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1812 Overture Original recording remastered

2.3 out of 5 stars 6 customer reviews

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Product Details

  • Audio CD (July 3 2001)
  • SPARS Code: DDD
  • Number of Discs: 1
  • Format: Original recording remastered
  • Label: Universal Music Canada
  • ASIN: B00005AQ38
  • Other Editions: Audio CD
  • Average Customer Review: 2.3 out of 5 stars 6 customer reviews
  • Amazon Bestsellers Rank: #230,124 in Music (See Top 100 in Music)
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1. 1812 Overture - Kiev Symphony Chorus
2. Polonaise
3. Capriccio Italien
4. Marche Slave
5. Waltz
6. Festival Coronation March
7. Cossack Dance

Product Description

Tchaikovsky: 1812 Overture & Other Orchestral Works

Customer Reviews

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Top Customer Reviews

Format: Audio CD
By Janelle Gelfand The Cincinnati Enquirer
It's as much a staple of summertime concerts as picnics and flag waving. The Cincinnati Pops' new high-tech recording of Tchaikovsky's 1812 Overture will be on shelves today.
Pops conductor Erich Kunzel felt ambivalent about re-recording his all-time best-selling album of 1978, the 1812 Overture, last year. It had not yet sold a million copies (just 800,000).
That historic 1812 helped launch a record company - Cleveland-based Telarc - and a recording relationship with the Cincinnati Symphony Orchestra and Pops that has lasted more than 23 years. (For more, see the Telarc Web site, Telarc.com.)
Back then, it was the first-ever digital record, a wonder of mixing orchestra with bells and cannons - the first digital cannons. Over the years, sound effects have become a fixture in Telarc's 70 albums with the Pops. Now, with the new 1812 (that includes chorus), listeners will get yet a bigger bang for their buck.
"Please don't break anything or hurt yourself playing the 1812," warns Telarc's special effects guru Michael Bishop in the liner notes.
The album is recorded in the new, high-tech Direct Stream Digital (DSD), which again puts the Pops (and Telarc) on the cutting edge of technology. You'll hear the orchestra and chorus in three-dimensional sound - how dramatically will depend upon how up-to-the-minute your sound equipment is.
"On a high-resolution surround playback system, you'll feel the cannonballs zip dangerously close over your head," Mr. Bishop says. (For audiophiles, it's being released in two formats: Super Audio Compact Disc (SACD) and DVD-Audio, a new digital audio format. The SACD format can be played on conventional CD players.
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Format: Audio CD
I had high hopes of hearing the marvelous 1812 overture in DVD Audio, with the bells, cannons, and full orchestra that CAN make the 1812 overture an incredible music experience.
This DVD-Audio falls completely flat. From the second I began listening, I figured SOMETHING had to be wrong with my system. I checked my connections. I checked to make sure that it was actually running in DVD-Audio mode in my DVD - AUDIO player.
I played another DVD-Audio, which sounded incredible! It wasn't the setting. Lo and behold, it wasn't my system. It's this DVD! THe problems are as follows:
1) The sound level is too low.
2) THe orchestra is way too thin - there is no immediacy.
3) The only thing that is full, is the low bass for the bass drum, which overpowers the whole orchestra somehow.
4) The surround sound is almost inaudible and worthless.
5) The orchestra itself is lifeless and dull.
Again, I tell you, this is the 1812 overture! At the end, you are supposed to be virtually swept off your feet with the majesty of the bells, cannons, and FULL ORCHESTRA blasting in glorious cacophony! But on this performance, you're left yawning.
And the "warning" about making sure you need to check your audio level when the cannons go off because they're too loud, what a bunch of tripe!! It's simply not the case. They're not loud. They don't even sound like cannons; instead, they sound like pistol fire.
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Format: Audio CD
But instead of the orchestra, we are treated to the wonderful sound of reverb, along with some very fine compression artifacts when the cannons go off. I was truly disappointed by the sound of this - it is the aural equivalent of mud and cotton, very mushy, hard to make out the details, and not something I really want to deal with. The conducting seems particularly heavy handed, as if the conductor wanted to make a name for himself by making his own slight alterations to the piece that, while not significant, are unnecessary and very irritating. Poor recording technique and a wierd performance, but wait! There's a warning on the label that the cannons are very loud!! Oh my, then this MUST be the recording to get to show off a [amt.] stereo in the bachelor pad - maybe the cannons will be so loud that your date will hop right into your lap!
This is to classical music what a primer-grey muscle car is to a show of luxury automobiles.
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