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Born Yesterday [Import]

4.7 out of 5 stars 21 customer reviews

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Product Details

  • Actors: Judy Holliday, William Holden, Broderick Crawford, Howard St. John, Frank Otto
  • Directors: George Cukor
  • Writers: Albert Mannheimer, Garson Kanin
  • Producers: S. Sylvan Simon
  • Format: Black & White, DVD-Video, Subtitled, Widescreen, NTSC, Import
  • Language: English
  • Subtitles: English, Spanish, Portuguese, Georgian, Chinese, Thai
  • Subtitles for the Hearing Impaired: English
  • Region: Region 1 (US and Canada This DVD will probably NOT be viewable in other countries. Read more about DVD formats.)
  • Aspect Ratio: 1.33:1
  • Number of discs: 1
  • Canadian Home Video Rating : Parental Guidance (PG)
  • Studio: Sony Pictures Home Entertainment
  • Release Date: Feb. 15 2000
  • Run Time: 103 minutes
  • Average Customer Review: 4.7 out of 5 stars 21 customer reviews
  • ASIN: B00003L9CI
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Product Description

Product Description

Judy Holliday won the 1950 Best Actress Oscar(r) for her brilliant and funny role as Billie Dawn, thedumb blonde girlfriend of Harry Brock (Broderick Crawford), a corrupt millionaire junk dealer. Brock, a man with social ambitions and a willingness to do anything to fulfill them, is embarrassed by Billie's crass behavior and lack of social sophistication. So he arranges for her to take a crash course in culture from a handsome, young journalist (William Holden). Billie blossoms under his kind tutelage and becomes increasingly aware of her role as a pawn in Brock's crooked business deals. Brockis surprised and outraged when Billie suddenly refuses to cooperate any longer. This is a classic with unforgettable performances.


Judy Holliday's Oscar-winning performance is just one of the reasons to watch this terrific 1950 comedy, which is equally acclaimed for its deliciously witty screenplay (based on Garson Kanin's long-running Broadway hit) and George Cukor's silky-smooth direction. Holliday plays Billie Dawn, the floozie fiancée of a junk-dealer millionaire (Broderick Crawford), who is trying to make a good impression among the Washington, D.C., politicos he's hoping to influence. To ensure that Billie gets properly "culturefied," the corrupt Crawford hires a D.C. journalist (William Holden) to give the seemingly dim-witted blonde a crash course in politics, history, literature, and--you guessed it--true love. Billie's not nearly as dumb as she seems, of course, and before long she's graduated from pawn to sassy queen on her husband's political chessboard.

Watching Born Yesterday is a crash course in itself--an object lesson in how low American screen comedy has fallen from these delirious heights. The movie's funny even when there's a pause in the golden dialogue, such as when Holliday tests Crawford's patience in a sublimely comedic round of gin rummy. There's not a single scene in which Holliday (reprising her Broadway role) isn't simply perfect, the cogs turning smoothly behind her dim expressions and coarsely high-pitched squeal. Suave as ever, Holden is her match made in heaven, and Crawford is a brute who's too stupid to be genuinely malevolent. Put 'em all together and you've got a timeless classic, so flawless that a 1993 remake was instantly doomed to pale comparisons. --Jeff Shannon

Customer Reviews

4.7 out of 5 stars
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Top Customer Reviews

