I won't talk about the movie itself as I won't be able to add anything worthwhile. There's a ton of reviews you can look at that'll hit the nail on the head. All I'll say is that it's arguably the best zombie movie ever made. I'm just going to cover the contents of the package.
Disc 1 - U.S. release. Restoration looks great, and the commentary with Romero and Savini is really interesting. They, along with Romero's then-wife Chris, sound like old friends and all the conversation flows very naturally. The U.S. version uses some more humorous clips and the manner in which the movie is cut gives a heavier emphasis on Western consumerism. The only gripe I have with this version is that Romero uses a lot of stock music. This type of music was great in Night of the Living Dead, but here it does NOT blend well with Goblin's score, which I prefer.
Disc 2 - Extended release. Good for fans, but I'd say first timers should stick with the original. It's cool to see clips that haven't been previously available, especially to see a younger Joe Pilato. Overall, the version runs too long to be as fun and enjoyable as the original cut, but is still cool for fans of the film.
Disc 3 - European release. I actually have a hard time deciding which cut I like better between this and the U.S. version. I'd still say U.S. because of some key scenes that I think benefit the movie (who doesn't love the motorcycle gang pie scene?), but I LOVE the music in this version. I think that Goblin has created one of the most memorable scores in horror cinema, and it's totally indicative of the 1970's. This is also the only version that has the cast commentary, which I find a bit odd, but it doesn't change much.
Disc 4 - Documentaries. Two documentaries, one old and one new. I haven't watched the old one yet, but the newer one is fantastic. Lots of previously unknown info about the movie, and seeing the cast and crew now able to reflect on the success of the movie is a treat to behold. If you're a fan, you'll love it.
Overall, it's an awesome package for the money and a MUST for any Dawn fan. If you want to view this little slice of horror history from every possible angle, you couldn't pick a better way to do it. Thumbs up.
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Dawn of the Dead
Rated: Unrated Format: DVD
$72.25 $72.25
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Product details
- Aspect Ratio : 1.66:1
- Is discontinued by manufacturer : No
- Language : English
- Product Dimensions : 19.05 x 13.67 x 1.52 cm; 113.4 Grams
- Media Format : NTSC
- Release date : Oct. 28 1997
- Language : English (Dolby Digital 1.0)
- Studio : Starz / Anchor Bay
- ASIN : 630469797X
- Number of discs : 1
- Customer Reviews:
Customer reviews
4.6 out of 5 stars
4.6 out of 5
2,232 global ratings
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Reviewed in Canada on February 6, 2014
Verified Purchase
Reviewed in Canada on September 13, 2023
Verified Purchase
Please make the other ones in 4K
Night of the living, dead
Day of the dead
Return of the living, dead part 2
Return of the living, dead part 3
Night of the living, dead
Day of the dead
Return of the living, dead part 2
Return of the living, dead part 3
Reviewed in Canada on January 19, 2022
Verified Purchase
The 4K transfers of the three cuts of Dawn of the Dead are superb. Some of the best on the medium. The film displays an impeccable amount of detail and vibrancy to the image. The Argento version looks a bit washed out compared to the other cuts. That version lacks HDR but even compared to other SDR 4K videos i've seen, it's a bit lacking but it's still quite good. The opening and closing credits are predictably soft due to how they were originally put in when the film was made. Everything else looks great. I haven't had the chance to check out the bonus features yet (mainly due to them being on a region-locked standard Blu-ray disc which I haven't bothered to rip yet) but based on the description on the back cover, there is a very decent amount of extras compared to your average home video release. Highly recommend picking up this 4K set for both fans of the film and newcomers who have never seen it before. Easily the best version of the film available. It's a bit pricey to import it since it isn't officially available in North America but the 4K discs are region free and it's well worth the price for three cuts of the movie, all the extra features and the premium packaging design.
Reviewed in Canada on July 23, 2023
Verified Purchase
Gotta love The Zombies,great 🎥,great 4k transfer, great looking @all the colors that POP ❗ Zach has done it again 👍😀👍 will highly recommend this product
Reviewed in Canada on June 19, 2023
Verified Purchase
It a great movie and look fantastic but you will need a region free player so just a heads up.
Reviewed in Canada on August 21, 2022
Verified Purchase
The 4k disc's are what I bought this for and they do not disappoint. As 4k is region free, this is the only way to get this movie and all versions of it in 4k. The blu-ray extras disc needs a region free blu-ray player.
Reviewed in Canada on March 9, 2014
Verified Purchase
Whether, you are a teen, young adult, or an adult, you can appreciate this classic horror film, directed by George Romero, the man who created Night of The Living Dead. It still remains as one of the all time great films of horror history. If you enjoy this title, try getting Assault of District 13, directed by John Carpenter.
Reviewed in Canada on September 2, 2019
Verified Purchase
Not even debatable, this is the best zombie movie ever made.
Top reviews from other countries
johnf
5.0 out of 5 stars
Tense and exciting from its start to finish. One of the best remakes.
Reviewed in the United States on October 22, 2023Verified Purchase
There is some confusion here as reviews for Romero's original 1978 film and Snyder's 2004 film are mixed together. This is for the remake.
