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Citizen Kane: 70th Anniversary Ultimate Collector's Edition [Blu-ray]

4.3 out of 5 stars 315 customer reviews

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Product Details

  • Actors: Orson Welles, Joseph Cotton, Agnes Moorehead
  • Directors: Orson Welles
  • Format: Collector's Edition, DTS Surround Sound, NTSC, Original recording remastered, Subtitled
  • Language: English
  • Subtitles: Czech, English, French, Hungarian, Portuguese, Russian, Spanish
  • Dubbed: Spanish
  • Region: All Regions
  • Aspect Ratio: 1.33:1
  • Number of discs: 3
  • Canadian Home Video Rating : General Audience (G)
  • MPAA Rating: UNRATED
  • Studio: Warner Home Video
  • Release Date: Sept. 13 2011
  • Run Time: 119 minutes
  • Average Customer Review: 4.3 out of 5 stars 315 customer reviews
  • ASIN: B0050G3NWG
  • Amazon Bestsellers Rank: #5,118 in DVD (See Top 100 in DVD)
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Product Description

Product Description

Citizen Kane: Ultimate Collector's Edition (BD)


Citizen Kane and Orson Welles are, according to director Martin Scorsese, “responsible for inspiring more people to be film directors than anyone else in the history of cinema.”

This classic story of power and the press starring, produced, directed and co-written by then 25-year-old Orson Welles captured nine Academy Award® (1942) nominations, including Best Picture, Best Actor and Best Director, and won for Best Writing and Best Original Screenplay. The American Film Institute (AFI) later chose it as the #1 film of all time.

Welles himself played Charles Foster Kane in a role that spanned the publisher’s life, moving from a boyish, ambitious young man to the embittered recluse he became in later life. Joseph Cotten made an impressive screen debut as Jedidiah Leland, newspaper reporter and Kane’s longtime friend, from whom he had become estranged over the issue of journalistic integrity. Other actors included Everett Sloane, Agnes Moorehead, Ruth Warrick, Paul Stewart and William Alland as the investigative reporter who delves into Kane’s life and his mysterious “Rosebud.”

The legendary Gregg Toland was the film’s cinematographer and Robert Wise, later a two-time Academy Award-winning director, edited the picture.

After remaining out of circulation for many years, in the early 1960s Citizen Kane was selected by a panel of film critics as the greatest film of all time. During the ensuing years, in poll after poll, Citizen Kane has been consistently ranked as the highest embodiment of film art. Said Roger Ebert, “This towering achievement is as fresh, as provoking, as entertaining, as sad, as brilliant, as it ever was. Many agree it is the greatest film of all time.” And one-time dean of American movie reviewers, Pauline Kael, noted, “Citizen Kane is perhaps the one American talking picture that seems as fresh now as the day it opened. It may seem even fresher.”


Disc One
Orson Welles and Joseph Cotton
Orson Welles and Joseph Cotton
  • Orson Welles’ 1941 classic remastered for maximum picture and audio clarity with audio commentaries by Roger Ebert and Peter Bogdanovich
  • Opening: World premiere of Citizen Kane vintage featurettes
  • Interviews with Ruth Warrick and Robert Wise
  • Premiere newsreel gallery of storyboards, rare photos, alternate ad campaigns, studio correspondence, call sheets, and other memorabilia
  • Audio-only bonuses: Welles’ Legendary 1938 War of the Worlds Mercury Theatre broadcast and the 1940 Radio Program “H.G. Wells Meets Orson Welles”
  • Theatrical trailer
Disc Two
  • The 1995 Best Documentary Feature Oscar® Nominee The Battle over Citizen Kane chronicling the clash between Welles, RKO Studios and Publishing Magnate William Randolph Hearst
Disc Three
  • The Emmy®- and Golden Globe®-Winning 1999 movie RKO 281
  • 48-page book with photos, storyboards and behind-the-scenes info
  • 20-page 1941 souvenir program reproduction
  • 10 reproductions of studio memos and correspondence
  • 5 one-sheet/lobby card reproductions
Orson Welles as Charles Foster Kane
About The Battle over Citizen Kane

The Battle over Citizen Kane is a two-hour Oscar®-nominated (1995) documentary that chronicles the titanic struggle between filmmaker Orson Welles and newspaper magnate William Randolph Hearst, who claimed Citizen Kane was a thinly veiled and slanderous account of his own life. The documentary reveals the fascinating behind-the-scenes story of how Hearst used his formidable power to try to stop production and distribution of the film, and how he ultimately sought to destroy Welles himself.

