Alan's War: The Memories of G.I. Alan Cope Paperback – Oct 28 2008
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From Publishers Weekly
Starred Review. Guibert writes and draws for American G.I. Alan Cope in this poignant and frank graphic memoir of young soldier who was told to serve his country in WWII and how it changed him forever. When he first enters Fort Knox at 18, he is young and impressionable, more of a dreamer than the military type. Slowly, Cope grows through his experiences in the war. He forges candid friendships with his fellow soldiers and remains ever insightful in his recollections of the war and his life afterward. Together, Cope and Guibert forge a story that resonates with humanity. Guibert's illustrations capture the time period vividly. While the subject matter is familiar from many wartime memoirs, Guibert's fluid, simple but assured linework captures the personalities of Cope and his friends, elevating the material to a far more affecting level. (Oct.)
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“Guibert writes and draws for American G.I. Alan Cope in this poignant and frank graphic memoir of a young soldier who was told to serve his country in WWII and how it changed him forever. When he first enters Fort Knox at 18, he is young and impressionable, more of a dreamer than "the military type." Slowly, Cope grows through his experiences in the war. He forges candid friendships with his fellow soldiers and remains ever insightful in his recollections of the war and his life afterward. Together, Cope and Guibert forge a story that resonates with humanity. Guibert's illustrations capture the time period vividly. While the subject matter is familiar from many wartime memoirs, Guibert's fluid, simple but assured linework captures the personalities of Cope and his friends, elevating the material to a far more affecting level.” ―Publisher’s Weekly, Starred Review
“This epic graphic memoir spans oceans and generations, with a narrative as engrossing as the artistry that illustrates it.
In his preface, renowned French graphic novelist Guibert (co-author: The Professor's Daughter, 2007, etc.) explains the bond he shared with the much older Cope, who had served as an American soldier during World War II and left his native country to return to France in the aftermath. "He spoke well; I listened well," writes Guibert. "Save two or three, his anecdotes were nothing spectacular. They evoked only very remotely what movies or books about the Second World War had taught me. Still, I found them captivating, because of the accents of truth they contained. I could literally see what he was describing." Now the American reader can as well -- (the first volume of the collaboration was initially published in France in 2000, the year after Cope's death). As the title suggests, this is one man's war memories, filled not with tales of larger-than-life heroism but with the chance encounters, tragic absurdities and small kindnesses experienced by a sheltered young soldier of uncommon intelligence, as recollected by an older man who has come to take stock of his life and reconsider the values by which he has lived it. He comes to question himself, his country and humanity in general, while retaining a humanitarian warmth and a deep appreciation for the arts.
The narrative voice is captivating, and the black-and-white illustrations are often stunning, whether capturing the grandeur of Big Sur and the giant redwoods of California or showing the destruction of European villages by soldiers who shared a common bond of humanity with the civilian "enemy." The Veteran's Day publication befits a volume that underscores the resonance and legacy of war.
Thankfully for readers, Guibert promises a prequel volume on Cope's childhood in California, in testament to "the storyteller in him that I was drawn to-his personality, his style, his voice, and his astounding memory.” ―Kirkus Reviews, Starred Review
“After churning out a series of popular children's books, French graphic artist Guibert recently detoured into biography. His chronicle of reporter Didier Lefevre in Afghanistan, The Photographer (in three volumes, so far), won several awards and raised the bar for Guibert's versatile drawing skills. The unlikely subject of his latest biography is World War II veteran Alan Cope, an American retiree living in France, with whom Guibert developed a close friendship in the early 1990s. Cope's charismatic demeanor and storytelling penchant gradually put a spell on Guibert, inspiring him to capture Cope's life in a fascinating tapestry of illustrated anecdotes, reproduced letters, and photographs. Cope, it turns out, saw very little action during his extended European tour in the latter half of the war, yet his peculiar misadventures as a radio operator, tank gunner, and chaplain's assistant carry their own appeal. His encounters with temperamental officers, friendships with fellow soldiers and German musicians, and struggles to find work in post-war France reveal a fascinating side of wartime life rarely seen in military films or history books.” ―Carl Hays, Booklist
“In 1994 a chance meeting between comic artist Guibert and an American expatriate living in France, Alan Cope, sparked a friendship that continued until Cope's death in 1999. During that time Cope shared the story of his experiences during and after World War II, and Guibert added illustrations to those tales. The result is this volume, a comic memoir of a man's life. Unlike so many memoirs, Cope wasn't unbelievably famous or heroic or, frankly, much more than ordinary, and therein lies the magic.
