The visual imagination of Terry Gilliam is the true star of this film, and it is stunning on blu-ray. If the tragic loss of lead actor Heath Ledger had not been so well publicized, the film might be better known for its incredible creativity. Still in this case the tragedy's solution has added to the film's overall artistic drive. (Is there any filmmaking disaster Gilliam has not endured?) Despite the apparent resourceful casting accomplishments, for me, it's Tom Waits as the devil that is truly inspired. Additionally, bonus features include numerous brief featurettes (many focusing on Ledger), plus commentary by the director, and visual description for the visually impaired. Highly recommended for anyone interested in exploring Terry Gilliam's artistry and imagination, both visually and thematically.
I am such a huge Terry Gilliam fan that I wasn't sure exactly how to review this movie. I decided that the only to do it is AS a fan, warts and all. Non-fans may not get as much use out of this review, but I hope you find it informative anyway.
Everybody knows the backstory to this movie, yet another Gilliam disaster. Heath Ledger died before his parts had been finished and the world was in shock. Such a bright talent snuffed out way too early. Gilliam however, as he sometimes does, turned this tragedy into something potentially revitalizing for the film. As everybody knows he cast Johnny Deep, Jude Law and Collin Farrel to complete Ledger's parts. As an added touch, he credits the film as brought to you "by Heath Ledger and Friends".
Doctor Parnassus (Christopher Plummer) is an ancient being, granted immortality by a man known as Mr. Nick (Tom Waits) who is actually the devil himself in a bowler hat and meticulously kept pencil moustache. Only the creepy hair on his ears betray any demonic origin. Parnassus, it seems has a penchant for betting, and Nick is never one to turn down a wager. Parnasses owes Nick the soul of his only daughter Valentina (Lily Cole) on her 16th birthday. Mr. Nick turns up and can't resist another bet. There's a chance to save Valentina, who is oblivious to her fate.
I don't want to spoil exactly what Parnassus does or what the imaginarium is, except to say there is a magic mirror which you can enter, and a fantasy world unfolds. This is where Gilliam becomes his most Gilliam-esque. Gilliam fans will notice visuals that have been percolating in his imagination for decades, most notably from the never-made film The Defective Detective. From the Python-style landscapes to the fantastic beings and objects inside, this is Gilliam being more gleefully Gilliam than we have seen since Munchausen. This, however, is hampered by some cheap looking CG. Some of the CG works wonderfully, some does not. The poor CG work is my major complaint about this film. CG and Gilliam seldom go together well -- see (or don't see) Brothers Grimm, also with Heath Ledger. Things go much better in the "real world" portions of the film, which take place in modern-day London. The Doctor's traveling imaginarium, a massive vehicle/carnival/mobile home with numerous hatches and living areas, is an awesomely wonderful machine that kids won't be able to take their eyes off.
I was pleasantly surprised by one actor that I didn't expect anything special from. That actor is Verne Troyer, who you may know as "Mini Me". Troyer gets all the best lines it seems, and finally gets to really act instead of doing gags. If I'm not mistaken Troyer appeared previously in Gilliam's Fear and Loathing. I was consistently impressed and entertained by Troyer's character, the loyal Percy.
As for Depp, Law and Farrell, there is a certain amount of gimmicky-ness to their first appearances. Each time Ledger goes into the mirror, he can be anywhere -- or anyone -- he imagines. Of course, when Depp first appears, there is a certain joyful "Look! It's Johnny Depp!" This gimmicky feeling wears off shortly, and you sink back into the story. When Law and Farrell appear, it no longer feels as gimmicky. All three actors do Ledger justice, bringing out facets of his character that enhance the story and the fantasy. It was clearly done with love and care.
Ledger himself was, sadly, at the very top of his game here. His character, the mysterious Tony, comes along half an hour into the film, and joyfully steals every scene he is in. Ledger brings Tony to life in a way that is amazing to watch. Ledger, mixed with Gilliam's Fisher King-esque wardrobe (Gilliam seems to like to get his actors filthy) have created a character that will be as beloved as Munchausen or Parry to Gilliam fans. It is a consolation that at least Ledger went out in a great film at the top of his game.
This 2 DVD set is chock full of Gilliam extras. I always enjoy his gleeful audio commentary tracks. Deleted scenes and featurettes will offer a little more insight into a film that is not quick to give up its inner secrets.
