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The Bluest Eye: A Novel Hardcover – Jun 1970

3.9 out of 5 stars 432 customer reviews

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Harry Potter and the Cursed Child
--This text refers to an out of print or unavailable edition of this title.
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Product Details

  • Hardcover: 164 pages
  • Publisher: Henry Holt & Co (June 1970)
  • Language: English
  • ISBN-10: 0030850746
  • ISBN-13: 978-0030850745
  • Product Dimensions: 21.3 x 15 x 2 cm
  • Shipping Weight: 340 g
  • Average Customer Review: 3.9 out of 5 stars 432 customer reviews
  • Amazon Bestsellers Rank: #1,287,473 in Books (See Top 100 in Books)
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Product Description

From Amazon

Oprah Book Club® Selection, April 2000: Originally published in 1970, The Bluest Eye is Toni Morrison's first novel. In an afterword written more than two decades later, the author expressed her dissatisfaction with the book's language and structure: "It required a sophistication unavailable to me." Perhaps we can chalk up this verdict to modesty, or to the Nobel laureate's impossibly high standards of quality control. In any case, her debut is nothing if not sophisticated, in terms of both narrative ingenuity and rhetorical sweep. It also shows the young author drawing a bead on the subjects that would dominate much of her career: racial hatred, historical memory, and the dazzling or degrading power of language itself.

Set in Lorain, Ohio, in 1941, The Bluest Eye is something of an ensemble piece. The point of view is passed like a baton from one character to the next, with Morrison's own voice functioning as a kind of gold standard throughout. The focus, though, is on an 11-year-old black girl named Pecola Breedlove, whose entire family has been given a cosmetic cross to bear:

You looked at them and wondered why they were so ugly; you looked closely and could not find the source. Then you realized that it came from conviction, their conviction. It was as though some mysterious all-knowing master had given each one a cloak of ugliness to wear, and they had each accepted it without question.... And they took the ugliness in their hands, threw it as a mantle over them, and went about the world with it.
There are far uglier things in the world than, well, ugliness, and poor Pecola is subjected to most of them. She's spat upon, ridiculed, and ultimately raped and impregnated by her own father. No wonder she yearns to be the very opposite of what she is--yearns, in other words, to be a white child, possessed of the blondest hair and the bluest eye.

This vein of self-hatred is exactly what keeps Morrison's novel from devolving into a cut-and-dried scenario of victimization. She may in fact pin too much of the blame on the beauty myth: "Along with the idea of romantic love, she was introduced to another--physical beauty. Probably the most destructive ideas in the history of human thought. Both originated in envy, thrived in insecurity, and ended in disillusion." Yet the destructive power of these ideas is essentially colorblind, which gives The Bluest Eye the sort of universal reach that Morrison's imitators can only dream of. And that, combined with the novel's modulated pathos and musical, fine-grained language, makes for not merely a sophisticated debut but a permanent one. --James Marcus --This text refers to an alternate Hardcover edition.

From Library Journal

Recorded Books expands the Morrison audiobook collection by revisiting the Nobel prize winner's early works. Her debut novel, The Bluest Eye, explores the impact of racism and poverty on adolescent Pecola Breedlove. Surrounded by images of white iconsDShirley Temple, Mary Jane, and the classic family from Dick & Jane readersDPecola is tormented by both her family and peers. Alcoholism, rape, and humiliation drive her into the relative safety of madness where she finally finds the only bit of self-worth, believing her eyes are truly the bluest. In 1981's Tar Baby, Morrison deals with a different set of cruelties. The six major characters are her most diverse, and the conflicts are both realistic and symbolic, embodying the opposition of wealth and poverty, youth and age, male and female, black and white, in a microcosm of society found on a Caribbean island. Lynne Thigpen again expertly captures the richness of the author's characters, descriptions, and language. These two new releases are important to any collection of current American social fiction.DJoyce Kessel, Villa Maria Coll., Buffalo, NY
Copyright 2001 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

