Customer Reviews

Legend (Ultimate Edition)

5 star:		(204)
4 star:		(71)
3 star:		(43)
2 star:		(7)
1 star:		(25)

 

 

Legend came out at a pivotal moment in director Ridley Scott's career. Blade Runner was already in production when the script for the film was being worked on, and that film's dark tone had already migrated over to what would become Legend. Disney was afraid of it, passing on the project due to the subject matter, and probably for good reason. It would later become one of Scott's most unique movies, requiring repeat views to truly appreciate it.

Legend tells the story of a Princess Lily (Mia Sara), a young maiden in love with a forest boy named Jack (Tom Cruise), who has befriended animals great and small. He promises to take her to see something truly remarkable: two beautiful Unicorns passing through a small meadow. Mischievous Lily approaches the Unicorns despite Jack's warning, and reaches out to touch one, breaking an unwritten rule that mortal beings are never supposed to touch a creature of legend. At the same moment, a trio of dark Goblins fire a blowdart at one of the Unicorns, spooking it and sending it racing away, leaving Jack and Lily unaware of the attack. Jack chastises Lily for her selfishness, but Lily feigns innocence before removing a ring from her finger and tossing it into the pond below. When Lily tells Jack that she will marry the man who finds the ring, Jack immediately leaps into the pond to find it. Meanwhile, the incapacitated Unicorn falls prey to the venom of the blowdart and dies. The Goblins track it, leaving the leader Blix free to cut off the horn of the Unicorn, which in itself is able to grant some degree of magical power. Night soon falls over the world, and a deep winter freeze coats the land while putting a curse on local villagers, freezing them in time. They leave the lifeless body of the Unicorn for Lily to find, who grieves for the loss of the beautiful creature, blaming herself for her own rash behavior. Meanwhile, Jack, barely escaping the frozen over pond, manages to ally himself with a fairy, an elf and two dwarves to find Lily and the alicorn, the female unicorn who has since disappeared. Lily discovers the alicorn and begs for forgiveness, but not before they are both captured by the Goblin trio and brought to the castle of the Lord of Darkness (Tim Curry) who seeks to slaughter the alicorn and bring everlasting night to the world so that he may roam free unthreatened by the deadly rays of the sun. Jack and his companions infiltrate the castle and soon learn that Darkness is slowly corrupting Lily's heart, whom he has fallen in love with. In order to make her his bride, she must accept the darkness willingly. Jack and companions must race against time to destroy the almost-invincible darkness and prevent night from falling forever.

Legend is the darkest of fairytales. Ridley Scott is no stranger to bleakness. Blade Runner was a moody, dark and rainy film from beginning to end, splitting its audience down the middle into those either fascinated, or completely turned off. By all accounts, Legend is the fantasy version of Blade Runner, for it repeats these themes tenfold. There is plenty of visual and audible poetry in the film, which dresses each scene with a particular attention to traditional storytelling. However, the film itself seems small in scale, never really exiting its primary forest locale except to enter a gloomy castle. There are only a handful of characters and practically no supporting ones, which gives the film a sense of personal importance rather than a threat affecting an entire country. To top it all off, the film touches on several philosophical themes such as humanity's irresponsible meddling with the environment and its creatures, as well as the true, inescapable nature of good in relation to evil. That being said, Legend is hard to swallow. It is filmed in Scott's typical style of utilizing grand set pieces with plenty of detail, and filling them with light sources to make the environment a character all by itself. It's not quite as obvious Blade Runner, but there's no escaping it. The tradeoff of course, is that characters can sometimes be given a secondary treatment. The only character who truly steals the show is Darkness himself, played brilliantly by Rocky Horror's Tim Curry who is obviously enjoying his role here. Physicality aside, Darkness is the most passionate character in the entire film. When this lord of all evil begins experiencing love for the first time, it creates such a conflict within his black heart that he becomes almost childlike and sympathetic in his inability to understand himself.

