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1Q84 Hardcover – Oct 25 2011

3.8 out of 5 stars 33 customer reviews

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Product Details

  • Hardcover: 944 pages
  • Publisher: Bond Street Books (Oct. 25 2011)
  • Language: English
  • ISBN-10: 0385669437
  • ISBN-13: 978-0385669436
  • Product Dimensions: 16.3 x 5 x 23.9 cm
  • Shipping Weight: 1.3 Kg
  • Average Customer Review: 3.8 out of 5 stars 33 customer reviews
  • Amazon Bestsellers Rank: #37,280 in Books (See Top 100 in Books)
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Product Description


A Globe and Mail Best Book
Shortlisted for the International Impac Dublin Literary Award

1Q84 goes further than any Murakami novel so far, and perhaps further than any novel before it, toward exposing the delicacy of the membranes that separate love from chance encounters, the kind from the wicked, and reality from what people living in the pent-up modern world dream about when they go to sleep under an alien moon.”
Publishers Weekly (starred review)
“Murakami’s fiction has grown increasingly relevant to our understanding of the world today, and this time his craft is more refined than ever. . . . This novel—mired in death and fetish, leavened with humor—may become a mandatory read for anyone trying to get to grips with contemporary Japanese culture.”
The Japanese Times

“‘Things are not what they seem.’ If Murakami’s ambitious, sprawling and thoroughly stunning new novel had a tagline, that would be it. . . . Orwellian dystopia, sci-fi, the modern world (terrorism, drugs, apathy, pop novels)—all blend in this dreamlike, strange and wholly unforgettable epic.”
Kirkus Reviews (starred review)

“You'll find genuine wisdom and emotional depth in 1Q84. Mr. Murakami has gone further here to develop the sensations of loss and isolation.”
The Wall Street Journal

“Murakami really does stand alone . . . Which other author can remind you simultaneously of Fyodor Dostoyevsky and JK Rowling, not merely within the same chapter but on the same page? Viewed through the ‘postmodern’ lens, his exemplary blend of a light touch and weighty themes, of high literature and popular entertainment, ticks every box. Posh and pop, sublimity and superficiality, history and fantasy, trash and transcendence: they switch positions and then fuse as the metaphysical speculations of an Ivan Karamazov meet the death-defying adventures of a Harry Potter.”
The Independent (UK)

Praise for Haruki Murakami:
"Murakami is like a magician who explain what he's doing as he performs the trick and still makes you believe he has supernatural powers... But while anyone can tell a story that resembles a dream, it's a rare artist, like this one, who can make us feel that we are dreaming it ourselves."
— The New York Times Book Review


About the Author

HARUKI MURAKAMI was born in Kyoto in 1949 and now lives near Tokyo. His work has been translated into more than forty languages, and the most recent of his many international honors is the Jerusalem Prize, whose previous recipients include J.M. Coetzee, Milan Kundera, and V.S. Naipaul.

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Customer Reviews

Top Customer Reviews

Format: Hardcover
Haruki Murakami's latest novel, "1Q84" - translated from its original Japanese and set in and around Tokyo is a very entertaining, expansive novel rife with rich imagery and symbols. Like many of the best stories it is simple at its heart - unrequited love and the quest to reconnect after years apart - and like many of the best stories it is full of interesting characters, coincidences, chance events and plot twists.

The title is a play on Orwell's novel Nineteen Eighty Four - in Murakami's novel the Q stands for "question mark" - and there are many direct and subtle references to his classic, including a group called `the little people', a play on Orwell's Big Brother. Also similar to Orwell's book, "1Q84" is a mix of ordinary, everyday activities and fantastical occurrences. And like contemporary Japan it is also a mix of modern lifestyle, tradition and culture, and the inevitable intrusion of Western (pop) culture. [In addition to "1984", the song "Paper Moon" is central (interestingly, Orwell had used song lyrics repetitively in his novel, too). "2001: A Space Odyssey", Proust's "In Search of Lost Time", and many other Western works also advance the plot and introduce or reinforce themes].

The combined effect of the plot, themes, imagery, and characters is very entertaining, but readers will find this novel is the very antithesis of a short story. The best short stories are tightly constructed works of art, not an extraneous word, plot digression or loose end; and of course they're short.
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Format: Hardcover Verified Purchase
This will undoubtedly be Murakami's epic. Not only because it's a bear at almost 1000 pages, but because it's his best book. I thought his last piece of fiction, 'After Dark', was rushed and featured too many characters. This didnt allow his characters to develop like Murakami is known for.

The exact opposite is true of 1Q84. He focused on two main protagonists and let them simmer like a grand stew, slowly bringing out their flavors over time. His meticulous details help us understand who his characters are and how they live in the world. This can be trying at times like when something suspenseful is around the corner and Murakami is taking his time setting up the scene, but it's worth it in the end, because once you get there, the details are clear and you better live in the scene.

I do dock him points for introducing Ushikawa as a lead near the end of the book - it felt like a cop out and disrupted the flow a bit. I understand he needed Ushikawa's perspective to move along some plot elements, but Ushikawa was extremely interesting and could have lived throughout the whole book.

For Murakami fans, 1Q84 is a must. This is the one book that will represent Murakami as time passes.
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Format: Hardcover
I am definitely a Murakami fan, even though I think a lot of his books are a bit formulaic (young teenage girl and middle aged man team up, heading on a wacky adventure filled with cats, unexplainable events, and overly detailed descriptions of food and clothing).

This book would probably have gotten 4 stars out of me had it been 300-500 pages. It was simply too drawn out and overly descriptive, with many points (such as the two moons and Aomame's breasts) talked about over and over and over. I finished it because I DID want to know what happened at the end, but like many Murakami stories, you have to take the story as your own and make up an ending for yourself, as a lot is just left unclear.

I wouldn't say don't read this, but in the time it takes to read all 1000 of these pages, you could read 2-3 of his other more succinct books.

Overall: I was disappointed, though not upset I read it to the end.
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By EisNinE TOP 50 REVIEWERVINE VOICE on Jan. 21 2015
Format: Hardcover
This mega-fable by Haruki Murakami, while occasionally oblique, is a long, clear-voiced, and languidly paced story about conformity, and the ramifications of breaking free of the familial and social expectations that are placed upon us. There are legal, ethical and social expectations we are all subject to 'a priori' -- as both humans and citizens -- and there are the expectations custom-tailored for us by parents, siblings, friends and lovers -- as individuals. It imagines the 'multiverse' as something like an endless apartment complex made up of locked, sound-proofed and windowless suites. Every one of these earth-sized/universe-sized apartments have hidden passages linking them to an adjoining, otherwise hermetically-sealed unit, and rare individuals, prompted by extraordinary circumstances, can see and use these passages, stepping into a unit built just for them... perhaps by them.

The story follows two main characters, with connections to one another that are only apparent well into the narrative. But they are each the center of their own personal solar system; the moons and planets and satellites in each respective orbit are often eccentric, and as celestial bodies orbiting different stars collide, the tale moves into the strange gravitational stability of a binary star... a cruel galactic romance that sloughs off all orbital relationships and responsibilities. Similarly, they both encounter a second moon that no one seems to notice.

Both Aomame and Tengo were raised in difficult environments, albeit of very different kinds. Both characters make a choice that opens, for them alone, a door. Each of their respective doors will take them into an alternate universe, one with very slight narrative differences.
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