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Top Customer Reviews

Format: Paperback
I'm not normally one for anything but a bestseller, tending to stick with things like "Da Vinci Code" or "Bark of the Dogwood," but lately I've been veering off into what is unchartered territory for me. "The bluest Eye" is one such example. Brought to life by Toni Morrison, The Bluest Eye is an extremely powerful story that tackles some of the difficult challenges people face to this day. I thought the tale was an unforgettable one. Toni Morrison uses just enough detail to let The Bluest Eye stick out in a person's mind for a lifetime. The way the author writes allows a person to understand things very clearly. The Bluest Eye is the story of Pecola Breedlove, a very unfortunate looking, young black girl living in Ohio in the early 1900's. Pecola's one main wish in life is to have blue eyes, hence the title of the book. She spends her entire childhood praying for these blue eyes so she may look like Shirley Temple and the other blonde haired, blue eyed, white girls in school. Throughout the story, are small tales of Pecola's family past, and explanations of why her life is so horrible. The various tales are written in block form, though, and therefore are very easily distinguishable from one another. As I read this book, I was saddened by the horrific events that this poor girl has to encounter, and shocked by the way people treated African American girls in the past. This story relates to many problems teenagers, adults and children still have now days in our society. Racism, family problems and loving your heritage are highly discussed issues in this book.
I would recommend The Bluest Eye to anyone interested in reading books that tell true life stories. Though I thoroughly enjoyed this book, not everyone will.
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Format: Paperback
The theme of racial discrimination between Blacks and Whites in America is often issued by authors but their texts seldom contain such a violent brutality.
Toni Morrison describes a young black girl named Pecola that grows up in the lowest social class in the society at that time. Her family situation underlines the cliché of dirty black people: Her father is an alcoholic that beats his wife who works for a white rich family and seems to love their blond, cute, curly haired girl more than her own children.
As a consequence Pecola does not find her place in the world and feels because of her outer appearance disliked. The fact that she gets raped by his father and her wish of blue eyes to be beloved by the adults concludes a girl that goes mad in the end.
Toni Morrison uses a very colloquial language that is at first for me, as my mother language is not english, difficult to understand but second I also do not like this style of writing. In my opinion, there are too many violent and even pornographic scenes for example when Pecolas father sleeps for the first time with a girl or when she gets raped. This is only disgusting and these explicit describtions are not necessary to underline the message the author wants to make.
Obviously, this book is important for black literatur but for me it was not very interesting to read. It is just nearly the same as in all books containing the black/white conflict where the Whites are the bad boys and the Blacks have to suffer under them. Even Pecolas father who is so cruel to his environment behaves only like that because he is made by the Whites to the person he is.
I had high expectations before I read this novel because of the Nobel Prize of Literature it won but unfortunately they did not get fulfilled.
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Format: Paperback
is the best way to describe Toni Morrison. She's not a bad writer, but not really good either. On a scale of 1-100 I'd rate her about a 65-75 depending on the novel. I'd give this one about a 70. Perhaps this is because I've never been able to finish one of her books. I've tried and tried but I just can't do it. She has some lovely poetic phrasings and nice descriptions, but a Nobel winner? Pulleeze! The best way I can think to describe her style of writing and her characters- it's like watching beautiful descriptions of people from a distance, like through glass that is slightly opaque- because I've never gotten a sense of anyone from her books. Never have they wanted to walk off the page for me. I tried reading her latest, "Love" & only got to page 15. I'm surprised I did not drown sooner in the description. That is why I didn't even bother reviewing it- it wouldn't have been fair. Maybe someday I'll be able to read one of her books from cover to cover, but for now she's just a black Danielle Steel with a more poetic bend.
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By A Customer on Oct. 25 2002
Format: Paperback
I have seldom felt as depressed as I did the day I finished reading "The Bluest Eye"; not because I was sad it was finished, but because it is simply an overwhelmingly depressing book. So, if you are fond of books that make you feel this way, you will love it. Personally I hated it for this reason, but I give it an extra star because at least it made me feel at all.
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Format: Paperback
Simply awful. I won't go into the plot's contents, suffice it to say that what the back cover says the book is about is basically it - issues surrounding race, gender and class. What separates this work from all the other modern novels addressing such issues is its near vomit-inducing level of graphic and extremely disturbing sexual content. This includes the rape of a child by her father, told in ridiculous amounts of pages-long detail; the author even touches on a woman who is aroused by her cat. I only read this novel as required reading for a course, and frankly had to skip over much of the content in the latter half of the novel. The book seems to revel in its violence, so much so that any sense of plot (which is already hard to follow) is lost in the stomach-churning accounts of rape and abuse. Repulsive at best. Perhaps it was something of a groundbreaking work when it was written in the 1970's, I don't know...but any remote scrap of merit this work may have is utterly lost in the deeply disturbing violence that it seems to delight in.
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