on June 4, 2004
Billy Wilder shows us once more his great skills as director. His versatileness allowed going from the drama (Sunset Boulevard) to the reflexive Stalag 17 and create a classic film noir as Witness for prosecution.
In this case, Wilder throws his glove to the sand about two musicians (Lemonn and Curtis) who are witeness of a multiple murder between members of the mob. This starting point will origin a progressive mistake comedie when they decide escape from a sure death, dressing femenine clothes.
Never before in the cinema there has been such a lot of laughable situations and suggestive jokes. Remember the presence of the eternally unforgettable Marilyn Monroe, who is the perfect balance in this movie.
Nobody is perfect is one of the most famous statements endings of any picture ever.
Please, acquire this one. Lemonn is fine and Curtis is in his best achievement.
Dazzling script and brilliant direction.
An eternal gem.
on February 8, 2014
An absolute must for every ones collection. Marilyn at her best - her singing in this movie was why I had to own this movie. The story line is very funny. This one will keep you laughing to the end.
on May 7, 2004
Joe and Jerry (Tony Curtis and Jack Lemmon) are on the run from the chicago mob after witnessing the St Valentine's Day massacre. They decide to disguise themselves and dress up as women adopting the names Josephine and Daphne and join an all female band heading for a gig in Florida, as saxophone and double bass players. During the train ride to Florida they meet the lead singer of the band Sugar Kane (Marilyn Monroe). Joe falls for Sugar who has a thing for saxophone players and is a loser in love.
Once in Florida Joe dresses up as a millionare playboy and adopts the voice of Cary Grant to pursue Sugar, giving himself the name Shell Oil Junior! Meanwhile, Daphne/Jerry is hotly pursued by Joe E Brown a millionaire playboy who's been divorced three times and is looking for wife number four. Little do Joe and Jerry know that the mobsters have also arrived in Florida for a convention.
This is a wonderful fastpace slapstick comedy with a couple of wonderful songs sung by Marilyn Monroe including "I want to be loved by you" and "Running Wild". Tony Curtis and Jack Lemmon are a scream dressed up in drag and Marilyn Monroe is sensual as the ditzy Sugar Kane. The three main leads interact well with each other despite rumours that there were problems between Monroe and Curtis on the set during shooting. A must see for all film buffs and lovers of romantic comedy films.
on November 16, 2003
Famed director Billy Wilder once said "Movies should be like amusement parks, people should go to have fun". With "Some Like It Hot", one of his best and well-known films, he certainly created an amusement park of laughs, tears, and excellent performances by its three stars. Set in Chicago in the 1920's, it follows the story of desperate musicians Joe (Tony Curtis) and Jerry (Jack Lemmon) who after witnessing a gang bang shooting organized by powerful mob boss Spats Columbo, run for their lives. Their disguise? As "Josephine" and "Daphne", the newest additions to Sweet Sue's All-Girl Band en-route to sunny Florida. While adjusting to their new-found femininity, they meet Sugar Kane (a dazzling Marilyn Monroe), the band's lead singer and resident party girl who always gets "the fuzzy end of the lollipop". Such mayhem ensues on the un-forgettable trip as Joe and Jerry run from the mob, keep up their disguises, and fall in and out of love with women (and men!) under the Florida sun. The Special-Edition DVD includes never-before-seen pictures from behind the scenes, the original press-book gallery, and the trailer, recovered from old film archives. A truly great film, "Some Like It Hot" is sure to keep audiences raving for years to come.
on June 2, 2004
Jack Lemmon was a great actor in dozens of great films, but Marilyn Monroe and Tony Curtis were never better than in this Billy Wilder classic. Ms. Monroe and Mr. Curtis share a scene on a yacht that is both funny and guaranteed to raise the pulse of any heterosexual man with a heartbeat. Tony Curtis also does a great Cary Grant impersonation when he is trying to woo Ms. Monroe, and not wearing drag to avoid the Chicago gangsters that have tracked them to Miami. The story is absolutely ridiculous, but the cast runs with it with so much gusto that you can set aside any thoughts about how realistic the story seems to just enjoy the witty dialogue and the hilarious situations that these memorable and likable characters find themselves in. Only recommended for those who'd like a good laugh!
