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The Ape Who Guards the Balance Audio Cassette – Abridged, Sep 1998

3.8 out of 5 stars 34 customer reviews

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Harry Potter and the Cursed Child
--This text refers to the Mass Market Paperback edition.
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Product Details

  • Audio Cassette
  • Publisher: Dove Entertainment Inc; Abridged edition (September 1998)
  • Language: English
  • ISBN-10: 0787117617
  • ISBN-13: 978-0787117610
  • Product Dimensions: 1.9 x 17.8 x 11.4 cm
  • Shipping Weight: 181 g
  • Average Customer Review: 3.8 out of 5 stars 34 customer reviews
  • Amazon Bestsellers Rank: #3,531,469 in Books (See Top 100 in Books)
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Product Description

From Amazon

Named 1998 Grand Master by Mystery Writers of America, Elizabeth Peters is also a doctor of Egyptology whose mysteries have submerged readers in the vivid turn-of-the-century world of Amelia Peabody. In The Ape Who Guards the Balance Peters captures the immediacy of uncovering a new Egyptian tomb within the context of a tightly plotted murder investigation involving the entire Emerson Peabody clan. The characters, including Amelia's husband, Radcliffe Emerson, and her gifted son, Ramses, are meticulously drawn. As in previous novels the dialogue is reminiscent of The Thin Man. When a man calls out to passing suffragettes, "You ought to be 'ome washin' your 'usband's trousers!" Ramses shoots back, "I assure you, sir, the lady's trousers are not in such sore need of laundering as your own." Peters also toys with differing narrative perspectives, and Ramses emerges as a possible successor to his mother's legacy of crime solving.

The Ape Who Guards the Balance begins in 1907 in England where Amelia is attending a suffragettes' rally outside the home of Mr. Geoffrey Romer of the House of Commons. It seems Romer is one of the few remaining private collectors of Egyptian antiquities, and a series of bizarre events at the protest soon embroil Amelia in grave personal danger. Suspecting that the Master Criminal, Sethos, is behind their problems, the Emerson Peabodys hasten to Egypt to continue their studies in the Valley of Kings where they soon acquire a papyrus of the Book of the Dead. As with past seasons, however, their archaeological expedition is interrupted. The murdered body of a woman is found in the Nile. Ramses, Radcliffe, and Amelia all have their theories as to the origin of the crime, but their own lives might soon be at stake if the cult of Thoth and their ancient book is, indeed, involved.

Other Peabody mysteries include Seeing a Large Cat, The Hippopotamus Pool, The Snake, the Crocodile, and the Dog, The Deeds of the Disturber, Lion in the Valley, The Curse of the Pharaohs, and Crocodile on the Sandbank. --Patrick O'Kelley --This text refers to an out of print or unavailable edition of this title.

From Publishers Weekly

In April of this year, Peters, who has been writing mysteries for 30 years, was honored as a Grand Master by the Mystery Writers of America. This captivating novel, her 10th Amelia Peabody tale (following Seeing a Large Cat, 1997), validates her peers' high regard. Prospects for the 1907 excavation season in Egypt seem lackluster for the Emersons, since Professor Emerson, Amelia's beloved husband, can't abide the fools who administrate such activities?and makes no secret of that fact. But the family, including their adult son, Ramses, and his foster siblings, Nefret and David, departs for Egypt nevertheless after incidents in London point to the resurfacing of their old nemesis, known as the Master Criminal. The younger generation buys an ancient papyrus from an antiquities dealer and sets in motion a sinister chain of events. Two horrendous murders draw all of the Emersons further into the fray, and at times it seems as if the Master Criminal and his minions will at last best Amelia. But by drawing on the skills of all, the Emerson contingent once again brings villains to justice. The plot is complicated and involving, but the maturing of Ramses, Nefret and David offers particular pleasure and gives the book depth and poignance. Rich in characterization, incident and humor, this latest adventure of Amelia Peabody is a grand, galloping adventure with a heart as big as the Great Pyramid itself. Author tour.
Copyright 1998 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

