Arcadia Hardcover – Mar 13 2012
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"[Lauren Groff] has taken a quaint, easily caricatured community and given it true universality...And a book that might have been small, dated and insular winds up feeling timeless and vast...The raw beauty of Ms. Groff's prose is one of the best things about Arcadia. But it is by no means this book's only kind of splendor."―Janet Maslin, The New York Times
"I was constantly torn between wanting to gulp down this book or savor its lines. Even the most incidental details vibrate with life... Arcadia wends a harrowing path back to a fragile, lovely place you can believe in."―Ron Charles, The Washington Post
"A moving look at the value of human connection in a scary, chaotic world."―Entertainment Weekly
"Lauren Groff's dazzling new novel brings the flawed visions of a '60s commune to life... At a moment when so much floating anger struggles for articulation, it's Groff's essential human empathy that gives her work its urgency."―Vogue
"One of our best young novelists brings a lost Eden of hippiedom freshly to life... Groff's prismatic prose style lends itself to the darker currents that run beneath the Arcadian dream... both poetic and ambitious."―Elle
"Groff's beautiful prose make this an unforgettable read."―Publishers Weekly (Starred Review)
"[A] beautifully crafted novel Groff's second novel, after the well-received The Monsters of Templeton (2008), gives full rein to her formidable descriptive powers, as she summons both the beauty of striving for perfection and the inevitable devastation of failing so miserably to achieve it."―Booklist (Starred Review)
"Arcadia feels true, as do the characters who populate this extraordinary novel, which lingers on passing moments in time and highlights the importance of place in preserving not only our memories, but also ourselves."―Hannah Tinti, author of the bestselling and award-winning novel The Good Thief
"Richly peopled and ambitious and oh, so lovely, Lauren Groff's Arcadia is one of the most moving and satisfying novels I've read in a long time. It's not possible to write any better without showing off."―Richard Russo, author of the novel That Old Cape Magic and the Pulitzer Prize-winning Empire Falls
"Part Stone Diaries, part Lord of the Flies, part something out of a Shakespearean tragedy, Lauren Groff's Arcadia is so uniquely absorbing that you finish it as if waking from a dream. Groff is one of our most talented writers, and Arcadia one of the most revelatory, magical, and ambitious novels I've read in years."―Kate Walbert, author of the New York Times bestselling novel A Short History of Women
"An astonishing novel, both in ambition and achievement, filled with revelations that appear inevitable in retrospect, amid the cycle of life and death. A novel of "the invisible tissue of civilization," of "community or freedom," and of the precious fragility of lives in the balance."―Kirkus (Starred Review)
About the Author
Lauren Groff is the author of The Monsters of Templeton, shortlisted for the Orange Prize for New Writers; Delicate Edible Birds, a collection of short stories; and Fates and Furies, a National Book Award finalist. Her writing has appeared in The New Yorker, The Atlantic Monthly, Harper's, Tin House, One Story, McSweeney's, and Ploughshares, and in the anthologies 100 Years of the Best American Short Stories, The Pushcart Prize: Best of the Small Presses, PEN/O. Henry Prize Stories, and three editions of The Best American Short Stories. She lives in Gainesville, Florida, with her husband and two sons.
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Top Customer Reviews
I was immersed into that world quickly and enjoyed every page!
I have recommended this book to several people and they all enjoyed it.
Most Helpful Customer Reviews on Amazon.com (beta)
Lauren Groff is more than 20 years younger than I am. As I write this, I'm about the same age as the main character in the last third or so of the book. It's almost miraculous to me that someone who hasn't yet reached this age can so accurately peg the combination of nostalgia, bitterness, and regret of looking back at childhood, living in the present, and being uncertain about the future. There's more than a whiff of Peter Pan and Never Never Land in the story, and I mean that in a good way. On top of that achievement, Groff has also constructed a perfectly convincing bridge from a time most of her readers clearly remember to a time we can only imagine.
This is a quiet novel, without drama and histrionics. It's also highly literate and intelligent. Read it. You'll be glad you did.
I lived in a commune from the age of 17 to almost 30, so I have to add that fact to my review of Arcadia. I will tell you my thoughts, and they are sort of jumbled together, so it's not a "good" or a "bad".... First, the NAMES for things were soooo reminiscent for me! We had a Home Place (Arcadia is the fictional Homeplace). Our Hatchery was Arcadia's "Pink Palace" for where the babies were born. The Monkey Crew (ours was the Construction Crew) ... "Inside" versus "Outside"... I could go on and on. Basically, we had our own language, and so this fact of Arcadia was astoundingly reminiscent and immensely enjoyable.
I believe it is human nature to rebel against what you know, so I had a hard time buying into Bit's unwavering love and loyalty for Arcadia. All the kids that had been born in my particular commune hated living there with a passion. They hated being different, and they couldn't wait to be old enough to bolt. Of course, now that they're older, they do appreciate the sense of family that existed, plus the fact that they have so many brothers and sisters throughout their lives.
I had a hard time with the author's timing of things. Knowing a thing or two about communes, I didn't buy that Arcadia was going strong while Ronald Reagan was in office (circa early '80's). That was after Jonestown. I believe the concept of the hippie commune was on the wane during that time. And the non-self-sustaining issue was also hard to swallow. For a real commune to exist for so long, they would have had to be way more organized than Arcadia was. The book describes Hannah as being pissed off or depressed a lot of the time because there was no money and no food. No one would put up with that for that long, they'd just leave and go back to reality. Way too many freeloaders/hangers-on were depicted -- I know it doesn't work that way. Everyone has to pull their weight, and then some.
The fictional illness toward the end was just silly and served no purpose whatsoever. I felt the author lost her way with this story line.
Still -- an entertaining read that managed to capture a lot of the love/hate, push/pull and sheer physical discomfort -- alternating with occasional blips of ecstacy -- of communal life.
But the novel ground to a halt once Bit became an adult in the city. I came galloping eagerly out of the first part of the book, and hung with it pretty well during his time as a professor and his troubling non-relationship with Sylvie. But oh my god, the story hangs up dreadfully somewhere in there and becomes annoyingly lyrical as all action nearly stops and Bit becomes almost a non-entity. I am in the final chapters of the book and almost can't stand to read it anymore. I hate to abandon a book I've enjoyed as much as the earlier part of this one, but I'm not sure I can slog through the conclusion. Such a bummer.
The novel is beautifully written. People and locations are portrayed keenly, vividly. Tenderness, love, beauty, pain. It's all here, and more.
The imagery Groff uses on page after page took my breath away--and by the last third or so, I was weeping. Here is the very stuff of life. Hope, dreams, love, how to live, lost hope, lost dreams, lost love, death. Bit, the protagonist, is beautifully crafted and will break your heart.
It's a gorgeous book. I can't stop thinking about it. I'm going to read it again. Writers know that the most particular and specific may also be the most universal. Nevertheless, sometimes a book comes along that you think has been written just for you. ARCADIA is like that. If you care about the world, buy a copy.