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4 internautes sur 4 ont trouvé ce commentaire utile :
Deep, exploratory and emotional
I have lost count of the times I've seen this movie, and have lately sat through yet another viewing. As it is deep, exploratory and powerfully moving, I make no apologies for still finding something in it. I may even be preaching to the nostalgically converted when, as a boy, I grew up with it, seeing it on its territory, the 'big screen.' Having felt the same...
Publié le Jui 3 2004 par David Butterworth
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Hold your horses, Judah
There are those who think that the reputation of the 1959 movie version of Ben-Hur is a victim of its success -- that it's remembered for the chariot race, for being the biggest, the widest, the longest, etc., rather than its ambition to upgrade the historical spectacle genre into a drama of character and the clash between the ancient Roman and Jewish cultures. True...
Publié le Mai 24 2004 par Rick Darby
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4 internautes sur 4 ont trouvé ce commentaire utile :
Deep, exploratory and emotional, Jui 3 2004
I have lost count of the times I've seen this movie, and have lately sat through yet another viewing. As it is deep, exploratory and powerfully moving, I make no apologies for still finding something in it. I may even be preaching to the nostalgically converted when, as a boy, I grew up with it, seeing it on its territory, the 'big screen.' Having felt the same satisfaction then, I now find the space to appreciate it at a deeper emotive level. Those timeless emotions of thought and feeling in it, are layers I continue to find and appreciate. Why does this film continue to stand the test of time? Because of its eloquent handling of feelings and conditions everyone feels, from the brutality of tyranny to subsequent reconciliation. I have read some overtly
critical opinion about Heston's acting being 'wooden,' 'overblown,' 'pretentious.' If his is bad acting, what do you consider good? Isn't it just a case of appropriate or straight acting?
I think Heston's performance is sedate, solemn, deep with meaning, as is the case with most of the other stars who compliment his. William Wyler judges walking towards doorways and entrances, standing in them, turning up unexpectedly, with
classic precision which is almost theatrical.
The scene where Hur meets and crippled dying Messala learning his mother and sister have become lepers, is one of my favourites, dealing with the theme of human intimacy and tragedy in a moving way. Heston's shadowy figure standing in the doorway at Boyd's assertion, 'there Drusus, I knew he'd come,' is beautifully harmonised by Miklos Roza's music. I therefore agree with a comment that Boyd is Heston's foil dominating every scene he's in, making Hur see the incompletness or hollowness of his chariot victory. I see no enemy, a sweat-glistened Heston admits. Then Boyd rasps, 'is there still enough of a man left here for you to hate? Let me help you,' struggling in his crippled body. Wyler folds over this scene beautifully. Hur pulling Messala's dead hand grasp from his leather shirt, then walking into a deserted stadium looking yonder, languishing, yet not languished. As all the other stars in the picture bridge the gap of Heston's at times stylised or dull acting, there are many scenes like this one. But I think Boyd, not Hugh Griffith, should have received the oscar for best supporting actor. He went on to play a 'nicer' Roman officer named Livius opposite Sophia Loren in samuel Bronston's THE FALL OF THE ROMAN EMPIRE.
BEN HUR, because of its long-term devotion to the timelessness of psychological pain, misery, devotion, loyalty, healing, reconciliation and ultimate fulfillment, are what set it apart from today's generation. It belongs to a different era, one which had the space to explore those themes of humanity, lost today. Like comparable epics, such as SCHINDLER'S LIST or THE LAST EMPEROR, it has the strength to move. But despite obvious artifice and incorrect historical detail which don't measure up to the book, it is more lasting than the present materialist mediocrity. What is more enduring; that or something richly achieved with conviction, purpose and
quasi-Shakesperean? I know which I would choose.
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An ageless movie, Juil 10 2009
I had seen this movie decades ago and had almost completely forgotten the plot. So, it was a pleasure to rediscover an intricate story with many surprising twists in it. The overal feeling of the movie is that of a modern production that does not give the impression of having been made so long ago. The intrication of many themes of human fate is well displayed: politics, history, love, ambition, power, dispossesion, ordeal, transcendant Presence, redemption.
I was impressed by the powerful presence of Jesus Christ achieved by never showing Him directly but only in very brief and poignant scenes.
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Every time I see this I get charged, Avril 24 2008
It's definitely one of my favorites of all time because it's got stuff that most movies don't have: Everything. MGM and company unintentionally created a work of popular art that could only be fully appreciated in its original, pristine print, 70mm, super widescreen glory. It is no longer possible to make a film like Ben-Hur. Oh, George Lucas tries with all his computerized graphics, but this is a REAL spectacle, not some virtual one. 8,000 extras, tens of thousands of costumes, a $15 million budget (in the 1950's!), massive sets depict the power of Rome on the grandest possible scale. It took six years to complete production. Yet, its focus remains sharply on the detail, the private human experience of it all. The story doesn't get lost in the enormous vision of the work.
Ben-Hur is a drama at its best. It's the story of a family that had it all, was destroyed and then given their lives back. Ben Hur depicts both the best and worst of the Roman Empire, its glory and progress and the oppression of the less fortunate who lived under its rule.