Legend is not for young children, so parents be warned. The dark tone is extremely strong from beginning to end, but the characters themselves will scare the PJs off the kids. Meg Mucklebones (played wonderfully by Star Trek: Voyager's Robert Picardo) is a hump-backed half-troll with piercing eyes and a vicious tendency to devour grown men whole. Hers is a scene spiked with black comedy, but black nonetheless. There are also quite a lot of disturbing images in the film, which I found particularly shocking given the film's PG rating. One scene shows a pair of demonic butchers with meat cleavers hacking away at human victims on a table while they flail around and writhe in agony, and it's right in front of the camera for all to see. There's also a heavy dose of demonic imagery in the film as well. Darkness himself is the physical embodiment of Satan in every way, from red skin and fangs to gigantic obsidian horns and goat's hooves. Though not explicitly named, Scott's obvious intention was to portray this character as the source of all evil, and this can be seen in the character's dialog. "Through dreams, I influence mankind!" Legend is most definitely recommended for older children and up.

Legend is a love-it-or-hate-it movie. You will either be enthralled by the imagery and the characters right up until the end, or you'll be turned off and wonder why you just wasted an hour and a half of your life. Fans should note that the Blu-Ray edition contains Ridley Scott's Director's Cut of the film, and the original theatrical version which included the electronic score by Tangerine Dream. Depending on who you speak to, they'll claim that either version is superior, but I preferred Scott's cut of the film with more traditional music, approximately 15 minutes of extra footage, and a slightly keener editing job. Either way, you have the choice of which version you prefer. The visual differences between the theatrical and Director's cuts are mostly due to source material. The theatrical cut was transferred directly from Universal's internegative, maximizing the film's sharp detail and saturated colors into what is possibly the best looking version of the film so far. By contrast, the Director's Cut could only be mastered from an answer print, which are traditionally known to yield less peak detail, and although the differences aren't night and day, they are noticeable. That being said, there was obvious attention given to the Director's Cut to make it the absolute best it can look, and it's no throwaway. Despite their transfer differences, both cuts have vastly different color tones as well. The theatrical version prefers lush greens and more traditional colors, while the Director's Cut casts a soft purple over some outside scenes, completely changing the tone. The DTS-HD 5.1 audio mix of the film is supple and explosive, taking full advantage of the Bass speaker to maximize thundering power where necessary, while filling the room with lush melody on softer scenes. I was incredibly impressed! As for special features, well, if you already own the Special Edition DVD, then you're just getting a double-dip here, but...the material included is pretty satisfying, including a great documentary, Ridley Scott's feature commentary, and a few extra bells n' whistles here and there.

It's not for everyone, but Legend is just another example of why Ridley Scott is one of the best and most iconic visual directors in the world.

Set in a world is timeless, when the Good and Evil are separted from the light and dark places. Where's a mystical forest inhabited by fairies, goblins, unicorns and mortals. When the Son of the Devil named Darkness (Tim Curry) wants to turn the world into a somber never ending age ice by killing a Unicorn that could bring his control. When he enlisted a goblin named Blix (Alice Payten) to go and destory the Unicorns that weaken his Power. When an young, beautiful princess named Lily (Mia Sara), who likes to manipulate people, including the forbidden love with a mystical forest dweller named Jack (Tom Cruise). Things are about to change, when Jack sees Lily, the immortals unicorns, when she charms the male unicorn, everything nearly falls apart, when Blix killed and remove the Horn, which present the ability of Power. Since there's one Unicorn left, Jack is now helped by fairies (David Bennett, Billy Barty, Cork Hubbert, Annabelle Layton) and protect the last Unicorn to defeat Darkness and trying to get back, the world, it once was.

