The Cellist of Sarajevo Paperback – Feb 12 2009
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"For historians, the siege of Sarajevo might seem the appropriate finale of the century that invented world wars, nuclear arms and planet destruction. That is precisely the reason why Sarajevo should belong to artists and not experts. In this vivid, passionate and generous novel Galloway takes us there, to the very streets of the besieged city. Snipers above us, cameras among us, shards of dreams beneath us, and each wrong step can lead to death or, worse, loss of dignity."
—Dragan Todorovic, author of The Book of Revenge
"Steven Galloway’s The Cellist of Sarajevo is a wonderful story, a tribute to the human spirit in the face of insanity."
—Kevin Baker, author of Dreamland and Paradise Alley
"A gripping story of Sarajevo under siege."
—J. M. Coetzee
“I cannot imagine a lovelier, more beautifully wrought book about the depravity of war as The Cellist of Sarajevo. Each chapter is a brief glimpse at yet another aspect of the mind, the heart, the soul -- altogether Galloway gives us fine, deep notes of human music which will remain long after the final page.”
— ZZ Packer
“Though the setting is the siege of Sarajevo in the 1990s, this gripping novel transcends time and place. It is a universal story, and a testimony to the struggle to find meaning, grace, and humanity, even amid the most unimaginable horrors.” –Khaled Hosseini, author of The Kite Runner and A Thousand Splendid Suns
“Steven Galloway is a precocious writer of astonishing talent and creative imagination whose third novel lives up, in every respect, to the high bar set by his first two. The Cellist of Sarajevo captures with taut, painstaking clarity the events and atmosphere surrounding the siege of Sarajevo in the 1990s. . . . Galloway once again shows himself to be as gifted as he is fearless. If it weren’t for the fact that he teaches creative writing, I’d say it was time to give up his day job.”
— Emily Donaldson, Quill & Quire (starred review)
“A darkly powerful novel about the insanity of war, the anonymous dying of a city under siege. Written with elegance and style, it is an unforgettable story about our limitless human spirit in a time of tragedy.” –Owen Sound Sun Times
“A story that speaks to the dignity and generosity of the human spirit under duress.” –The Guelph Mercury
“Gripping. . . . Every action, no matter how mundane, is charged with tension. . . . Galloway has shown that contemporary fiction can move beyond the minute examination of self and relationship. We are asked to gaze, instead, on a city, a society, in the process of being destroyed, and on the tiny human gestures that represent the only means to repair the damage.” –National Post
“Although Galloway’s characters weigh the value of their lives against the choices they must make, he effectively creates a fifth character in the city itself, capturing the details among the rubble and destruction that give added weight to his memorable novel.” –Booklist
“Undeniably suspenseful.” –The Sydney Morning Herald
“A grand and powerful novel about how people retain or reclaim their humanity when they are under extreme duress.” –Yann Martel’s pick for www.whatisstephenharperreading.ca
“Galloway delivers a tense and haunting novel. . . . With wonderfully drawn characters and a stripped-down narrative, Galloway brings to life a distant conflict.” - Publishers Weekly
“A novel about trying to cross the street. The description, though, does not do justice to Galloway’s spare, elegant prose or to the haunting images the author creates in this fine and affecting novel.” –Edmonton Journal
“At once an expansion and a deepening of the thematic concerns that weave themselves throughout his work and a glittering testament to the power of art to counteract hatred and division. . . . Galloway’s novel, bursting with life, is a vivid reminder of the power of art to dispel the darkness.” –The Vancouver Sun
“[V]ery nearly perfect, a galvanizing examination of the strength of the human heart, and the possibility of the survival of the human spirit in the most dire of circumstances. It will be impossible for readers not to imagine themselves in these characters’ shoes, wondering what they would do in similar circumstances. That personalization, which creates an understanding of a tragedy previously only glanced over in the pages of the morning paper, is, in itself, the highest of achievements.” –Ottawa Citizen
“Written in visceral, cinematic prose . . . Galloway’s compassionate story about the consequences of war is riveting from beginning to end. It will undoubtedly linger in the minds of many readers long after they finish it.” –Winnipeg Free Press
“Sensuous and precise, Galloway’s prose captures the unbidden movement between personal and public space, the contradiction of being trapped in a city one would not think of leaving, even if one could. This portrayal of what it’s like to live in the despair of the present, but with an unkillable knowledge that things can be otherwise, is what connects Galloway’s characters–and his novel–with the mission and the legacy of the cellist of its title.” –The Globe and Mail
“Perfect in that way only a true story can be. . . . [Galloway] is a surprisingly mature and self-confident storyteller. . . . His writing is meticulous and purposeful. War may be hell, but in this novel it’s an unsentimental, almost pedestrian hell and all the more compelling for it. The Cellist of Sarajevo is a sombre, stirring performance.” –The Gazette (Montreal)
From the Hardcover edition.