Remakes of average films are most often disappointing and remakes of good films are frequently terrible. But Zack Snyder’s 2004 remake of George Romero’s :Dawn of the Dead” ia a rare remake of a good film that succeeds in every way. I’ve been a Romero fan since I first saw “Night of the Living Dead” in the summer of 1968 and I was very doubtful about any attempt to redo its sequel, but this film convinced me otherwise. It avoided the obvious pitfall of literally remaking the older film by reimagining it instead. It kept the scenario of a group of people finding shelter in a shopping mall during a zombie apocalypse but only that. Even the zombies were changed from Romero’s slow, lumbering zombies to ones like the fast running “infected” of “28 Days Later” released in 2002 (but kept them as reanimated dead, ignoring the rigor mortis problem). I find Romero’s zombies creepier and prefer that style, but understand that for the sake of danger, the fast ones are a much greater threat, something an action version needed.
Comparing the films is not very useful because they are trying to do different things and each succeeds in its way. Romero’s film is more of a character study and Snyder’s more of an action film. With four main characters in the 1978 film there was time to get to know them better. However, a small central cast can lead to the audience perception that the main characters will suffer no harm at least until the end. Snyder’s group population totals 14 at one point, leaving room for some to die. This gives Snyder’s film more tension. Snyder did not retain the social commentary/satire that Romero was famous for in his film. To be honest I never thought much of it because criticism of materialism and consumerism was a cliche at least since the late 60s and had been one of the main themes of the counterculture. The point is not whether I agree or disagree but simply the fact that there was nothing new or especially perceptive about it. What made it stand out to critics in the 70s was that it existed in a horror film, probably the least socially conscious genre imaginable. Repeating it would have made Snyder seem like a copycat. I greatly enjoy both films and so should anyone else.
Snyder had been a director of television commercials and music videos (from Lizzie Borden and ZZ Top to Morrissey ) and “Dawn of the Dead” was his first feature film. It opened the door to a major directorial career, but along the way he became a very polarizing figure. Stepping into the world of comic books and superheroes where passions and opinions run very high, audiences are split between esteem and hatred of him. That’s too much to go into here but since all of the characters here are new, he can not be accused of changing the characters too much from their source material the way he did with the DC Comics films. With an early background in art he has a strong sense in visuals and the look of this film is one of its strong points, the vibrant colors, the lighting and the camera placement are all excellent. (Note that in the opening clip showing four soldiers defending the U.S. Capitol Building, Snyder is the second soldier from the left, not wearing a helmet).
His music video background gave him a sense of telling a story without a lot of talk. Its famous hair-raising 12-minute opening takes us from the quiet normality of leaving late from work and coming home to a loving husband and peaceful suburban neighborhood to complete chaos. This is shot as the view from Ana’s fleeing car and from above it as fires and explosions are seen all around Milwaukee below. It’s one of the best horror movie opening scenes ever. Right from the beginning the film has everything: pacing, camera angles, editing, storytelling, lighting and well-chosen music. There is so much going on, but it all flows smoothly. The story jumps ahead by finding the first group of five already at the mall, shown by simply raising the camera. It’s the first morning of the outbreak, so the mall is not overrun with zombies
It also helped that the people behind the film were actually into Romero’s films and were out to inspire new fans for the zombie genre. Producer Eric Newman considered Romero’s :Dawn” as the top film of its type and was able to purchase the rights from the 1978 film’s producer, Richard Rubinstein, who wouldn’t sell until he was certain it was in the hands of people who cared. Principal writer was James Gunn, another Romero zombie enthusiast who was almost let go from the job when an internet storm arose over the fact that he had written two “Scooby Doo” films. Important fan site hosts were given previews of the script and told fans he was the right guy for the job. He has since gone on to direct all three “Guardians of the Galaxy” films.
The actors were a bunch of relative newcomers (though two of them,Susan Polley and Kevin Zegers, had been child actors) and they played their parts earnestly without any sense of irony about being in a zombie film. Sarah Polley’s Ana Clark is the original pov character and rather than running around screaming, is able to be calm and capable, all the while seeming vulnerable and shaken, like a real person would be. Ving Rhames is police sergeant Kenneth Hall and with his size and innate authority, becomes the operations commander of the group. Jake Weber is a recently divorced man who has worked a series of dead end jobs but finds real ability in himself and is also a group leader. These three make the important decisions but not without including everyone in the discussion.
Ty Burrell was unknown at the time of the film, years before “Modern Family” and as Steve, is a sleazy, annoying jerk. Mekhi Phifer is streetwise Andre, trying to protect his pregnant wife, Luda, and turn his life around. Michael Kelly, later in all six seasons of “House of Cards” is CJ, a belligerent mall security cop whose big concern is that the survivors will shoplift items from the stores. . Kevin Zegers had been in the “Air Bud” films and here is the mall cop trainee, essentially the role of “the kid” with a good heart. There are more, and the number of roles means that some are people who we don’t get to know much about, but this isn’t the kind of film where you need to. The characters make some awful choices of what action to take in this film, often, one suspects, just to set up a new action scene. This is probably the greatest weakness of the film, but it tends to be a regular part of the genre. So does the fact that everyone seems to be able to shoot a gun with great accuracy.
