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Blindsight Paperback – Mar 4 2008

4.6 out of 5 stars 14 customer reviews

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Product Details

  • Paperback: 384 pages
  • Publisher: Tor Books; 1 edition (March 4 2008)
  • Language: English
  • ISBN-10: 0765319640
  • ISBN-13: 978-0765319647
  • Product Dimensions: 14 x 2.7 x 20.8 cm
  • Shipping Weight: 318 g
  • Average Customer Review: 4.6 out of 5 stars 14 customer reviews
  • Amazon Bestsellers Rank: #51,859 in Books (See Top 100 in Books)
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Product Description

Excerpt. © Reprinted by permission. All rights reserved.

Chapter One
Blood makes noise.
—Suzanne Vega

Imagine you are Siri Keeton.

You wake in an agony of resurrection, gasping after a record-shattering bout of sleep apnea spanning one hundred forty days. You can feel your blood, syrupy with dobutamine and leuenkephalin, forcing its way through arteries shriveled by months on standby. The body inflates in painful increments: blood vessels dilate, flesh peels apart from flesh, ribs crack in your ears with sudden unaccustomed flexion. Your joints have seized up through disuse. You’re a stick man, frozen in some perverse rigor vitae.

You’d scream if you had the breath.

Vampires did this all the time, you remember. It was normal for them, it was their own unique take on resource conservation. They could have taught your kind a few things about restraint, if that absurd aversion to right angles hadn’t done them in at the dawn of civilization. Maybe they still can. They’re back now, after all—raised from the grave with the voodoo of paleogenetics, stitched together from junk genes and fossil marrow steeped in the blood of sociopaths and high-functioning autistics. One of them commands this very mission. A handful of his genes live on in your own body so it too can rise from the dead, here at the edge of interstellar space. Nobody gets past Jupiter without becoming part vampire.

The pain begins, just slightly, to recede. You fire up your inlays and access your own vitals. It’ll be long minutes before your body responds fully to motor commands, hours before it stops hurting. The pain’s an unavoidable side effect. That’s just what happens when you splice vampire subroutines into Human code. You asked about painkillers once, but nerve blocks of any kind compromise metabolic reactivation. Suck it up, soldier.

You wonder if this was how it felt for Chelsea, before the end. But that evokes a whole other kind of pain, so you block it out and concentrate on the life pushing its way back into your extremities. Suffering in silence, you check the logs for fresh telemetry.

You think: That can’t be right.

Because if it is, you’re in the wrong part of the universe. You’re not in the Kuiper Belt where you belong: you’re high above the ecliptic and deep into the Oort, the realm of long-period comets that only grace the sun every million years or so. You’ve gone interstellar, which means (you bring up the system clock) you’ve been undead for eighteen hundred days.

You’ve overslept by almost five years.

The lid of your coffin slides away. Your own cadaverous body reflects from the mirrored bulkhead opposite, a desiccated lungfish waiting for the rains. Bladders of isotonic saline cling to its limbs like engorged antiparasites, like the opposite of leeches. You remember the needles going in just before you shut down, way back when your veins were more than dry twisted filaments of beef jerky.

Szpindel’s reflection stares back from his own pod to your immediate right. His face is as bloodless and skeletal as yours. His wide sunken eyes jiggle in their sockets as he reacquires his own links, sensory interfaces so massive that your own off-the-shelf inlays amount to shadow puppetry in comparison.

You hear coughing and the rustling of limbs just past line of sight, catch glimpses of reflected motion where the others stir at the edge of vision.

“Wha... ” your voice is barely more than a hoarse whisper, “... happ... ?”

Szpindel works his jaw. Bone cracks audibly.

“... Sssuckered,” he hisses.

You haven’t even met the aliens yet, and already they’re running rings around you.

So we dragged ourselves back from the dead: five part-time cadavers, naked, emaciated, barely able to move even in zero g. We emerged from our coffins like premature moths ripped from their cocoons, still half-grub. We were alone and off course and utterly helpless, and it took a conscious effort to remember: They would never have risked our lives if we hadn’t been essential.

“Morning, commissar.” Isaac Szpindel reached one trembling, insensate hand for the feedback gloves at the base of his pod. Just past him, Susan James was curled into a loose fetal ball, murmuring to herselves. Only Amanda Bates, already dressed and cycling through a sequence of bone-cracking isometrics, possessed anything approaching mobility. Every now and then she tried bouncing a rubber ball off the bulkhead; but not even she was up to catching it on the rebound yet.