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Customer Reviews

Top Customer Reviews

Format: Mass Market Paperback
Elizabeth Peters writes with an assured cadence. Her stories seem to unfold as though revealed in a handwritten letter and with elegant penmanship. Having read two delightful short stories set in Egypt I was ready to immerse myself in a full length book.
For the first time the clerk in my bookstore approved of my choice. She was a devoted fan of the Amelia Peabody series. I was sure to love it. Before this she had failed to comment on any of my bi-weekly mystery selections. I sensed I was in for something special.
The quality of writing did not disappoint. The archeology felt authentic. I learned a lot about excavating Egypt. The settings seemed appropriate to the times and circumstances. I even lamented the intrusion of industrialization upon gentler traditions. I was reminded of Merchant & Ivory.
The Emersons could have been so much more compelling. They are a liberally-collected rainbow group who would be welcomed and entertained at most sophisticated social events of OUR time, but would xenophic and racist Londoners toward the end of Victoria's reign been so kind to compatriots who had "gone native"? Yet it was the mixed backgrounds of two of the "children" that I thought could have yielded the most interest.
What was uninteresting to me was how physically attractive they had to be. Emerson's "steely arms" and "muscular chest"; Ramses' physical stature and attraction for women; David's appearance being similar to Ramses with "the long-lashed dark eyes"; and "strikingly pretty, extremely intelligent" Nefret was even blessed with laughter "like sunlit water bubbling over pebbles". Peabody herself was able to look good in any outfit while being the object of a Master Criminal's desires.
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Format: Mass Market Paperback
A series as long-running as the Peabody books is bound to contain a few duds. The Lion in the Valley, The Deeds of the Disturber, and The Hippopotamus Pool all had their share of problems, but The Ape Who Guards the Balance manages to offend in a way none of these earlier works did. It has excellent sections, particularly in the interactions between Ramses, David, and Nefret, and the Emersons' presence at the botched excavation of KV55 was a nice touch, but both the central mystery and the key emotional events of this volume are wasted effort.
The mystery is not a terribly interesting one; the opening chapter makes it clear that Sethos is back and that there will be even more people creeping about in various disguises than usual (this is possibly the weakness of this series in general). Sethos I can handle, but the villain of this book was tiresome the first two times she popped up and is even worse in this round. Peters undercuts any feminist agenda she might have by inadvertently making a key villainess far less compelling than one-shot villains like Riccetti and Pesanker. Bring back Lady Baskerville, if you must, but no more of this!
As for the personal travails of the Emerson clan... the troubles foreshadowed in the previous book are hinted at more and more strongly here, and then the images of a fratricidal tangle over Nefret resolve abruptly in a way that might be realistic in life but is unsatisfying as fiction. Some people fall in love, some are revealed as latent racists who turn upon their loved ones in times of stress, some die, and some stay the same. None of this turmoil is terribly affecting-and this is in the tenth volume of a series I've devoted much time and mental energy to, a series whose characters are 'people' I enjoy spending time with!
I feel the series soared back on course with Falcon at the Portal, and reached higher still with He Shall Thunder in the Sky, but Ape just didn't cohere.
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By A Customer on Sept. 10 2002
Format: Mass Market Paperback
I have never written a negative review, but this book is the worst I have ever read! I cannot stand any of the characters. The author belittles the readers ability to understand plot without explaining every thought (and she labels it "clever" so as to dumb down the reader) as if we would never be smart enough to understand unless she s-p-e-l-l-s it out for us.
You probably wonder why I kept reading it. Metaphorically speaking, it was like a train wreck, or the car wreck that you have to slow down and observe (by the way, notice how I just spoke down to you because your limited intellect would have NEVER known that I was speaking metaphorically unless I told you!). I thought that nobody could be this bad at telling a story. You know, I was wrong! This book made the The Celestine Prophecy seem good in comparison (another book that I have issues).
So, I really feel sorry for the readers that think this is good writing! If you do, you might want to check out The Celestine Prophecy (very preachy and you don't have to think).
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Format: Mass Market Paperback
This is the kind of book where if you read the first three chapters and the last three, you haven't missed much. Still an improvement on Amelia's last outing, I was wondering if these were the same characters I had grown to love. What on earth has happened to Amelia? Since when was she a racist and a snob? Her reaction to David and Lia was simply unbelievable and her comments about the nouveau riche and servants are irritating. If I can remember, Amelia herself didn't come from a particularly rich family - it was her father's shrewd investments that produced her wealth. Amelia has now become the stereotypical Victorian stiff that she ridiculed in the first books! I love the characters of Ramses and David, but I find it hard to warm to Nefret. The girl is just too good to be true! There are only so many times I can stomach reading how she seems to be "wreathed in her own golden light". In this book, in particular, both she and Lia come across as obnoxious and spoilt which hardly endears one to them. It would also have been nice if Lia could have done something other than turn up, faint, simper over a man, then go home again. Amelia was likeable because she was a strong woman who went against the ideals of her age - and using brains instead of beauty. None of the other female characters have even touched her yet. I am also finding it tiresome how nearly every single other supporting character in the book falls in love with Amelia, Emerson, Ramses or Nefret! Please, just give it a rest! But in spite of all this, the ending is worth waiting for, if only for the interactions with, and some revelations about the mysterious Master Criminal. And I even cried when Abdullah died.
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