About RKO 281

The 1999 HBO film, RKO 281 (titled for the production number given to Citizen Kane by RKO), won three Emmys® (with 13 nominations), and the Golden Globe® for Best Mini-Series or Motion Picture Made for Television (2000). Directed by Benjamin Ross and written by John Logan, this dramatic depiction of the making of Citizen Kane stars Liev Schreiber as Welles, James Cromwell as William Randolph Hearst, Melanie Griffith as Marion Davies, John Malkovich, Roy Scheider and Brenda Blethyn as Louella Parsons.

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Customer Reviews

Top Customer Reviews

Format: DVD
So many of the films that critics unanimously pick as the greatest of all time are overrated, confusing, ponderous, overly symbolic art pieces that leave viewers scratching their heads. The collective reaction is, "What in the hell was the director smoking?" Arty camera work and tons of symbolism and metaphors can never take the place of good acting, solid direction and, most importantly, a good script.
Much has been made of Citizen Kane's technical brilliance -- Welles' use of overlapping conversations, Gregg Toland's deep focus photography, set design that incorporates ceilings, etc. However, none of this would really mean anything if the film didn't have a great story and screenplay. Citizen Kane may be a triumph in filmmaking technique, but it is also a deeply engrossing story with characters we can relate to and sympathize with. Welles' Kane is a selfish, unhappy, overly controlling dictator who has everything and yet still manages to make himself more and more unhappy. Most of us know the feeling of not appreciating someone or something good in our lives until he/she/it is gone. We see the promise and idealism in Kane's early life, like him and believe, as Joseph Cotten's Jed Leland does, that Kane is a great man who can do so much good in society. As Kane's life progresses, however, he becomes more and more bitter, alienates everyone who cares about him and dies alone, longing for the simplicity of his early life before he became wealthy. When Kane, as an old man, loses control when his second wife Susan Alexander (Dorothy Comingore) leaves him, we can't help but feel for him -- even though most or all of his unhappiness is his fault. That the audience feels such empathy for such a flawed character is Citizen Kane's greatest triumph and is the true basis for Kane's reputation as one of the greatest films of all time.
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Format: DVD
Up until recently I had never seen Citizen Kane in toto.I had seen bits of it here and there in arts classes and on TV.After watching this movie and reflecting I can only envision one man that could ever had played this part to perfection and that was Orson Welles himself.This movie is as much autobiographical as it is biographical,that is there is as much Welles in this picture as Hearst.From what little I have read on both subjects over the years it is amazing how much these two men had in common in real life in their personalities and their subsequent dealings in whatever concerns were of most importance to them at any given moment.It was almost art imitating life imitating art.
But in 1941 both came together in one glorious time which would never be repeated.The picture earned Welles and company I believe around 10 OSCARS(if memory serves) of which only one was issued denying Welles his just due.Hearst had won the battle but in the end Welles won the war.
On further reflection another thing that very much jumped out at me as I viewed this film was the cinematograpy.The camera work was phenomenal.The lighting,the angles and the placement of shots added totally to the entire feel and execution of this picture.
And another aspect that I noticed was the editing.Of course as Welles controlled just about every aspect of the picture this,I would assume,could also be laid at his feet.But take for example a scene which involves Kane and his first wife.It lasts about five minutes in all but it shows them sitting at either end of a large table.Through several dissolves we see Kane and his wife going from a newly happily married couple to two distant and cold individuals.Brilliantly done.
Technically this picture has been cleaned to perfection.It is a fine transfer.
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Format: DVD
Charles Foster Kane; welcome to Xanadu the biggest fortress ever built. That opening sequence in which we feel inmediatly the presence of the purest sense of the german expressionism, gives us one of the multiple clues who will give Orson Welles, this legend name in the cinema story.
Ths story is told brilliantly for Welles; the way Welles introduces to the world of Kane is through a new who informs us about the death. Warning about this point because Kane will never be telling his life in first person, but through all those knew him in a far or close distance. In this sense Welles, cleverly gives us a huige puzzle that you as viewers must arrange , and thanks to all his countless devices, at the end of the film when you finally discover what Rosebud means , you leave your seat convinced you're a private eye; but rememeber what Welles said once about Rosebud: it just was Freud for one dollar.
And this bitter opinion is due the fact that Rosebud means the iodea of something that never reached the complete process of growing up; a flower who never became the best of itself; I mean this point is remarkable because the sense of unfinishness is what Kane means ; nor more either less.
In fact Kane is a man who had everything he wanted; except just one thing; his stolen youth and the dreams contained in this unique stage of the life; the world needed just before he reached his twenty years old and made from him a man before the time comes.
That's why you can understand his outrageous character; and thanks to The Inquirer he can expand his biological time and in a certain way to try to live his lost years.
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