Cathedral Classics Best of, Import
|Price:||CDN$ 18.38 & FREE Shipping on orders over CDN$ 25. Details|
Customers Who Bought This Item Also Bought
|1. Mass: I Kyrie|
|2. Mass: II Gloria|
|3. Mass: III Credo|
|4. Mass: IV Sanctus|
|5. Mass: V Agnus Dei|
|6. Agnus Dei|
|7. Miserere Mei, Deus|
|8. Requiem: I Salvtor mundi|
|9. Requiem: II Psalm 23|
|10. Requiem: III Requiem aternam|
|11. Requiem: IV Paslm 121|
|12. Requiem: V Requiem aternam|
|13. Requiem: VI I Heard A Voice From Heaven|
beautiful sacred choral works, 3 by twentieth century composers Frank Martin, Samuel Barber & Herbert Howells, plus 1 from the 17th century by Gregorio Allegri, flawlessly performed by a 42 voice professional choir from Minneapolis-St. Paul
Top Customer Reviews
The Dale Warland Singers are one of the world's finest choral ensembles, known for their precise technique, silken tone, and adventurous programming. Many outstanding composers have written pieces for them, capitalizing on the group's talent and unique sound. This disc is one of the Warland group's finest achievements. Not only is the program well-considered and expertly sung, but the pristine, virtually noise-free recording is a delight.
My personal favorite is the Howells "Requiem," a deeply moving piece written in 1936. The composer's sad inspiration was the death of his son, and from that grief emerged this stirring creation. This masterpiece receives a mystical and intense performance here that will haunt you long after it has ended.
The Barber "Agnus Dei" (based on his "Adagio for Strings") is gorgeously done, with the long lines powerfully sustained, and the chorus making the tricky intervals sound easy. If you are familiar with the "Adagio" you owe it to your ears to this arrangement for chorus - quite a celestial experience. And Frank Martin's "Mass" is probably the least well-known piece on the program - a pity, but perhaps a performance as glowing as this one will make a better case for it.
The oldest work on the program is the Allegri "Miserere," in an excellent performance. For me, it does not quite displace my favorite by the Tallis Scholars on Gimell, but it is still outstanding choral singing by any measure.
The sound on the recording is amazing - crystal-clear and natural, with no background noise. After hearing this group's other stunning CD on American Choral Classics ("December Stillness"), I can only conclude that ACC is one of the finest small labels around.
An excellent, striking recording, both artistically and sonically, of one of the finest choral ensembles you will ever hear.
The group blends amazingly well, and as has been mentioned they stagger their breathing to the point of inaudibility. Their dynamics are brilliant and powerful, their range is impeccable, and their tone is gorgeous and pure. The vibrato (although at times the tiniest bit intrusive among the higher parts) is generally not overemphasized. Indeed there are many parts that showcase this group's ability to produce as straight a tone as humanly possible (during the ending of Barber's Agnus Dei, it becomes difficult to hear the piece as vocal rather than instrumental, as the last chord is allowed to fade softly yet richly for some 30 seconds).
The recording is very good - it is difficult to capture the sheer resonance of human voices in harmony on disc, but this CD manages it quite well. My greatest complaint would be that the bass is surprisingly soft - when one hears a performance like this in person, the lower parts lend the piece a terrifically rich power that must be heard to be appreciated, yet this CD is just a bit too biased towards the higher parts for my tastes. This is however niggling when one considers the overall quality and balance of this recording.
That being said, what is far more important here is the sheer passion and beauty of these pieces, and the admirable communication of that beauty and passion through the Dale Warland Singers' soulful singing. Frank Martin's Mass is gorgeous at times. I.Read more ›
The gem of the CD is Samuel Barber's "Adagio for Strings" in his own choral arrangement. It is easy to hear why it is not often sung; the lines and phrases are of immense length, and no obvious breaths can be taken. The Singers' technique is astounding in this regard; personally, I cannot tell whether the choir is "stagger-breathing" or not. The climax of the work is a perfectly blended fortissimo-a very difficult thing to manage-followed by a perfectly balanced and blended pianissimo. Warland seems to have been very aware of the necessity for a great deal of sound from the basses; they are never overpowering, but always audible.
The weakness of the CD is Gregorio Allegri's "Miserere." This piece relies heavily on the voice of the soprano soloist; in this recording, she is neither free of vibrato nor in perfect tune when she should be. Her voice is lovely, it's true, but it is not appropriate to a solo written for treble. Furthermore, the DWSingers is an American group; while I applaud my countrymen for tackling this most famous of Renaissance motets, I also realize that a difficult decision had to be made. The Singers decided to sing the "Miserere" in an anachronistic American choral style, rather than learn to sing in a more traditional European style (i.e. "straight-tone," with a more boyish soprano and alto sound. If you enjoy this track, I recommend the spectacular recording by the St. Paul's Cathedral Choir, on their "Hear My Prayer" CD. You will immediately see what I'm getting at.
The Mass by Frank Martin is one of the more unusual "non-modernist" works for choir.Read more ›
Most recent customer reviews
I bought this disk because I heard the Barber "Agnus Dei" on the radio. The other treasures on this disk are at least as good as that. Read morePublished on July 15 2002 by Craig Matteson
First of all, I love this CD. The music is beautiful and the voices are and absolute perfect blend! Read morePublished on May 5 2000 by T. Young
I have to say, the recording of Barber's "Agnus Dei", on this CD, is the best I have heard. The voices are in a perfect blend. Read morePublished on Feb. 11 2000 by Mathew Calewarts
Originally heard on area NPR station, KUAF in Fayetteville, AR. As another listener stated, the "Agnus Dei" was spellbinding, very moving.... breath-taking!Published on Oct. 28 1999 by P. Mosca
I heard an interview on NPR's Performance Today with Mr. Warland when the CD was released. They played the Agnus Dei on the air as a teaser. Mr. Read morePublished on Sept. 28 1999
Trying to be succinct here: there is no better choir in America. If the sound of the human voice moves you, this is a 'must-have. Read morePublished on July 25 1999
The Dale Warland Singers have outdone themselves with this collection of hauntingly beautiful classical texts. Read morePublished on Feb. 18 1999
Look for similar items by category
- Music > Classical > Forms & Genres > Requiems, Elegies & Tombeau
- Music > Classical > Historical Periods > Baroque (c.1600-1750)
- Music > Classical > Sacred & Religious > Masses
- Music > Classical > Sacred & Religious > Psalms
- Music > Classical > Sacred & Religious > Requiems
- Music > Opera & Vocal > Vocal Non-Opera > Masses
- Music > Opera & Vocal > Vocal Non-Opera > Psalms
- Music > Opera & Vocal > Vocal Non-Opera > Requiems
- Music > Pop > Vocal Pop