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Complete Poems 1904 To1962 Hardcover – May 1 1994

4.8 out of 5 stars 13 customer reviews

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Hardcover, May 1 1994
CDN$ 110.04 CDN$ 44.20

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Product Details

  • Hardcover: 1100 pages
  • Publisher: Liveright; Revised edition edition (May 1 1994)
  • Language: English
  • ISBN-10: 0871401525
  • ISBN-13: 978-0871401526
  • Product Dimensions: 17.8 x 5.3 x 24.4 cm
  • Shipping Weight: 1.7 Kg
  • Average Customer Review: 4.8 out of 5 stars 13 customer reviews
  • Amazon Bestsellers Rank: #259,973 in Books (See Top 100 in Books)
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Product Description

Review

One of the greatest lyric poets in our language. — John Logan (Modern American Poetry)

To return to…his poems is to return to a buoyancy and boisterousness, of course, but also to an odd bountifulness…[encapsulating] a profound sense of wonder and wistfulness. — Paul Muldoon (The New Yorker)

Cummings was one of the most spirited and original American writers of the 20th century. — Wall Street Journal --This text refers to an alternate Hardcover edition.

About the Author

Stephen Dunn is the author of poetry collections including What Goes On: New and Selected Poems 1995–2009 and Here and Now. He was awarded the Pulitzer Prize for his collection Different Hours. He has also been a finalist for the National Book Critics Circle Award and has received an Academy Award in Literature from the American Academy of Arts and Letters. A Distinguished Professor Emeritus at Richard Stockton College, he lives in Frostburg, Maryland, with his wife, the writer Barbara Hurd. --This text refers to an alternate Hardcover edition.


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Format: Hardcover
I have a few E.E. Cummings books of poetry, but quickly despaired of every finding them all. This collection is a terrific resource for someone who simply wishes to have all the poems collected in one volume.
Typography was preserved very well (with Cummings this is critical), and I find the order of appearance by date helpful in charting his growth as a poet; the first few poems are radically different from the later ones.
Of course, acquiring his individual issues has its own appeal, but if you simply want to have his work easily at hand, this is your only choice (the indexing at the back is extrememly good at helping you remember a poem by its first lines).
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Format: Hardcover
ee cummings is a magnificent poet - almost as much of a visual artist as writer. His poems fall and flow and jump and dance, their patterns and punctuation adding so much more to the words and essence of meaning. I have tried reading cummings' work aloud: it never quite works. He has an exceptional turn of phrase, and with one line (give or take a pattern or two) can bring about powerful emotive responses.
This book is fantastic - I had quite a lot of difficulty finding collections of his poetry, and although I'd found a couple of small volumes, this one was exhaustive. I reread it - or at least parts thereof - more often than any other poetry book I own, and always seem to discover another nuance or aspect or pattern that I hadn't seen before. cummings wraps you in words, and the best way I can think of to describe how I feel after reading his works is to steal a quote from one of his poems - "such strangeness as was mine a little while."
Worldwords. And he is the creator of my favourite quotation of all time...
"listen:
there's a hell of a good universe next door:
let's go."
And there is.
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By A Customer on July 7 2001
Format: Hardcover
My story begins with my high school English teacher assigning us to read "since feeling is first".
We studied that poem for an entire week. It's not a long poem, so we really dug our hands in, studying every piece of punctuation, every line break, and discovering things we didn't know could be discovered in writing. By the time we were through, I knew I couldn't stop. This is what poetry could be. I couldn't believe it. For a little while, I practiced writing my name in all lower-case. And while I knew I couldn't be cummings, I knew I still wanted to hang out with him and maybe be his friend.
To me, the whole point of e.e. cummings' works is to show how throwing logic and syntax out the window can help one rediscover how to truly capture an emotion -- and not just capture it, but to interrogate it and become either its best friend or its arch rival. There is not one word in any of cummings' works that does not have a reason to be there. His lack of cohesion is sometimes confusing. But at the same time, it charms you; and while you do feel the need to read and re-read each poem, you don't do it to analyze it - you do it because it elicits a different response each time you do. cummings hangs on just the right word, even the right letter in a word, and you know how you feel at that exact moment.
cummings looks not only at the definition of a word but the shape of the word to impact his meaning. This makes his style so intense and so pure that, in my mind, no other has come close to duplicating it.
cummings will never be the world's favorite poet, he will never be studied and understood and appreciated the way Yeats, Poe, Frost, Whitman, or any other of the "greats" will. Fine.
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Format: Hardcover
Though i would automatically attribute 5 stars to Mr. Cummings collection of the most beautiful words collaborated onto paper in one grouping, i find that the editor in this particular volume lacked the sensibility to categorize Cummings' poetry according to both first *and* last lines, understanding that it is within the last lines that Cummings packs the most emotional weight in his "story telling" verse: "you are my sun, my moon and all my stars," "it's always ourselves we find in the sea," "not even the rain, has such small hands," "brought all of her to a dead stand Still" (among others).
It is nice to see his progression of publishing (though the order is not according to when the pieces were written and it seems to me the editor took the easiest way out on this one by ordering it according to each book). While the sections into which Kennedy (see reference in an above review) sorted these fine works was comfortable for those who wanted ease of theme, it would have been a rather magnanamous task for his vast array of published poetry. While often simplistic, the topics of Cummings' concepts can get too complex to fit into neatly fitted packages tied with the bows of universal theme. And while Kennedy was my introduction to more of this man's great work and i grew to love Cummings through him, i found myself liking works that weren't included in Kennedy's collection, and disliking his more experimental works that lacked the emotional punch (and those linguists might feel the contrary). It is cheaper, in the long run, to buy this collection than to collect the many individual publications to get all one's favorites.
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