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2 of 2 people found the following review helpful
4.0 out of 5 stars A perfect World
It is hard to imagine how someone can be rooting for a person who has escaped from jail and who has the ability to turn so violent (Costner), but that is what you will find yourself doing throughout this movie. It is the intellectual and well-meaning part of Costners' character that keep shining through . He can be bad, but he can also be compassonate, patient and in a...
Published on June 17 2012 by phoenix

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3.0 out of 5 stars Quirky little movie
"A Perfect World" is the kind of slow-fuse drama that both Clint Eastwood and Kevin Costner are known for. Both filmmakers prefer to focus on character development over fast-paced action; both gradually build their films up to emotionally draining conclusions (see "Unforgiven," "Open Range," and this film).
This movie defies all...
Published on Dec 7 2003 by Daniel A. Marsh


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2 of 2 people found the following review helpful
4.0 out of 5 stars A perfect World, June 17 2012
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It is hard to imagine how someone can be rooting for a person who has escaped from jail and who has the ability to turn so violent (Costner), but that is what you will find yourself doing throughout this movie. It is the intellectual and well-meaning part of Costners' character that keep shining through . He can be bad, but he can also be compassonate, patient and in a sense, nuturing, to the young boy he has kidnapped. He is a man of conviction, but tortured by his past and you will find yourself hoping that things turn out well for him, and the boy....Laura Dern and Clint Eastwood (who directed the movie) give subtle but more than entertaining perfomances in their quest to hunt down Costner and save the boy. One of my favourites
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5.0 out of 5 stars Yet Another, June 23 2014
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This review is from: A Perfect World (Widescreen) (DVD)
Another amazing movie. Beautiful story, great work by Kevin and the youngster that played along side him. Watch these movies, you may just get a nice surprise.
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4.0 out of 5 stars Prison chase with differnet tempo of an ideal, Oct. 9 2012
By 
Anthony Marinelli "marilread" (toronto on canada) - See all my reviews
(REAL NAME)   
Eastwood has made a movie, and he directs with a different tempo than most escape films, an escaped prisoner takes a boy as hostage and that forms part of the film this relationship, and the other half is iconoclast-cynic cop Eastwood, but no dirty harry, chasing him and his relationship with a female associate in which he talks of the chase and his views s he relates to young associate..that is the basis of the film, rather than screeching cars and action and shootout we have relations. The filmopens with Jehovah's Witness house at holloween(do they celebrate) with a mother commenting on the world above and how this changes their values of this world below, a world about a search for the values of the world above, and the lack of them among the fields of texas, and on the local culture. The costner character a few times mentions the time machine(a slip by the scenarist he should only mention it once it becomes redundant)...and professes a view given his dilemma of travelling to the future to a perfect world away from the present time, an interesting 19th century view, of progress...and on his journey the boy eventually shoots him among a melee with a religious family, but then warms up to him before being shot by a police official...to the chagrin of Eastwood..who notices the character of the escaped convict, a film not so much straddled by the function in society of characters, but by their personality, and for whatever reason the sufferings of the Costner character though faulty has a decency in him, as he yearns for a more perfect world...and people. Eastwood's character too has this yearning in him...and finds the shooting of the convict causes him violence, he wanted to bring him in and all seems as nothing even his knowledge, we all know so little, the wisdom of old age, and the religious...characters looking for something more in this interesting Eastwood character and the opening scene of the jehovah's witness against the holloween background sets the scene and mood for this movie...
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4.0 out of 5 stars Very good getaway story, Sept. 28 2012
By 
Kona (Emerald City) - See all my reviews
(TOP 100 REVIEWER)   
Butch (Kevin Costner) escapes from prison, takes a little boy named Phillip hostage, and leads the police (headed by Clint Eastwood) on a 2-day chase through rural Texas. The boy forms a close bond with his kidnapper who turns out to be a compassionate, though flawed, man.

This is a very good movie with some humor and a lot of suspense. Butch and Phillip's scenes are pure gold, extremely well-written and believable. Kevin Costner gives an excellent, subtle, and sympathetic performance. Seven-year old T. J. Lowther is perfect as the boy who sees the getaway as a fun and grown-up adventure; he's endearing without being too-sweet. The movie alternates between Butch and Phillip and their pursuers, and while Eastwood is good as the steely Texas Ranger, Laura Dern is just annoying in a thankless role as a scowling criminologist. I would have given the movie 5 stars if all of the scenes without Butch and Phillip were deleted; they are wonderful together and the rest of the cast is just there to pad the movie.

Directed by Eastwood, the film is ultimately a sad one but Costner and Lowther are outstanding.
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5.0 out of 5 stars A Perfect World, Oct. 10 2011
By 
Merry Bell "Merry Bell" (London, Ontario Canada) - See all my reviews
Amazing to find oneself on the side of the criminal. This is well-acted! The relationship, between the child and the criminal on the run, is excellent. Very believable!