The special effects and makeup departments did exceptional jobs. Romero’s focus had been on the people, not the zombies and even in 1978, his zombies were people with their faces painted a blueish gray. There had been ugly zombies since then, but they were more like fantasy ghouls (think “Return of the Living Dead”) but the makeup team here, led by David Leroy Anderson, took it to another level. Snyder wanted everything to be as real as possible, so they researched physical decomposition in great detail using medical descriptions, photographs and time-lapse videos and made zombies look like the decaying corpses they actually would have been. The effects department created the scenes of the zombies outside the mall, who get ever more numerous each time they’re shown.
The zombie-mania which seems to finally have ebbed, produced scores of zombie movies (mostly bad) and the highly successful “Walking Dead” television series. Perhaps this film did help reignite interest in the genre which had waned after the eighties. It was wildly popular, opening at #1 at the box office (largely due to the opening sequence being shown as a preview on cable) and made back four times its budget. It remains one of the best films of its type, unlikely to be topped.
THE BLU-RAY & HQ 3-disc set by Shout Factory and Universal. This is already long and I;m sure others have gone into great detail about the set and its extras. Shout is a high end video retailer with licensing agreements with Universal, Warner Brothers, Sony, MGM and other major studios. They make very high quality transfers and load them up with excellent extras. This set contains both the theatrical and director’s cut versions in Blu-Ray and the director’s cut on the HQ disc. To me, the HQ is a little more vivid and sharp, but nothing that amazing. The extras include commentary by the director and producer, interviews with the screenwriter and actors Jake Weber and Ty Burrell, Features on makeup and effects, a 25 minute “Newscast” of the developing apocalypse, deleted scenes and more. A must for fans.
Remakes of average films are most often disappointing and remakes of good films are frequently terrible. But Zack Snyder’s 2004 remake of George Romero’s :Dawn of the Dead” ia a rare remake of a good film that succeeds in every way. I’ve been a Romero fan since I first saw “Night of the Living Dead” in the summer of 1968 and I was very doubtful about any attempt to redo its sequel, but this film convinced me otherwise. It avoided the obvious pitfall of literally remaking the older film by reimagining it instead. It kept the scenario of a group of people finding shelter in a shopping mall during a zombie apocalypse but only that. Even the zombies were changed from Romero’s slow, lumbering zombies to ones like the fast running “infected” of “28 Days Later” released in 2002 (but kept them as reanimated dead, ignoring the rigor mortis problem). I find Romero’s zombies creepier and prefer that style, but understand that for the sake of danger, the fast ones are a much greater threat, something an action version needed.
Comparing the films is not very useful because they are trying to do different things and each succeeds in its way. Romero’s film is more of a character study and Snyder’s more of an action film. With four main characters in the 1978 film there was time to get to know them better. However, a small central cast can lead to the audience perception that the main characters will suffer no harm at least until the end. Snyder’s group population totals 14 at one point, leaving room for some to die. This gives Snyder’s film more tension. Snyder did not retain the social commentary/satire that Romero was famous for in his film. To be honest I never thought much of it because criticism of materialism and consumerism was a cliche at least since the late 60s and had been one of the main themes of the counterculture. The point is not whether I agree or disagree but simply the fact that there was nothing new or especially perceptive about it. What made it stand out to critics in the 70s was that it existed in a horror film, probably the least socially conscious genre imaginable. Repeating it would have made Snyder seem like a copycat. I greatly enjoy both films and so should anyone else.
Snyder had been a director of television commercials and music videos (from Lizzie Borden and ZZ Top to Morrissey ) and “Dawn of the Dead” was his first feature film. It opened the door to a major directorial career, but along the way he became a very polarizing figure. Stepping into the world of comic books and superheroes where passions and opinions run very high, audiences are split between esteem and hatred of him. That’s too much to go into here but since all of the characters here are new, he can not be accused of changing the characters too much from their source material the way he did with the DC Comics films. With an early background in art he has a strong sense in visuals and the look of this film is one of its strong points, the vibrant colors, the lighting and the camera placement are all excellent. (Note that in the opening clip showing four soldiers defending the U.S. Capitol Building, Snyder is the second soldier from the left, not wearing a helmet).
His music video background gave him a sense of telling a story without a lot of talk. Its famous hair-raising 12-minute opening takes us from the quiet normality of leaving late from work and coming home to a loving husband and peaceful suburban neighborhood to complete chaos. This is shot as the view from Ana’s fleeing car and from above it as fires and explosions are seen all around Milwaukee below. It’s one of the best horror movie opening scenes ever. Right from the beginning the film has everything: pacing, camera angles, editing, storytelling, lighting and well-chosen music. There is so much going on, but it all flows smoothly. The story jumps ahead by finding the first group of five already at the mall, shown by simply raising the camera. It’s the first morning of the outbreak, so the mall is not overrun with zombies
It also helped that the people behind the film were actually into Romero’s films and were out to inspire new fans for the zombie genre. Producer Eric Newman considered Romero’s :Dawn” as the top film of its type and was able to purchase the rights from the 1978 film’s producer, Richard Rubinstein, who wouldn’t sell until he was certain it was in the hands of people who cared. Principal writer was James Gunn, another Romero zombie enthusiast who was almost let go from the job when an internet storm arose over the fact that he had written two “Scooby Doo” films. Important fan site hosts were given previews of the script and told fans he was the right guy for the job. He has since gone on to direct all three “Guardians of the Galaxy” films.