The journey had melted us down to a common archetype. James’s round cheeks and hips; Szpindel’s high forehead and lumpy, lanky chassis—even the enhanced carboplatinum brick shit house that Bates used for a body—all had shriveled to the same desiccated collection of sticks and bones. Even our hair seemed to have become strangely discolored during the voyage, although I knew that was impossible. More likely it was just filtering the pallor of the skin beneath. Still. The pre-dead James had been dirty blond, Szpindel’s hair had been almost dark enough to call black, but the stuff floating from their scalps looked the same dull kelpy brown to me now. Bates kept her head shaved, but even her eyebrows weren’t as rusty as I remembered them.

We’d revert to our old selves soon enough. Just add water. For now, though, the old slur was freshly relevant: The Undead really did all look the same, if you didn’t know how to look.

If you did, of course—if you forgot appearance and watched for motion, ignored meat and studied topology—you’d never mistake one for another. Every facial tic was a data point, every conversational pause spoke volumes more than the words to either side. I could see James’s personae shatter and coalesce in the flutter of an eyelash. Szpindel’s unspoken distrust of Amanda Bates shouted from the corner of his smile. Every twitch of the phenotype cried aloud to anyone who knew the language.

“Where’s—” James croaked, coughed, waved one spindly arm at Sarasti’s empty coffin gaping at the end of the row.

Szpindel’s lips cracked in a small rictus. “Gone back to Fab, eh? Getting the ship to build some dirt to lie on.”

“Probably communing with the Captain.” Bates breathed louder than she spoke, a dry rustle from pipes still getting reacquainted with the idea of respiration.

James again: “Could do that up here.”

“Could take a dump up here, too,” Szpindel rasped. “Some things you do by yourself, eh?”

And some things you kept to yourself. Not many baselines felt comfortable locking stares with a vampire—Sarasti, ever courteous, tended to avoid eye contact for exactly that reason—but there were other surfaces to his topology, just as mammalian and just as readable. If he had withdrawn from public view, maybe I was the reason. Maybe he was keeping secrets.

After all, Theseus damn well was.

She’d taken us a good fifteen AUs toward our destination before something scared her off course. Then she’d skidded north like a startled cat and started climbing: a wild high three-g burn off the ecliptic, thirteen hundred tonnes of momentum bucking against Newton’s first. She’d emptied her Penn tanks, bled dry her substrate mass, squandered a hundred forty days’ of fuel in hours. Then a long cold coast through the abyss, years of stingy accounting, the thrust of every antiproton weighed against the drag of sieving it from the void. Teleportation isn’t magic: the Icarus stream couldn’t send us the actual antimatter it made, only the quantum specs. Theseus had to filterfeed the raw material from space, one ion at a time. For long dark years she’d made do on pure inertia, hording every swallowed atom. Then a flip; ionizing lasers strafing the space ahead; a ramscoop thrown wide in a hard brake. The weight of a trillion trillion protons slowed her down and refilled her gut and flattened us all over again. Theseus had burned relentlessly until almost the moment of our resurrection.

It was easy enough to retrace those steps; our course was there in ConSensus for anyone to see. Exactly why the ship had blazed that trail was another matter. Doubtless it would all come out during the post-rez briefing. We were hardly the first vessel to travel under the cloak of sealed orders, and if there’d been a pressing need to know by now we’d have known by now. Still, I wondered who had locked out the Comm logs. Mission Control, maybe. Or Sarasti. Or Theseus herself, for that matter. It was easy to forget the Quantical AI at the heart of our ship. It stayed so discreetly in the background, nurtured and carried us and permeated our existence like an unobtrusive god; but like God, it never took your calls.

Sarasti was the official intermediary. When the ship did speak, it spoke to him—and Sarasti called it Captain.

So did we all.

He’d given us four hours to come back. It took more than three just to get me out of the crypt. By then my brain was at least firing on most of its synapses, although my body—still sucking fluids like a thirsty sponge—continued to ache with every movement. I swapped out drained electrolyte bags for fresh ones and headed aft.

Fifteen minutes to spin-up. Fifty to the post-resurrection briefing. Just enough time for those who preferred gravity-bound sleep to haul their personal effects into the drum and stake out their allotted 4.4 square meters of floor space.

Gravity—or any centripetal facsimile thereof—did not appeal to me. I set up my own tent in zero g and as far to stern as possible, nuzzling the forward wall of the starboard shuttle tube. Th...

