December 20, 2013
A "must watch" collection... dramatic, intense, uplifting, interesting, and scary at times, showing courage and bravery, agony and victory. I would say; "All you need to know what could happen during a life time."
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on May 2, 2012
When I first saw Ben-Hur on VHS, I remember being wowed by the spectacle. When it was released on DVD, I was still wowed, but also disappointed with the faded colour palate which made it seem like a lesser epic in comparison to Lawrence of Arabia and Bridge on the River Kwai.

Well, it is faded no more! This blu-ray presentation is in a word spectacular. The colours are full and vivid and detail is ever-present. This movie looks so good on blu-ray my entire opinion of the film itself has been raised.

I've seen some pretty great video quality from blu-ray restorations of classic films, but Ben-Hur may just be the best of them all.
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on January 10, 2013
This movie is done perfectly - no wonder received 11 Oscars.
Good action, very nice decorations and costiumes. Charlton Heston plays Ben Hur great.
Very touchy!, maybe because I am Katholic.
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