The actors were a bunch of relative newcomers (though two of them,Susan Polley and Kevin Zegers, had been child actors) and they played their parts earnestly without any sense of irony about being in a zombie film. Sarah Polley’s Ana Clark is the original pov character and rather than running around screaming, is able to be calm and capable, all the while seeming vulnerable and shaken, like a real person would be. Ving Rhames is police sergeant Kenneth Hall and with his size and innate authority, becomes the operations commander of the group. Jake Weber is a recently divorced man who has worked a series of dead end jobs but finds real ability in himself and is also a group leader. These three make the important decisions but not without including everyone in the discussion.
Ty Burrell was unknown at the time of the film, years before “Modern Family” and as Steve, is a sleazy, annoying jerk. Mekhi Phifer is streetwise Andre, trying to protect his pregnant wife, Luda, and turn his life around. Michael Kelly, later in all six seasons of “House of Cards” is CJ, a belligerent mall security cop whose big concern is that the survivors will shoplift items from the stores. . Kevin Zegers had been in the “Air Bud” films and here is the mall cop trainee, essentially the role of “the kid” with a good heart. There are more, and the number of roles means that some are people who we don’t get to know much about, but this isn’t the kind of film where you need to. The characters make some awful choices of what action to take in this film, often, one suspects, just to set up a new action scene. This is probably the greatest weakness of the film, but it tends to be a regular part of the genre. So does the fact that everyone seems to be able to shoot a gun with great accuracy.
The special effects and makeup departments did exceptional jobs. Romero’s focus had been on the people, not the zombies and even in 1978, his zombies were people with their faces painted a blueish gray. There had been ugly zombies since then, but they were more like fantasy ghouls (think “Return of the Living Dead”) but the makeup team here, led by David Leroy Anderson, took it to another level. Snyder wanted everything to be as real as possible, so they researched physical decomposition in great detail using medical descriptions, photographs and time-lapse videos and made zombies look like the decaying corpses they actually would have been. The effects department created the scenes of the zombies outside the mall, who get ever more numerous each time they’re shown.
The zombie-mania which seems to finally have ebbed, produced scores of zombie movies (mostly bad) and the highly successful “Walking Dead” television series. Perhaps this film did help reignite interest in the genre which had waned after the eighties. It was wildly popular, opening at #1 at the box office (largely due to the opening sequence being shown as a preview on cable) and made back four times its budget. It remains one of the best films of its type, unlikely to be topped.
THE BLU-RAY & HQ 3-disc set by Shout Factory and Universal. This is already long and I;m sure others have gone into great detail about the set and its extras. Shout is a high end video retailer with licensing agreements with Universal, Warner Brothers, Sony, MGM and other major studios. They make very high quality transfers and load them up with excellent extras. This set contains both the theatrical and director’s cut versions in Blu-Ray and the director’s cut on the HQ disc. To me, the HQ is a little more vivid and sharp, but nothing that amazing. The extras include commentary by the director and producer, interviews with the screenwriter and actors Jake Weber and Ty Burrell, Features on makeup and effects, a 25 minute “Newscast” of the developing apocalypse, deleted scenes and more. A must for fans.
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John
5.0 out of 5 stars
Zombie
Reviewed in France on September 2, 2023Verified Purchase
Un chef d œuvre surtout qu il y a les 3 films avec différentes versions avec du hdr les 4k sont magnifiques il surclasse la version française sortie en 2019 uniquement en vost anglais pour les fans
Piero75
5.0 out of 5 stars
DOWN OF THE DEAD (ZOMBI) ECCELLENTE EDIZIONE (BD)
Reviewed in Italy on December 2, 2020Verified Purchase
C'è poco da dire su questo DOWN OF THE DEAD (ZOMBI) un edizione spettacolare.
La second sight films esce con un cofanetto che colpisce per qualità di realizzazione, ben quattro blu ray, tre cd, due libri al suo interno.
Analizzando le tre versione, la migliore rimane comunque sempre quella THEATRICAL CUT, si apprezza anche quella di THE ARGENTO CUT
La qualità d'immagine il restauro adottato è praticamente spettacolare, sia per definizione che per colori, se dovessimo rilevare qualche imperfezione, sarebbe forse lieve in alcune inquadrature se praticamente assente. Per un film del 1978 il lavoro di restauro svolto è magnifico
L'audio DTS-HD 5.1 Inglese si presenta molto dinamico grazie al lavoro di rimasterizzazione, i dialoghi sono chiari, il tutto accompagnato da una colonna sonora dei Goblin spettacolare.
Gli extra realizzati per questa nuova edizione sono praticamente tanti, molti dei quali realizzati ex novo proprio per l'edizione, tutti uno più interessante dell'altro, ed anche gli extra di qualche anno fa fanno la loro parte.