Directed by Ridley Scott (Thelma & Louise, Gladiator, Black Hawk Down) brings this magical dark fantasy film to live, since it was very underrated, when it got release in Overseas in 1985 and Release in the U.S. in 1986 with very mixed reviews. This is cleverly written by William Hjortsberg (who wrote-the novel:Angel Heart). This has great Make-Up effects by Rob Bottin (The Thing, Total Recall, Fight Club), Excellent Production Design by Leslie Dilley and Assheton Gordon and Good looking cinematography by Alex Thomson (Labyrinth, Excalibur, Alien 3). Well, the Overseas and American Version has two different music score by Jerry Goldsmith (European Version) and Tangerine Dream (American Version) and of course-the editing is different also. DVD's is a 2 Disc Set for the European Version with Never Seen Before Footage with an interesting commentary track by the Director:Scott and the Original american release. Both has strong anamorphic Widescreen (2.35:1) transfer. Director's Cut has an impressive Digitally Remastered Dolby Digital 5.1 Surround Sound (also in DTS and Dolby Surround) and American Version is in Dolby Surround. DVD extras are great, including:An great documentary on the memories of the film with the filmmakers and cast, an lost never seen before deleted scene runs 10 mins, the fairie dance scene using the Original Audio with Storyboards and Photos. Isolate Music Score from Tangerine Dream and more. Some might dislike the original ending on the director's cut but it's much more closer and inventive ending, he wanted to have. I do like american version has an good (If uneven in someways) ending and we do see Darkness at the beginning (That explain why Scott prefer is Original Cut, which he's right) and even after he dies. Director's Cut is much more better and original with Goldsmith great score in it. It's almost perfect movie but there's one Character named Blix just disappears in the middle half of the movie (Even in the Director's Cut, we never know, what happen to Blix), Payten did actually dubbed Bennett's voice in the movie. Still, it's a fine, extremely entertaining movie. J-D-C Scope (Joe Dunton Cameras). Grade:A- (For the Director's Cut) and Grade:B+ (For the American Cut).

(Please note that my review mentions a few scenes and plot elements which you may not wish to know beforehand if you have never seen the movie; however, I would definitely not consider them spoilers.)

Legend is one of "those" movies for me. Like many of the movies I saw when I was young, it helped define my childhood. I first saw Legend during its first televised airing in Canada at about the age of 8. My mother taped it off of television for me, and over my unicorn obsessed childhood it became etched into my memory. Strangely, the version I saw then I have never been able to find in stores.

When the taped-from-tv version finally gave out on me, my mother bought for me an official Legend release for Christmas. I watched the movie with a sense of horror as I found that scenes that I felt were pivotal or pleasureably memorable to the movie were not present. The two notable scenes missing were the scene in which Gump riddles Jack about moonbells, and the one in which Jack faces the witch on his way to Darkness. The lack of these scenes brought the movie's greatness down a few notches for me. Perhaps if I'd never seen it with those scenes I wouldn't have noticed, but knowing just what was missing, and what the movie was without them, ruined something for me. So, when I found Legend: Ultimate Edition, I decided to buy it to see if the Director's Cut was the better version. However, I was aware when I bought it that my childhood version of Legend featured the Tangerine Dream score, and not the original. So I wasn't really sure what I was getting.

Imagine my annoyance to find that the Director's Cut is no better. In fact, I think it's worse. I will pick out three specifics that bother me:

Lily: In the U.S. Theatrical release, I like Lily. She is sweet, and innocent, and a little foolish, but endearingly so. In the Director's Cut, Lily's dialogue makes her out to be much less likeable - she seems immature and spoiled, a brat. There were points where I wanted to slap her for being so irritating.

The Score: The Tangerine Dream score has an atmospheric and often shadowy feel to it; the original score is much too over-the-top and takes away from the atmosphere of the film. Really, it does not feel much as though Jerry Goldsmith was watching the same movie everyone else was. Legend's dreamlike fantasy world grows into a dark nightmare, and this is served quite well by Tangerine Dream's interpretation; the original score is comical and clumsy in comparison.

Added Scenes: The scenes left in the Director's Cut were cut from the U.S. Theatrical release, with the exception of the scenes I mentioned previously, for a good reason; in addition to Lily becoming an irritating brat, most of the uncut scenes serve only to make parts of the film drag, or disturb the sense of flow. Some of them seem pointless or silly, as when Jack does a sudden flip in the air for no apparent reason. Perhaps if the score was more suited to the movie, certain scenes (such as the flip) wouldn't seem so comical or out of place, but when his flip is accompanied by a wild clashing of instruments, one has the urge to laugh at the clumsiness of the scene.

Now, back to those two scenes missing from the U.S. release. Why am I griping about two little scenes? Without the riddle scene, there seems a rather uncomfortable transition between Gump's rage at Jack for taking Lily to see and touch the unicorns. Not to mention it's a great scene! Also, Gump's riddling Jack is important to the story - Jack can't simply claim that love is the reason he did something stupid and then not have to answer for it. The riddle is a moment in which Jack can prove himself worthy, worthy of Gump & company's assistance in righting his wrongs, and worthy of the quest itself.