His tales have a literary quality about them that aptly highlights the drudgery of a soldier's life, the "hurry up and wait" attitude of much of the war. Guibert's illustrations of thick ink lines over paint perfectly flesh out the anecdotes. Unfortunately, the collection begins to lose its impact after Cope's departure from the Army. Guibert packs too much into the last third of the book, making the end seen rushed and too crammed full of information. Even with that failing, this is still a fine collection of war memories. Alan Cope may have been an ordinary guy, but Guibert was right to recognize the extraordinary nature of the everyman.” ―ICv2
“Relating the experiences of Alan Cope as a graphic novel memoir, Guibert (Sardine in Outer Space) adopts a conversational tone that makes readers feel as if they are overhearing the G.I.'s memories of World War II, both humorous and poignant. Guibert met Alan Cope "by chance" in 1994, when the former G.I. was 69 and Guibert was 30, and Cope began to relate his experiences to the graphic novelist. We watch Alan grow up on the page just after he is drafted in 1943 at the tender age of 18. Having only ever ridden a bicycle, the first thing Alan learns to drive is an army tank. Elements of the book may remind older readers of Catch 22, as when Alan's crew must wait two months after their arrival in Europe because the army has "misplaced" their weapons and vehicles.
Guibert uses this format to great effect, emulating the soldier's feelings of claustrophobia, for instance, when a 300-pound fellow soldier is sleeping above him. And when Alan attempts to descend from a barn's hayloft and discovers too late that there's no ladder to support him, Guibert divides the panels and employs the page turn to build optimal suspense leading up to the soldier's fall. The artist also evokes the awe-inspiring views for this young American seeing Europe for the first time ("We don't have villages like that where I come from. They were charming--tree-lined streets, fields, farms . . . everything was different and fascinated me, you know?") and, having returned safely home, viewing General Sherman, the largest tree in Sequoia National Park ("You know, you can't begin to imagine that tree until you've seen it, and you can't quite grasp it when you do. You just feel it, that's all"). Guibert leaves the tree's trunk colorless, allowing the audience to use their imaginations, with Alan's words as the launch point. Graphic novel fans will also appreciate the ease with which Guibert shifts between Alan's flashbacks and foreshadowing. The narrator comes across as a laid-back fellow who gets along with even some of the tougher members of his unit, and he accepts the homosexuality he detects among several of his fellow soldiers. His placid temperament helps to explain how easily he makes friends with Germans after the Yalta accords, especially his influential friendship with German composer Gerhart Muench and his American-born wife, Vera, a poet. This friendship becomes a kind of measuring stick for Alan's growth. Gerhart, being older and more worldly, attempts to guide Alan (on his "calling" as a minister and his choice for a wife), and although they have rifts, they overcome them. Much of the memoir reaches into Alan's post-war life, but what will be of most interest to older teens is Alan's candid view of his military training, the war itself and what he discovers about human beings' commonality more than their differences.” ―Jennifer M. Brown, Shelf Awareness
“Gr 10 Up-Cope was a paper delivery boy in California in 1941 when Pearl Harbor was bombed. A couple of years later, at 18, he was drafted into the U.S. Army and shipped off to Europe. In 1994, he met cartoonist Guibert and recounted his wartime experiences and what he'd thought of them during the intervening years. The resulting book-published in France a year after Cope's death in 1999-puts readers nearly inside the skin of a young man who learns to deal with Army regulations, a number of Western cultures, friendships, and what turned out to be a lifelong exploration of life's possible meanings. Guibert allows Cope to speak directly from the pages, where the images he is describing unfold in small, neat panels in which grays, black line, and open white space provide details of expression, furnishings, the open countryside, and military equipment. Guibert and Cope are well matched and compelling as storytellers. There is no central dramatic moment here-Cope's major wartime work involved neither attacks nor defenses-but the complete honesty offers insights and answers often omitted in war stories. Cope becomes so real that, as he ages across the final quarter of the book, teens will stay involved with how his youthful experiences and ideals colored his mature choices and memories.” ―Francisca Goldsmith, Halifax Public Libraries, Nova Scotia, School Library JournalSee all Product Description
Top Customer Reviews
Then again, maybe I'm just a bit too much of an idler and this is why I liked Alan's War
Most Helpful Customer Reviews on Amazon.com (beta)
Alan Cope and Emmanuel Guibert met by happenstance, and the collaboration that resulted is marvelous. Alan Cope tells us through Emmanuels' art his life as a soldier. Drafted at age 18, he joined the army to fight a guy named Adolph. His travels through France, Switzerland, Germany, California, and all points Europe are fascinating. This book is his journal, rendered in charming art that brings to life significant events and people that changed him from naive youth to wisened veteran.