About the Author
Steven Galloway is the author of Finnie Walsh, Ascension and The Cellist of Sarajevo. He teaches creative writing at the University of British Columbia, and lives with his wife and two young daughters in Vancouver, British Columbia.See all Product Description
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Top Customer Reviews
As for the writing, I found Galloway to be superb in the way he described some of the more terrible scenes of carnage. Also, the struggle for survival and the motives behind each character are very well developed. As mentioned, there is a deep emotional attachment as a reader towards the characters in the novel.
Overall I can find no fault at all with "The Cellist of Sarajevo." I would not be surprised to see this book turned into a movie someday, just a wonderful story of what it means to be a human being.
For these reasons and so many more, it is so sad that the real-life Cellist of Sarajevo has taken umbrage at this book's publication. His outrage toward the book and its author mistakes the role of the fictional cellist as the central figure in the book and therefore an assessment of his motives. It is really the characters who go about their daily lives amidst the devastation, risking their chance death by the hands of the mountain snipers, and yet mustering the courage to hope beyond the seemingly hopeless situation who are the true heroes. It is they--Dragan, Emina, Kenan, and ultimately Arrow--more than he who in this book find resources among the ruins of their formerly lovely city to keep on going and discover forbearance in universal things that matter to us all if we are to retain our humanity, when anger, hatred, and violence would be the greater temptation.
"At four o'clock on the afternoon on 27 May 1992, during the siege of Sarajevo, several mortar shells struck a group of people waiting to buy bread...twenty two people where killed...For the next twenty two days Vedran Samilovic, a renowned local cellist, play Albinoni's Adagio in G Minor at the local site in honor of the dead."
Galloway uses this horrific event and Samilovic's heroic gesture to give us a glimpse of the spirit human...replete with all its unsuspected strengths and soul-searching frailties.
The story sequentially follows three individuals during the span of days that the cellist is playing the Adagio.
They are Kenan, a father with wife and children who must make a dangerous trek every few days to get clean water for his family and neighbor.
Dragan, a sixty four year old who, because he works at a bakery, is able to get bread on a regular basis for his sister and husband.
And Arrow, a female sniper whose growing reputation for 'kills' is about to put her in a situation that will profoundly change the way in which she looks at and interprets her own existence.
And although the three individuals never meet, they are indelibly connected by the events happening within the besieged city and, in a more remote sense, by the fact that someone (the cellist) is trying to make a gesture to honor the fallen.
Galloway's book is special; special because he is able to cut to the chase when describing peoples most private thoughts when under duress. Each of the three protagonist is wrapped up in an series of tragic events over which they have no control but yet has profoundly changed their lives.Read more ›
Most recent customer reviews
Wonderfully written, one mans heart through music inspired those living in Sarajevo.
Enjoyed it, sad ending, that's life sometimes.
This is an excellent story - well written and leaves you with hope.Published 15 months ago by Carol
My problem with the story is that it is written by a Canadian who researched his story very well, but who neither lived through it nor has family who did. Read morePublished 16 months ago by M. R. Newell
A sad read repeating itself in so many other countries. It is tough to hear the stories from the inside but encourages one to celebrate our safety and freedoms in North America. Read morePublished 17 months ago by toby snelgrove
Steven Galloway: The Cellist of Sarajevo.
This is a story from 1992, when Sarajevo “turned on itself”, separating those in the city from those in the mountains, who were... Read more
Excellent book! It gave me some insight into the war and the effect on the citizens.Published 21 months ago by Kathy Steer