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5.0 out of 5 stars Eastwood journeys deeper into the heart of the American male, June 1 2004
By 
Tracy Hodson "Awi Usdi" (Down by the Sea, United States) - See all my reviews
This review is from: A Perfect World (Widescreen) (DVD)
Continuing his exploration of what makes a man good, bad -- just plain human-- is what this film delves into, even more deeply than in the stunning "Unforgiven" (to his credit, Eastwood never pretends, as some male writers and directors do, that he understands women; instead, he admits that we are mysteries to him, and concentrates his energies on what he does understand: American men). Refusing to subscribe to typical American cinematic over-simplifications of "good vs. evil," Clint Eastwood delivers films that make you realize very quickly that there is no room for such absolutes when dealing with human truths. This thesis, which he has been pursuing for some time now, perhaps starting with "Tightrope" where the line between good and evil blurs to invisibility, he has, with "A Perfect World," given us a translation of John Lee Hancock's brilliant screenplay that is both beautiful and almost too painful to bear. Noted by critics at the time of its relase, but completley ignored by audiences who, it seems, found Kevin Costner as an escaped convict just too unpalatable, this film takes us on a complex journey deep into the souls of two tortured men, Costner's "Butch Haynes" and Eastwood's "Red," the Texas Ranger who is charged with running the escaped Haynes down. The past and its consequences are a continual theme in all of Eastwood's important works, and in this film, the ironies are neck-deep and take time and patience from the viewer to unravel. Even the decision by Red to commandeer the vehicle the Governer intends to ride in the next day when President Kennedy will be in Dallas (this is 1963) brings up the question: would the Governer have been shot had he been in this vehicle instead of in the President's car? This is one subtle example of how decision and consequence are continously explored in this most thought-provoking of films.
Kevin Costner gave probably the best performance of his life, cast against type as a complex man who cannot be called either bad or good, merely profoundly human, whose life has followed a course laid by poverty, homelessness, a suicide mother and a felonious father, a bit of high spirits, and high intelligence with nowhere to go, but most importantly, the Texas penal system as it was managed in the 60's. Haynes' moral center, despite his acts, never wavers, and it is that moral center that propels events which finally spiral out of his control and into tragedy. But we see, clearly, that even a so-called "bad" man can be good enough to inspire genuine, deep love that, in the end, redeems both him and the person whose initial action started the long chain of events that ends with the 36 hours over which this film takes place (we discover who this is along the way, and I don't want to lessen the impact of any discoveries). Another reviewer here implied that it was Eastwood who is responsible for Costner's excellence in this film, but having seen so many interviews with his actors, it is generally understood that Eastwood casts his actors, then leaves them alone to find the character and reveal him without a great deal of interference, so it would seem that the credit is, indeed, Costner's. Sadly, he never again worked against type, perhaps because of this film's commercial failure, but this performance will always stand as testament to what he can do, and never is that performance better than in the house where Cajun music on the Victrola and senseless violence against a boy much of an age as Butch himself was when violence entered his life, combine to send him into a sort of fugue state of memory, pain, longing, rage, and ultimately, the loss of control that brings things to a terrible end.
The boy, Philip, with whom he bonds (played beautifully by the transparent T.J. Lowther) also gives us his heart laid bare, and the rapport between the two of them is completely believable. We understand the child's repeated choices to stay with Butch, and the reasons go far beyond the superficial need for a father (his is gone), and into the realm of love. It is from Haynes that he learns the lesson that exacts the price of Haynes' escape, but then it is his love for Haynes that makes it bearable, and even right, for both of them, as in the end, he becomes the protector--the man--whose job it is to help a loved-one who can no longer help himself.
When a film's characters are torn apart by the end of a film, its viewers should be, too, and we definitely are. It is a difficult, heart-breaking journey that Clint Eastwood insists we take with him, but taking it brings us to the point where we should start each day: from scratch. Red's last line is, "I don't know a da*n thing anymore," and that is exactly the point and the purpose of this story. We should never, ever think we have all the answers; to do so is fatal, as Red learns. Every day we should be willing to examine our beliefs and look back, with honesty, at what we've done, and look forward to what we're about to do with eyes wide open and with some sort of awareness of potential damage, and know, always, that there is no good "us," no bad "them," but that we're all only human beings, deeply flawed and yet filled with the capacity for love and connection, each of us doing the best we can.
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4.0 out of 5 stars "A Perfect World" is the Perfect Movie, April 15 2004
By A Customer
This review is from: Perfect World, a (VHS Tape)
This movie is just wonderful. Clint Eastwood brings out the best in Kevin Costner, and consistantly keeps the movie on a good track. The movie has a good mix of heart-touching moments, and funny ones, too. I'd recommend this movie for anyone who enjoys a great film-keeps you interested the entire time! A great buy!
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4.0 out of 5 stars 2 Great Talents...Eastwood and Costner...1 Captivating Drama, April 6 2004
This review is from: A Perfect World (Widescreen) (DVD)
This review refers to the Warner Home Video, DVD edition of "A Perfect World"....