I think Parnassus is an ideal children's film. It will ignite their imaginations the way that Time Bandits did ours. Yes, Mr. Nick can be scary, but what is a classic hildren's story without some morality plays? Gilliam's style is that he gives more credit to kids than other directors. He knows they are smart, he knows what they can handle and what they can't, and he never dumbs anything down for them. He expects them to enjoy this film on a higher level than their parents, and they very well might.
I wholly recommend Dr. Parnassus to families, for anyone who likes a deeper film with some quality behind it, to Ledger fans, to Gilliam fans, to the young, and the young in the head. 5 stars.
on October 4, 2015
As much as I'm a fan of Terry Gilliam's, there seems to be a 'tiredness' in his later works. Though the acting, set's, and story are there. There isn't quite the 'vim and vigor' Terry flourished with in Jabberwocky, Time Bandits, and Brazil. And the loss of Heath half way through shooting certainly would put a downer on Terry and crew. Amazing how Depp, Farrell, and Law came in to 'fill in the gaps'. But hard not to think of Terry as the thousand year old man that MUST keep the story going, or the whole universe may stop. And what kind of devil would take Heath from him, but make a bet three other actors could tie the ends together. I'm not sure if it's 'cosmic irony', coincidence, or sheer karma that has been plaguing Terry lately. Ever since his attempt at Don Quixote, Terry seems to have taken on the persona and/or is struggling with the wrath of God vis a vis Joab. Technically, I'd like to give this movie 3 stars. It's mish-mashed, too fast paced, and dare I say 'tired' in it's ways and vision's. Yet, there is no other 'vision' like Terry's. His enthusiasm to sell and defend his stories are as entertaining as John Waters, and the controversy, calamities, and near Nostradamus like predictability of art imitating life before the camera even roles is fascinating. And the stamina, gratitude, and outlook Terry retains when all is said and done - remarkable! No one goes 'into it' like Terry does, no one 'suffers through it' like Terry does. And no one has to 'live with it' like Terry does. And yet, all the best in Hollywood give Terry their best - for better or for worse. With that said, now I feel I should give this film 5 stars. But like the lord, I have to do my part to keep Terry humble still. He's got a lot more betting to do with the devil!
on March 19, 2016
Dischevelled plot explained ?in part? by sudden death of Ledger.
I unexpectedly found myself playing the role of a psychological medical examiner trying to detect clues throughout Ledger's last acting scenes. They may be speckled here and there, left by the film makers and other actors sometimes inspired by likely unrelated real historical events (man found hanged under the bridge) . Just open your eyes, and mind, to the cornucopia of sometimes rather dark hints (Styx). Your understanding will only be limited by your general culture, life experiences and ... Imagination. Could be a bad trip on drugs. Just the imagery is a tour de force, an orgy for the optical cortex. Presentation of the film (in special features) by Gilliam is disconcerting: 'Lower your expectations'. Ledger's death destroyed him. He should nonetheless not sabotage the masterpiece-to-be and rather let only the future generations of the 7th art aficionados judge.
First time through the film, one can be a tad antsy trying to place this experience in the standard envelope. After the commentary, you learn to go with the flow. You may also find a pattern.
I will not give a blow by blow of the story but I found the concept of people from a different time of the world contrasting with today's lifestyle. Not necessarily, the main theme but a major is that of going through the mirror. It has been used from Alice, "Through the looking Glass" and even the contemporary movie "MirrorMask". I wonder if it has a deeper physiological meaning that I missed.
We also get to kibitz as Doctor Parnassus (Christopher Plummer) banters with Mr. Nick (Tom Waits) and we all know how that classily turns out. The only time anyone comes out ahead in negotiations was in the film "The Devil and Daniel Webster". Will Parnassus beat the devil?
Therefore, the film is satisfying on many levels from the acting to the visuals to the on purpose lack of a structure to the story. The name Parnassus has a meaning in its self. Yes, there are Blu-ray extras; luckily, they do not distract from the movie.
on June 1, 2015
Some stunning sequences, though the narrative, like all Terry Gilliam's movies, like 'Brazil' and 'Baron Munchhausen' sometimes gets confused in the visual festival. Everyone does great work moving through the labyrinth of Terry Gilliam's imagination. In some ways, an updating of George Pal's 'The Seven Faces of Dr. Lao' with Tony Randall.