on February 8, 2004
Of course, everyone knows that a combination of Jack Lemmon, Tony Curtis and Marylin Monroe has the potential to be something special. But, why is this movie worth watching? First off, the movie is genuinely funny with only a small number of laughs coming from silly antics. In this film, Lemon and Curtis provide a fabulous comic balance with the tension needed to make it interesting provided by the presence of Miss Monroe. Billy Wilder was not afraid to introduce the concept of cross-dressing with a purpose. Of course, the movie is first meant to be funny, next a love story and finally a social commentary on the roles we accept due to gender. At the end of the movie you might ask yourself, Do I like it hot?
on July 17, 2004
Director: Billy Wilder
Format: Black & White
Studio: Mgm/Ua Studios
Video Release Date: May 1, 2001
Marilyn Monroe ... Sugar Kane Kowalczyk
Tony Curtis ... Joe (Josephine)/Junior
Jack Lemmon ... Jerry (Daphne)
George Raft ... Spats Colombo
Pat O'Brien ... Mulligan
Joe E. Brown ... Osgood Fielding III
Nehemiah Persoff ... Little Bonaparte
Joan Shawlee ... Sweet Sue
Billy Gray ... Sig Poliakoff
George E. Stone ... Toothpick Charlie
Dave Barry ... Beinstock
Mike Mazurki ... Spats' Henchman
Harry Wilson ... Spats' Henchman
Beverly Wills ... Dolores
Barbara Drew ... Nellie
Edward G. Robinson Jr. ... Johnny Paradise
Paul Frees ... Funeral Director/Josephine
Joe Gray ... Mobster at banquet
Harold 'Tommy' Hart ... Second Official
John Indrisano ... Waiter
Tom Kennedy ... Bouncer
Fred Sherman ... Drunk
Tito Vuolo ... Mozzarella
Al Breneman ... Bellhop
Pat Comiskey ... Spats' henchman
Penny McGuiggan ... Band Member
Laurie Mitchell ... Mary Lou, Trumpet Player
Helen Perry ... Rosella
Sandra Warner ... Emily, Band Member
Grace Lee Whitney ... Band Member
Marian Collier ... Olga, Clarinet Player
Joan Fields ... Band Member
Mary Foley ... Band Member
The cops bust a "funeral" with a casket full of booze--and nothing else. Joe/Josephine (Tony Curtis) and Jerry/Daphne (Jack Lemmon), desperate for work as a bass fiddle player and saxophonist, take a spot as members of an all-girl band, in drag, for a Florida tour, and to get away from gangsters who know that they witnessed a gang war murder by Spats Colombo's (George Raft) gang. There they meet Sugar Kane Kowalczyk (Marilyn Monroe) who has a drinking problem.
The pair are attracting the notice not only of the mob, but also of suitors, including millionaire Osgood Fielding III (Joe E. Brown) and others, and Joe/Josephine falls for Sugar. This is a wacky movie which provides a lot of laughs, and brings out hidden a talent for comedy from Curtis. Billy Wilder did a great job.
Joseph (Joe) Pierre
on July 3, 2004
"Some Like It Hot" is one of those great classics that has as much comedy in it as well as it does romance. It is the story of two musicians, Joe and Terry (Tony Curtis and Jack Lemmon), who intenvertidly stumble upon a mob squad hit (The St. Valentine's Day Massacre) and must flee from Chicago to Florida in hopes of getting away from the mobsters. Realizing that two female musicians are needed, Joe and Terry decide to dress in drag, board a bus filled with female musicians, and head to Florida. Of course, one of the leading ladies on board the bus, is the sexy Sugar Kane (Marilyn Monroe), who has guy problems and represents the rebel.
The film has such balance between the comic exploits of Curtis and Lemmon looking out for their backs and trying to pull off this whole female identity without getting caught, and the romantic parts, which involve Curtis' character trying to woo Sugar Kane. While Curtis is trying to make the moves on Sugar Kane, Lemmon's character is trying to escape the advances of a multi-millionare who continally attempts to make the moves on him/her.