Format: DVD
1950 was a banner year for movies, with such outstanding films as "All About Eve", "Sunset Boulevard", "The Asphalt Jungle" and others. What sets these movies apart from the travesties that are churned out these days is the quality of the screenplays. Unfortunately, all that was soon to change. The spectre of the House of Un-American Activities was just about to descend like a pall on the movie industry and within a few years many of the most talented and creative scenarists were blacklisted for their poltical points of view'
But in 1950 it was still possible to make a BORN YESTERDAY with its hilarious caricature of the corrupting influence of wealth and power.
George Cukor was the master of stage adaptations that relied on such high brow elements as fine writing and committed acting performances rather than gimmicks and flashy sets to get the point across. As early as 1933, Cukor had displayed his mettle with the classic comedy "Dinner at Eight". It was an injustice that Cukor was not given the recognition of his genius until 1964 for his "My Fair Lady" (not his most typical work), but then Cukor's lifestyle was not exactly "mainstream" for his times and it is easy to imagine a Joe McCarthy poring over his file with a furrowed brow.
Anyhow, Cukor's talent was recognized in the many actors and actresses who won Oscars under his direction. And Judy Holliday's is simply the best. In her first scene she says nothing, but her looks and bearing hint at sophistication. So it's quite a shock when she opens her mouth in the following scene and with one word demolishes our preconceptions.
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Format: DVD
This movie I thought had except for a few cute lines (all said by Holliday, who shone anyway) everything but a script. I read a few of the other "reviews" and disagreed with almost everything about them except their praise for Judy Holliday and the one comment that Crawford came across menacing rather than humorous. Come to think of it, he WAS menacing, remember when he hit her? There was very little humor of any kind in this flick (what there was, aside from two or three genuine witticisms, came from Holliday's supposed dumbness), it was very serious and far from light. I disliked the adaptation from stage to screen, particularly and emphatically the ridiculous ending in the car when Holden gives the cop his marriage license. Good grief! I do not like Garson Kanin anyway, on Bway or off, I think he's very dull and unfunny, and think he writes better when working with his strident wife Ruth Gordon (like on another Holliday flick, much warmer and gentler and more human and more humane than this one, "The Marrying Kind," finally out this month on DVD). I was surprised to read Holliday's competition for the Oscar, she was definitely good, but THAT good? All three of them should have gotten an Oscar. Judy Holliday is one of my all-time heroes (heroines), and I found this picture a big disappointment, lit up only when she was on-screen. By the way, I may live to eat my words if this "review" is posted, but speaking of dumbness, didn't ANY of these other "reviewers" proof their "reviews" before submitting them? Talk about illiterate, ungrammatical and DUMB!
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Format: DVD
This was a real surprise to me!...although George Cukor is one the best directors of all time and I'm very fond of most of his pictures, Judy Holliday was never one of my favourites, especially because I hadn't seen much of her films, which aren't many.
Here, she simply stoles the show as the dumb, vulgar, low-brow, blonde, ex-chorus girl (Billie, née "Emma") and lover of an unscrupulous and corrupt "junk" millionaire, played with great skill by Broderick Crawford, one year after his flawless Academy Award Winner performance in the excellent "All the King's Men", who learns "how to think and to use her brains" with the aid of writer Paul Verrell (William Holden).
Holliday won an Academy Award for this performance, in one of the most polemical winnings of the A.A. History, because she defeated both Bette Davis (for "All About Eve") and Gloria Swanson (for "Sunset Boulevard"), and many people felt she shouldn't have won. Anyway, there's no denying that she gave and expert and very funny interpretation of the sassy Billie, with all the mannerisms, voice inflections, hollering,etc, especially in her scenes with Crawford.
You must watch this wonderful classic comedy.
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Format: VHS Tape
Judy Holliday won an Oscar for her fantastically nuanced performance as Billie Dawn, the so-called dumb blonde who isn't so dumb after all, just uneducated. When Harry Brock, her fiancee and business partner, chooses to have her educated in local affairs (they live in Washington D.C.) by a reporter who was doing a story on him (William Holden)--so she won't embarrass him in front of the Senators he is planning to buy--things of course, don't go as planned. She becomes too smart to be bossed around anymore.
Knowing the plot does not ruin the film at all. The fun is watching the actors, especially the chemistry between Holliday and Holden. Broderick Crawford is wonderful, too, as Brock, a guy you have to hate for the story to work. Even the bit players: the lawyer, the senator are letter-perfect in their parts. The script, based on a play by Garson Kanin, is full of one-liners and zingers. It's a little too patriotic in the end for me--sometimes I felt preached at--but that is easily overlooked during what is really a fun film.
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