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Bitch: In Praise of Difficult Women Paperback – May 18 1999

3.0 out of 5 stars 75 customer reviews

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Product Details

  • Paperback: 448 pages
  • Publisher: Anchor (May 18 1999)
  • Language: English
  • ISBN-10: 0385484011
  • ISBN-13: 978-0385484015
  • Product Dimensions: 13.1 x 2.4 x 20.3 cm
  • Shipping Weight: 408 g
  • Average Customer Review: 3.0 out of 5 stars 75 customer reviews
  • Amazon Bestsellers Rank: #283,109 in Books (See Top 100 in Books)
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Product Description

From Amazon

Elizabeth Wurtzel, an ex-rock critic for The New Yorker, won controversial fame with her bestselling 1994 memoir Prozac Nation: Young and Depressed in America, which described how Prozac saved the precocious Harvard grad from suicide. Her second book, Bitch is a celebration of the defiant, rock-and-roll spirit of self-destructive women through the ages: Delilah, Amy Fisher, Princess Di, and hundreds more (including the awesomely reckless Wurtzel). There is no comprehensible central line of argument, perhaps because the author did her exhaustive research and writing on a speedy Kerouacesque drug binge that, by her own admission, sent her to rehab upon the book's conclusion. But Wurtzel has the remains of a fine mind: her insights are often sharp, sometimes bitchy, and always shameless as she zooms in a very few pages from The Oresteia to O.J. to her first crush on a fictional character Heathcliff) to Jim Thompson's The Killer Inside Me, Richard Pryor, Chrissie Hynde, Leaving Las Vegas, Gone with the Wind, Sylvia Plath's "Daddy," Schindler's List, Oliver! Carousel, and Andrea Dworkin. Most pop culture pundits incline to grandiose blather, but Wurtzel is punchy, and her quotes are more often apt than pretentious. Bitch is like a Mr. Toad's Wild Ride in a library, with frequent rampages through the film and music archives. Like rock music, Wurtzel's prose style lives for the moment. She glories in breaking rules to bits, is never giddier than when she's saying something shocking, and apparently has no moral code except self-expression--with the attitude volume knob cranked up to 11. --Tim Appelo --This text refers to an out of print or unavailable edition of this title.

From Library Journal

There is little praise for women in Wurtzel's hyperbolic rant about "bad girls" and their relationship to Western society. Indeed, hip turns of phrase frequently replace logic in this often smug and overwritten screed. In her defense, Wurtzel (Prozac Nation, LJ 8/94) has taken on a huge project, and every now and again she introduces a startling insight about how women manipulate situations to control their lives. Her look at the biblical tale of Samson and Delilah is particularly instructive in elucidating the history of our reaction to the alluringly repulsive femme fatale. Likewise, her presentation of both mythic and real women who flaunt their "pussy power" makes for provocative reading. Nonetheless, nearly a quarter of the book focuses on Nicole Brown Simpson (who few would call a "difficult woman") and is shockingly mean-spirited. While she lambastes the Simpson jury as "just plain stupid," we never learn how she knows what the jury did not: that O.J. killed Nicole. Since she was not in the courtroom, her cavalier dismissal of the verdict rankles and casts doubt on her other arguments. Worse, she seems to believe that violence is endemic to being "crazy in love," and her writing romanticizes the black eye and slapped cheek as proof of passionate involvement. In addition, Wurtzel completely ignores lesbians?an odd omission since the expression of Sapphic love represents a blatant rejection of "good girl" norms?and dismisses the happily single, writing that "it would be easier to eliminate racism or end poverty or cure illiteracy or dethrone Fidel Castro than it would to make girls stop wanting to be brides." Recommended only as catalyst for debate.
-?Eleanor J. Bader, New School for Social Research, New York
Copyright 1998 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

