Cyrano de Bergerac Mass Market Paperback – May 17 1991
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From the Publisher
This is Edmond Rostand's immortal play in which chivalry and wit, bravery and love are forever captured in the timeless spirit of romance. Set in Louis XIII's reign, it is the moving and exciting drama of one of the finest swordsmen in France, gallant soldier, brilliant wit, tragic poet-lover with the face of a clown. Rostand's extraordinary lyric powers gave birth to a universal hero--Cyrano De Bergerac--and ensured his own reputation as author of one of the best-loved plays in the literature of the stage. This translation, by the American poet Brian Hooker, is nearly as famous as the original play itself, and is generally considered to be one of the finest English verse translations ever written. --This text refers to an alternate Mass Market Paperback edition.
From the Inside Flap
This is Edmond Rostand's immortal play in which chivalry and wit, bravery and love are forever captured in the timeless spirit of romance. Set in Louis XIII's reign, it is the moving and exciting drama of one of the finest swordsmen in France, gallant soldier, brilliant wit, tragic poet-lover with the face of a clown. Rostand's extraordinary lyric powers gave birth to a universal hero--Cyrano De Bergerac--and ensured his own reputation as author of one of the best-loved plays in the literature of the stage. This translation, by the American poet Brian Hooker, is nearly as famous as the original play itself, and is generally considered to be one of the finest English verse translations ever written. --This text refers to an alternate Mass Market Paperback edition.See all Product Description
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Top Customer Reviews
Rostand uses a seemingly endless flow of great witticisms and a keen use of wordplay that make the play enjoyable and fun to read. It reads similarly to a Shakespeare comedy -- albeit in a much more fluid and smooth manner. The outlandish tales of Cyrano single-handedly defeating 100 men in battle, of him being a scientist, poet, and warrior all at once make for an outrageously entertaining tale of bombast and hyperbole. Cyrano, when exhorted to seek his true love Roxane by his friend Le Bret, exclaims, "Come now, think a moment: this nose of mine, which precedes me by a quarter of an inch everywhere I go, forbids me ever to dream of being loved by even an ugly woman."
Our hero, who personifies the intrepid soldier on the battlefield, rebuffs Le Bret's persistence by retorting, "So that she'll laugh in my face? No! That's the one thing in the world that I fear!" Cyrano, our affable and valiant swashbuckling hero, reveals that he is, despite the brazen posturing, a mere human after all. And, like everyone else, possesses his own unique set of fears.Read more ›
Overall this book had a great plot but dragged on at parts and the reading was somewhat confusing but if you understand sayings like "Now then, you Picaroons, Perk up and hear me mutter. Here's you bout bustle around some cull, and bite his bung." Then I think you'll enjoy the rest of the text. So If you like love and adventure with great characterization I would definitely recommend this book other wise I would stay far away from this book.
The plot-theme is: "The love triangle between a gallant, witty, poet-soldier who, because of an ugly long nose is unable to profess his passion to the woman he loves; the woman, and a handsome man who loves the same woman (who in turn loves him) - the ugly poet composing beautiful poems and verses for this handsome man to win over the woman-thus, lending him his soul."
Cyrano.." glorifies all that is heroic in man - self-esteem, fearlessness, intransigent integrity and above all - independence of spirit . At the end of the play Rostand shows that the human spirit shall remain unbroken and unbent - whatever may be the suffering or loss.
The link between the theme of the genius' struggle (here, Cyrano's struggle) against mediocrity, compromise and cowardice, and the theme of love is that important events of the latter are determined by the former (particularly the climax) in a single plot-structure.
One unique feature of this play is that all the characters directly involved in the central plot, by the end of the story are positive characters, without any malice or envy or hatred.
I have not read any other play of serious literature with such charming and yet profound poetry, wit and humor - it will make you sigh, it will make you roll on your belly, it will bring tears to your eyes. The pain of Cyrano is heart-wrenching. I weep everytime I read the story-and almost all the while.
One of the drawbacks of "Cyrano..Read more ›
Most recent customer reviews
Words cannot describe the feeling and soul that the artist put into this work. He was, I believe, a master of writing because he was able to blend comedy along with the grief and... Read morePublished on March 17 2003
If you want to know what drama ought to be like, read "Cyrano de Bergerac". This play combines all that makes an great play-brilliant humor,heart-wrenching emotions,a good... Read morePublished on Feb. 19 2002 by kellytenzin
My rating is for the play; I've only glanced at the English translation. I'm not too sure if this play should really be called "An heroic comedy", I find it more to be a... Read morePublished on Nov. 20 2001 by Esquire
but nonetheless, play really deserves three and a half stars. I FINALLY got around to reading this play, after wanting to for many years, because in a period of two weeks I heard... Read morePublished on Nov. 7 2001
This is one of those precious few plays that I like to read at least once a year. The reason why is that this is a great play with possibly one of the noblest characters the... Read morePublished on Aug. 30 2001 by thewahlmighty
I've been around theater for quite a while, and I was lucky enough to be in this play twice, once as Cyrano. I've done Shakespeare, O'Neill, Chekhov... Read morePublished on Dec 29 2000 by Gary S
This is a wonderful play with many references to French culture. I read this book for my literature class, and I thought it was a very good assignment. Read morePublished on Nov. 18 2000