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Cold Light Paperback – Mar 27 2012

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Product Details

  • Paperback: 352 pages
  • Publisher: Sceptre (March 27 2012)
  • Language: English
  • ISBN-10: 1444707760
  • ISBN-13: 978-1444707762
  • Product Dimensions: 13.1 x 2.3 x 19.7 cm
  • Shipping Weight: 259 g
  • Average Customer Review: Be the first to review this item
  • Amazon Bestsellers Rank: #2,479,820 in Books (See Top 100 in Books)
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Product Description


A psychological thriller of the first order.―The Age, Australia

a chilling, blackly funny novel with a surreal edge about the intensity of teenage friendship.―Grazia

That most uncommon delight - a literary page-turner.―Sunday Times

Remember teenage bitching and insecurity? This book will take you back there, except with more lies and gruesome murder. Scarily believable.―Fabulous is told by the hand of a true storyteller.―Independent

Award-winning Jenn Ashworth leavens a bleak but pacey story with dry, wry humour, resulting in an extraordinarily perceptive and beautifully written novel―Sunday Express

Ashworth's novel is bleak and gritty, painting an uncompromising portrait of teenage life... In the best possible way this novel is an uncomfortable read.―Lucy Scholes, Sunday Times

Another cleverly skewed tale told from the self-conscious perspective of an outsider... arrestingly observant... Ashworth's second book confirms that the first was no one-off... her talent could take her a long way―Guardian

A wonderful tale, beautifully told.―Bella

From the Back Cover

I’m sitting on my couch, watching the local news. There’s Chloe’s parents, the mayor, the hangers on, all grouped round the pond for the ceremony. It’s ten years since Chloe and Carl drowned. You can tell from their faces that something has gone wrong. But I’m the one who knows straightaway that the mayor has found a body. And I know who it is.

Jenn Ashworth’s gripping and unforgettable Cold Light is the story of a friendship unsettling in its intensity and of one terrible summer when lies, secrets, jealousy, and perversion result in tragedy more twisted and evil than one unsuspecting community can handle. A dark tale with a surreal edge, it follows two fourteen-year-old girls, best friends, as they confront the dangers of a predatory adult world, where truth is cruelly sacrificed in the name of innocence.

--This text refers to an alternate Paperback edition.

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Most Helpful Customer Reviews on (beta) HASH(0xa22872b8) out of 5 stars 28 reviews
6 of 6 people found the following review helpful
HASH(0xa2553e04) out of 5 stars Gripping and thoughtful July 2 2011
By Sid Nuncius - Published on
Format: Kindle Edition
I thought this was an excellent book - very readable, extremely atmospheric, insightful and memorable. The book begins with the discovery of a body and the circumstances of how it came to be there gradually emerge in an extremely well-told story. It is not a detective story of any kind, but is concerned with the lives of the narrator and two of her school friends and how they came to be involved in the story. It switches easily between the present day and descriptions of events when they were all thirteen in 1997, and I found myself gripped and enthralled throughout.

I don't want to give away any plot details, but I found the story very plausible and the characters extremely well drawn. Jenn Ashworth is excellent at evoking the relationships between teenagers, and I thought truly brilliant in showing the life of a child in a family with a father with mental health problems. The atmosphere of a small City (never named, but with a striking resemblance to Preston) also seemed completely real to me, having spent my teenage years in a comparable city. The book has important things to say about teenage life, families and the effect of guilt both real and imagined, and is also very acute about the public and media response to tragedy.

My one reservation about this book is that I am not sure that someone of the background and education given to the narrator would be able to write so well or make such penetrating observations, but the book was easily good enough to make this seem irrelevant. It's very good indeed and recommended very warmly.
4 of 4 people found the following review helpful
HASH(0xa23bfd5c) out of 5 stars Slow Burn Aug. 21 2012
By "switterbug" Betsey Van Horn - Published on
Format: Kindle Edition
The American cover of Jenn Ashworth's second novel is badly misleading and presents as teenage-chick-lit-murder-kitsch trash preening to take itself seriously. However, when you start reading, you realize that you are in the hands of an evocative, acutely observant writer who may, in the not-too distant future, pen a novel that earns a spot on the Booker long-list. She can turn a phrase, spin raw into bold, scour us with prose.

Ashworth writes searchingly, hauntingly, and meticulously about teenage restiveness and jealousy; growing up with a mentally unstable parent; how the media erects false monuments; predators and predatory nature; and the inner lives of people short-circuited by guilt and shame, shut down by life at a young age. Her narrators are unreliable, abject, contrary.

Think indie film, back when indie films weren't an industry of precious, quirky, star-making features, but rather ensemble pieces shown partly in grainy texture, in an atmosphere that is "shrieky and curious and raw." This is somewhere in an economically depressed place in Lancashire, near the Ribble Valley. Laura, now twenty-four, lives in the council flats and works as a cleaner in the local shopping center. She's pallid and dingy with limp hair and acne scars. Everything in her flat seems coated in a furry substance.

