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The Csound Book: Perspectives in Software Synthesis, Sound Design, Signal Processing, and Programming Paperback – Feb 28 2000
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This is the most important book written in the last decade in the field of electronic music. Together with the new Csound technology, it will revolutionize electronic music.(Max Mathews, Center for Computer Research in Music and Acoustics, Stanford University)
Written for the technically astute, The Csound Book and its accompanying CD-ROM provide a vast resource for seasoned Csound users to expand their use of the language. With its numerous examples and tutorials, this tome also makes Csound more accesible to a new generation of more musically-oriented individuals. As such, it marks a potential turning point in the field of computer musci. This is an important text.(Marcia Bauman, Composer, co-creator of the International digital Electroacoustic Music Archive at Stanford University)
This book provides both a theoretical introduction and practical hints to use Csound and to tailor it to the reader's own needs. It is an excellent tutorial and much more, since a host of distinguished contributors make their own developments available. I look forward myself to developing my own sonic and musical tools with the Csound Book.(Jean-Claude Risset, composer, Directeur de recherche, Laboratoire de Mecanique et d'Acoustique of CNRS)
About the Author
Richard Boulanger is Professor of Electronic Production and Design at the Berklee College of Music and editor of The Csound Book: Perspectives in Software Synthesis, Sound Design, Signal Processing, and Programming (MIT Press, 2000).
Top Customer Reviews
This is the site that the author, Dr. Richard Boulanger maintains for people looking to get started with Csound. It is also the place most of the really good CSound software developers and users hang out.
If you have explored synthesis on another platform, then this is the book for you. If you have explored CSound a bit, and want depth then this is the book for you.
Dr. B has compiled resources and brings together the best of the CSound community in a compilation that is really a collection of CSound essays. Many of the articles are regretably brief. A few sections are missing all together. (Most notably the midi section is not included, and is still not written)
But what is written in this book is the best information you can get anywhere on the subject of computer synthesis in ANY LANGUAGE. I need to clarify that a bit though, two new projects are on the way which will change that. Csound 5 is in developement, and MPEG 4 also has a world class sound engine. But in both cases these new technologies are based on the stuff in this book. Yes, that is right, MPEG 4 has a csound like engine in it.
Csound is first rate. Nothing beats it. I have done the plugin thing, and downloaded or bought just about everything in synthesis available from anywhere. Some tools can offer you nice canned sounds, or pretty patch chords and knobs. But for pure raw power, flexability and creative oomph nothing can equal CSound. This book will take you from the world of patch chords and knobs into the world of programming. That is where the power is baby, in programming. Where anything can plug into anything.Read more ›
As a composition tool, there is nothing quite as extensive or powerful as Csound, which is why there is an equally extensive learning curve for its students. I feel that this book is probably better suited as a text for a college course rather than a stand-alone guide for DIYers. But in its defense, I belong to the latter category and have fared pretty well in learning the language.
While I must criticize Mr. Boulanger for not giving thorough enough explanation to some critical topics in his book, overall--this is by and far the best resource for anyone attempting Csound. You will find the contents of the included CD-Roms to be an immense supplement to the book's chapters.
If you are getting started in electronic or computer music and have little background in the field, this book may ultimately prove frustrating. Chapter one provides a perfect example. It opens with an .orc file and uses terms like control rate and sampling rate, but it isn't until much later that we find out what these things mean. Much of the first section is difficult to work through because of this approach. I think that the book would benefit from a rewrite, and I mean truly rewriting section one from scratch so the foundation is Basics of Synthesis. A section written like a "Dummies" book would be helpful for beginners like me, while the Csound mavens could simply flip to chapter X,Y, or Z and read at their level.Read more ›
Been working with this book for about a month, just looking at it once in a while. I've been really pleased so far with the clear explanations of some of the more recent aspects of Csound such as fof, granular synthesis using grain and granule, and phase coding like linear predictive encoding. From a theoretical standpoint such things as modeling early hardware synths and are discussed. Also, the section on optimizing instruments has begun to save me a lot of processing time and shown me a good look under the hood of Csound.
Csound is a command line synthesis program . It's freely available, and anyone unfamiliar with Csound and its cousins should get them first and play around. Csound is open source, but I think of it especially as being open architecture.
Many of the rock stars of Csound have written articles for this book. I swear these cats live in a world unique to them. My job is to learn from it and make it rock.
The two CDs are great--lots of supplemental information and opinion, as well as manuals and printable tables of reference. There's audio too.
Most recent customer reviews
CSound is a multiplatform *free* software synthesis program. It's hard to use at first, but is the most powerful thing around. Read morePublished on Sept. 28 2001 by David Benson
While the price of the book is substantial, compare it to a college course in designing and manufacturing computer sounds... if there's one in your area. Read morePublished on Dec 29 2000
I've found that the Csound book provides more than just a way to learn Csound but rather a way to expand your knowledge in computer music as a whole. Read morePublished on Sept. 18 2000 by Glenn
I suppose that since I was confused just by the description of this book on the back, I probably shouldn't have bought it. But I did. Read morePublished on July 9 2000 by Daniel Mauck
This is a remarkable book, in that it covers an entire sub-community of computer music making that has until now been mostly ignored in print: the Csound community. Read morePublished on April 19 2000 by Charles Baker
First, I have to admit I'm one of the contributors to the book. However, I'll make every effort to provide an unbiased review to help you decide if the book is for you. Read morePublished on April 18 2000 by Michael Gogins
I did not go to college. I have studied compositon, midi, digital synthesis, recording and computer technology on my own for many years. Read morePublished on April 18 2000 by Michael J. Rhoades
First, I must say that I contributed to the CD-ROM included with the book, so my review is not unbiased. Read morePublished on April 18 2000 by Dave Phillips
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