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Customer Reviews

Top Customer Reviews

Format: Paperback
I started reading this book soon after I had finished Susan Faludi's "Backlash: The Undeclared War Against American Women". I was looking forward to reading Wurtzel's book as a representative woman of'90s post-backlash era where women are allowed to be independent and make their own choices AND say what they want about it.
Unfortunately, Wurtzel has once again set us back, again to the '80s, where women are allowed to be independent as long as they suffer the consequences of failed love relationships, success based only on their looks, and empty rebellion for the sake of rebellion.
Wurtzel, using a handful of notororious examples including herself, argues that there is something inherent about women that makes them self-destructive, usually in the name of a man.
Furthermore, Wurtzel seems to lack adequate knowledge about the psychology of women, using Carol Gilligan, a little respected '70s "feminist" psychologist, as her only scholarly-based evidence on the problems faced by adolescent girls. Instead of discussing empirically-based findings on the social problems that still plague women today, she resorts to personality and psychodynamic based explanations about why there are so many women who are screwed up.
It seems that she's been to too many unhelpful therapy sessions and has now used herself as a basis of generalizing to an entire generation of women...unfair and just as bad as prevailing traditional stereotypes about good, little women.
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Format: Paperback
I gave this book two stars for its readability; however, its engaging style only made me more annoyed that the book suffered from such an extreme lack of focus. Elizabeth Wurtzel (as she constantly reminds us in every book she's ever written) is attractive, connected, and well-educated. It is clear from even the most unfocused ramblings in "Bitch" that she is also intelligent, insightful, and erudite. It is also clear that the thing she values most about herself is her good looks, which appears to be what she spends most of her life thinking about and obsessing over, like she's in a perpetual state of smugness at having won the genetic lottery. I always get the impression when I read Wurtzel that she is a) totally shallow and self-obsessed, and b) keenly aware that shallowness, obsession with one's own beauty, and openly judging others by their looks isn't "cool", so she has to spend hundreds of pages justifying all the energy she spends thinking about nothing more than herself and how much prettier she is than average girls. The result: "Bitch: In Praise of Difficult Women". In the end, this book is nothing more than Wurtzel's attempt to intellectually justify her painfully obvious feelings of superiority over women who are not as attractive as her. As a graduate student that men also flirt with alot, I can honestly say that I find Wurtzel's self-worship both sad and immature. I also can't figure out why she still tries to pull off the whole "I do drugs to ease my self-hatred at being so beautiful and brilliant and alienated" routine - yawn, Ms. Wurtzel, your pose is showing. The bottom line: no matter how many great books she's read herself, she has yet to write one. If she can get over herself and off the speed, maybe someday she will, and I look forward to reading it. Until then, she should stick to concert reviews for Rolling Stone.
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Format: Paperback
Much, much better than her (crummy) "Prozac Nation" which is a self-important book about her and not depressed teenagers in America. I bought this book called "B*TCH" by Elizabeth Wurtzel about the misinterpretations of female behavior and though I just got started with it, the introduction has some important points about why females should not apoligize for being `b*tches`, female role models played in movies like Basic Instinct, Disclosure, Single White Female, Thelma & Louise, Fatal Attraction and such! Talking about actresses Sharon Stone (who played as b*tches in almost every movie she ever made), Kim Basinger... and lines that says "It`s not the blondes who have more fun. It`s the sl*ts (who have more fun)" & "Good girls go to heaven. Bad girls get to go everywhere!" It also talks about the consequences of feminine beauty & even how teenage years are a hard time for guys because they want to "lay as many babes as possible & there's so much demand for this accumulation." If you are a person who has a hard time dealing with women or want to understand why women are so "crazy", read this book! Only problem is the front cover. This female looks so trashy! Most importantly, this book isn't.
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Format: Paperback
In Elizabeth Wurtzel's second book, she takes on the ambitious project of studying and, in many cases, defending, the manipulative and sometimes "difficult" behavior of women, starting in biblical times with Delilah, all the way to Hillary Clinton. Although this book is very flawed, and certainly is not for everyone, you really have to admire what the author was attempting to do.
After an introduction which, if you get beneath all the anecdotes, poses the question, 'what is it about women which makes them either good or bad, sexy or studious, wives or mistresses?' Wurtzel gives us five essays, each tackling various aspects of the female psyche. Each one is titled respectively: "He Puts Her On a Pedestal And She Goes Down On IT", "Hey Little Girl, Is Your Daddy Home?", "There She Goes Again", "The Blonde In The Bleachers," and "Used To Love Her But Had To Kill Her". Then, there is an epilogue, cleverly entitled, "Did I Shave My Legs For This?", which shows the difficulty that single women face, and the burdens which society simply expects women to carry in relationships.
The first essay tackles the mystery of female seductiveness and how men are always wont to blame a woman for their downfall, even when it is their own guilelessness which causes them to fall for this woman in the first place. Such is the case in the tale of "Samson and Delilah", where the Bible clearly shows Delilah to be a woman of ill-repute, who ruined Samson. Next, she tackles the dilemmas of adolescent emotions, using the story of Amy Fisher, and how her affair with an older man led to her tragically attempting to kill his wife, who, to this day, denies that her husband had any involvement with Ms. Fisher.
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