on July 9, 2015
The very best role that Yul Brynner ever performed in! Deborah Kerr is perfect as the prim and proper English schoolteacher
who has come to Siam to teach the royal children. First-class music by Rogers and Hammerstein-many songs are still famous
for older singers A perfect family story for everyone.
on January 28, 2015
I have to agree with all the other glowing reviews of this film (I never saw the stage version so I don't know what was missing) except for those ridiculously gigantic skirts Miss Kerr was wearing. Even on board the boat that brought her to Siam she could not have gotten below decks in those skirts. Half that size would still have been gorgeous and flowing without being so far over the top as to be rather ludicrous in their size. The music is glorious, the singing by Marni Nixon as Miss Kerr was wonderful as always. Marni Nixon has a real gift for making her singing voice sound like the voice the star would have if she sang). The sets were lavish and spectacular and the rest of the costuming was quite authentic and colourful. I love The King and I and I enjoy it every time I watch it even though I find myself wishing those skirts were a lot smaller. To me, they are actually a distraction at times. Her dresses are wonderful, with beautiful colours and designs, if I can somehow ignore the skirt size. I do recommend this film and hope that others find the skirts to just be beautiful.
on April 22, 2004
I recall seeing the original road show engagement of this in the mid-1950's and recall vividly seeing the "Shall I Tell You What I Think of You" (with Anna combing her hair as she sings it) and "My Lord and Master" in that showing and being disappointed that the subsequent theatre, television, and video showings did not have those performances included. I was hoping the DVD would include all of the original material and am disappointed that it evidently does not. Still and all, I love the film and still love watching it.
on March 13, 2004
The King And I, Is a fantastic film. A great adaption from stage to film. The peformances by Brynner and Kerr are simply amazing, and the beautiful Rita Moreno does a spectacular job as playing the slave Tuptim. I'm sure you know the story, so I won't go on about that. I am most dissapointed with the cut of so many great songs, I understand the film was very long, but cutting many great songs makes the movie less enjoyable for me.
The songs cut for the film are Tuptim's beautiful "My Lord And Master", "The Royal Bangkok Academy", "A Puzzlement REPRISE", "Shall I Tell You What I Think Of You?", "Western People Funny", and Tuptim's and Lun Tha's "I Have Dreamed". In my opinion the two most drastic cuts are the beautiful "My Lord And Master", and "I have Dreamed", which are considered two of the most beautiful and powerful songs in the whole score. LUCKILY! Those two songs were recorded along with "Shall I Tell you..." So its great we get to hear Rita Moreno on Tuptim's other songs, even though Rita had slight augmenting done with her high notes by another woman, for most part it was Rita's voice, and her voice was beautiful indeed. Sadly, songs like Lady Thiang's and Wive's hilarious "Western People Funny" was not recorded, And I think the song is fantastic.
Otherwise, the cut of those wonderful songs, are the only dissapointment for me. So this movie is amazing. I highly recommend this masterpiece. The DVD is great, with great bonus features, and being remastered..the picture quality is great.
Get this DVD, and enjoy a classic musical!
It is the early 1800's and King Mongkut of Siam (Yul Brynner) realizes that a good education is necessary to survive and also paramount for the survival of Siam. So he sends off for a teacher for his many offspring.
His choice a widow Anna Leonowens (Deborah Kerr) and her son Louis Leonowens (Rex Thompson).
King Mongkut does not keep a promise of a separate living quarter for Anna and her son. He also is smug and overbearing. This will lead to several things he did not plan on including a Siam's play version of "Uncle Tom's Cabin" With little Lisa on the ice flows.
Mean while The King's son Prince Chulalongkorn (Patrick Adiarte) seems to be more amenable to leaning the ways of the western world.
Can the king save Siam from the imperialists?
Will Anna be a help?
There was an earlier film version of this story "Anna and the King of Siam" with Irene Dunne and Rex Harrison which has a different feel. The other film does not have the advantage of talent music of Rodgers & Hammerstein.
on November 9, 2008
This movie is absolutely wonderful - especially with Yul Brynner. The music, costumes and sets are amazing.
on February 2, 2004
BEAUTY, MAJESTY AND SPLENDOR, February 2, 2004 Reviewer: firstname.lastname@example.org, Beverly Hills IN United States
One of the grandest, most entertaining musicals ever committed to the silver screen, "The King And I" is one of Rodgers and Hammerstein's greatest achievements. From the film's excellent performances by two beloved screen icons, Yul Brynner and Deborah Kerr, to the splendid score, to the breathtakingly beautiful cinematography and set direction and elegant costuming... all come together to create an indelible movie masterpiece.
Loosely based on the real-life story of British schoolteacher Anna Leonowens, the film begins in the year 1860, when Leonowens (Kerr, at her most beautiful and most charming) comes to Siam with her young son to educate the many children of His Majesty the King of Siam (Yul Brynner, in an oustanding Academy-Award winning performance). Although Anna enjoys very friendly relationships with her charges, she has many conflicts with the stubborn King, at first refusing to live in the palace, in the King's "harem". He questions her culture and customs, but many of which he readily adopts, including the phrase: "Etcetera, etcetera, etcetera," (which becomes an oft-repeated line in the film). Although wary of the proper Englishwoman, he is intrigued by her teaching methods and her sly sense of humor and her pronounced propriety. Anna soon finds herself developing a deeper relationship with her employer... and the unspoken feeling is mutual.
Another romantic drama is also unfolding behind the scenes: Tuptim, the King's favorite courtesan, has fallen in love with Lun Tha, a young slave. They wish to run away together, but to forever seal their love, they would have to defy the King... or be separated forever.
