Customer Reviews

Eraser

5 star:		(4)
4 star:		(3)
3 star:		(0)
2 star:		(0)
1 star:		(0)

 

 

On 'The Eraser', Thom Yorke does not stray as far from Radiohead-esque sounds of late, but has nonetheless created something wonderful. 'The Eraser' lacks the robust, full-jacket feel of a Radiohead production, but of course, this isn't Radiohead. Yorke's abilities to allow is personality to filter into his songs is highly evident, as many of them carry lyrics attributed to Yorke's personal politics. The theme of global warming is highly audible, especially on tracks such as "It Rained All Night", and "The Clock", where he sings of the impending doom that nobody seems to want to address.

On "Harrowdown Hill", (arguably the song that will be the most popular), Yorke expresses his distaste over the circumstances of the death of Dr. David Kelly, the British weapons inspector in Iraq who was found dead shortly after testifying that there were no weapons of mass destruction prior to the invasion in 2003. The events surrounding Kelly's death/suicide are suspicious, and Yorke rails against those who he believes are truly responsible - all from the point of view of the dead doctor.

Thom Yorke's sound is stripped down, and yet at the same time he manages to form beautiful melodies, even if the bleeps and blops of electronic rythyms sometimes almost overpower his talent. All in all, a solid record, and recommended for anyone who has enjoyed Radiohead since Kid A.

Wow. You can hear clips of most of these tracks on the UK released only DVD "The Most Gigantic Lying Mouth Of All Time". I have been fortunate enough to hear the album before its release and this is everything you would expect and more from Thom Yorke. You can't compare this to a Radiohead album because the only thing Radiohead about it is the vocals. It is a very relaxed experience and really takes a second listen (as does most good music) to really appreciate it.

It's hard to be objective about the solo work of a brilliant musician like Thom Yorke, who is part of the equally brilliant band Radiohead. It's even harder when you can hear echoes of the band's "sound" going through the solo work.

But that doesn't seem to be a problem with Yorke's solo debut, "The Eraser." Laced with delicate electronica, slow keyboard and Yorke's soulful voice, this is a solo debut that shines both as an individual album, and as a side project to his band. It's a complex, seductive piece of work, and bodes well for future solo work from Yorke.

It opens with a halting piano solo and subtle electronic beats that build up to a quiet, soaring melody. Then Yorke murmurs, "Please excuse me but I got to ask/Are you only being nice/Because you want something/My fairy tale arrow pierces/Be careful how you respond /'Cause you'd not end up in this song ...."

But the meditative sound changes with the dancey, sparkling electronica of "Analyse" (despite the downer songwriting) and the guitar-driven, eerie sound of "The Clock." Yorke fills the songs with different bits of experimentation -- the ominous spoken-word song, Aphex Twin-style electronica, eerie shimmering keyboard balladry, and finishing off with the delicate, enchanting "Cymbal Rush."

There are only nine songs on "The Eraser." But Yorke crams each one with creativity, haunting sounds and beautiful songwriting, until there's no room left. Many of the songs vaguely resemble Radiohead's last few albums, with the heavy reliance on electronica. But the sound is uniquely Yorke's.

Yorke loads down "Eraser" with plenty of atmosphere -- menacing, ominous, dreamy and even upbeat. "Skip Divided" is somewhat weaker than the other songs, but the remaining songs make up for that. They're full of electronic soundscapes, shimmering keyboards and even a bit of guitar and bass, but the heart of each song lies in the electronic beats and shimmers. It's like wandering through a cave of ice and sunlight.

Yorke's distinctive voice stands out in the eerie "Atoms for Peace," where he sounds confident and slightly off-key. But in other songs like "It Rained All Night," he lets his voice blend in with the walls of electronica, until it's drowned out. And the lyrics fit him well, full of drowned cities, tormented people and wishing wells.

Thom Yorke created a near-masterpiece with "The Eraser," with its eerie electronica and beautiful songwriting. Definitely a keeper.

Thom Yorke's first solo effort was very good, it is a strong album building on the electronic hums and ambiance's of previous radiohead efforts such as Kid A and Amnesiac; however, I can't help but feel that when ultimately compared with radiohead albums, it falls short. Thom Yorke finds a deep and vast sound that he truly owns in this album; however, it is clearly evident that even as the driving force of radiohead, he is much better with them. 8.5/10

The product was perfect, but it was a bit longer than usual. Just be patient.

Any attempt here to say "Please listen...", or, "Important", is really of no avail, since most of the people who will purchase Eraser will do so with the certainty coming from Thom Yorke's performance with Radiohead. Track 2, Analyse, is nothing short of excellent. Track 4, Black Swan, is less powerful, yet one smooth chill-out song. I removed a star since many of some songs have a tone that could be described as "dismal churning", but 4 out of 5 stars = 80% solid.

Thom Yorke has created a really brilliant piece of work. The melodies and guitars are really indicative of what you've come to expect from him through Radiohead. It is clear that this is not the work of the whole band and the CD is reminiscent of Pablo Honey in the way it's put together and the way it sounds. If you like Radiohead you will love this CD as well.