Continuo has been added to your Cart

Have one to sell? Sell on Amazon

Continuo Import

Price: CDN$ 21.90 & FREE Shipping on orders over CDN$ 25. Details
In Stock.
Ships from and sold by Gift-wrap available.
2 new from CDN$ 14.47 3 used from CDN$ 14.97

Frequently Bought Together

  • Continuo
  • +
  • Seven Seas
  • +
  • At Home
Total price: CDN$ 71.04
Buy the selected items together

Product Details

  • Audio CD (May 23 2006)
  • Number of Discs: 1
  • Format: Import
  • Label: Sunnyside
  • ASIN: B000FDEU12
  • Other Editions: Audio CD  |  MP3 Download
  • Average Customer Review: Be the first to review this item
  •  Would you like to update product info, give feedback on images, or tell us about a lower price?

1. Nu Nu
2. Elli (In Memory Of Elisheve Greenbaum)
3. One For Mark
4. Ani Maamin
5. Samuel
6. Emotional Storm
7. Calm
8. Arava
9. Smash (Dedicated To My Sister Ela)
10. Continuo (Dedicated To Joaquin Marco)

Product Description

Bassist/composer Avishai Cohen, a jazz visionary of global proportions -DownBeat, and one of the 100 Most Influential Bass Players of the 20th Century -Bass Player Magazine, offers to the world his spectacularly beautiful new recording, Continuo, a project that gloriously combines the influences of classical and Middle Eastern music. These elements together produced the combination of sounds I was looking for, and created a nice balance between composed and improvised music, says Cohen. Continuo (the follow up to the critically acclaimed At Home) displays the magic of a working band, which in this music is stronger than any concept, says Cohen. He continued, I'm very grateful to have two young masters (pianist Sam Barsh and drummer Mark Guiliana) of their instruments with me to convey that they are young in their ever thirsty minds for more information, and old enough in their souls to emotionally express themselves on a very high level through the compositions. The trio, a crackerjack unit that has been on the road for the last two and a half years, welcomed into the fold a long-time collaborator of Cohen's, fellow Israeli Amos Hoffman, who contributed his singular oud playing to several tracks. Avishai explains, a lot of the new material on Continuo has a through-composed, classical music-like nature to it, as well as open sections for solos. In addition to that, there are strong Middle Eastern influences in some parts of the compositions. Contemplating the material for the album, I realized I wanted an additional color added to the trio in order to enhance those influences. There was only one man for the job, Amos Hoffman. I'm excited and proud to offer you some moments of my life once again, reflected through the music, says Cohen.

Customer Reviews

There are no customer reviews yet on
5 star
4 star
3 star
2 star
1 star

Most Helpful Customer Reviews on (beta) HASH(0xa21e13e4) out of 5 stars 20 reviews
15 of 17 people found the following review helpful
HASH(0xa1fe1ea0) out of 5 stars First review not fair to artist Aug. 13 2006
By S. Goldenberg - Published on
Format: Audio CD
I'm writing this review because I feel that S. Crabb's opinion is unjustified. Avishai Cohen is a great composer who tends to use vamps and grooves more often than the typical acoustic jazz musician but certainly not as often as Crabb conveyed in his review. The album hardly feels monotonous or repetitive.

His compositions have a poetic simplicity and creative elegance that is lacking in a lot of modern jazz music. As a bass player, Cohen makes no effort to overshadow the other members of his trio. Oudist Amos Hoffman makes several appearances on the album, adding to Cohen's trademark Middle Eastern sound.

This is certainly not Cohen's best work. Give that prize to his second solo album "Colors." It is quite clear that a larger ensemble serves as a better vehicle for his work. Continuo is a fine album worth the $11 though.
10 of 11 people found the following review helpful
HASH(0xa143df48) out of 5 stars Continuo Feb. 19 2007
By P. Freeman - Published on
Format: Audio CD
In his latest album "Continuo," Avishai Cohen displays virtuosic bass playing and a series of filthy awesome compositions. Although I see where the reviewer who complained of over-repetiveness is coming from, I disagree. Yes, the themes in the songs are repeated, but they change each time in arrangement, tone, and resolution and every single song has quality improvisation.

Sam Barsh (piano), Mark Guiliana (drums, percussion), and Amos Hoffman (oud) all demonstrate remarkable lyricism, deft skill, and incredible musicianship in handling Cohen's twisting time signatures and powerful rhythmic phrases.

Also, the compositions in this CD have some of the most emotionally powerful (sometimes almost pump-upish, sections in any music I've ever heard. The music is always accesible and beautiful, but never at the expense of depth and integrity of composition.

Every single track on this CD is top quality. I highly recommend it.
9 of 10 people found the following review helpful
By Alan C. Iannacito - Published on
Format: Audio CD Verified Purchase
There will be no strife in the world if we could all sit back and listen to the poetry of "Continuo."

I had to go to Amazon just to find Avishai Cohen, the new heavy-hitter of jazz bass and an exceptional composer.

Listen to Avishai Cohen's compositions played on his accoustic and electric basses with Sam Barch on the piano, Mark Guiliana, drums and percussion -- and get this, Amos Hoffman on the oud.

The oud, a mideastern stringed instrument, has the exotic pluck of all that is good about the world.

"Continuo," is a world of wonderful listening. Cohen's other CD in my Collection, "Colors" is another marvel.
9 of 12 people found the following review helpful
HASH(0xa17c787c) out of 5 stars Wonderful. Aug. 23 2006
By R. Amit - Published on
Format: Audio CD
Wonderful album, my Avishai Cohen's favorite so far. All together, and each one by himself - a great pleasure, specially with the wonderful Amos Hoffman joining with his Oud.
1 of 1 people found the following review helpful
HASH(0xa1638324) out of 5 stars Jazz music with ethnic influences of the best variety Jan. 15 2012
By Ben FELTEN - Published on
Format: Audio CD
Gently Disturbed is the album that made Avishai Cohen explode on the European Jazz scene, attracting huge crowds and expanding way beyond the traditional jazz audience. And yet Continuo, the album that preceded Gently Disturbed is the one I find the most interesting, perhaps because the blend of musical cultures is slightly more pronounced.

It's no surprise that Avishai Cohen and his trio are adept at drawing from multiple influences: Cohen himself is Israeli born and bred but came to musical prominence in New York City backing the likes of Chick Corea. Sam Barsh started classical piano before switching to jazz with a blend of funk, r&b and groove on top. These threads are immediately apparent when you listen to his playing. Mark Guiliana is a New Jersey born drummer with fingers in both the jazz and the rock pies and adept at mixing both. Maybe this overview of the trio give you a sense of the musical blend I was talking about earlier. The addition of Amos Hoffman on Oud on a couple of tracks adds the little bit of spice that makes Continuo exotic.

What I like about the music on Continuo is that it's uncompromisngly melodic without being tame. It seems to me that Jazz has a complicated relationship with melody because it's a necessary element that you must nonetheless kill if you can. Avishai Cohen's trio manages both to perfection in my opinion. Fans of exploratory jazz improvisation might feel frustrated I guess, but for me the limited level of "out" is just right. Listen to Nu Nu, the opener: slow dirge intro to strong syncopated oriental melody gives to hard groove with oud and bass improvisations. There's variety and entertainment without compromise.

Avishai Cohen demonstrates that even in the 21st century you can play jazz with integrity but without necessarily sacrificing listenability. You can also play a jazz that draws from very varied influences without compromising the essential jazz nature of the music. That's what excites me about this record, and - to be honest - the two Avishai Cohen records that followed.

Look for similar items by category