With underlined with unspoken emotions, vain pride, and biting humor, "The King And I" is glorious entertainment, not only for its fine performances and glamorous spectacle, but for its legendary music: Kerr and the children perform a delightful rendition of the classic "Getting To Know You", Kerr sings the praises of young love in "Hello, Young Lovers", Brynner shines with his pronounced staccato "Confusion", and the film's most memorable scene has Kerr and Brynner waltzing and singing to the film's masterpiece, "Shall We Dance?".
The film is also full of many golden scenes: the King's wives giggling at the sight of Kerr in a billowy petticoated gown (believing that is how she is shaped!), Kerr teaching the inquisitive Siamese youngsters about falling lace from the sky called snow, and one scene in particular, a royal banquet given for an English ambassador, with a performance by the King's dancers of an interpretive version of "Uncle Tom's Cabin", reworked as "Small House of Uncle Thomas", which is very entertaining. And the film's final, memorable scene will not be forgotten quickly.
Rodgers and Hammerstein work their incredible magic and Hollywood works its own magic in this beloved movie musical, which has delighted and entertained audiences for years, and lives on in this celebrated film classic. -- David Harrison Levi --
on August 11, 2002
I find it interesting to stop every once in a while and think about the title, "The King and I"--notice the use of the pronoun "I". The original musical play was a showcase for Gertrude Lawrence, who played Anna, the "I" of the title. It was about her, from her point of view. The relatively obscure Yul Brynner's King was important, but not the main character. Well, by the time Brynner died after many revivals and tours decades later, just about everyone had forgotten about "I" being the main character--this show was about the King. A wonderful study of how one man's undeniable charisma forced itself upon the public.
I just LOVED this movie when I was a little girl, partly because of the songs, but mostly because of the gigantic hoop skirts Ms. Kerr sports. They just get bigger and bigger as the movie progresses, until the final iridescent ballgown. I saw this once on a big screen, and when they do that big polka in "Shall We Dance", the momentum of their dance made the skirt seem to billow out into the audience. Wow! Then someone bought the LP, and I played it over and over and learned not only all the songs but the instrumental parts too. Couldn't get enough of it, then or now.
Here is an unlikely love story of how a British governess arrives in 1860s Siam to teach the many children of the King. She and the King have many cultural differences, but ultimately come to respect and admire each other, just to brink of romance. But, that can never really be, for a multitude of reasons. Deborah Kerr is a great Anna, ever so proper but willing to unbutton it a little in her dealings with Brynner's outrageous King. He's more bark than bite, we find out by and by. Great songs, too: "I Whistle a Happy Tune", "Hello, Young Lovers", "Getting to Know You", "I Have Dreamed" (just makes me swoon to think of it!), and the great "March of the Siamese Children" when more children than you can count come to greet their new governess, who is as absolutely charmed as the audience by the song's end. Worth noting that Ms. Kerr's songs were dubbed by Marni Nixon, who did the honors again in "My Fair Lady" and "West Side Story". Yul was dubbed by no one.
One of the very best Hollywood musicals, "The King and I" will entertain you royally, have no doubt!
on July 8, 2002
One of the best movies of an R&H musical, The King and I locks English schoolteacher Anna Leonowens in a battle of wills with King Mongkut of Siam, circa 1862. The King has hired Anna to teach the royal children and wives in the court at Bangkok. As Anna introduces Western ideas to the Siamese children, the King finds it harder and harder to choose between being a fair-minded, enlightened leader and an absolute ruler. The crux of contention emerges over Tuptim, a Burmese young woman given to the King as a "present" even though she loves another man.
"The Small House of Uncle Thomas", a ballet adaptation of the novel Uncle Tom's Cabin, presented by the royal dancers, is fascinating to watch. Most of the songs are superb, and the action and emotion rise sharply throughout the film. I cannot address the concerns over stereotyping of Siamese characters (or English characters). In all, The King and I matches two worthy opponents who respect each other (and secretly love each other?) but cannot give in to each other.
on December 25, 2001
This is a wonderful movie and with a well deserved Academy Award for Yul Bryner as the King of Siam. If you watch The Sound of Movies it will tell you some of the backstory on the King and I. I really question the reviewer on here who said it was boring. Also, Anna did not become his concubine.Far from it. This is based on a real story. Read the book. I saw the old black and white version with Irene Dunn and Rex Harrison and read the book and the boyfriend of the slave girl who was brought to the king was burned at the stake with her I believe. I like the way that they change that ending in this movie. Yul Bryner really did deserve the Oscar for his performance. The music is wonderful as usual in this with Marni Nixon partly dubbing Deborah Kerr's singing voice. I know that the Uncle Tom reenactment is supposed to be dramatic and moving and I guess it is the first time you see it but kind of dull for me but it does need this for part of the point of the story. Also, hate that they did cut some of the songs from Broadway to Movie. I have the soundtrack of the movie and they are on the cd. I think the people who give classic movies bad ratings are just totally out of touch with the world. I would love to converse with people who do recognize great movie making, but I'm glad I don't have to converse with those who find this and other great movies "dull". I guess they are the ones who like all this action stuff. This is not for you, people who dislike musicals, and seemingly slow moving plots. I grew up being exposed to great musicals and great music and most of the people who do like movies like this one come from the same background. For those young people who have an interest in the arts, you need to see this. I hate that children are growing up exposed to PG/R and X movies and not many G rated movies and most of the stuff is action and full of bad language. Okay, I'm on my soapbox. I do like some action but those of you who understand my point, will get it and those who don't will be the same people who don't like this movie. The only reason I gave this movie 4 stars instead of 5 is because of the deleted music but if I had never known about it, it would get 5 stars.