Criterion Collection: Clo... has been added to your Cart

Have one to sell? Sell on Amazon

Criterion Collection: Close-Up [Import]

Price: CDN$ 42.99 & FREE Shipping. Details
Usually ships within 1 to 2 months.
Ships from and sold by Gift-wrap available.
7 new from CDN$ 42.99 4 used from CDN$ 32.31

Today Only: The Magic School Bus: The Complete Series is $25
Deal of the Day: The Magic School Bus: The Complete Series is at a one day special price. Offer valid on July 25, 2016, applies only to purchases of products sold by, and does not apply to products sold by third-party merchants and other sellers through the site. Learn more.

What Other Items Do Customers Buy After Viewing This Item?

Product Details

  • Actors: Mohsen Makhmalbaf, Hossain Sabzian, Abolfazl Ahankhah, Mehrdad Ahankhah, Monoochehr Ahankhah
  • Directors: Abbas Kiarostami
  • Writers: Abbas Kiarostami
  • Producers: Ali Reza Zarrin
  • Format: Full Screen, Subtitled, NTSC, Import
  • Language: Farsi
  • Subtitles: English
  • Region: Region 1 (US and Canada This DVD will probably NOT be viewable in other countries. Read more about DVD formats.)
  • Number of discs: 2
  • MPAA Rating: UNRATED
  • Studio: Criterion
  • Release Date: June 22 2010
  • Run Time: 98 minutes
  • Average Customer Review: Be the first to review this item
  • ASIN: B003D63G5E
  •  Would you like to update product info, give feedback on images, or tell us about a lower price?

Product Description

Close-Up (The Criterion Collection)

Customer Reviews

There are no customer reviews yet on
5 star
4 star
3 star
2 star
1 star

Most Helpful Customer Reviews on (beta) HASH(0x9fcbb474) out of 5 stars 9 reviews
9 of 9 people found the following review helpful
HASH(0x9fbb0078) out of 5 stars Assumed identity . . . March 27 2010
By Ronald Scheer - Published on
Format: DVD
Shot in 40 days, using courtroom footage and reenactments with people playing themselves, this "new wave" film by Iranian director Abbas Kiarostami is an absorbing journey into the nature of identity. What does an ordinary man become when he is assumed to be someone famous? The answer can be poignant, as it is in this film, and surprisingly complex.

Moved by director Mohsen Makhmalbaf's film "The Cyclist," a divorced and unemployed printer's assistant pretends for a moment to a fellow bus passenger that he is the director himself. Suddenly becoming the object of respect and admiration, he allows himself to be drawn into a ruse involving an entire family, who believe that he wants to make a movie about them.

Legally, he admits in court, he is guilty of fraud. But morally, he argues, he has not done and never intended any harm. He has the heart and soul of an artist, which the limited circumstances of his life have never permitted him to be. Respected and admired, taken seriously maybe for the first time in his life, he is lifted out of his suffering. How this is all played out before the cameras makes for a fascinating study of art, imagination, and self. This film is both wise and touching and a worthy addition to the Criterion collection.
HASH(0x9fbb00cc) out of 5 stars How do you say WOW in Persian?! March 6 2015
By M. R. Alfawakhiri - Published on
Format: DVD
I will not spoil the movie or give any details about the plot of this wonderful Iranian film.
I will speak however of the concept and in the abstract.
While the movie touches on the crushed dreams of the poor ordinary people, and the suffocating hopes of the unemployed youth, it does so in a personal, emotional and psychological way rather than a breaching social / political way.
The movie is realistic in its use of the semi-documentary camera, and in its portraying the different forms of human suffering and human remorse, sadness and a multitude of other emotions. However, it leaves us with a very realistic ending, where the poor remain poor, the remorse -for acting out their simple dreams- remains a remorse that demands punishment, and where the only people who can fight social injustices, only manage to secure reduced punishment.
This very realistic and true-to-life ending, while very consistent with the movie's atmosphere, ripped my heart apart.
It seems that cinema under dictatorships, is not only a fine art, but a very cunningly clever way of pointing out our faults as humans and as societies, while avoiding the wrath of the dictator. This movies lets the dictator and his censors think that it is a nice way to vent people's anger, at the same time, it will let the people who have no zeal left in them, think that it is a nice piece of art and cinema. In my opinion however, for those of us who still have the anguish, the zeal, and the anger, the movie is either a wake up call, or a proposed suicide note!
Good art defines people in no ambiguous terms.
This movie is good art.
1 of 2 people found the following review helpful
By Cosmoetica - Published on
Format: DVD
Although this film was made almost two decades ago, there is an odd feeling one gets while watching Sabzuian, for he looks very much like Iran's current wacko President, Mahmoud Ahmadinejad, although he is antipodal from that man in nature and demeanor. Not that this was apparent at the time, wgen Sabzian had his moment in the sun, and the President was a nobody, but it emphasizes just how human a character Sabzian is. Sabzian, incidentally, is easily the best 'actor' in the film; the others (especially the rich family members, seem amateurs, which adds to the 'realism' as well as highlighting the dissonance between the real and near real. Closeup occupies an odd spot in a pantheon of films that includes the whole of Michael Moore's quasi-documentaries, as well as Orson Welles' brilliant F For Fake. Yet, this film feels 'realer,' and all the credit must go to Kiarostami for, technically, the film is shot very simply and plainly- no fancy shots nor editing by cinematographer Ali Reza Zarrin-Dast. Just the facts, and its what Kiarostami includes and excludes that makes this film, rather than breaks it. And, in a case of what may be 'poetic justice,' the film worshipping Sabzian actually does become the star of his own film- not one he made- as he dreamt of doing, but one which was made about him and his dream's destruction.

Ultimately, the film plays out like one of those old nested folk dolls within a folk doll, within a folk doll, etc. in that films led to a real life situation which led to another real life experience which led to a film. It is not quite a great film, but far closer to it than one might conceive such a bare bones film, with such a simple premise, could archive. And all the credit for this must go to Kiarostami- a man whose art clearly is a synergy of lesser things. It will be interesting to see just how high his work can reach, if he was just able to get a bit more to work with. Close-Up is a film any lover of cinema should see, and even those who are vapid, because Hossain Sabzian is likely the best mirror those sorts will ever get.
HASH(0x9fbb08c4) out of 5 stars Brilliant! -- must watch more than once... April 1 2013
By Diana Prechter - Published on
Format: DVD Verified Purchase
And this edition from the Criterion Collection is exceptionally good with restored footage, descriptive booklet and bonus material including a second film, The Traveler.
HASH(0x9fbb0870) out of 5 stars ABBAS IS ALWAYS A MASTER AT CATCHING HUMAN SPIRITS. Feb. 3 2013
By HAN XIAO - Published on
Format: Blu-ray Verified Purchase