The scene with the witch is just cool. And, yes, Jack again proves himself. Jack's youthful inexperience needs to be tested a few times before he reaches Darkness. The U.S. Theatrical release leaves these out and Jack reaches Darkness untried. It goes against the whole idea of the quest. Silliness.

To be perfectly honest, I would not buy Legend: Ultimate Edition again if I had known the Director's Cut would annoy me so much. I would dearly love to find out why and how I saw a version that came somewhere in between the U.S. Theatrical release and the Director's Cut, and even get my hands on an official copy, but that will likely never be. Needless to say, Legend *is* a beautiful movie, and if you must have it, stick with the U.S. Theatrical release, cut scenes not-withstanding. I think my viewing of it is simply sullied by my memory and from knowing that my first viewings were of a superior version to the ones actually available.

This movie was a favorite of mine as a child. Unfortunately both the Ultimate Edition and the other Edition feature the Director's Cut, which completely ruined the movie in my mind. Anyone who loved this movie as a child should avoid both versions of Legend in DVD. The revised score is horrific compared to the originally aired version, it's disjointed and mangles the scene itself, as though the composer wasn't even watching the movie. The part played by Mia Scott is ruined by the additional scenes, in which she's referred to as a Princess, rather than a Lady (as in the original) and rather than sweet, naive and innocent she comes across as spoiled and demanding. There are entire pieces of the originally aired movie missing from the Director's and Ultimate Editions and new scenes which provide no insight to replace the missing portions. Rather than renewing a cherished childhood memory of a wonderfully mystical land of love and innocence and the chilling thrill of the evil characters played out, I was left with distaste and supreme diappointment.

The extras presented on this 2 disc DVD set are very interesting and worthy of your time. Director Ridley Scott provides a feature length commentary for the extended version of the film. In it, he reveals many interesting facts about the film and the cast, as well as revealing many special effects secrets that may surprise many people in their simplicity! The commentary moves along without any pauses and manages to keep your interest throughout.

The soundtrack by the group Tangerine Dream, created for the American release of the film, is presented here in all of its glory on an isolated track. Though being a fan of the Jerry Goldsmith score myself, I am glad that Tangerine Dream was showcased on this set for the sake of their many fans. After all, the only soundtrack currently available these days is the original score by Jerry, so spotlighting Tangerine Dream on the DVD makes good sense!

The documentary "Creating A Myth: The Making Of LEGEND" is very informative and details everything from the creation of the massive forest set to the big fire that completely destroyed the infamous 007 soundstage on which it was built. Ridley Scott, Mia Sara, and many others are available for an interesting hours worth of memories about the film. The inspiration for the film is discussed, as well as the critical reaction and subsequent changes that were ultimately made. Find out why the director made all of the last minute alterations to the film before releasing it in America right here in this documentary! Writer William Hjortsberg vividly recounts his early meetings with Ridley and details some of the hilariously absurd "brainstorm" ideas that he would occasionally throw into the mix. Altogether, very entertaining!

Included with these nifty bonuses are some very neat storyboards of sequences that did not ever make it before the camera, including one that features the heroes encountering a giant in his home. The long lost fairy dance extended sequence is also recreated here using the music composed by Jerry Goldsmith, as well as the surviving audio track of the filmed sequence, and completed visually with rare photos and artwork from the storyboards. Also included is an alternate opening for the film featuring a fourth goblin that was thought to be lost for many years! It is very interesting to see what may have been as opposed to seeing what actually came to be!

Rounding out the bonus features are the more typical offerings common on many DVDs, from the Brian Ferry music video to the theatrical trailers and Cast Bios. All in all, this DVD offers interesting bonuses that are both intriguing and insightful. Coupled together with the awesome presentation of both versions of the film, I don't think that you will be disappointed!

... because without them we probably wouldn't have the Director's Cut of such an amazing, and vastly underrated film. If you've watched the US release, you cannot understand the true Otherworldly essence this movie contains, not only due to the music score, but also the different scene cuts. However, it was very interesting to watch both versions, as the US and the Director's Cut are both on this "Ultimate Edition" DVD set.