Consiglio per gli appassionati l'acquisto ad occhi chiusi in quanto non può mancare un edizione simile.
Il costo vale la spesa, acquistato in preorder ad un prezzo niente male circa 93,00 euro.
Amazon servizio eccellente consegnato con un giorno di anticipo, calcolando che il prodotto veniva da L'Inghilterra.
La second sight films esce con un cofanetto che colpisce per qualità di realizzazione, ben quattro blu ray, tre cd, due libri al suo interno.
Analizzando le tre versione, la migliore rimane comunque sempre quella THEATRICAL CUT, si apprezza anche quella di THE ARGENTO CUT
La qualità d'immagine il restauro adottato è praticamente spettacolare, sia per definizione che per colori, se dovessimo rilevare qualche imperfezione, sarebbe forse lieve in alcune inquadrature se praticamente assente. Per un film del 1978 il lavoro di restauro svolto è magnifico
L'audio DTS-HD 5.1 Inglese si presenta molto dinamico grazie al lavoro di rimasterizzazione, i dialoghi sono chiari, il tutto accompagnato da una colonna sonora dei Goblin spettacolare.
Gli extra realizzati per questa nuova edizione sono praticamente tanti, molti dei quali realizzati ex novo proprio per l'edizione, tutti uno più interessante dell'altro, ed anche gli extra di qualche anno fa fanno la loro parte.
Consiglio per gli appassionati l'acquisto ad occhi chiusi in quanto non può mancare un edizione simile.
Il costo vale la spesa, acquistato in preorder ad un prezzo niente male circa 93,00 euro.
Amazon servizio eccellente consegnato con un giorno di anticipo, calcolando che il prodotto veniva da L'Inghilterra.
Piero75
Reviewed in Italy on December 2, 2020
La second sight films esce con un cofanetto che colpisce per qualità di realizzazione, ben quattro blu ray, tre cd, due libri al suo interno.
Analizzando le tre versione, la migliore rimane comunque sempre quella THEATRICAL CUT, si apprezza anche quella di THE ARGENTO CUT
La qualità d'immagine il restauro adottato è praticamente spettacolare, sia per definizione che per colori, se dovessimo rilevare qualche imperfezione, sarebbe forse lieve in alcune inquadrature se praticamente assente. Per un film del 1978 il lavoro di restauro svolto è magnifico
L'audio DTS-HD 5.1 Inglese si presenta molto dinamico grazie al lavoro di rimasterizzazione, i dialoghi sono chiari, il tutto accompagnato da una colonna sonora dei Goblin spettacolare.
Gli extra realizzati per questa nuova edizione sono praticamente tanti, molti dei quali realizzati ex novo proprio per l'edizione, tutti uno più interessante dell'altro, ed anche gli extra di qualche anno fa fanno la loro parte.
Consiglio per gli appassionati l'acquisto ad occhi chiusi in quanto non può mancare un edizione simile.
Il costo vale la spesa, acquistato in preorder ad un prezzo niente male circa 93,00 euro.
Amazon servizio eccellente consegnato con un giorno di anticipo, calcolando che il prodotto veniva da L'Inghilterra.
Images in this review
Blobbinses
5.0 out of 5 stars
Almost Perfect. Missing one last thing...
Reviewed in the United Kingdom on November 16, 2020Verified Purchase
IMPORTANT NOTE: Because Amazon lumps all reviews for the title in together, despite which version you buy, this is a review for the Dawn of the Dead: Limited Edition [Blu-ray] by
Studio : Second Sight Films
ASIN : B0892HW4F3
Number of discs : 7
Ok, so the people buying this most likely know the film like the back of their hand anyway so I won't bore you with yet another synopsis of the movie at hand. This review is about what the product has in it, compared to previous releases.
So, the first 3 blu ray discs are the film, in 3 versions:
The Original Theatrical Cut (127 mins)
• NEW 4K scan and restoration of the Original Camera Negative by Second Sight at Final Frame New York and London supervised and approved by DoP Michael Gornick
• Presented in HDR10+
• Audio: New restoration of the original OCN Optical presented in Mono 1.0, Stereo 2.0 and 5.1.
• Commentary by George A. Romero, Tom Savini, Christine Forrest
• NEW commentary by Travis Crawford
• NEW optional English subtitles for the hearing impaired
The Cannes Cut ( basically I think this is the director's cut at 137 mins long )
• Produced using 4K scan of the Theatrical Cut Original Camera Negative and 4K scan of the Extended Cut Colour Reversal Internegative
• Presented in HDR10+
• DTS-HD Master Audio 1.0 Mono
• Commentary by Richard P. Rubinstein
• NEW optional English subtitles for the hearing impaired
The Argento Cut (120mins)
• 4K scan of the Interpositive by Michele De Angelis at Backlight Digital, Rome
• Audio: DT-HD Master Audio Mono 1.0 / Surround 5.1 / Stereo 2.0
• Commentary by Ken Foree, Scott Reiniger, Gaylen Ross, David Emge
• NEW optional English subtitles for the hearing impaired
NOTE, sadly this collection does NOT contain a blu ray ( or otherwise ) transfer of the "MALL HOURS CUT" ( 157mins. <-- this version edits in every last second of footage from various releases around the world and is the one to own if you want to see EVERYthing ) which is kind of a shame, but I understand why it isn't here, because it's really a fan - edit and not an official release of the film.
