Customer Reviews

Turbo

5 star:		(8)
4 star:		(14)
3 star:		(13)
2 star:		(7)
1 star:		(6)

 

 

Yeah, yeah, I know: How the hell can I give Turbo four stars? Well, if you're one of the many who considers Turbo one of the worst (if not the worst) Judas Priest album, I understand completely. It's cold, it's too synthetic, it's somewhat soulless. I understand. However, I tend to look at the Judas Priest back catalog, the complete gestalt, if you will, as one whole. Looking at this album in context, it is clear that Turbo is a unique beast in Judas Priest's canon, and indeed the whole of heavy metal in general. There's never been an album that sounds like Turbo and it's likely that there never will be again.

Turbo came in the mid-80's and Priest decided to start experimenting with guitar synthesizers. These are not keyboards on this album, but guitars played through a synth. Priest have done it since (Ram It Down, Nostradamus) but never again to this degree. Some of the sounds on this album are really cool. That weird vaccuum cleaner combined with a jet engine sound in the opening of "Turbo Love", for example, is really cool.

The songs are also good, albeit commercial. Priest had been struggling with the commercial tendencies ever since British Steel, but on Turbo it got out of balance in favour of melody. "Turbo Lover" is an example of this. The song relies entirely on melody to exist. The melody is the framework on which you hang the cool sounds and robotic groove. But it works and the song is often brought out into the setlist, still -- the only song from Turbo to make the setlist post-1987.

"Locked In" is a bit more rockin', not a great song, but at least it ups the tempo a bit. The shout-chorus of "Private Property" (an ode to monogamy) is catchy as hell and this could easily have been a single. It sounded great live with the crowd joining in. The big single and most commercial track on the album, "Parental Guidance", was probably my favourite Priest song in '86-87. It's just really catchy. It's not heavy metal, but it's really well-written pop metal. "Rock You All Around The World" closed side one, a fast rocker designed to get the crowd going nuts in concert. Sounds like Scorpions to me.

Side two started off with the long, dramatic slow one, "Out in the Cold". Man, what a great song. A long synth intro sets the stage for one of Halford's most passionate vocals on the album. This is the epic of the album. It would be interesting to revisit it today, with a toned down more metallic production, maybe an acoustic intro. At its core it's just a great song.

A pair of so-so songs follow, "Wild Nights, Hot And Crazy Days" (sounds like Van Hagar) and "Hot For Love" (another fast one that could have been covered by Scorpions). Not great songs, but at least they're rockers. "Wild Nights" is kind of one of those 80's party rockers. Nothing special, but it suited the times.

The final song is a total winner, "Reckless", written for the Top Gun soundtrack but held back for this album. Awesome tune, "Coming at galeforce ten." This is just a perfect rock song for Judas Priest. Not a metal song, a rock song. It's as aggressive as it gets on this album and it has a great solo, too.

There are two bonus tracks on this edition, "All Fired Up" (a lacklustre outtake) and a live version of "Locked In". Since "Locked In" didn't make 1987's Priest Live album, it makes sense to include it here. It was a single/video, released at the exact same time as "Turbo Lover" but always remained in that song's shadow. Good to finally have a live version.

Liner notes and pictures are included. This album also contains the infamous "lead break credits"! While I don't know if Glenn and Ken are interesting enough guitar players to warrant lead break credits for every song, it was a feature I enjoyed at the time and helped me identify the indivudual styles of the two players.

4 stars. A unique album that sounds like no others before or since, thanks to the creative use of synth.

It is no secret among Priest fans that Glenn Tipton(their main songwriter) no longer sets the trends, but now follows them. This album is the moment that this heinous act occurred. J.P. was one of the premier bands of the NWOBHM movement. They were one of the bands being imitated by any newcomers who came along. Turbo changed that forever. On Turbo, Priest transformed before our very eyes from heavy metal innovators to hair-metal imitators. Many fans blamed their use of guitar synthesisers for this album being so bad. It wasn't the instruments, it was the songs. New equipment is constantly being introduced. Good bands mold these instruments to their sound. Priest failed on this occasion. They molded their sound to the pop-music these new instruments were currently being used for.
Then there is the image factor. A previous reviewer stated how silly Dave Holland looked at this time, and he did. However Glenn Tipton looked even worse. That haircut was beyond ridiculous. To their credit, Rob Halford, KK Downing, and Ian Hill did not cave to the new style. They just continued to dress as they always had.
But this is about music, not image. It took them 4 years and 2 albums to make up for this atrocity(Ram it Down was no better, see previous reviews as to why). Painkiller is one of the best albums they've ever done. It is obvious, in my opinion that Halford took charge of that one, resulting in the power struggle with Tipton resulting in Rob leaving the band. Even the new Priest albums sound like any of the other new metal bands around. Glenn Tipton is still a follower. It is time for him to start leading again. One listen to Halford's new material shows that he still gets it( I forgive him for the TWO album. He had just made a major life decision, we know which one) Maybe Rob should have stayed in Priest, and kicked Glenn out.

