3 of 3 people found the following review helpful
5.0 out of 5 stars Underrated, Excellent, Unexpectedly Compassionate Portrayal
Oliver Stone's "Nixon" is quite simply a great American film, one that has been shamefully overlooked in comparison with the seriously flawed "JFK." Stone obviously took notice of the criticisms of that earlier film, and while some of his conspiracy-mania appears in "Nixon", overall the later film is a much more balanced and human effort...
Published on April 9 2001 by R. W. Rasband
3.0 out of 5 stars Not Stone's best effort
Any effort to explore the complex psychology of our esteemed thirty-seventh president, Richard Milhous Nixon, in a single motion picture is sure to run into some difficulties. Scholars, commentators, and all around miscreants have spent years and used up entire forests of paper in an effort to understand Richard Nixon. Born into a poor family from California, Nixon...
Published on Feb 18 2004 by Jeffrey Leach
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3 of 3 people found the following review helpful
5.0 out of 5 stars Underrated, Excellent, Unexpectedly Compassionate Portrayal,
This review is from: Nixon (VHS Tape)Oliver Stone's "Nixon" is quite simply a great American film, one that has been shamefully overlooked in comparison with the seriously flawed "JFK." Stone obviously took notice of the criticisms of that earlier film, and while some of his conspiracy-mania appears in "Nixon", overall the later film is a much more balanced and human effort. Stone can direct like a lunatic (has anybody but the seriously disturbed sat through "Natural Born Killers" more than once?) but he is an undeniably intelligent and talented filmmaker who can rise to the occasion when challenged. And he was obviously challenged by the task of coming to terms with Richard Nixon, the dominant political figure of his youth. Stone dedicated the movie to his late father, and it is obviously an attempt by a son to understand patriarchal authority--and its abuses.
Stone's aggressive style is much on display here, but it helps draw you into the drama, rather than distracting as it has in other films. Ther's some truly inspired casting, from David Hyde Pierce as John Dean to James Woods and J.T. Walsh as Haldeman and Ehrlichman, to the splendid Joan Allen as Pat Nixon. But the centerpiece is Anthony Hopkins as Nixon who gives another remarkable performance in his patented manner of "clenched flamboyance" (as one critic described his acting.) He makes you feel every hurt, every slight that the man ever felt, as well as letting us see the undeniable brilliance as well as the pathetic flaws. By the time the Mormon Tabernacle Choir sings "Shanendoah" over footage of Nixon's funeral and the closing credits (a masterful, unironic touch) you may find yourself genuinely grieving over the wasted genius. One of the best political films ever made, one whose reputation should grow over the coming years.
5.0 out of 5 stars fascinating character study on blu-ray,
This review is from: Nixon [Blu-ray] (Blu-ray)Anthony Hopkins gives a stunning and complex portrayal of Nixon, while leading a well-cast ensemble of talent (Paul Sorvino, Joan Allen, James Woods etc.). Though not a stickler for historical accuracy, Oliver Stone's fascinating epic character study is technically well made, especially this extended director's cut, and again utilizes the director's known flashback and multi-format editing style. The election year blu-ray edition has a second disc of bonus features, which includes a lot of Oliver Stone - deleted scenes, with director intros, Charlie Rose interview, trailer, and a new documentary, Beyond Nixon (which contains many insider reactions to the film). Additionally, there are two director commentaries - one focused on cast, crew and filmmaking, and the other focused on political history.
4.0 out of 5 stars Stone's Attempt at "Citizen Kane",
5.0 out of 5 stars A PLEASANT SURPRISE,
Nixon asks himself the rhetorical question, "Whose helping us?" while staring into a fireplace flame under a portrait of Kennedy. The theme is first brought forth in Nixon's college years, when his older brother dies, and apparently this frees up money through an unexplained source (an insurance policy?) that allows Nixon to go to law school. In light of two Kennedy assassinations, the answer to Nixon's question seems to be the same one that Mick Jagger gives in "Sympathy for the Devil".
