Buy Used
CDN$ 0.98
+ CDN$ 6.49 shipping
Used: Very Good | Details
Condition: Used: Very Good
Comment: Ships from the USA. Please allow 2 to 3 weeks for delivery. This book shows minor wear and is in very good condition. Blue Cloud Books â€" Hot deals from the land of the sun.
Have one to sell?
Flip to back Flip to front
Listen Playing... Paused   You're listening to a sample of the Audible audio edition.
Learn more
See this image

Back Story Hardcover – Mar 11 2003

3.8 out of 5 stars 58 customer reviews

See all 20 formats and editions Hide other formats and editions
Amazon Price
New from Used from
Kindle Edition
"Please retry"
"Please retry"
CDN$ 14.00 CDN$ 0.98
"Please retry"
CDN$ 6.23
Audio Download
"Please retry"
CDN$ 57.86

Harry Potter and the Cursed Child
click to open popover

No Kindle device required. Download one of the Free Kindle apps to start reading Kindle books on your smartphone, tablet, and computer.
Getting the download link through email is temporarily not available. Please check back later.

  • Apple
  • Android
  • Windows Phone
  • Android

To get the free app, enter your mobile phone number.

Product Details

  • Hardcover: 320 pages
  • Publisher: GP Putnam And Sons (Feb. 28 2003)
  • Language: English
  • ISBN-10: 0399149775
  • ISBN-13: 978-0399149771
  • Product Dimensions: 16.1 x 3.2 x 23.6 cm
  • Shipping Weight: 726 g
  • Average Customer Review: 3.8 out of 5 stars 58 customer reviews
  • Amazon Bestsellers Rank: #1,210,416 in Books (See Top 100 in Books)
  •  Would you like to update product info, give feedback on images, or tell us about a lower price?

Product Description

From Amazon

In this 30th entry in one of mystery fiction's longest-running and best-loved series, Spenser--the tough yet sensitive Boston private eye with no first name--takes on an unsolved murder nearly three decades old. The client, an actress, is a friend of Paul Giacomin, Spenser's surrogate son (who first appeared in 1981's Early Autumn). Her mother was slain by leftist radicals at a bank holdup in 1974, and now she wants to know who fired the shot. As Spenser digs into the past, he soon learns that powerful people on both sides of the law want the case left alone--badly enough to kill.

These death threats provide a fine excuse for Hawk, Spenser's extremely scary (yet sensitive) bad-guy pal, to tag along in nearly every scene as bodyguard. The interaction of the two friends is one of this series's familiar pleasures, as is the presence of Susan Silverman, Spenser's longtime love interest. Another pleasure is Parker's stripped-down prose, a marvel of craftsmanship as smooth as 18-year-old Scotch. (Plus we get the first meeting between Spenser and Jesse Stone, hero of another Parker series.) Alas, the whole enterprise feels a little tired. The plot never generates much sustained suspense, and the author's adoration for his central characters renders them at times almost cartoonesque. Still, Back Story is excellently prepared comfort food, even if it isn't five-star cuisine. --Nicholas H. Allison

From Publishers Weekly

Spenser's respectable 30th outing (he debuted 30 years ago in The Godwulf Manuscript) finds the veteran Boston PI teaming briefly with Jesse Stone, the cop hero of a newer Parker series (Death in Paradise, etc.). The move works because Parker plays it low-key, presenting Stone as just one of many characters who cross Spenser's path as the PI-hired by a friend of his adoptive son, Paul, for the princely sum of six Krispy Kremes-digs into the 28-year-old murder of a woman during a bank robbery; the friend is the slain woman's daughter and wants closure. Before Spenser bumps into Stone, the top cop in Paradise, Mass., he connects the killing to the daughter of big time Boston mobster Sonny Karnofsky, an old foe. When Spenser won't back off, Karnofsky threatens Spenser's girlfriend, Susan, then orders a hit on the PI. Enter as protection longtime sidekick Hawk; other series vets make appearances too on Spenser's behalf, including cops Belsen and Quirk and shooter Vinnie Morris. An interesting new character, a Jewish FBI agent, also helps out. The repartee between Spenser and Hawk is fast and funny; the sentiment between Spenser and Susan and the musings about Spenser's code are only occasionally cloying; and there's a scattering of remarkable action scenes including a tense shootout in Harvard Stadium. Series fans will enjoy this mix of old and new, but the title kind of says it all: this series, probably the finest and most influential PI series since Chandler, could use some forward momentum.
Copyright 2003 Reed Business Information, Inc.

