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Cloud Atlas: A Novel Paperback – 2010

4.2 out of 5 stars 63 customer reviews

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Paperback, 2010
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99 by Wayne Gretzky 99 by Wayne Gretzky

--This text refers to the Hardcover edition.
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Product Details

  • Paperback: 509 pages
  • Publisher: Random House Trade Paperbacks (2010)
  • Language: English
  • ISBN-10: 0375507256
  • ISBN-13: 978-0375507250
  • Product Dimensions: 13.9 x 2.8 x 21.5 cm
  • Shipping Weight: 658 g
  • Average Customer Review: 4.2 out of 5 stars 63 customer reviews
  • Amazon Bestsellers Rank: #357,441 in Books (See Top 100 in Books)
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Product Description

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It's hard not to become ensnared by words beginning with the letter B, when attempting to describe Cloud Atlas, David Mitchell's third novel. It's a big book, for start, bold in scope and execution--a bravura literary performance, possibly. (Let's steer clear of breathtaking for now.) Then, of course, Mitchell was among Granta's Best of Young British Novelists and his second novel number9dreamwas shortlisted for the Booker Prize. Characters with birthmarks in the shape of comets are a motif; as are boats. Oh and one of the six narratives strands of the book--where coincidentally Robert Frobisher, a young composer, dreams up "a sextet for overlapping soloists" entitled Cloud Atlas--is set in Belgium, not far from Bruges. (See what I mean?)

Structured rather akin to a Chinese puzzle or a set of Matrioshka dolls, there are dazzling shifts in genre and voice and the stories leak into each other with incidents and people being passed on like batons in a relay race. The 19th-century journals of an American notary in the Pacific that open the novel are subsequently unearthed 80 years later on by Frobisher in the library of the ageing, syphilitic maestro he's trying to fleece. Frobisher's waspish letters to his old Cambridge crony, Rufus Sexsmith, in turn surface when Rufus, (by the 1970s a leading nuclear scientist) is murdered. A novelistic account of the journalist Luisa Rey's investigation into Rufus' death finds its way to Timothy Cavendish, a London vanity publisher with an author who has an ingenious method of silencing a snide reviewer. And in a near-dystopian Blade Runner-esque future, a genetically engineered fast food waitress sees a movie based on Cavendish's unfortunate internment in a Hull retirement home. (Cavendish himself wonders how a director called Lars might wish to tackle his plight). All this is less tricky than it sounds, only the lone "Zachary" chapter, told in Pacific Islander dialect (all "dingos'n'ravens", "brekker" and "f'llowin'"s) is an exercise in style too far. Not all the threads quite connect but nonetheless Mitchell binds them into a quite spellbinding rumination on human nature, power, oppression, race, colonialism and consumerism. --Travis Elborough --This text refers to the Hardcover edition.


A Times (UK) Best Book of the Decade
A New York Times Notable Book
Globe and Mail 100 Best Book
Longlisted for the IMPAC Award

“[David] Mitchell is, clearly, a genius. He writes as though at the helm of some perpetual dream machine, can evidently do anything, and his ambition is written in magma across this novel’s every page.” The New York Times Book Review
“One of those how-the-holy-hell-did-he-do-it? modern classics that no doubt is—and should be—read by any student of contemporary literature.” Dave Eggers
“Wildly entertaining...a head rush, both action-packed and chillingly ruminative.” People
“The novel as series of nested dolls or Chinese boxes, a puzzle-book, and yet—not just dazzling, amusing, or clever but heartbreaking and passionate, too. I’ve never read anything quite like it, and I’m grateful to have lived, for a while, in all its many worlds.” Michael Chabon
Cloud Atlas ought to make [Mitchell] famous on both sides of the Atlantic as a writer whose fearlessness is matched by his talent.” The Washington Post Book World
“Thrilling.... One of the biggest joys in Cloud Atlas is watching Mitchell sashay from genre to genre without a hitch in his dance step.” Boston Sunday Globe
“Grand and elaborate...[Mitchell] creates a world and language at once foreign and strange, yet strikingly familiar and intimate.” Los Angeles Times --This text refers to the Hardcover edition.