If you DO want a blu ray version of Dawn of the Dead ( Mall Hours Cut ) you can actually buy it on blu ray ( it's actually bluray quality too, not a crummy, thrown together VHS print, just slapped on a bluray disc ) you'll need to hunt down a ( pretty expensive ) 4 Disc blu ray collection from XTVideo in Germany/Austria(?) and that will have it on there. The packaging on that set is all in German, but don't worry, all the versions of the film and extras have English Audio on them too.
Back to this Amazon item review:
BLU-RAY DISC 4: SPECIAL FEATURES
• NEW Zombies and Bikers – With John Amplas, Roy Frumkes, Tom Savini, Christine Forrest, Tom Dubensky, Tony Buba, Taso Stavrakis and a whole host of zombies and bikers! (59 mins)
• NEW Memories of Monroeville
A tour of the mall with Michael Gornick, Tom Savini, Tom Dubensky and Taso Stavrakis (34 mins)
• NEW Raising the Dead: The Production Logistics (25 mins) With Michael Gornick, Christine Forrest, John Amplas, Tom Dubensky (23 mins)
• NEW The FX of Dawn with Tom Savini (13 mins)
• NEW Dummies! Dummies! – An interview with Richard France (12 mins)
• NEW The Lost Romero Dawn Interview: previously unreleased archive interview (20 mins)
• Super 8 Mall Footage by zombie extra Ralph Langer with option of archive commentary by Robert Langer and new commentary by Ralph Langer (13 mins)
• Document of the Dead: The Original Cut (66 mins)
• Document of the Dead: The Definitive Cut with optional commentary by Roy Frumkes (100 mins)
• The Dead Will Walk 2014 Documentary (80 mins)
• Trailers, TV and Radio Spots (TBC)
LIMITED EDITION CONTENTS
This is actually some pretty exciting news for mega fans of DotD, because Second Sight Films have really gone to town with finding the music cues that have never been commercially available before, outside of things like the incredibly hard to find and expensive De Wolfe Library. They haven't just slapped the old Trunk Record's Unreleased Incidental Music into the packaging, they've actually gone and found a whole tonne of previously unavailable cues. Not ALL of them, but A LOT of them.
These have probably been around on the net, in various places, for a few years now, but it's fantastic that this company has provided us with CD quality versions without the need to go hunting on forums etc.
AUDIO CD DISC 1
• The Goblin Soundtrack – The usual official Goblin Album of 17 tracks including Alternate and Bonus Tracks
01 - L'alba Dei Morti Viventi
02 - Zombi
03 - Safari
04 - Torte In Faccia
05 - Ai Margini Della Follia
06 - Zaratozom
07 - La Caccia
08 - Tirassegno
09 - Oblio
10 - Risveglio
11 - L'alba Dei Morti Viventi (Alternate Take) [CD Bonus Track]
12 - Ai Margini Della Follia (Alternate Take) [CD Bonus Track]
13 - Zombi (Sexy) [CD Bonus Track]
14 - Ai Margini Della Follia (Alternate Take) [CD Bonus Track]
15 - Zombi (Supermarket) [CD Bonus Track]
16 - L'alba Dei Morti Viventi (Intro — Alternate Take) [CD Bonus Track]
17 - Zombi (The Living Dead's Voices!) [CD Bonus Track]
AUDIO CD DISC 2
• Dawn of the Dead: De Wolfe and Hudson Music Cues (Part 1)
01 - Cosmogony Part 1
02 - Dramatic Moments No.1
03 - Sinestre
04 - Dramatic Moments No.2
05 - Violence
06 - Cosmogony Part 3
07 - Eclipse
08 - Dark Forest
09 - Cause I'm a Man
10 - Figments
11 - Dynamise 65
12 - Cosmogony Part 4
13 - The Mask of Death
14 - Cosmogony Part 2
15 - Victorian Vintage
16 - Queka
17 - Scarey I
18 - Scarey II
19 - Zap
20 - Spinechiller
21 - Violent Payoff Version 2
22 - Waiting For the Man
23 - Flossie
24 - Neurotic Bird
25 - Desert De Glace
26 - Dank Earth (Part 1)
27 - Red Sequence
28 - Barrage
29 - Face At the Window
AUDIO CD DISC 3
• Dawn of the Dead: De Wolfe and Hudson Music Cues (Part 2)
01 - We Are the Champions
02 - Ragtime Razzamatazz
03 - Tango Tango
04 - Fugarock
05 - Sonata
06 - El Chaco
07 - Dramaturgy Part 1
08 - Night Life
09 - Sun High
10 - Cantando
11 - On His Own
12 - Mechanical High Jinks
13 - Dramaturgy Part 2
14 - So Fantastico
15 - Violence Sting 1
16 - Caverne De Glace
17 - Dramatic Moments No.3
18 - Deserted Vaults
19 - Action Pack
20 - Kadath
21 - Proud Action
22 - Dramatic Moments No.4
23 - The Gonk ( Sadly doesn't end like the film's credits with the clock tower chimes and zombie moans etc, but i'm nitpicking )
NOTE: These cues are sometimes edited down from the full original pieces of music, to the cues in the film itself, to give context to what you're hearing, rather playing the entire piece of music that has only 30 seconds of a DotD cue in the middle of it, that was used in the film.