There are two action scenes that really get my heart pounding each time this. First, the scene on the galley where the slaves are put through a grueling, forced rowing of their ship under the eye of General Quintus Arrius. The way that scene builds with the alternating of the camera from the slaves to the drums to the general, all the while picking up the pace, is quite riveting. Second, the chariot race. Some of the best action ever produced by Hollywood. The race itself keeps people on the edge of their seats. It appears to have been put together close to real time, which makes it all the greater.
Although the movie slows down after the race I am still moved by what happens later. The movie follows up with how Judah dealt with the festering anger inside him and what happens to his mother and sister. His love, Esther, helps the family and tries to console Judah. I really like the character of Esther that is portrayed.
Most of all, the greatest character of all in this movie is that of Christ. In Christ we see someone suffering without the hatred and vengeance that is so shown by Judah. A favorite scene of mine is when Christ gives Judah water to drink. The Roman commander orders him to stop. Jesus looks at him and the soldier is speechless. That says it all.
Charlton Heston has said that this movie could not be made today because of the prohibitive budget that would be required. Heston gives a sensitive and intelligent performance, as does most of the supporting cast. Ben-Hur's 11 Oscar nominations has been equaled by very few films. There have been similar efforts in the past (The Ten Commandments (50th Anniversary Collection), Cleopatra, etc.) but nothing matches the dramatic intimacy balanced with the epic extravagance of Ben-Hur. Truly a film in a class by itself and an actor that will be miss.
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Ben-Hur, Jui 9 2005
Par Un client
A true classic from Hollywood's silent age! Like the other reviewers for this film, I too am somewhat surprised that it has not yet been made available on DVD, when the 1959 version has appeared in numerous incarnations already. This is an tremendously good movie, silent or not; not only for its early use of colour film and optical effects, but for the performances that match (and in some instances surpass) those of the Charleton Heston remake. Although seldom appreciated today, this movie is well worth seeing and being remembered.
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Ben-Hur: A Tale of the Christ, Déc 16 2004
Prince Judah Ben-Hur (Charlton Heston of Ten Commandments fame) was raised up with his best Roman buddy Messala (Stephen Boyd). Little did they know at the time that they would grow up become adversaries, and as a result this would lead to may adventures. In the process Judah leads many different lives that parallels and crosses the life of Jesus.
We see Judah in the mines, on the galleys, and even adopted by a roman Noble man as young Arrius. Mean time back at home his family is incarcerated by Messala leading to trials and tribulation that only Jesus can correct.
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A lot of time and money went into this MGM production that netted 11 Academy Awards, along with many others such as BAFAT, David di Donatello, Directors Guild of America, Golden Globes, Laurel, Writers Guild of America, ...etc.
You will be so intrigued that you may not notice the 212+ minutes depending on the version.
One highlight, the chariot race was reproduced many times in various forms.
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Really The End of an Era, Juil 20 2004
One of the last great grand sweeping epics. Truly a cast of thousands. I've never been a big Heston fan but you got give the man his due. He was born to play these larger than life characters. The chariot race is really all its cracked up to be. One of the greatest cinematic moments ever. The chariot race in the silent version is even better, if you can believe that. Just amazing.
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DVD NOW!!!, Juil 19 2004
Wouldn't it be neat if both editions of Ben Hur were availiable in a two pack or even a special edition with extras and compare/contrast commentaries on both? I think these studios are really missing the boat and missing a major moneymaking enterprise by not getting these silent classics out on dvd. I actually prefer this olderr edition. It moves along faster and seems like a greater accomplishment from a filmmaking pov. Both are brilliant, of course, and its just a matter of subtle differences.
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AMAZING MOVIE!!!, Juil 10 2004
Definitely a great epic and one of my personal favorites, Ben Hur, brings to the screen such heavyweights as Charlton Heston and Jack Hawkins in a tale set during the times of the Roman Empire. There are no words to describe this multiple (11) Oscar winning movie. The acting, the chariot races (!!!) and the costumes are all wonderful! It is simply amazing how a movie made in 1959 surpasses by far most movies that have been made in later years. Ben Hur is about honor, bravery, and heroes from a time long gone.
Together with Spartacus, The 300 Spartans, Cleopatra, and the Fall of the Roman Empire, Ben Hur makes my list of Top 5 classics of all times.
A great marvel indeed!
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The greatest Movie of all times, Juil 9 2004
This Movie no matter how many times i see it moves me. I have the Collectors Box Set. This set will be used to be passed down to my family forever.
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One of the Best, Juil 9 2004
As religious epics go, Ben-Hur is one of the best. I mean, who can forget that chariot race! Even by today's CGI standards, the shear epic quality of Ben-Hur leaves you breathless at times. Of course, it's also a great story of redemption and faith; and one of the few instances in which Charlton Heston's performance is not utterly over the top. Along with Heston's other great religious epic, The Ten Commandments, Ben-Hur is a must-have for any collection.
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CDN$ 49.90 CDN$ 36.99
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