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Cerulean Sins Paperback

3.4 out of 5 stars 308 customer reviews

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Harry Potter and the Cursed Child
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Product Details

  • Paperback
  • Publisher: ORBIT (LITT)
  • Language: English
  • ISBN-10: 184149139X
  • ISBN-13: 978-1841491394
  • Product Dimensions: 13.5 x 21.5 cm
  • Shipping Weight: 499 g
  • Average Customer Review: 3.4 out of 5 stars 308 customer reviews
  • Amazon Bestsellers Rank: #3,450,270 in Books (See Top 100 in Books)
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Customer Reviews

Top Customer Reviews

Format: Hardcover
Having begun with Guilty Pleasures and read with constant enjoyment up through the first hundred pages of "Narcissus in Chains", I feel tricked and cheated. I had hoped with the last book that Hamilton would steer the series back on course, and that hope was hideously thwarted. Both "Narcissus in Chains" and "Cerulean Sins" are colossal disappointments for anyone who read for mystery, crime drama--or anything, really, other than sex.
Almost all of the major relationships in these books have been destroyed or relegated to the back burner, and anyone who disagrees with Anita gets pages full of badmouthing. It's tiresome, tedious, poorly plotted, and not much more than an endless and emotionless sexathon. The edge Anita's tangled love life gave the books is gone. The promise of the TRI--the metaphysical and emotional entanglement between Anita, Richard the Ulfric, and the vampire, Jean-Claude--has been destroyed by Anita's unceasing selfishness and incredible demands.
I adored Richard, and Micah, Anita's "soulmate" as introduced in "Narcissus in Chains", is a one dimensional, contrived, gutless wonder, and an absolutely pitiful substitute for the vastly fulfilling Richard and Anita dynamic. He is much more of a Stepford Wife than any kind of believable partner, with only one endowment to recommend him. Fans that look to "Cerulean Sins" for resolution of Richard and Anita's dilemma will be sorely, and bitterly, disappointed. Richard gets little page space, and most of that is spent with Anita's internal wondering of "how long it would be before she hated him." Less time than it takes for the devoted to begin to hate you, Anita.
There are no good aspects of this book. The mystery is underhand, poorly developed, and is more an afterthought than any active device of the plot.
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Format: Mass Market Paperback
I was a big fan and kept reading because I kept hoping that LKH would get a good therapist to help her deal with her personal sexual frustrations and get back to writing the stories of the characters she created. Nope. Not going to happen. Each Anita book seems to sink to a new low with total lack of substance and plot. Even worse, LKH seems to be determined to destroy each beloved character piece by piece. She seems to have few tools in her writing tool box: no plot? Insert new power and new sex partner here! Shoddy editing does these books no favours. I've read interviews where the author says she doesn't care what the readers think about the direction her series has taken. It may be her right to write garbage but it's my perogative not to buy it. See you in the bargain bin, Anita. I'm done.
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By EA Solinas HALL OF FAMETOP 50 REVIEWER on July 5 2008
Format: Paperback
With "Narcissus in Chains," Laurell K. Hamilton switched her format from blood'n'suspense to sex, blood and endless superpowers for her self-insert, Anita Blake.

And sadly "Cerulean Sins" only continues that tradition, couching a meager plot in endless supernatural sex and increasingly purple prose. But even that might be tolerable if Hamilton's idtastic heroine did not waft through the book, expecting all males to put up with her mood-swings, molestation and manipulation. Think the worst fanfiction Mary Sue ever written by a twelve-year-old Hot Topic shopper.

Anita has just finished a zombie raising when Asher arrives with a message: Belle Morte's emissary Musette has arrived unexpectedly. It turns out that she's come there to toy with Jean-Claude and torment Asher -- and even worse, she intends to use the scarred vampire for her sadistic pleasure. If he isn't the sex partner of a more powerful person, she's free to do it.

However will Anita fix this? By stabbing Musette and hopping in the sack with Asher, of course!

While Anita deals with her deteriorating relationship with the police -- it's their fault rather than hers, of course -- she also must deal with a series of murders, and strange men following her. But the main problem is Belle Morte, who has taken a person interest in Anita -- and whose emissary is still able to cause trouble for Anita's "people." And possibly death for Asher.

Some lip service is paid to a serial killer and a gang of secret agents who, of course, want to enlist Anita's oh-so-impressive services. But that's not where Laurell K. Hamilton's interests lie -- it's pretty clear she is focusing on the endless parade of "who's on top?
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By EA Solinas HALL OF FAMETOP 50 REVIEWER on Feb. 22 2007
Format: Mass Market Paperback
Laurell K. Hamilton is aging well, but her Anita Blake series is not. The eleventh volume of the fantasy-horror series is heavy on supernatural sex and light on plot. While Hamilton comes up with a handful of cool ideas for "Cerulean Sin," her book is sunk by an irritating heroine and a plot relegated to subplot status.

St. Louis is swarming with vampires, werecreatures, and who knows what else. And Anita Blake is in the thick of it, enmeshed with all of the above. Now with her personal life in an uproar, she still has to hunt down a very messy serial killer who can change his shape -- and unfortunately, she's not getting a lot of help from the more typical police authorities.

But things get even more difficult when a sadistic vampire, Musette, arrives and demands that the traumatized Asher come back with her to super-vampire Belle Morte. Since Belle Morte once tormented Asher, Anita ain't about to let him go. So now she has a mystery serial killer, and a very angry ancient vampire on her tail -- things are starting to get a lot worse.

Try reading this book while skipping over the erotica, as I did. I guarantee you'll be done in less than half an hour. Sex is the new supernatural in Hamilton's series, and the actual plot starts slipping into the shadows. Where does the plot go? It gets buried in Anita's many vaguely disturbing and very detailed sexual encounters. To thumb her nose at Belle Morte, is it necessary for Anita to bed Asher? Not really. But it still happens.

Hamilton seems to be on strong footing with some of the plot elements. Super-vampire Belle Morte is quite cool, as is the intricate vampire politics. But really, readers can only take so much of Anita's self-adoration before the narrative gets tiresome.
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