Claude Debussy Paperback – Oct 15 2005
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'Roberts [...] is a distinguished interpreter. ... an intimate portrait that takes us nearer to the heart of the music than any biography before. ... With copious quotes from the composer's letters and articles, Roberts charts the unstoppable evolution of his subtly revolutionary art - designed...but defining the course of Western music.' Michael Church, The Independent 'incisive ... Roberts meets the challenge of both person and music with empathy and acumen ... As for the composer's writings [...], here again Roberts is both sharp and sensible ... Generous quotations from letters and memoirs support this elegantly written volume.' Roger Nichols, BBC Music Magazine 'excellent design ... lavish illustrations ... Roberts shows virtuosity in putting Debussy's music as a whole in the context of the man. So well does Roberts capture the unconventionality of the man [...] that descriptions of the revolutionary nature of the music seem nothing but natural.' Andrew Green, Piano 'it's no surprise that each book is beautifully produced on shiny thick paper and filled with gorgeous illustrations. The texts are excellent too.' Pittsburgh, PA Post Gazette
About the Author
Paul Roberts combines concert pianism, writing and teaching in a career that takes him all over the world. He has recorded several discs of Debussy's piano music to wide critical acclaim, a DVD on Debussy's Preludes (Amadeus Press, 2006) and is the author of Images: The Piano Music of Claude Debussy. A book on Ravel, Reflections, is in preparation. He is an honorary fellow of London's Guildhall School of Music & Drama, visiting professor at the Royal Northern College of Music, and director of the piano summer school near Toulouse, France, Music at Castelfranc.
Most Helpful Customer Reviews on Amazon.com (beta)
The music of Debussy is given detailed, yet not too technical explanations. E.g., "One of Debussy's accomplishments in Pelleas et Melisande was the extraordinary balance that he achieved between orchestra and text, and the way in which he allowed the 'expressive force' of the words to control the dramatic action."
His relationships with other composers are also chronicled. "Erik Satie was a continual presence throughout Debussy's great creative maturing of the 1890s. He witnessed it, worshipped it, and to a large extent was involved in it..." Debussy was encouraging of the young Igor Stravinsky (twenty years younger than him), and "clearly found Le Sacre a deeply frightening challenge to his own hold on musical values."
Debussy's private life was sometimes chaotic and controversial. Concerning his "sudden" marriage in 1899, which was "An undoubted rebound from his depression, (that) was to end in disaster and led to the final withdrawing of Claude Debussy behind a screen of prickly taciturnity, from which he rarely emerged for the rest of his life." (Roberts notes that Debussy's first wife shot herself in the breast, attempting to kill herself after he left her.)
Overall, this is a fascinating biography for fans of Debussy and his music.
I found the book useful for getting a chronology of Debussy's music. However, anyone looking to know more about the music, where Debussy may have taken inspiration for his striking innovations, and how these works were received would do better to seek out other resources.
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