Customer Reviews

First Power (Widescreen)

5 star:		(1)
4 star:		(2)
3 star:		(1)
2 star:		(0)
1 star:		(0)

 

 

as far as the cannon of supernatural movies goes,this one ranks fairly
high.it's a really good fast paced thriller,but the Catholic Church is
not painted in a very positive lite.if you're Catholic,you might be
bothered by this film.most people probably would take it for what it
is,a thrilling,genuinely creepy mini portrayal of the occult and it's
mysticism.there are a few things that don't quite make sense,but many
movies of this genre have that designation.obviously,you have to really
suspend your disbelief.if you're person that doesn't easily do that,you
could easily pick this movie apart,and probably wouldn't enjoy.or
possibly,you might find it so absurd,it's funny.i just accepted it for
what it is,and enjoyed it.for me,"The First Power" is a 4/5

You can only see a movie for the first time once and so I have to admit that THE FIRST POWER worked on me the first time I saw it in theaters. It moved with such lightning speed that I didn't have time to ponder its snowballing silliness. The director, Robert Resnikoff, knows how to construct an action film--the cinematography is first rate and the editing superb-- he just doesn't know when to stop. There are car chases, horse and buggy chases, foot chases and innumerable shoot-outs, and at one point the killer even brandishes a ceiling fan as a rather laughable weapon and all the action movie huggery-muggery sits rather uneasily on top of the supernatural elements.Lou Diamond Philips, though a tad young-looking to be such a seasoned detective, gives a competent performance. Jeff Kober is obviously having fun playing the killer and it shows; he has a toothy menace that's suitably creepy. Probably the best thing going for THE FIRST POWER is a truly unnerving and effective soundtrack from Stewart Copeland. The director pulls off some nasty mind-trips on the character played by Philips, one where he wakes to find his apartment seemingly covered in blood and another in a confessional booth when he goes to get some answers from a local priest.

This film is one that I'd never forget. The story is very intriguing and really gives you the creeps. The idea of having these kinds of powers is really creepy. A classic must have DVD for horror and suspense lovers!

Writer director Robert Resnikoff's action thriller is about the battle between Lou Diamond Phillips as a LA cop and a serial killer who's mark is the inverted pentagram, which he knives into the flesh of his victims. LDP thinks he has the upper hand when the killer is captured and executed in the gas chamber, not knowing that he will return as an entity with "the first power" ie the ability to inhabit the body of others. Therefore the problem arises - how do you stop something that is techically dead? The killer feels a personal connection between LDP and himself and chooses his future victims as people associated with LDP, that is when others with a "lesser sense of reality" like the homeless, junkies and drunks, aren't available. Resnikoff gets his biggest laughs when a baglady is possessed and taunts LDP with "Give us a kiss" and "It's not nice to hit a lady". Resnikoff makes good use of the atmospheric Stewart Copeland music score (nearly as effective as the one he did for Frances Coppola's Rumble Fish) and moves things along pleasingly, taking great satisfaction in the stuntwork, since the killer is remarkeably agile, and adding more of the supernatural in the form of LDP's helper Tracy Griffith as a smarmy red-headed psychic, with partly overcomes the general silliness of the concept. Resnikoff also scores laughs from the killer's grandmother, with Julianna McCarthy giving lines like "He was not illegitimate" and "You're that cop" a comic hiss. There is also much hissing of cats, optical and aural hallucinations, a demonstration of Griffith's predictive vision and then the playing out of it, an unsafe abandoned water sewer with an available waterslide, and a nun brought in to explain the differences between the first and subsequent powers which hold the key to the destruction of the demon. One might question the logic of running from a being that is able to transport itself to your destination before you can get there, a kind of anti-chase joke, and also firing into a fan when the bullets ricochet off the spinning blades, and Resnikoff overplays the animosity with matching eye closeups. LDP is said to be "surrounded by a shell", cynical and nihilistic after the death of his father and perhaps rather burnt out from his third serial killer. However that still doesn't excuse LDP's pugnacious attitude or flat acting. He's the kind of protagonist that you enjoy seeing hurt, and I was grateful that Resnikoff cut his romanctic scene short. However the ending is left unresolved, as if a setup for the sequel.