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Counterparts Original recording remastered, Import

4.0 out of 5 stars 105 customer reviews

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Product Details

  • Audio CD (Aug. 31 2004)
  • Number of Discs: 1
  • Format: Original recording remastered, Import
  • Label: Wrong
  • ASIN: B0002NRQTI
  • Other Editions: Audio CD  |  Audio Cassette  |  LP Record
  • Average Customer Review: 4.0 out of 5 stars 105 customer reviews
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1. Animate
2. Stick It Out
3. Cut To The Chase
4. Nobody's Hero
5. Between Sun & Moon
6. Alien Shore
7. The Speed Of Love
8. Double Agent
9. Leave That Thing Alone
10. Cold Fire
11. Everyday Glory

Product Description

Product Description

Limited 24KT SACD audiophile edition of this 1993 album from the Canadian trio. Counterparts was the 15th studio album by Rush highest charting album in the US, peaking at #2 on the Billboard 200 (only behind Pearl Jam's Vs.). The lyrics of Counterparts continue the trend of Roll The Bones with dark and emotional themes being the primary focus. Some songs are "heavy" sounding tracks like "Animate" and "Stick it Out", which topped the Mainstream Rock Tracks for four weeks in late 1993, becoming the band's fifth single to do so. "Leave That Thing Alone" earned a Grammy nomination for Best Instrumental.

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The production on Counterparts is a bit too smooth, which means that the passion that normally infuses Rush's music (and prevents it from being too coldly intellectual) is weakened. The songs themselves are good, including the singles "Animate", "Nobody's Hero", and "Stick It Out". Other standouts are "Cut to the Chase" and "Cold Fire". Though Rush's brand of slick, sophisticated progressive rock isn't exactly trendy, it is what they do best, and they've wisely stuck to it. Therefore, although Counterparts isn't on a par with Moving Pictures or Permanent Waves, it's still a strong effort. --Genevieve Williams --This text refers to an out of print or unavailable edition of this title.


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Customer Reviews

Top Customer Reviews

Format: LP Record Verified Purchase
This is a very good-sounding vinyl reissue of 'Counterparts', the album Canadian music legends Rush originally released on Anthem/Atlantic Records in 1993. It reflects some of the trends at that time in North American music, with an earthy, straight-ahead pop/rock production style. This reissue replicates that sound very well, spreading the songs across three sides of long-playing high-quality vinyl for maximum fidelity in this format. There is also an etching of the rear cover artwork on side four, which is interesting, but not exceptionally cool like the spinning hologram etching on the recent vinyl reissue of Rush's classic '2112' album.

By the time 'Counterparts' originally came out, CDs and cassettes had taken over as the dominant music formats, and consequently vinyl-lovers found the nearly 55-minute-long album originally sounded disappointingly thin when it was squeezed onto two sides of a single LP, which negatively affected its sound quality due to physical space limitations. While the Atlantic vinyl reissue corrects this problem, and reproduces the original packaging, someone did not take into account the practical concerns that accompany storage of two heavyweight 12" discs. Each disc is housed in a static-free sleeve, keeping it modestly protected from scratches and damage, but these sleeves are stored side-by-side in the outer cover with a reproduction of the credits and lyrics sheet stuck between them, instead of an individual pocket for each disc that would be available in a gatefold LP sleeve configuration.
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Format: Audio CD
Counterparts continued Rush's return to the heavy sound of their earlier releases. While their albums from 2112 to Moving Pictures were fantastic all the way through, most of their subsequent albums were uneven, even though the musicianship was always stellar. Counterparts was their first album since Moving Pictures that was strong all the way through, containing no mediocre tracks.
The uptempo "Animate" starts out the album with a bang and hints at the heavier direction of the album. Geddy Lee's bass playing is in fine form throughout, particularly on "The Speed Of Love" and on the instrumental "Leave That Thing Alone." His vocals are also in fine form, especially on the excellent ballad "Nobody's Hero." Neil Peart's drumming continues to be impressive and his lyrics on many of the tracks, particularly on "Nobody's Hero", are among his most personal. Alex Lifeson continues to be pushed closer to the spotlight and his solos on the heavier cuts "Cut To The Chase" and "Alien Shore" are among his best. His background vocals are also more prevalent here than previous albums. Other strong tracks here include "Open Fire", "Double Agent", "Between Sun & Moon" and their ode to grunge, "Stick It Out." There are no instant classics here, like "Tom Sawyer" or "The Spirit Of Radio", but this is certainly one of Rush's more consistent albums and is definitely worth checking out.
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Format: Audio CD
Geddy is still using the Wal bass, but here it sounds so much better than on the previous few albums. Alex is still using Paul Reed Smith guitars to great effect. It seems that Engineer Kevin Shirley was able to really bring out the strengths of those instruments.

Overall the album has a warm, luxurious sound. The drums are full and thundering, unlike the previous couple of albums. Alex is playing in the mid- and lower-range which really pushes Geddy down into the lower registers where his bass really shines. The improvement over the last couple of albums is immediately obvious.

The boys are BACK!

This new sound really comes across in the opening track, "Animate". They really rock out for the first time in a long time--probably not since 'Hemispheres'. In certain places Geddy takes the beat and enables Neil to focus on some incredible fills. This song reminds me of some of the most powerful parts of '2112'.

"Stick It Out" has a really cool opening with a simple, biting riff and loads of feedback. Like "Animate", this is a solid rocker with some of Geddy's best singing on the album. I am fondly reminded of "Cygnus X-1". It is also very "Zepplin-esque". Alex burns up the solo!

The album continues with one great song after another! "Cut to the Chase" rocks out with beautiful doubling of bass and guitar in the opening riff. Again I am fondly reminded of "Cygnus X-1".

Then comes "Nobody's Hero". Erk! This song just doesn't belong beside "Cut to the Chase". It is too simple and melodic. It kills the momentum of the album. It really should have been grouped with "Alien Shore" and "The Speed of Love". "Hero" is a nice little song, but a bit over dramatic and over produced compared to the first three tracks.
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