Aki Kaurismaki's Proletariat Trilogy: Eclipse Series 12 (Shadows in Paradise / Ariel / The Match Factory Girl) (The Criterion Collection)
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The poignant, deadpan films of Aki Kaurismäki are pitched somewhere in the wintry nether lands between comedy and tragedy. And rarely in his body of work has the line separating those genres seemed thinner than in what is often identified as his “Proletariat Trilogy,” Shadows in Paradise, Ariel, and The Match Factory Girl. In these three films, something like social-realist farces, Kaurismäki surveys the working-class outcasts of his native Finland with detached yet disarming amusement. Featuring commanding, off-key visual compositions and delightfully dour performances, the films in this triptych exemplify the talents of a unique and highly influential film artist.
THREE-DISC BOX SET INCLUDES: Shadows in Paradise (1986) Ariel (1988) The Match Factory Girl (1990)
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But is it too much to hope for the rest?
I'll light some candles and do a jig (or better yet, a tango) and see what happens...
No culture is more taciturn than that of the Finns.
These films appeal to fans of Mamet scripts that are slowed down, and to fans of Jim Jarmush films.
Jarmush much admires Kaurismaki, and the last episode of his movie "Night on Earth" is a tribute to the director.
If you liked "The Man With No Name" you will like all three of these movies, although for me they are much better, as they are earlier and more simplistic films where "less is more" is well demonstrated.
You probably will dislike these films if you disliked the Oscar nominated "The Man With No Name".
In all of his movies, the story and actors move slow, yet beautifully, in their workers' "low" blue collar world.
Excellent use of color keeps the environment from being visually depressing, and subtle and consistent humor gives hope and uplifts these romances...
yes..all three are romances.
Aki Kaurismäki's Proletariat Trilogy (Shadows in Paradise / Ariel / The Match Factory Girl)For me, the Trilogy is perfect filmmaking--sad, humorous, ironic, dead pan, sometimes with a happy ending. I don't want to go into any detail, one can read the description for that. The Trilogy is emotion-driven, which is the type of film that I gravitate towards, serious but w/an underlying sense of humour. If you like Jarmusch, John Lurie, Wayne Wang, maybe even Hal Hartley... you will LOVE this. There are "on and off" box-sets, and this one is on on on. 5 stars, no kidding.
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