Clint fans will really appreciate the director side of Eastwood in this film from 1993, "A Perfect World". He portrays a seasoned Texas Ranger in pursuit of a dangerous escaped convict, who has kidnapped a small boy for a hostage. Kevin Costner is Haynes, the elusive fugitive and it his work in the film that is really showcased here. It's superbly acted by Costner, and beautifully directed by Eastwood. It's more than just a statewide cops and robbers chase, as the character development, and the past play a big part as the film progresses.Laura Dern also stars and the performance by T.J. Lowther the young actor who plays Phillip, the kidnap victim, is absolutely incredible.
This DVD by Warner Bros presents a very good picture, clear with nice color, in a widescreen format. All the action and the wonderful musical score, composed by Lennie Niehaus sound fabulous in Dolby Dig 5.1 surround sound.There's not much in the way of special features. Theatrical trailers and some cast bios.There are subtitles in English, French and Spanish.
Eastwood and Costner fans will appreciate the combined talent that will captivate you from the first frame to the last in this very dramatic story. For the Eastwood collector, you may want to consider purchasing this in the Eastwood "Hero" 3 pack offered here at Amazon. In addition to this one it also includes "Heartbreak Ridge" and "Absolute Power". There is a nice savings buying them that way.
Go ahead...make your day....enjoy...Laurie
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3.0 out of 5 stars Quirky little movie, Dec 7 2003
By 
Daniel A. Marsh (Sherman, Texas United States) - See all my reviews
(REAL NAME)   
This review is from: A Perfect World (Widescreen) (DVD)
"A Perfect World" is the kind of slow-fuse drama that both Clint Eastwood and Kevin Costner are known for. Both filmmakers prefer to focus on character development over fast-paced action; both gradually build their films up to emotionally draining conclusions (see "Unforgiven," "Open Range," and this film).
This movie defies all expectations and emerges as a thoughtful, quirky little drama about the consequences of child abuse and neglect. Though billed as a confrontation between Clint and Kev, the two stars play only one scene together, and that in long shot. The movie consciously avoids over-the-top action and melodrama, finding instead strange moments of humor that emerge when you least expect it. There is violence in the picture, and yet another mature consideration of gunplay (as in "Unforgiven"), but most of the violence is off screen and is not the focal point of the picture. This isn't "Dirty Harry."
Costner gets the lion's share of screen time as Butch Haynes, an escaped convict who takes a little boy hostage. The movie isn't so much about a manhunt, however, as it is the stunningly odd relationship that develops between con and kid. Both have been held captive: Butch, by the penal system, the kid, by institutionalized religion. Both are also without fathers. It's a sad, doomed relationship, but one in which both characters find redemption.
The movie is flawed. Clint's direction is uneven; I think there were some missed dramatic opportunities here. The climax is noticeably protracted; I doubt a man with a gut wound could wander as far out in the country as does one of the characters. You could almost say that, in spite of all the big stars, nothing happens. And Laura Dern is completely out of place and mis-cast; her final scene (a knee in the groin to Bradley Whitford) plays jarringly to the audience.
The saving graces are Costner and T.J. Lowther, as the kid, Phillip. Costner shows that he has true grit as an actor, giving a movie star turn that is far-removed from his Crash Davis in "Bull Durham" and John Dunbar in "Dances With Wolves." We can see that Butch is messed up and not a good person -- but neither, as he himself points out, is he the worst. This is one of Costner's best performances and I really hope he returns to this style of work.
Eastwood is credible as Texas Ranger Red Garnett, but that's about it; I understand his character was extensively re-written so Clint could have more screen time, and it feels that way.
In short, Costner's performance for a change far outshines the movie that it's in. "A Perfect World" isn't bad, but it's not the best, either.
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5.0 out of 5 stars A gem that got lost in the cracks, Nov. 24 2003
This review is from: A Perfect World (Widescreen) (DVD)
This film is one of those rare movies that manage to use the strengths of all involved. First, this is the very best of Clint Eastwood both as a director and actor. Eastwood the director learned his trade from Don Siegel, who made a bunch of no-nonsense 70's action films, many of them with Eastwood as the star. Eastwood learned his trade well from the master. He can edit the fat out of a film very effectively. Eastwood the actor really shines in this film as well in a supporting role as a Texas Ranger at the tail end of a career doing a kind of slow burn as events unfold around him.
This film is also Kevin Costner's best work ever, and one has to imagine it came because Director Eastwood sat on him hard. Whatever, Costner gives a very, very good performance, full of depth as a prisoner on the lam. He is actually tough and touching at the same time, no small feat for any actor.
Finally, Laura Dern is also at her best in this film. What happened to her, anyway? Where did she go? Anyway, the romance between the Eastwood character and Dern is understated and very moving, as each character slowly gain respect for the other. Dern is not classically beautiful, but she comes off as very real and smart, with a sense of humor and a real humanity. Hollywood needs more like her, instead of fashion models playing cops. Dern looks natural as hell in the role with a beauty, as corny as it sounds, that comes from within.
All in all, a vastly overlooked gem that is well worth owning.
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A Perfect World (Widescreen)
A Perfect World (Widescreen) by Clint Eastwood (DVD - 2002)
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