So that's 69 pieces of music and edited cues from the various film releases. So not complete by any means but all the important stuff is in there, like Victorian Vintage ( turning on the mall power ) and Cantando ( melancholy classical guitar piece ) and the superb Fugarock ( part of the shopping music scene ) etc...
Plus you also get
• Rigid box with lid featuring the original iconic artwork
• Two inner digipaks
• Dissecting the Dead – 160 page hardback book featuring 17 new essays, archive article and George A. Romero interview plus original marketing, artwork and merchandise images and behind-the-scenes stills.
• Dawn of the Dead: The novelisation book by George A. Romero and Susanna Sparrow with exclusive artwork
Overall kinda expensive maybe, but not too bad at all, considering what they've put into the package. The music cues alone, make this release a really cool edition for your DotD collection. The DotD novelisation is a HQ paperback and the Dissecting the Dead book is hardback and includes colour images through the middle section of it. Photos of various behind the scenes and paraphernalia, relevant to the film and it's original release.
Studio : Second Sight Films
ASIN : B0892HW4F3
Number of discs : 7
Ok, so the people buying this most likely know the film like the back of their hand anyway so I won't bore you with yet another synopsis of the movie at hand. This review is about what the product has in it, compared to previous releases.
So, the first 3 blu ray discs are the film, in 3 versions:
The Original Theatrical Cut (127 mins)
• NEW 4K scan and restoration of the Original Camera Negative by Second Sight at Final Frame New York and London supervised and approved by DoP Michael Gornick
• Presented in HDR10+
• Audio: New restoration of the original OCN Optical presented in Mono 1.0, Stereo 2.0 and 5.1.
• Commentary by George A. Romero, Tom Savini, Christine Forrest
• NEW commentary by Travis Crawford
• NEW optional English subtitles for the hearing impaired
The Cannes Cut ( basically I think this is the director's cut at 137 mins long )
• Produced using 4K scan of the Theatrical Cut Original Camera Negative and 4K scan of the Extended Cut Colour Reversal Internegative
• Presented in HDR10+
• DTS-HD Master Audio 1.0 Mono
• Commentary by Richard P. Rubinstein
• NEW optional English subtitles for the hearing impaired
The Argento Cut (120mins)
• 4K scan of the Interpositive by Michele De Angelis at Backlight Digital, Rome
• Audio: DT-HD Master Audio Mono 1.0 / Surround 5.1 / Stereo 2.0
• Commentary by Ken Foree, Scott Reiniger, Gaylen Ross, David Emge
• NEW optional English subtitles for the hearing impaired
NOTE, sadly this collection does NOT contain a blu ray ( or otherwise ) transfer of the "MALL HOURS CUT" ( 157mins. <-- this version edits in every last second of footage from various releases around the world and is the one to own if you want to see EVERYthing ) which is kind of a shame, but I understand why it isn't here, because it's really a fan - edit and not an official release of the film.
If you DO want a blu ray version of Dawn of the Dead ( Mall Hours Cut ) you can actually buy it on blu ray ( it's actually bluray quality too, not a crummy, thrown together VHS print, just slapped on a bluray disc ) you'll need to hunt down a ( pretty expensive ) 4 Disc blu ray collection from XTVideo in Germany/Austria(?) and that will have it on there. The packaging on that set is all in German, but don't worry, all the versions of the film and extras have English Audio on them too.
Back to this Amazon item review:
BLU-RAY DISC 4: SPECIAL FEATURES
• NEW Zombies and Bikers – With John Amplas, Roy Frumkes, Tom Savini, Christine Forrest, Tom Dubensky, Tony Buba, Taso Stavrakis and a whole host of zombies and bikers! (59 mins)
• NEW Memories of Monroeville
A tour of the mall with Michael Gornick, Tom Savini, Tom Dubensky and Taso Stavrakis (34 mins)
• NEW Raising the Dead: The Production Logistics (25 mins) With Michael Gornick, Christine Forrest, John Amplas, Tom Dubensky (23 mins)
• NEW The FX of Dawn with Tom Savini (13 mins)
• NEW Dummies! Dummies! – An interview with Richard France (12 mins)
• NEW The Lost Romero Dawn Interview: previously unreleased archive interview (20 mins)
• Super 8 Mall Footage by zombie extra Ralph Langer with option of archive commentary by Robert Langer and new commentary by Ralph Langer (13 mins)
• Document of the Dead: The Original Cut (66 mins)
• Document of the Dead: The Definitive Cut with optional commentary by Roy Frumkes (100 mins)
• The Dead Will Walk 2014 Documentary (80 mins)
• Trailers, TV and Radio Spots (TBC)
LIMITED EDITION CONTENTS
This is actually some pretty exciting news for mega fans of DotD, because Second Sight Films have really gone to town with finding the music cues that have never been commercially available before, outside of things like the incredibly hard to find and expensive De Wolfe Library. They haven't just slapped the old Trunk Record's Unreleased Incidental Music into the packaging, they've actually gone and found a whole tonne of previously unavailable cues. Not ALL of them, but A LOT of them.
