Buy Used
CDN$ 15.00
+ CDN$ 6.49 shipping
Used: Very Good | Details
Condition: Used: Very Good
Comment: Hi! Real human booksellers here. We check every book for condition, and ship with care from Ontario. Delivery within 2-6 business days. Email us with any questions! - Condition: Text is clean and unmarked; binding solid; no exterior flaws.
Have one to sell?
Flip to back Flip to front
Listen Playing... Paused   You're listening to a sample of the Audible audio edition.
Learn more
See this image

8 X 10 Hardcover – Sep 29 2009

4.0 out of 5 stars 3 customer reviews

See all formats and editions Hide other formats and editions
Amazon Price
New from Used from
"Please retry"
CDN$ 83.61 CDN$ 0.01

Unlimited FREE Two-Day Shipping for Six Months When You Try Amazon Student
click to open popover

No Kindle device required. Download one of the Free Kindle apps to start reading Kindle books on your smartphone, tablet, and computer.

  • Apple
  • Android
  • Windows Phone
  • Android

To get the free app, enter your mobile phone number.

Product Details

  • Hardcover: 176 pages
  • Publisher: Doubleday Canada; Canadian First edition (Sept. 29 2009)
  • Language: English
  • ISBN-10: 0385665938
  • ISBN-13: 978-0385665933
  • Product Dimensions: 14.6 x 1.9 x 21.6 cm
  • Shipping Weight: 318 g
  • Average Customer Review: 4.0 out of 5 stars 3 customer reviews
  • Amazon Bestsellers Rank: #568,167 in Books (See Top 100 in Books)
  •  Would you like to update product info, give feedback on images, or tell us about a lower price?

Product Description

Quill & Quire

Michael Turner’s previous novel, The Pornographer’s Poem, employed a variety of narrative forms, including letters, film scripts, diary entries, and monologues. His latest work, 8×10, is similarly unconventional: a collection of fragments intricately assembled to create a novelistic whole. But 8×10 veers off into more daringly experimental territory. The book’s most striking oddity is that it contains no proper nouns. The characters are nameless, as are the settings they inhabit. Furthermore, characters have no distinguishable racial or ethnic traits, and the time in which the book is set is similarly vague. The elision of identifiable characteristics seems intended to challenge and disorient the reader, and it succeeds in doing both. The novel’s structure compounds the disorientation. Composed of a series of short sections, seldom more than a few pages, the novel follows the lives of eight characters, with 10 segments each. The only guide to the overall structure is pictorial: a simple 8×10 grid pattern that prefaces each section, with a different square of the grid shaded in sequence as the novel progresses. Characters in the novel are engaged in various professional and personal pursuits, their lives frequently beset by war, crime, migration, and personal crisis. The range of both character and event is impressive: there are parents and children, addicts, retirees, refugees, soldiers, salespeople, and artists. Turner’s prose is extremely spare and carefully crafted, heightening the tension that imbues much of the novel. The relationship between the novel’s sections is tenuous at first, though increasingly characters cross over into one another’s narratives, suggesting that the surface sense of dislocation belies a deeper connectivity. It becomes clear by the conclusion that there is an intricate and subtle orchestration at work, and yet the novel fails to resonate as a whole. Though many of the sections are compelling on their own, their impact is fragmentary, not cumulative. Rather than opening up possibilities of personal interpretation for the reader, 8×10’s conceit of universality excludes those gratifying instances of recognition that would justify the challenges it poses.


"A hallucinogenic read, and not just because descriptions of drug use abound. The language is clear and precise, and the bits of plot move fast to crescendos and bursts of conflict. . . . Reading 8 x 10 is sort of like standing on a rooftop with the most precise camera in the world, zooming in on moments in people's lives where you are momentarily allowed access to their inner thoughts, and then moving along to the next person. . . . I hope Turner starts a trend in Canadian literature, because Canada needs more writers like him."
— Zoe Whittall, The Globe and Mail

See all Product Description

Customer Reviews

4.0 out of 5 stars
5 star
4 star
3 star
2 star
1 star
See all 3 customer reviews
Share your thoughts with other customers

Top Customer Reviews

Format: Hardcover
I picked this book up for two reasons. 1) the author is from Vancouver and I enjoy reading local authors and 2) the book has been getting good reviews in the press.

I'll state up front that I liked this book. It was such a joy to read some Canadian literature that doesn't focus on the tried and true (and dull) bits that all other Canadian authors focus on. So don't pick this book up expecting to read the same old same old stories of immigrants struggling to make it around the turn of century Canada.

Instead pick this book up and expect to read a series of sometimes interconnected tales dealing with sex, war, marriage, and the trials and tribulations of growing up. And the best part of it all - the stories are set in a nameless city, easily being the one in the next province over or the one you currently live in. Everyone can relate to what's been written.

You won't be disappointed.
2 people found this helpful. Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback.
Sorry, we failed to record your vote. Please try again.
Report abuse
Format: Hardcover
I'm always interested to read B.C. authors and, after thoroughly enjoying Michael Turner's 2000 novel, The Pornographer's Poem, I was looking forward to 8 x 10. Turner's newest book is neither a novel nor a short story collection; it's an ekphrasic series of snapshots that ambiguously connect to each other. The author writes poetically but also impersonally; there is no mention of time, place or character names (only pronouns are used). Despite this, Turner's sparse language creates effective and concrete scenes featuring the themes of addiction, loss, war, sexual dysfunction and immigration. The reader only catches glimpses of characters' conflicts before facing the next vignette and never really knows whether the same characters return in subsequent, related snippets or not. The book is a short 163 pages but it begs to be read a second time, both to make connections between the snapshots and to enjoy Turner's talent at manifesting evocative, tragic, profound and sometimes hilarious scenes in so few words.
Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback.
Sorry, we failed to record your vote. Please try again.
Report abuse
Format: Hardcover
One of my favourite books of all time is Michael Turner's The Pornographer's Poem, and so I was excited to get my hands on the first new work of fiction by him since that book. 8 x 10 is a slim (163 pages) book of not really short stories, but more vignettes that are ambiguously connected to each other. The book is written in a very poetic and slightly abstract way (meaning there is no mention of time, place, or character name--only using the pronouns "he" and "she"), however, Turner's ability to create concrete scenes with his sparse, but effective, language kept me involved and rooted in the story even when the going got a bit deep.

These stories, while not always connected on a narrative level, are connected through the shared themes of loss, addiction, war, sexual longing, marriage, displacement, and immigration. Like the title of the book suggests, they are snapshots into the lives of these peoples; Turner giving us a glimpse at their conflicts before moving on to the next. He may return to them later in the book, or someone connected to them, but you're never quite sure.

This is a book that begs to be read a second time to fully understand it. That may not appeal to some readers out there, but the book is written well enough that I can see my self picking it up a second time. It's slender size also plays to being read a second time. It is tender, evocative, heart-breaking, and sometimes hilarious, and the most impressive thing about it is Turner's ability to make me care for, and get involved in, the stories of these people in such a short span of time.
3 people found this helpful. Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback.
Sorry, we failed to record your vote. Please try again.
Report abuse

Look for similar items by category