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The 400 Blows [Import]
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Francois Truffaut's first feature was this 1959 portrait of Antoine Doinel (Jean-Pierre Léaud), a boy who turns to petty crime in the face of neglect at home and hard times at a reform school. Somewhat autobiographical for its director, the film helped usher in the heady spirit of the French New Wave, and introduced the Doinel character, who became a fixture in Truffaut's movies over the years. Poignant, exhilarating, and fun (there's a parade of cameo appearances from some of the essential icons and directors from the movement), this film is an important classic. --Tom Keogh --This text refers to an out of print or unavailable edition of this title.
High-definition digital restoration, with uncompressed monaural soundtrack on the Blu-ray. Two audio commentaries, one by cinema professor Brian Stonehill and another by Franc¸ois Truffaut’s lifelong friend Robert Lachenay. Rare audition footage of Jean-Pierre Le´aud, Patrick Auffay, and Richard Kanayan. Newsreel footage of Le´aud at Cannes in 1959. Excerpt from a 1965 French television program in which Truffaut discusses his youth, his critical writing, and the origins of Antoine Doinel. Television interview with Truffaut from 1960 about the global reception of The 400 Blows and his own critical impression of the film, trailer, PLUS: A booklet featuring an essay by film scholar Annette Insdorf. --This text refers to the Blu-ray edition.
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Top Customer Reviews
The cinema verite style of unsentimental photography and gritty locales manages to make even Paris look tawdry, almost ugly, because that's how Antoine views his life. Growing up neglected and misunderstood has made him a streetwise child who dreams of escape. The stark and sudden ending allows the viewer to decide what might happen to Antoine next (although Truffaut found the character so intriguing, he made three more movies about Antoine as he grows older).
With the amazing exception of Forbidden games (Rene Clement) never before a movie had drown in the child's universe like these two films.
Truffaut is far from making a statement. His camera simply spies the emotive familiar nucleus of this nice guy and the terrible troubles generated by his own parents.
We laugh, and cry with the disventures and irreverent madness made outschool. The portrait of Balzac burning is a high point in the picture. It's a long journey in the world of this child that well might be you and me if...
The plot is very organilcal, and the final sequence is brethtaking.
Hopeless and a sense of desperation seems surrounding us when you watch by the last time to our youn boy.
Forget about all the films that followed to this one in the New Wave, like Breathless, les cousins, or Jules and Jim of Truffaut also.
This is the gem of the New Wave cinema.
In memory of the great Andre Bazin, the creator of the Cahiers du cinema.
A must for everyone.
Starring Jean-Pierre Léaud, Claire Maurier, Albert Rémy and Guy Decomble
Black and white - French language
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.35:1
French: LPCM Mono
This was my second time seeing The 400 Blows. I initially gave it a 4/5 and found it interesting, but it's growing on me and is now a 4.5/5.
The story is bleak, but very realistic, which isn't surprising considering that it's semiautobiographical. Truffaut's early life must have been hard. His parents tried at times, but treated him badly or with indifference at other times.
Much of the early part of the film is set in a classroom and we meet his classmates and learn his general attitude toward school. The discipline was very different than what we might expect today. He has one particular friend who encourages him to skip class and we see their shared experiences on the streets of Paris.
The friend is partly responsible for leading him astray and encouraging him to steal which leads into the second part of the story where we see the consequences of his bad behavior and his lies.
Some of the school scenes remind me of my childhood, although I had a much happier upbringing.
The main thing that brings Antoine happiness is cinema and the happiest time spent with his parents involves a trip to see a film.
The film also provides a snapshot of Paris in the late 50s. Shot in black and white and told from Antoine's viewpoint, we often see exactly what he sees through the choice of camera angles.Read more ›
I did feel that the last parts of the film could have been shortened or eliminated (such as the police station and the correctional facility), but the final scene was very powerful. Having reached the end, there is nowhere else to run. The protagonist must decide whether to act, i.e. to try to 'grow up' and face his demons. The fatalistic alternative is to continue down his current path, which while perhaps justifiable given his background, can nevertheless only lead to despair. But if one truly encorporates the idea of free-will into their life, perhaps the future is not so precarious after all.
Other pluses here are perhaps the most beautiful depiction of Paris in all of film history (quite a statement, I know), as well as some incredible shots. My favorite is definitely how he captures the universality and otherness of childhood innocence during the puppet show.Read more ›
Most recent customer reviews
One of the best coming of age movies! A must see for every movie lover. Beautifully crafted, refreshing vantage views, charming acting by the main character actor! Read morePublished 11 months ago by Renata Lebovits
Package arrived a little damage, but that's not what I'm reviewing. Wonderful film in a wonderful little package.Published 11 months ago by Seth R.
I like the feeling, wasn't as great as I had heard, but good if you're into filmsPublished 14 months ago by Canuck
I've spent decades avoiding THE 400 BLOWS, afraid it was either dark and brooding, or a documentation of child abuse (physical and/or emotional), or an angry and vindictive assault... Read morePublished on May 11 2004 by Steven Hellerstedt
I don't mind slow movies, but this movie is slow + boring and 100% predictable. In my opinion, it's terrible.Published on March 11 2004 by Rafael Jimenez
This is a review for the Criterion Collection version.
This is a great film and Truffaut based it loosely on his childhood. It's populatity also spawned numerous sequels. Read more
Antoine Doinel lives in a family where the parents are preoccupied with their own existence and therefore parental supervision is lacking. Read morePublished on Jan. 19 2004 by Swederunner
Adolescence is a difficult time for any child. It does not matter where you grow up or in what era. Read morePublished on Nov. 16 2003 by Steven Y.
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