It is clear that war changes people. While there are no atheists in foxholes, after the experience can turn believers into atheists or scar them forever. Alan was changed. His friends Gerhart and Vera were changed. Jako was changed. Landis changed. In the end, each went on with their lives based on their previous experiences.
As a reader, I was entranced by the simple narrative tone of the book. It was almost like Private Alan Cope was right beside me as I lived his life from training to his final years. While we could not smell the smells of the Alps as he hiked on Sundays, or the fresh dew of the French countryside,or the smell of German cooking, we can feel the effect on Alan. We cannot feel the horror of war, or the physcial exhaustion his training, the pain at losing friends, but we can feel the effect on Alan.
One thing about this book that I loved was the sheer variety of 'famous' people that Alan (or his close friends) knew. I also loved the depth of his relationships with his fellow soldiers, and his determined effort to not let his friendships die. One thing is very clear, Emmanuel's friendship is echoed in this book.
Reading this volume, I almost feel myself reaching over and pouring Alan a snifter of brandy and listening spellbound as the evening sun falls.
Thank you Emannauel and Alan for sharing this deep friendship with us.
To provide just a short background: Guibert met Cope in the mid-'90s by chance, when Guibert asked him for directions. A native of France, Guibert was intrigued by Cope, an American expatriate now living in France. Cope was born in a coastal town in California and drafted into the war immediately after the bombing of Pearl Harbor. He did his job, like millions of other men in the greatest generation, and saw the world. He did so without fanfare, and some 50 years later, he still didn't expect any. Cope passed away in 1999, but over their five-year friendship, Cope shared many of his war stories with Guibert, a talented artist who would draw those stories under Cope's guidance. The stories were printed in France, where they were warmly received. Now they've been released here in the United States.
Cope, despite being incredibly open in the sharing of his war stories, was nonetheless a very private man, and Guibert respects that. He recorded their conversations and uses Cope's own words to narrate ALAN'S WAR. It makes it even more personal and renders this long-ago era even more immediate to see Cope's words on the page. There's an innocence at the beginning of the book that speaks to the nature of the world at the time, yet there's also a universality to what Cope experiences that translates through the decades.
When Cope and his fellow draftees miss their train to boot camp, they know they're in trouble. So they decide to enjoy their remaining time by seeing the sights of New York City. In another book, it would almost be a throwaway tale, not worthy of remembering or spotlighting. Here, it becomes a tender look at the playfulness of boys headed off to war, not knowing which, if any, of them would survive the experience.
Cope was an interesting man, and the years that passed since the war did not dull his insight. He kept a soft-spoken viewpoint that allowed him to modestly and subtly detail the friendships he developed and the brutal experiences he endured without ever dwelling in sentimentality. That was his rare gift as a storyteller, and Guibert's knowing move to leave it intact. Better still, Guibert's illustrations shine through with startling clarity in black and white. Cope's stories deserve no less.
--- Reviewed by John Hogan
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