Tangerine Dream's score is interesting - electronica, ELO style (if you've seen "Xanadu", you will probably know what I mean), but lacking real depth. Jerry Goldsmith's score truly captures every magical moment throughout the film, and really brings to life not only the scenery, but also the emotions of the characters (and viewers).

The US cut also destroys much of the basic premise of the story - the idea that pure innocence can destroy pure evil. The US cut implies Jack and Lili (made only a Lady in this version, not the Princess of the European release) are already having a sexual relationship at the begining of the film. How can she be considered 'pure' (in traditional fairytale style) if she is having sex (implied or not)? This is but one of the many jarring edits made to this film, which have been rectified in the Director's Cut.

I deifinitely urge anyone to watch this edition - there are not enough true fairytales captured on the big screen for children anymore, and the depth of ideas also makes it enjoyable for adults. Besides, it has Tim Curry as Darkness, the devil - how can you say no to that?

Watch it. Adore it. Feel the magic, and believe.

Another Great Fantasy Classic!! "Legend" Is A Work Of Pure Uncontaminated Fairy Tale Magic. I Found That This Film Gives A Similar Feel In Style As "The Neverending Story" does, And I Think This Is Because Of The Fact That Both Were Made Before The Age Of "CGI" Tim Curry Is A Total Genius In His Role As The Dark Lord (Satan) And The Make-Up Job On Him To This Day Is The Best I Have Ever Seen As Far As Movie Make-up Effects Go!! Even Now With Today's Movie Effects, I Have Not Seen A More Convincing Costume And Awsome Make-up Effects As They Did On Tim Curry's (Satan) Character.

I remember seeing Legend when I was a teenager and was blown away by Tim Curry's performance, the makeup and cinematography. I wasn't thinking about them exactly that way but seeing it again in blu-ray brings those words to mind.

Universal has done a great job in restoring the picture and sound. The feeling of being in a dreamworld has returned and is crisp and colorful.

I've never found Cruise's performance to be strong in this picture and that hasn't changed. The main draws are the look and feel of the film and if that's your memories then I suggest you pick this gem up.

This release includes the theatrical and Director's cut which supplies two soundtracks. You can hear the updated score or stick with Tangerine Dream in the former. I never was a big fan of the pop centered soundtrack but now you have a choice.

This film is truly a homage to pure, undamaged, fairy-tale magic. Although created in the age before computer animation, it sends the viewer to a realm that is foreign but feels familiar - maybe because it lives deep in our unconscious - a world of magical creatures and unicorns and princesses, and, of course, Evil. In this bold Ridley Scott deviation, the craft of moviemaking and wild imagination combined bring to life our innermost fears and fantasies. As far as makeup, set, direction and technical special effects are concerned, this is a true work of art. Any trick of the trade we've seen in LOTR comes from here. The host of magical creatures and the extensive netherworld bring to mind the phantasmagorical images of Rheon Argonian's dream-world or the medieval illustrations to Dante's Hell by Alberto Rios. The Evil is pure evil. The Good is light and luminous. But the borders of light and darkness are blurred, like in any good fairy-tale. As far as cast is concerned, the characters seem to live in their skins. Cruise, the hero, is still very young here, and despite his later reputation is completely in his element: he is saving the world. And, the drama between His Satanic Lordship (Tim Curry) and the Princess (Mia Sara) is darkly captivating and emotionally charged in all sorts of directions...
This film, strangely overlooked, sets the archetype in the genre of fantasy. It leaves an impression. It doesn't even require the viewer to suspend disbelief - the realm it portrays must be real, somewhere, somehow, simply because of the way it's made and because deep inside we believe in the basic, primal struggle of light and dark, of one life force with another. There is something beautiful and urgent and innocent in the simple facts of that enchanted world, in its fragility - its summer and light resting in the horn of a single unicorn. It is also deeply passionate, whether this passion drives one to save the world or to destroy it.
In a word, if you've ever longed for the magical, even if it was long-ago when you were a kid and didn't learn yet to be scornful and cynical of emotions, this movie is for you. Enjoy it!

The villains in this movie are what steal the show. From the goblin, to the orc, to the swamp troll, and to the unforgettable devil they are what make this movie what it is.

Just seeing Tim Curry in that oh so cool satan get up is worth the price of admission for this dvd.