"After all, it was you and me," Jagger sings, and Stone would have you believe it was the devil in silent concert with Nixon and his brand of...something. Jingoism, patriotism, xenophobia, bloodthirstiness? Nixon is seen on a couple of occasions shadowed by a devil-like winged creature (the beast), and his conversation with a female college student at the Lincoln Memorial ends with her identification of the beast as the controlling force in American politics. Presumably the girl is able to see this clearly because her heart is pure.
Stone invents secret cabals that never happened between Nixon and John Birch Texas businessmen, racist to the core, who along with a smirking Cuban are there to tell us that because Nixon was in Texas on November 22, 1963 he was somehow plotting JFK's murder.
The conspiracy link between "JFK" and "Nixon" exists in this reference, and the CIA "tracks" like the one Agent X talks about in "JFK", apparently tie Guatemala, Iran and the Bay of Pigs to subsequent events. The Bay of Pigs tie-in, led by E. Howard Hunt and his Cubans, Bernard Barker, Eugenio Martinez, et al, is real enough, but the assassination is one Stone insists is part of the same "track." Something on the list of "horribles," which Nixon discusses with H.R. Haldeman (James Woods), who then talks about "bodies," references to something I still have never figured out after watching the film 15 times. The Kennedy's bodies? Vietnam dead bodies?
Stone gives Watergate its due, but lets the actual events speak for themselves without embellishing it with more hate towards Nixon than that era produced of its own accord. He actually does a solid job of demonstrating the semi-legitimate reasons for creating the Plumbers in the first place, which was to plug leaks in light of Daniel Ellsberg's treacherous "Pentagon Papers" revelation, in concert with the bunker mentality caused by anti-war protesters threatening, in their mind at the time, a civil war like the one that forced Lincoln to declare martial law.
Stone also makes it clear that Nixon and his people were convinced that Kennedy stole the 1960 election, and he does not try to deny it (without advocating it, either). Murray Chotiner represents the realpolitik Republicans who, Stone wants us to know, pulled the same fraudulent tricks, when he says, "They stole it fair and square."
Nixon is depicted as foul-mouthed and quite the drinker. His salty language apparently was learned well into adulthood, and he did occasionally imbibe after years as a teetotaler, but his associates insist it was by no means a regular thing. Woods' Haldeman is no friend of the Hebrews, and Paul Sorvino, doing a big league Henry Kissinger, finds himself constantly at war with the inside Nixon team, put down for his Jewishness. Powers Boothe is a cold-blooded Alexander Haig, representing the reality of Watergate's final conclusion.
It never would have happened under J. Edgar Hoover, Nixon says, and Haig agrees that Hoover, who died just before Watergate, was a "realist" who would have kept it locked up. Nixon discusses suicide with Haig, who eases him out of that but never really tells him not to. When Nixon asks for any final suggestion, Haig says something the real man probably never said:
"You have the Army. Lincoln used it."
Nixon breaks down, incredulous that for all his accomplishments, he can be brought down by such a nothing event. Stone allows Hopkins to infuse this scene with Shakespearean irony. Stone gives Nixon his due in many ways. He demonstrates that he was utterly faithful to his wife, Pat, turning down a right wing lovely served up by the Birchers, while telling the girl that he entered politics to help people. His hardscrabble youth is nicely portrayed, with Mary Steenburgen playing his long-suffering Quaker mother. Young Nixon is utterly faithful to her and the honest, religious ethic of the family. But in a later scene, Steenburgen looks questioningly at his Presidential aspirations, saying he is destined to lead, but only if God is on his side. It is a telling statement playing to his theme that dark forces are the wind at Nixon's sails. He enters politics as an idealist, and becomes something else because he discovers he has the talent for it. He is industrious, in contrast to the Kennedys, and will earn everything he has simply by out-working everybody.