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This is a work of genius, there is no doubt about that. Stylistically innovative, it is a literary masterpiece. The novel begins with a partial journal from the 1800's, moves to letters from 1931 Belgium, then the first half of a novel based in the 1970's, followed by the "ghastly ordeal" of the publisher of the novel, next a partial video transcript from the future, then at the centre, a "yarn" from the further future. Then it works backwards to the beginning starting with the rest of the video transcript, followed by the publisher, the novel, the rest of the letters and finally the end of the journal. Until the middle of the 500 page tome, I was really irritated by the language. While skillful and clever, it seemed an awful lot of work, and a bit haughty. However, once I reached the centrepiece, a futuristic tale from "after the fall" of civilization, I realized I was in love. I loved the hillbilly-like language and the archaic tribal life portrayed. Once that part was finished though, I was again irritated. It is not the kind of book one can skim, so I plodded on, reading word after word, at once charmed and vexed. I cheered when finished, thrilled that I had made the full journey without once throwing the book across the room. Was it worth it? Yes, because it really is genius. But if you're not in love with language, be cautious: this is no beach read.
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Format: Paperback
As soon as I finished reading this book, I wanted to start reading it again. I love it, I love it, I love it. The language is out of this world - clever, funny, poetic, just good fun. The plots are exciting and intriguing. The imagination is unbelievable. The messages are thought-provoking and timely. Don't be put off because there are many different sub-stories. I hate short stories, yet I loved this book. I have been telling everyone I know that they MUST read this book.
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Format: Paperback
When I heard about the movie “Cloud Atlas,” I was intrigued enough about its unconventional storyline and narrative to want to read the book on which it was based. A story that spans several centuries and told from different voices and perspectives, with elements of thriller, historical and science fiction, seemed like a perfect match for my own interests. However, while it has certainly turned out to be a technically and narratively remarkable book, I was decidedly underwhelmed with it.

“Cloud Atlas” is comprised with six different stories, each of which except the sixth is punctured in the middle with the subsequent one, only to be returned to in the inverse order later on. The book has a form of one-dimensional nested Russian-doll. This is a very clever and technically challenging narrative structure, and with the right kind of material it could have been a real masterpiece. However, in the end I didn’t find this working out all that well. First of all, the stories are VERY loosely related to each other. Their tenuous connection relies more on insinuations, allusions, off-narrative developments, and certain stratagems (reincarnation?) that are never fully and explicitly developed and feel more like deus ex machina ploys than organic plot developments. Furthermore, it was really hard for me to get into most of these stories, with an exception of maybe one and a half of them. They seemed contrived, and it was not easy to start carrying for a whole new set of characters every forty pages or so. And once I did, the stories abruptly broke off, oftentimes at some of the most interesting points. By the time I returned to them, I had mostly forgotten what they were about in the first place, and cared even less about “what happens next.”

Finally, there is the whole issue of language.
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Format: Paperback
Here is everything you need to know about Cloud Atlas in order to avoid being completely bewildered by it:

1. Cloud Atlas is written as a series of short stories, each set in a different time period and location. Each is written in a completely different style. All except for the sixth one are cut off mid-way through and then completed in reverse order.

2. The six stories progress through the ages of civilization from tribal to modern day to a future society that is technologically advanced but completely dystopian to a post-apocalyptic world (which is essentially back to the tribal beginning).

3. Each of the six stories appear in some form in the succeeding story, as letters, novels, films, music, etc.

4. The protagonist in each story is conveniently identified with a comet shaped mole on their shoulder. SPOILER ALERT- They are in fact all reincarnations of each other.

5.The theme of this book is Exploitation of Man by Mankind and does Civilization really make one civilized?

I loved this book! I loved the different characters and the different writing styles that the author used in each of the six stories. Each character and the situation they find themselves in are very different, but each is amazingly well done.

I loved each of the individual stories! They were excellent on their own, but woven into a novel they come together to illustrate Mitchell's theme. Which is man's basic drive to exploit those around him, through every age and every civilization, over and over again.

This is an extremely creative and orginal book and I wholeheartedly recommend it!
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