I have read other reviews of this album and I can't completely agree that it's a bad album. It was 1986 and metal was headed towards a more pop sound. Songs like "Parental Guidance" and "Private Property" are in my opinion no more commercial or "poppy" than some songs on "British Steel" (Breaking the Law?)And like British Steel there are some tunes here that are anthemic. You might just find yourself singing along.
It was a different direction, I will admit, but to me their next album "Ram It Down' was worse than this one. That album had a sound that was too polished, while trying to maintain a metal edginess.

The Sound quality was perfect, the cd was delivered in perfect condition, and as always, judas Priest is just awesome!

ok mabe 1 star is little harsh, but this album isn't very good. I like two or three songs, locked in and out in the cold are good and reckless is decent, but the rest is weak. The bad songs include private property and parental guidence, hot for love and hot summer nights (horrible).

Most fans of Judas Priest and Early 80's Heavy Metal point to Turbo being the point of decline in Judas Priest career. This is arguably true as following this release the band put out only two more albums with original vocalist Rob Halford and never again reached platinum status.

Turbo definetly has its drawbacks and dosen't have as much staying power as some of Priests earlier albums, however, I have always found this to be an enjoyable, well written, Heavy Metal Pop record (Which is why most Hard Core Metal Heads Hate it).

First of all, the lyrics are decent. They may stick to generally and sometimes cliche theme's of driving fast, ...innuendo, and teenage rebellion. But remember in the end it is Rock & Roll and Priest themselves were in their Mid-30's when recording it. I would think that maybe they got to feeling a little silly signing about "Creatures From beyond, etc..." by this point and wanted to make a progessive Hard Rock record with technology that seemed the wave of the future at the time. The experimentation, which I always give extra stars for having the balls to try, has mixed, but generally good results.

Stregnths:

Great Voalcs (As Always)
Great Guitar Solos
Good Song Structure - Short Pucnhy radio friendly songs
Out In The Cold - Possibly Priest Best Ballad

Weaknesses:

Overboard on the Synthes
Overboard on Electronic Drums
Parental Guidence - Inteneded to be a hit single but sounds too cliched.

Priest did an awesome tour on after this CD, which did seem to mark the decline of the bands popularity as Arena Headliners, but I find this CD more true to where Priest seemed to be coming from muscially then some of their later releases, which sound like the band is trying TOO HARD to keep up with the "Thrash" exposion.

If your not an "Hard Core" metal head and want a good sounding, not too deep, Mid-80's Heavy Metal Pop record that you can put in the car between your Kids Limp Bizkit CD's, this is a good purchase.

Lastly, I don't have the updated re-master with the "Bonus" tracks, so I am reviewing the original which I own.

I got this album, listened to it, and It sounded a lot like "White Wedding" of Billy Idal(at least "Turbo Lover" did).
And of course "Rock You All Around The World" is the most BIZZAR
song I have ever heard on earth! Since when do metal bands mention "rock n' roll" in their albums?
And an other thing; In the re-masters pack 17 bonus tracks out of the 24 are live tracks which apear on the albums. So most of the remaining 7 are balladics, but this album contains a nice bonus track that makes the album worth replacing the original.

Just watch the PRIEST...LIVE vhs and youÂ'll understand the sudden, abrupt and nosense transformation this band suffered for the TURBO album and the subsequent tour. Watching Halford, Downing, TIpton and the rest dressed that way shocked me forever.... Also, in the video, weÂ've got constant shot at pretty girls in the audience...

Also sad was the fact that a band capable of writing lyrics about different subjects focused all their capabilities in writing obnoxious cliched lyrics typical of hair metal bands, with the old themes of partying forever, getting the girls, bla, bla, bla... this for the same band that wrote VICTIM OF CHANGES and LAST ROSE OF SUMMER... I still do not believe.

With this album, Priest tried desperately something new just to earn more money. That's the explanation. Don't come talking about "exploring new directions", "refininf their sound", "trying new ideas". No. It was just a sell out to please Columbia Records and try to compete with the hair metal bands of that time (middle-eighties). As with most fo the bands that made this sell out, the result backfired: the band earned few new fans and lost a lot of the old ones, who just got angry and/or confused with the "betrayal".

The worst of all was the changing in clothing, attitude and lyrics subjects. Unbeliavable, disgusting. Priest tried hard to sound like some cheap californian band. TURBO was their worst effort up till that point in time, and I still must flip coins to decide what album is worst, TURBO or Ram It Down. I think it's TURBO.

Just forget this album. Trying hard to compete with the prevailing horrible scene of glam-metal and MTV/oriented music, Priest sold out everything they had fought so hard to develop: hard and heavy music, well played solos, different styles of songs (all under the realm of metal).

In their place, came puffy hair and make-up, dreaded song titles as "HOT FOR LOVE" and "WILD NIGHTS HOT AND CRAZY DAYS", all in an obvious attempt to make America once and for all. The video for the subsequent tour is even more atrocious. TURBO is a shame is Judas Priest's catalogue, i do not even recognize the band who recorded it!