An entirely loving portrait of Dick Nixon would have no credibility. Stone does a great job with the movie, which is as balanced as it could be with a side of liberal righteousness.(...)
5.0 out of 5 stars A Hallmark Film,
5.0 out of 5 stars From the Lemon Farm To The White House...,
This review is from: Nixon (Widescreen) [Import] (DVD)This review refers to the DVD edition of "Nixon"
This film opens with a notation, that it is a dramtic interpertation of the events based on public records, that some scenes may be condensed or hypothesized. With that said, you will find this film to be an enlighting, educational and entertaining look at this turbulent time in American History. Whatever you thought or think about Nixon, whether you admired him or hated him, you'll get a good look at the man who had such a great impact on the country and the world.
Oliver Stone keeps us fascinated with the story from start to finish. It includes Nixon's life as a young boy growing up in a Quaker family and the tragic loss of two brothers, that seems to have quite an influence on his life, his football years at Whittier College,trying to rise out from under the shadow of the beloved John Kennedy, his role in the Viet Nam War, the Presidency and of course the infamous Watergate break-in scandel, leading to his resignation from the Whitehouse. It's not just the events that keep us captivated in this well made film, but Stone delves into the depths of Nixon's soul and the people around him. His relationship with his mother, his wife, and the figures that he worked most closely with, are all very much part of this enthralling story.
The cast is simply amazing as they key players in the events. They all seem to become the very characters they are portraying. Joan Allen, Powers Boothe, Ed Harris, Bob Hoskins(who does a fabulous job as J. Edgar Hoover), E.G. Marshall, J.T. Walsh and James Woods are a few of the very talented actors involved. I want to make special mention of Paul Sorvino who took on the look and persona of Henry Kissinger so well, that it took me several minutes to realize it was Sorvino!
This is a film that may well be appreciated by the History buff and the Film buff alike. It's a great way to learn about or relive this eventful era in American History.
The DVD I have is not the special edition.There is closed captioning in English for those needing it but there are no other special features. It is a good way to go for those just looking for a quality film with a quality transfer.The DVD presents a beautiful widescreen picture with excellent surround sound in DD5.1. And although Amazon is out of stock on this edition, there are some really good deals from the outside sellers. If you don't mind spending a little more and would like to hear the commentary and interviews,you may want to consider the "Special Edition"
Whichever edition you decide on, this is one film that is well worth having in your collection.
5.0 out of 5 stars Oliver Stone's Masterpiece!,
On the first disc are two audio commentaries by Oliver Stone. The menu simply calls them Commentary A and B with no other distinction than that. The commentaries have their share of dead air but considering that this is a three and half hour film, I'm willing to forgive Stone for the occasional lull.
Commentary A covers the performances, style and script of the movie, while Commentary B delves into the politics and history of the period. Commentary A is the more entertaining of the two as Stone offers his personal observations on the film. Commentary B is good in its own right as Stone discusses a lot of information that the film assumes the audience already knows and identifies who is who and their function in the narrative.
The second disc features ten deleted or extended scenes, some of which, like the meeting between Nixon and Helms, have also been edited back into the movie. Stone provides an introduction for each scene that puts the footage into the proper context within the film.
From the original DVD is also included the five-minute electronic press kit fluff piece that feels more like an extended movie trailer and the theatrical trailer.
To balance out the superficial EPK is an excellent 55-minute interview Stone did with Charlie Rose.
Nixon is a powerful historical biopic - arguably the last great one to come out of Hollywood. This two-disc set is a fantastic improvement over the original DVD. Perhaps the inclusion of a documentary on the real-life Nixon would've been nice for a different perspective on the man but this is a minor quibble. Nixon is well worth picking up for fans of Stone's films and students of United States history.
