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Fat City (Sous-titres français) [Import]

4.2 out of 5 stars 6 customer reviews

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Product Details

  • Actors: Stacy Keach, Jeff Bridges, Susan Tyrrell, Candy Clark, Nicholas Colasanto
  • Directors: John Huston
  • Writers: Leonard Gardner
  • Producers: John Huston, David Dworski, Ray Stark
  • Format: Anamorphic, Closed-captioned, Color, DVD-Video, Full Screen, Subtitled, Widescreen, NTSC, Import
  • Language: English
  • Subtitles: English, French
  • Subtitles for the Hearing Impaired: English
  • Region: Region 1 (US and Canada This DVD will probably NOT be viewable in other countries. Read more about DVD formats.)
  • Aspect Ratio: 1.33:1
  • Number of discs: 1
  • Canadian Home Video Rating : Parental Guidance (PG)
  • Studio: Sony Pictures Home Entertainment
  • Release Date: Dec 10 2002
  • Run Time: 100 minutes
  • Average Customer Review: 4.2 out of 5 stars 6 customer reviews
  • ASIN: B00006SFJS
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Product Description

FAT CITY is a powerful and gripping story about personal wins and losses in the raw rugged world of amateur boxing. Directed by legendary Oscar®-winning filmmaker John Huston (1949 Best Director Best Screenplay The Treasure of the Sierra Madre) the film stars the incredible talents of Stacy Keach (American History X TV's "Mike Hammer") Jeff Bridges (Jagged Edge The Mirror Has Two Faces) Candy Clark (At Close Range American Graffiti) and Susan Tyrrell (Cry-Baby Powder) in her 1972 Best Supporting Actress Oscar®-nominated performance.

Customer Reviews

4.2 out of 5 stars
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Top Customer Reviews

Format: DVD
Every few years I reread Leonard Gardner's novel, "Fat City" and am awed by how vividly it paints a world of men and women whose lives are going nowhere. Over a hundred and eighty-three pages, divided into twenty-four chapters, each one a model of economy and precision, Gardner manages to say something about defeat that most writers wouldn't be able to convey in twice that length. After every reading of the book, I end up seeking out John Huston's film hoping it will somehow match the brilliance of Gardner's prose. It never does. But it comes pretty close.

The story of "Fat City" involves two men, both boxers, who are at different points on the same arc. Billy Tully has had a brush with a modicum of success but has long lost whatever gift took him even that far. Ernie Munger, ten years younger, has his youth to award him a glimmer of hope but more than likely he will be lucky to achieve even the level of mediocrity Tully climbed to. Interconnected with these two characters are the women they become involved with and the usual boxing hangers-on - the trainers and managers whose meager dreams are built on the Billy Tullys of the world. There is very little plot to speak of, the narrative following Ernie's entry into boxing and the responsibilities of adulthood, and Tully's last few grasps in the ring to rise above the laborers he picks vegetables with at ninety cents an hour.

Whereas the novel is able to directly express the inner lives of its characters by sharing their thoughts and histories, the film is forced to leave much of this content out, relying on visual details presented through Conrad Hall's brilliant cinematography to create its texture of lives gone to seed. The film's screenplay, also written by Gardner, takes its dialogue directly from the novel.
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Format: VHS Tape
Stacey Keach and Susan Tyrrell deliver Oscar caliber performance while Jeff Bridges launches a brilliant career in this 1972 epic, one of the best directorial efforts of the storied career of John Huston. Keach and Bridges play fighters trying to make a go of life in the tough world of professional boxing in Stockton, a delta city in Northern California.
Keach, living in a fleabag hotel, meets young Bridges at the local YMCA, where the former professional boxer has gone to work out. After enticing Bridges to spar a little, Keach is astonished when the younger man with the fast moves reveals he has never boxed, either amateur or professional. Keach suggests that Bridges look up his former manager, played by Nick Colasanto, at the Lido Gym.
Colasanto and his trainer, played by former ranked lightweight and welterweight, Art Aragon, waste no time in turning Bridges amateur. After Bridges' first workout Colasanto tells his wife that a good looking, clean cut "white kid" like Bridges should make a good crowd draw.
Keach falls on hard times, getting fired from his fry cook's job, going out early in the morning to work as a picker at nearby farms. He also forms a romantic relationship with hard luck Tyrrell, a heavy drinker, whose live in love, played by former world welterweight champion Curtis Cokes, has gone to jail on an assault charge. The fight was brought on by resentment of his interracial romance with Tyrrell. Meanwhile Keach moves in with Tyrrell.
When Keach, spurred on by Bridges' ring progress, decides to make a comeback, in his sober state he can no longer abide Tyrrell and moves out. When Cokes finishes serving his time he moves back in with her again.
Bridges has his own romantic involvement with Candy Clark. They make love in his car.
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By A Customer on April 8 1999
Format: VHS Tape
This is a great grim movie. Huston did a heckuva job adapting Gardner's novel, but he started with grim material and went deeper into it. One memorable scene is when Keech manages to shake off his wine hangover and walks outside his transient hotel to try and make a new start on his life. He boldy heads out on the sidewalk, does a bit of bobbing and weaving on the curb. He's ready to turn over that new leaf but looks around at the city, and you can watch the wheels turn in his head as the he decides to go back inside. Punchdrunk. Rummy. It didn't take long to whip him this round, and all his rounds are pretty much like this. But he doesn't quit, the fight is still in him. The rage is there, but the skill and conditioning is long gone, so are his chances. They can beat him, they could kill him but they don't bother. The thing is, you can knock him down but he won't stay down, and sometimes that's all it takes. Between the white port in the alley, working the onion fields and listening to the old boxers talking about their lives, you wonder just what he's really teaching his new protege', and why either one even bothers. It's called life. It's not much but it's all we get, so take a tip from an old pro and don't stay on the canvas. Susan Tyrell does a great job, deserved her Oscar nomination, but reminded me of too many former flames perched on that barstool. Hmmm. Perhaps I'm trapped in the same...whack! Ooof,I didn't see that one coming. Life keeps hitting me with so many lefts, I'm begging for a right. If you're able to extract inspiration from a movie filled with scenes from a very tough life, watch Fat City. If you're looking for something fluffy, ain't nothin' here but a scram. Take it on the arches, pal.
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