There is plenty of double-meaning humor, slapstick humor and fun romance in this movie. It has a little of everything, and it is understandable why most still refer to this movie as a gem.
on February 2, 2004
SOME LIKE IT HOT has been called the greatest comedy movie of all time. That's a pretty big niche to fill and, let's face it, individual opinions will vary. I have several personal favorites. THE GREAT RACE, ARSENIC AND OLD LACE, HARVEY, TOOTSIE, IT'S A MAD MAD MAD MAD WORLD and A SHOT IN THE DARK come to mind, and I could name some others. Nor do I try to rank them in any particular order. I love them all, and this one sits right up there with them all on my shelf.
Individual favorites aside, this film is just very funny. Curtis and Lemmon are wonderful together as two down-on-their-luck musicians who find themselves at the wrong place at the wrong time and, disguised as women, join an all-girl band to get out of Chicago. Could these guys pull off such a stunt in real life? Probably not, but that doesn't make the situation any less humorous. Hysterical scenes and great lines abound. Monroe brings just the right amount of coquettishness and vulnerability to provide a center of gravity for all the madcap antics going on around her. At just over two hours in length, it's somewhat longer than your average comedy, but there's no reason for that to be a problem with a movie as entertaining as this one.
SOME LIKE IT HOT isn't my all-time favorite comedy, but it's a genuine classic and one I'm happy to have in my collection. In addition, this DVD has some nice extras, including a 30 minute interview with Curtis, the movie's only surviving star. The one drawback is that the movie was filmed in black-and-white, but for anyone who likes classic comedies, this is one DVD you want to have.
on December 3, 2003
Some Like It Hot is surely one of Hollywood's most enduring masterpieces. It teams the irrepressible charm and wit of double-act Jack Lemmon and Tony Curtis with the irrepressible beauty and idiocy of Marilyn Monroe, and throws in a zany, complicated storyline to boot. It's one of the best golden-age comedies from the legendary Billy Wilder and stands the test of time as a true Classic.
Lemmon and Curtis play two down-on-their-luck jazz musicians who, upon witnessing the St. Valentine's Day Massacre in prohibition-era Chicago, trade their suits for wigs and dresses and go on the run, disguised as two new members of an all-female Jazz Band. Marilyn Monroe plays the typecast Sugar Kane Kowalczyk, a troublesome member of the group, but does it with such elegance and comedic timing, that we can't care too much if the character is a tad predictable. Curtis falls for Monroe, and assumes a double-life: by day he's the big-boned bull-fiddle player Josephine, and by night, the enigmatic and tragic millionaire Junior. Lemmon, meanwhile, tries to fight off the romantic advances of Osgood Fielding III, a lecherous old playboy on the hunt for a new wife. Chaos, as always, ensues.
The chemistry between Curtis and Lemmon is incredible. We find it wholly believable that they would assume such drastic disguises because of their completely convincing on-screen friendship. So, too, is the case with the comic timing of the duo - never missing a beat, they deliver some of the best audio and visual jokes of the movie with style and charisma. Monroe, too, is wonderful in her role, she exudes glorious femininity and radiates massive amounts of innocence. She doesn't have many deliberate jokes, but her entire performance is one huge laugh. You can't take a woman in a spray-on dress very seriously, especially not when she bemoans her constant 'fuzzy end of the lollipop' scenarios. She is beautiful, pneumatic, joyful, and above all else, she is entertaining.
My one problem with 'Gentlemen' is that it's just too long. Do we really need to see the resolution of the Spats sub-plot in the Hotel? At 121 minutes, what is basically a one-joke movie (chaotic slapstick caused by dual identities) begins to grate just a little, and not even the charisma of Curtis, the slapstick of Lemmon or the winsomeness of Monroe can save this. It does somewhat mar what is otherwise a wonderful picture, and one I can thoroughly recommend for fans of comedy, classics and good old-fashioned entertainment.