About the Author

Peter Watts lives in Toronto, Canada.

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Top Customer Reviews

Format: Hardcover
This novel breaks new ground in the area of science fiction writing about "First Contact" between humans and an alien species. That is a very bold statement, given how many authors have written on this topic before. This one is different, and it is really good. The tale itself is gripping, the writing superb and edgy. The science woven into it is meticulously researched, and so close to what we already know that the reader immediately settles into the midst of the human team and experiences the story more than actually reading it. I know nothing about Hugos and Nebulas and so on, but I do know I have been reading science fiction for 45 years, and this may be the best thing I've read since Dune.
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Format: Hardcover
Summary: On the edge of the Solar System a very difficult first contact situation goes very, very bad.

Blindsight is not an easy or fast read since ideas and concepts are constantly being thrown at us and take time to absorb but it is well worth the effort. The end game is full of plot twists and surprises. My only complaint is the story is a little bit too lean - character development and background information on the other crew members was weak and I felt it difficult to relate to them. eg When a crew member is killed it just doesn't register or mean anything to me. And it should. Nonetheless this is a great example of diamond hard Science Fiction and one of the best books of the year. Buy it!
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Format: Hardcover
I loved this book, Watts is brilliant. Blindsight is simultaneously a grand tour of ideas on human consciousness, a gripping, dark and twisted psychological mood piece, and a fast paced thriller. One of those great science fiction books that is densely packed with ideas the author throws at you a million miles a minute. Up there with sterling and doctorow. Plus, the author is making it freely available for download under a cc license.
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Format: Paperback
I`ve been on a SciFi kick for about two years now, and this story buy far is the best I`ve read. Don`t get me wrong there is some good stories out there...and some very bad ones, but this book still pops into the head well over a month I finished it.
It can be haunting, hard to read at times (you`ll be flipping a few pages back time to time going WTF just happened) and at times just plain scary.
GET THIS BOOK NOW.
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Format: Paperback
Having mostly enjoyed my first Peter Watts toe-in-the-water (Starfish, the first in the Rifters Trilogy), it was definitely worth reading another. Blindsight is brilliant, better by far than Starfish. It is a completely original take on the first contact scenario blended with Watts' ability to portray multiple deep and complex characters. The physiology and motivations of the aliens are totally alien (although, coincidentally their morphology reflects the aforementioned Rifters novel) and while they are the key theme of the novel, the real star of the show is the mostly human crew of `Theseus' (nice little reference back to Minoan myth there). This is the first science fiction novel where I've encountered a vampire; not the soppy Twilight type, but a barely restrained savage predator whose genetic twists have been exploited by mainstream science. Also, Watts has given his own unique interpretation of multiple personality disorder; in this case an individual hosting deliberately engineered personas.

The novel bowls along at a fantastic pace with never a dull moment and Watts' impeccably researched and inspired insight into the nature and purpose of consciousness marks him as one of the finest, though, sadly perhaps the least prolific, modern science fiction writers I've ever encountered.
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By Heather Pearson TOP 500 REVIEWER on Sept. 8 2014
Format: Paperback
Blindsight is the first book of The Theseus Consortium. It follows the ordeal of Siri Keeton as he travels beyond the reaches of our universe to determine the nature of the earlier appearance of alien technology around the earth. He is accompanied by a crew lead by a long dead and resurrected vampire, a group of four linquists/first contact specialists in one body, a medical scientist and a military strategist. Siri is a synthesist, whose job it is to observe and send home reports.

This is first and foremost a story of first contact. The tough part was to identify the alien(s) and distinguish between smart technology and sentience. While the reader is following the story of the aliens, we are also learning about Siri, his life and how he fits in with the rest of the crew. It's a very different world than the one we live in now. People can be moded with all sorts of implants though I am left wondering whether that makes them more or makes them less human in the end.

I enjoyed the path of this story, but will admit, that at times I couldn't follow whatever philosophy Mr. Watts was discussing. Several time, Sarasti, the vampire, had to lead Siri to understand something. This something was never stated, I imagine that I was supposed to be able to follow the logic and figure it out myself, I never did
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Format: Kindle Edition
Watts manages to blend a 'ragtag bunch of misfits' story with a vampire novel (that doesn't get mired in any of the clichés), and a plausible tale of first contact with an awesomely powerful (non-)intelligence. This is science fiction at its finest, and one of my favorite books in any genre.
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