Laura turns to the TV for a broadcast memorializing her best friend, Chloe, fourteen, who drowned ten years ago with Chloe's much older boyfriend in an apparent suicide pact on Valentine's Day, 1998. But no one says "suicide," they say "tragedy." The council is erecting a monument, essentially making Chloe a saint. There's now a rose named for her, called Juliet, as in Romeo and Juliet.

"She was special, when she was alive--but not in the picture-perfect way people think of her now. Being dead has turned her into a final draft."

This "concrete folly" being erected is "half a monument to love gone wrong and half a nice piece of publicity for the City's urban renewal programme--... something for the teenagers to [smoke] their glue in. It's morbid and sentimental, it ticks all the right boxes for community enterprise funding..."

First on the scene with unexplained deaths and always bursting with bad news, newscaster Terry Best of television's The City Today mugs up to the camera, as he has been for twenty years. As the cameras roll on the ribbon-cutting with the mayor, a piece of earth is dug with a spade, and another body is unearthed, temporarily taking the limelight off Chloe. Terry's in his element, though, upstaging Chloe while floridly covering both events--sharp Terry, always ready for seamy, muddy twists, making a living on it, a daily fixture in their lives.

The narrative alternates between the present and the past, a reconstruction of Chloe and Laura's friendship, with a third wheel, Emma, who, ten years later, is demonstrably more mentally unbalanced than Laura. Emma lives on disability and volunteers at a pet shelter. Emma and Laura have a tenuous bond now, meet for coffee sometimes, and speak dartingly of Chloe.

In the evening, Emma comes by Laura's flat, after the newly discovered body is declared on the news, and Chloe and Emma share a box of wine and delve deeper into the past. Through these circumspect conversations and inner dialogue, the reader slowly, gradually begins to piece together an accurate picture of the past. We also learn about Laura's family life--her deprivations, her father's illness, the constant and accumulating terrors of everyday life.

Although the unreliable narrators are integral to the reconstruction of events, at times it feels protracted, and you just want the story to get on with itself. The casual pacing falters at intervals. From the first chapter, you realize that this is not a "detective novel," per se; however, there is tension from unexplained events. Predators skulk the woods, a person goes missing, shadows lurk. But it is primarily about the accretion of psychological blows, the small bruises and bitter inflictions, and the skewed perceptions of the media, which glimmers on everything but the truth.

"Every single time Emma came up with a fact, I provided one more and she ran out of things to say first, and at the end I was still holding Chloe's secret in my mouth, like the time we put buttons under our tongues to make us sound posh when we made prank phone calls."
8 of 10 people found the following review helpful
HASH(0xa23c0048) out of 5 stars "Cold", yes. "Light", no. Sept. 23 2012
By Karie Hoskins - Published on
Format: Hardcover
There is a grubby, desperate, joyless feel to "Cold Light" that caused me to put it aside a few times. While it is well written, with authentic feeling a group I don't think one of them experiences true happiness even once during the entire novel.

"Cold Light" is about dark things. Death, despair, cruelty, mean spiritedness and desperation fill even the smallest cracks of these characters lives. And I was never really sure why. Though none of them have dream lives, few of them are living nightmare lives.

Laura, or Lola, is the main character...and through her eyes we view this tangled group of unhappy and unfulfilled people. Though nothing other worldly happens...there is a feel of unreality throughout. Perhaps that emanates from the perspective of a very troubled teenage girl.

"Tonight I remember the things that happened during that winter and it is like watching myself in a reconstruction. Some girl who isn't quite real enough to be me stumbles through the corridors in a school that cannot have been so large and sits near a pair of girls that would never have been allowed to be so cruel."

Laura and her friend Chloe, and Chloe's newest friend Emma, are jaded and cynical, despite their young age. Their lives are about smoking, drinking, ignoring their parents whenever possible, and only tangentially about school. Their voices come across like those of much older women who have lived hard lives. This winter of their lives is filled with rumor, a forbidden boyfriend and a growing cloud of suspicion and danger.

"I knew already that it wouldn't matter. That this was the start of a time when things like shoes would stop mattering altogether. That the idea they had ever mattered was going to become funny."

This time would change them all. Furtive secrets, actions that could never be taken back...would lead to the destruction of the lives they know. Destruction that would echo into the future.

"I look at her, think about how she lives - alone, touching no one but her dogs - and get a glimpse of something massive and black, something I can't catch hold of."

"It is cold, where Emma is. I realize I do not understand it."