See all Product Description

Customer Reviews

Top Customer Reviews

Format: Mass Market Paperback
At this point it's kind of academic, telling people that Spenser novels are fun to read. They're so easy to follow, quick to digest, and fun to enjoy, that it's almost a shame when the book proves to only be 280 pages or so long. The dialog's snappy, the characters interesting, and of course the plot winds up being almost irrelevant, just a vehicle for Spenser, Hawk, Vinnie, Capt. Quirk, and the gang to sit and talk for a while, and then shoot some bad guys.
This time around, Paul Giacomin (Spenser's adoptive son, first seen in one of the best Spenser novels, Early Autumn) brings Spenser a client, a young actress he knows whose mother was murdered in a bank robbery almost thirty years ago. She wants Spenser to find who shot her mother, and, Spenser being Spenser, when it turns out that she brought half a dozen Krispy Kreme donuts for him, he impulsively takes the case. I guess Spenser hasn't been caught up in the low-carb diet craze.
Instead, he soon finds himself mired in a decades-old murder case where all of the principles seem to have been Simbionese-Liberation-Army-type lunatics who waved guns around and shot people randomly, and just caught this young woman in the crossfire. Things are not what they seem, however, and everyone from the FBI to the CIA to the local mafia gets involved, trying to tell Spenser to leave the case alone and find something else to do. This, of course, only provokes Spenser, and makes him more curious about what's happening.
I enjoy Parker's writing immensely, and as I said, the plot's secondary to the characters, the dialog, and the writing. Parker by now has become the closest we're going to have (I think) to Raymond Chandler, and he's a great deal more prolific, thankfully. This was a reasonable addition to what's just about the longest-running series in American detective fiction, and what's certainly the most popular.
Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback.
Sorry, we failed to record your vote. Please try again.
Report abuse
By A Customer on May 7 2004
Format: Mass Market Paperback
Parker has really made an effort here, and it shows. Recent books were getting thinner and more off-hand, and the last in the Spenser series, "Widow's Walk" read like Parker wrote it while he was watching a ball game. But in "Back Story," Parker has done it for us again. It's not the "Godwulf Manuscript" and it's certainly not "Looking for Rachel Wallace," but it has depth and heft, and a fresh plot that involves us in some very satisfying intricacy as it works itself out. Spenser shows more of himself, and our understanding of him deepens. Here it isn't an appealing client needing real help that is the reason he keeps going; it is his own choice to finish what he started, even at considerable cost. He is "peerless," as Susan Silverman says, a man of integrity, humanity and power, whose choices, like this one, come always from a place of honor. And he still is as funny as he always was, with the same discerning eye, seeing everyone, from aging hippies to aging mobsters, right through any pretension or fascade, seeing the good in the bad guys and the bad in the good guys, seeing things as they are.
There are signs here that Parker is making some acknowledgement to the fact that if Spenser fought in Korea, he can't really be 42 years old anymore. Now he does weightlifting for repetition, rather than for weight, he does measured runs, with walk breaks, on Harvard's track, rather than pounding for miles along the Charles River. He decides to have one English muffin because the second one he wants isn't good for him. The women he says look pretty good are in their fifties, and both he and Hawk say sadly "Too young" when teenagers walk by in bikinis.
Read more ›
Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback.
Sorry, we failed to record your vote. Please try again.
Report abuse
Format: Hardcover
I don't know what compels me to keep reading Robert B. Parker's "Spenser" series. The plotting has become almost nonexistent, the dialog is recycled from book to book, the books are getting shorter and shorter and Parker mainly seems to amuse himself by seeing how many characters from previous books he can pack into the current one, so it obviously isn't for the fresh, original take on the private eye genre.
But it's still fun, dammit. Somehow, Parker always manages to engage my attention. The interaction between Hawk and Spenser still amuses, Spenser's twisted honor code still thrills and Susan's soppy shrinkiness still annoys.
In this outing, we are on the hunt for the perpetrator of a killing 30 years in the past. The actual plot is incidental, as Parker seems to be making things up as he goes. The characters are, as usualy, thinly written and heavily dependent on stereotypes. But Spenser gamely travels from Boston to New Hampshire to California and back, giving us all our two hour's worth of lively description and jaunty heroism.
If you are already a fan of the series, you've already bought this one and don't need my review. But if you are not already a fan, don't start here. Go back to the fabulous days of Ceremony, A Catskill Eagle, The Judas Goat and you will become a fan, ready to read and grouse over each new entry in the Parker oeuvre.
Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback.
Sorry, we failed to record your vote. Please try again.
Report abuse
Format: Hardcover
Sometimes it's lucky to be a "Johnny-Come-Lately." My reason for saying this is that I am not encumbered by the history of something like 30 previous Spenser novels. I have read 3 of them, just enough to become familiar with Spenser, Hawk, and Susan, but not so many that they have become stale characters, or that Parker's plots have become repetitive.
Any number of previous reviews have discussed the plot in great detail. In order not to be repetitious, my review will just discuss the plot in barest outline form and then will talk about the main protagonists, their interactions and characteristics.
The plot: Spenser takes on a case for a young actress who wants to find out who killed her mother in a bank hold-up some 28 years earlier. In spite of a cold trail, missing documents,and threats on his life, Spenser, with the physical support of his friend, Hawk, and the emotional and analytical support of his lover, Susan, soon finds out enough to make his investigation dangerous to both the FBI, and the most powerful mob figure in Boston, thus making it dangerous to Spenser. It also turns out that what he is uncovering is NOT what his client wants to hear. For the final outcome of this case, I guess that you'll just have to read the book.
Now for the promised character studies: Spenser and his ally, Hawk, form quite a duo. They are both in superb physical condition and can handle anyone who tries to intimidate them. Spenser, alone can handle (read manhandle) at least two or three assailants by himself. So, for that matter, can Hawk.
Together they can out think, out strategize, and out shoot just about anyone. In at least one case, where Spenser is caught off guard, he also proves that he can outrun just about anyone before turning the tables on them.
Read more ›
Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback.
Sorry, we failed to record your vote. Please try again.
Report abuse

Most recent customer reviews