4.0 out of 5 stars Good film, will Stone will do the film on George W Bush?,
5.0 out of 5 stars You can't kick Dick Nixon around anymore!,
3.0 out of 5 stars Not Stone's best effort,
Oliver Stone, that joyful purveyor of offbeat cinematic adaptations of such touchy subjects as the Vietnam War (Platoon), the Kennedy assassination (JFK), and media violence (Natural Born Killers) constructs a lengthy treatise on a man who has become synonymous with political corruption. Here is "Nixon," a Stone production replete with all of his usual cinematographic stunts, a long list of well-known celebrities in roles both major and minor, and his now familiar breezy style of reworking historical fact to suit his personal vision. One suspects Ollie doesn't care much for Nixon based on themes found in his other films and the slurs heaped upon the subject of this one. As a former Vietnam veteran Stone certainly didn't appreciate Nixon's escalation of the war into Cambodian territory although he does give the man some credit for opening up China (I think). The film is difficult to discuss conventionally due to Stone's insistence on using the same convoluted, non-linear style found in "Natural Born Killers." There's Nixon arguing with his wife Pat about running for office. Here's Nixon convincing Pat to support him for one more go. Look, a sweaty Nixon debates Kennedy and complains about having the election stolen from him! Leave it to Stone to insert a significant thread about the Kennedy assassination, which, if not implicating Richard Nixon directly, opens the man up to charges that he knew who orchestrated the events in Dallas on November 22, 1963.
"Nixon" lurches on and on for over three hours. Most of the film deals with the scandals that ultimately brought him down in August 1974. As the nightmare of Watergate increasingly assumes corporeal form, a besieged Nixon hunkers down in the White House with his diminishing number of confidants railing about Jews, the press, the East Coast elites, and anyone else real or imagined who has it in for the president. The denouement takes place upstairs in the private quarters as the president slouches over a desk as Kissinger and Haig implore him to resign. When asked what options he has to fight with, one of the men replies, "The army." Yeah, right. Still, the movie does have its charms despite Stone's hallucinatory cinematography and editing. A great scene takes place right at the end, with Nixon musing aloud in front of a portrait of John F. Kennedy, "When they look at you, they see what they want to be. When they look at me, they see who they really are." A highly dramatic scene that works well in the context of the film's depiction of Richard Nixon as a deeply insecure man afraid of the American public.
Although I found the movie wishy-washy in its motivations and execution, I cannot cast aspersions on the cast performances. Top notch stuff all around, from Bob Hoskins as J. Edgar Hoover, James Woods as H.R. Haldeman, J.T. Walsh as John Erlichman, Powers Boothe as Alexander Haig, Mary Steenburgen as Nixon's Mom, Joan Allen as Pat Nixon, David Hyde Pierce as John Dean, E.G. Marshall as John Mitchell, and Sam Waterston as CIA director Richard Helms (and according to Stone, some sort of soulless demon with pitch black eyes and a weird fetish for plants). There are dozens of well known actors in this film. The two greatest performances come from Paul Sorvino as Henry Kissinger and Anthony Hopkins as Richard Nixon. Sorvino completely disappears into his role; he has the accent and mannerisms of the former Secretary of State down cold. Hopkins eerily recreates the late president, or at least the public persona of the man. There's a great scene where a young blonde woman hits on Nixon before he becomes president, and the reactions from Hopkins's Nixon are simply hilarious. Is it true? Who knows? Probably no truer than Stone's constant harping on some sort of shadow force running the government, first seen in "JFK" and tediously elaborated upon in "Nixon."
The DVD edition of Oliver Stone's "Nixon" abounds with extras. There's a commentary from Stone, a trailer, deleted scenes, an interview with the director conducted by Charlie Rose, and a widescreen picture transfer. Give "Nixon" a shot if you like Oliver Stone films, but don't expect to come away with an accurate picture of the late president. Those viewers looking for a fast paced film full of action should probably look elsewhere, perhaps Oliver Stone's "Platoon" if nothing else.
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Nixon by Oliver Stone (DVD - 2008)