These characters are unable to understand themselves, let alone others around them. This book is glittering ice - slippery sharp with no warmth or soft spots. "Cold", yes. "Light", no.
2 of 2 people found the following review helpful
HASH(0xa23c05a0) out of 5 stars in the end....disappointed March 7 2013
By My 2 Cents - Published on
Format: Kindle Edition
Having fallen in love with this author's debut novel,A Kind of Intimacy, I've been anxious to try her follow-up novel, Cold Light. In my opinion, this one just did not measure up.

The story is a dark one about teenage friendships, the kind of friendship among girls, that sometimes do more harm to teens than good. In an unnamed town somewhere in the UK, three teenage girls, Chloe, Emma and Lola were fourteen in the late 80's. Trying to grow up too fast, they engage in some risky behaviors, pressured by their leader, Chloe. Chloe and Lola, at one time had been the closest of friends, until Emma entered the scene, then things changed.

In the first few pages the reader learns that Chloe, along with her much older boyfriend, had died and the deaths are called a "tragedy". It happened on Valentines Day in 1998. Later we learn that suicide is suspected but no one talks about that much, in fact it appears that not many people knew the real, shallow and manipulative, Chole. Now, (10) years later, the town is having a ground breaking ceremony which is televised to memorialize Chloe.

The narrative alternates between the present and the past, and continues with Lola (a.k.a Laura) and Emma's interactions now ten years later at the age of 24. The two girls, share specifics of their days as teens. The reader learns about some incidents leading up to the "tragedy", and what exactly had happened on the day Chloe died. The reader also gets a glimpse in to the family life of the girls. Lola, had an especially difficult childhood, her parents were much older, her family had to worry about money, and her father suffered from mental illness.

As the story unfolds, I was curious about how it might end, but still, I never felt fully invested in this one. The fact that it's a dark story didn't bother me, but the unlikeable characters did. I also did not care for the way the story jumped from past to present and back again, and I know it's a work of fiction, but I find it hard to believe that in the UK, they construct memorials a teen has died. Some readers clearly had a better experience with this book than I did, so I think it's one you have to read for yourself and decide. For me, it was just hard not to compare this one to her first novel which I loved and would definitely reread.
2 of 2 people found the following review helpful
HASH(0xa23c0690) out of 5 stars It is doubtful that any reader will be able to pass by a group of pensive teenage girls without feeling a chill Nov. 19 2012
By Bookreporter - Published on
Format: Paperback
Jenn Ashworth has had a short but prestigious literary career. Her debut novel, A KIND OF INTIMACY, won the Betty Trask Award, critical accolades and commercial success. COLD LIGHT, her dark, moody sophomore effort, seems destined to surpass the impact and promise of her first work.

This is the story of three young women in a small English town, one of whom is dead even as the story begins. Laura, who is the main character and narrator, and Chloe are teenage best friends, a pairing that becomes a circle when Chloe brings Emma into the group. It is Laura and Emma who reach adulthood; Chloe, at the tender age of 14, dies in a swimming incident with Mark, her much older boyfriend, in what is officially considered a suicide but is referred to thereafter as "the tragedy." The prologue begins immediately after Chloe's death, with Laura and Emma sequestered in their school as the police investigate the tragedy.

The opening chapter begins some 10 years later in 2008. A ceremony marking the event is occurring, with a groundbreaking for a commemorative summerhouse near the pool where the drowning took place. The event itself is marred by a mysterious and grisly discovery, one that resounds and echoes throughout the book. However, Chloe's death has permanently left its mark upon Laura, who is not right --- not by a long shot. Laura is an invisible, supporting herself by cleaning at a local mall and having all but given up on her life. It is not that her aspirations were all that lofty --- she remembers, with only a twinge of wistfulness, that she had once planned to work as a retail clerk --- but her appearance indicates that she is going through the motions. As bad as she is, however, Emma, the third wheel of the group, is much worse, living on a disability pension due to mental problems and volunteering at a local animal shelter.

Following the short-circuited memorial service, the two surviving women get together in Laura's dingy apartment and discuss the past. Their revelations are uncovered slowly --- somewhat excruciatingly so --- as mysteries, including the one so gruesomely revealed that afternoon, are uncovered (literally) and brought to light, from the present to the past. Some are predictable, though much is not, but the impetus of the narrative is the manner in which a single event --- and the occurrences leading up to it --- cause irrevocable changes to take place in the lives of those who are left behind. Everything, every detail, is important here, including a pivotal figure who makes the skin crawl practically from the first sentence of their introduction. By the end, a line has been crossed and a change has been wrought. It is doubtful that any reader will be able to pass by a group of pensive teenage girls without thinking of Chloe, Emma and Laura and feeling a chill.

Ashworth already has marked her places as a major literary talent. Comparisons with Tana French are inevitable, and, indeed, the moods that each evoke with their respective works are quite similar, even as they mine somewhat different ends of the same mountain. For Ashworth, the tales of dead-end lives in small and dying towns should provide story grist for some time to come.

Reviewed by Joe Hartlaub