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Cold Is the Grave Mass Market Paperback – 2001

3.7 out of 5 stars 18 customer reviews

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Harry Potter and the Cursed Child
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Product Details

  • Mass Market Paperback
  • Publisher: Avon Books (2001)
  • Language: English
  • ISBN-10: 0380809354
  • ISBN-13: 978-0380809356
  • Product Dimensions: 10.6 x 2.8 x 17.1 cm
  • Shipping Weight: 227 g
  • Average Customer Review: 3.7 out of 5 stars 18 customer reviews
  • Amazon Bestsellers Rank: #218,736 in Books (See Top 100 in Books)
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Customer Reviews

3.7 out of 5 stars
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Top Customer Reviews

Format: Kindle Edition
As "Cold Is the Grave" opens, Detective Inspector Alan Banks is surprised at a request of Chief Constable Jimmy Riddle: the Chief, who has never hidden his thorough dislike of Banks, asks him to go to London to find out what his 16-year-old daughter, Emily, is up to and, if possible, to bring her home. The task is quite easily accomplished, although the unsavory characters Emily has encountered leaves Banks with a bad taste. Still, he moves on to other cases - an execution-style murder of a small-time crook, for starters - until he is drawn back into Emily’s - and Riddle’s - orbit in a most tragic way…."Cold Is the Grave" is the 11th Inspector Banks novel, and as ever Peter Robinson does an excellent job of fleshing out his characters and getting under their skin. A lot of the forward momentum of this entry relies on a series of misunderstandings between Banks and his detective sergeant (and former lover) Annie, but fortunately those communication misfires don’t last for too long and their relationship is allowed to continue to grow in a slow but believable way. By this point in the series, I think the reader needs to have read at least some of the earlier books, but as they’re a lot of fun to read, I don’t think that’s too much of a barrier to anyone; recommended!
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Format: Paperback
Cold is the Grave
Peter Robinson
2000 Viking 454 pages ISBN 0-670-83901-3
A teenager from the Yorkshire Dales runs away to London and falls into bad company - not much new in that. But when Peter Robinson uses it as an introduction to one of his chilling mysteries you have a plot has surprising but logical twists and turns and the tale becomes more intriguing by the page.
The writer manages to create strong, realistic characters that stay in your mind long after you've finished the book. When you pick up another book in the series you meet them again like old friends. The characters carry the plot, complex as it is, and all the sub-plots as the reader is shown the truth behind the veneer of the successful Chief Constable and his lovely family.
This was a book I hated to put down. It is well-paced and carefully structured and both male and female characters are so true that you'd swear you met them just last week. It's rare that a male writer can make female characters seem true to life, especially in their internal monologues (and vice versa - female writers often don't present the male interior monologue well) but this writer is spot on.
This book is a real treat from an accomplished mystery writer. Long may the series last.
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Format: Mass Market Paperback
Can't help thinking that this Peter Robinson book is a hangover from the gentility mysteries written by Agatha Christie and Dorothy L. Sayers. It's full of references to class discrimination: the petty crooks are working class and stupid; the smart crooks are working class and vicious; the upper class are tremendous people, instilled with the wonderful values that only a privileged upbringing can provide. The dialogue between all characters, law abiding and criminal, is mostly polite and deferential to the point of twee, and Inspector Banks floats around in a surreal world of his own, continually congratulating himself on the success of his unorthodox detecting techniques. Perhaps an alternative title to the Banks series could be: It Shoudn't Happen to a Copper.
By comparison, Ian Rankin, James Lee Burke and Michael Connelly have created characters with lives and conversations that resonate with gritty reality. Rebus, Robicheaux and Bosch are on a journey through life; Banks is commuting.
And Robinson has the most irritating habit of parading his learning out of context. Inspector Banks is often reminded of what Milton said or Proust thought - sure, give me a break!
In one chapter, Inspector Banks is having a beer while he talks to a London copper about a villain he wants to obtain more information on. During the conversation, Banks modestly makes a mental note that the other copper is a racist, alcoholic while he, Banks, is still a compassionate, caring human being, branded a 'pinko' by his drinking colleague because of his socialist sensibilities. At that point I put the book down and picked up the latest Ian Rankin.
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By A Customer on Oct. 1 2001
Format: Mass Market Paperback
This promised to be an interesting book - undisciplined detective with the usual relationship problems and an intriguing problem to solve. Once inside the pages the deaths start, arrive frequently, and eventually the detective manages to tie enough seemingly unrelated fact together to solve the puzzle. In other words, this was very much a book that followed a predictable formula.
Alan Banks is an interesting character but he wasn't as undisciplined and unorthodox as promised. Anne Cabot was a little stale and other than playing a part in Bank's character development, wasn't at all central to the story. Emily Riddle provided a much-needed spark to this cast of really rather wooden players but her appearance was all too brief to instill any real life to this book.
Sure, the descriptions were good, but too often the passages were overly long and the interview sequences read like a long-winded court report. There was maybe a hundred pages could have been trimmed from this novel and it could be a faster, sharper, story.
Having dealt with all the negatives, it's only fair to look at the positives. The plot was well conceived and deployed. The dialogue was good. Banks' character did provoke sympathy at times without ever catching the spark of brilliance promised.
Cold Is The Grave is worth reading, but it is not among the best of the year. Colin Dexter invented Morse and all other detectives from England must now be measured against him. Morse could eat Banks for breakfast (and have solved this mystery 100 pages earlier).
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