These have probably been around on the net, in various places, for a few years now, but it's fantastic that this company has provided us with CD quality versions without the need to go hunting on forums etc.
AUDIO CD DISC 1
• The Goblin Soundtrack – The usual official Goblin Album of 17 tracks including Alternate and Bonus Tracks
01 - L'alba Dei Morti Viventi
02 - Zombi
03 - Safari
04 - Torte In Faccia
05 - Ai Margini Della Follia
06 - Zaratozom
07 - La Caccia
08 - Tirassegno
09 - Oblio
10 - Risveglio
11 - L'alba Dei Morti Viventi (Alternate Take) [CD Bonus Track]
12 - Ai Margini Della Follia (Alternate Take) [CD Bonus Track]
13 - Zombi (Sexy) [CD Bonus Track]
14 - Ai Margini Della Follia (Alternate Take) [CD Bonus Track]
15 - Zombi (Supermarket) [CD Bonus Track]
16 - L'alba Dei Morti Viventi (Intro — Alternate Take) [CD Bonus Track]
17 - Zombi (The Living Dead's Voices!) [CD Bonus Track]
AUDIO CD DISC 2
• Dawn of the Dead: De Wolfe and Hudson Music Cues (Part 1)
01 - Cosmogony Part 1
02 - Dramatic Moments No.1
03 - Sinestre
04 - Dramatic Moments No.2
05 - Violence
06 - Cosmogony Part 3
07 - Eclipse
08 - Dark Forest
09 - Cause I'm a Man
10 - Figments
11 - Dynamise 65
12 - Cosmogony Part 4
13 - The Mask of Death
14 - Cosmogony Part 2
15 - Victorian Vintage
16 - Queka
17 - Scarey I
18 - Scarey II
19 - Zap
20 - Spinechiller
21 - Violent Payoff Version 2
22 - Waiting For the Man
23 - Flossie
24 - Neurotic Bird
25 - Desert De Glace
26 - Dank Earth (Part 1)
27 - Red Sequence
28 - Barrage
29 - Face At the Window
AUDIO CD DISC 3
• Dawn of the Dead: De Wolfe and Hudson Music Cues (Part 2)
01 - We Are the Champions
02 - Ragtime Razzamatazz
03 - Tango Tango
04 - Fugarock
05 - Sonata
06 - El Chaco
07 - Dramaturgy Part 1
08 - Night Life
09 - Sun High
10 - Cantando
11 - On His Own
12 - Mechanical High Jinks
13 - Dramaturgy Part 2
14 - So Fantastico
15 - Violence Sting 1
16 - Caverne De Glace
17 - Dramatic Moments No.3
18 - Deserted Vaults
19 - Action Pack
20 - Kadath
21 - Proud Action
22 - Dramatic Moments No.4
23 - The Gonk ( Sadly doesn't end like the film's credits with the clock tower chimes and zombie moans etc, but i'm nitpicking )
NOTE: These cues are sometimes edited down from the full original pieces of music, to the cues in the film itself, to give context to what you're hearing, rather playing the entire piece of music that has only 30 seconds of a DotD cue in the middle of it, that was used in the film.
So that's 69 pieces of music and edited cues from the various film releases. So not complete by any means but all the important stuff is in there, like Victorian Vintage ( turning on the mall power ) and Cantando ( melancholy classical guitar piece ) and the superb Fugarock ( part of the shopping music scene ) etc...
Plus you also get
• Rigid box with lid featuring the original iconic artwork
• Two inner digipaks
• Dissecting the Dead – 160 page hardback book featuring 17 new essays, archive article and George A. Romero interview plus original marketing, artwork and merchandise images and behind-the-scenes stills.
• Dawn of the Dead: The novelisation book by George A. Romero and Susanna Sparrow with exclusive artwork
Overall kinda expensive maybe, but not too bad at all, considering what they've put into the package. The music cues alone, make this release a really cool edition for your DotD collection. The DotD novelisation is a HQ paperback and the Dissecting the Dead book is hardback and includes colour images through the middle section of it. Photos of various behind the scenes and paraphernalia, relevant to the film and it's original release.
Blobbinses
Reviewed in the United Kingdom on November 16, 2020
Studio : Second Sight Films
ASIN : B0892HW4F3
Number of discs : 7
Ok, so the people buying this most likely know the film like the back of their hand anyway so I won't bore you with yet another synopsis of the movie at hand. This review is about what the product has in it, compared to previous releases.
So, the first 3 blu ray discs are the film, in 3 versions:
The Original Theatrical Cut (127 mins)
• NEW 4K scan and restoration of the Original Camera Negative by Second Sight at Final Frame New York and London supervised and approved by DoP Michael Gornick
• Presented in HDR10+
• Audio: New restoration of the original OCN Optical presented in Mono 1.0, Stereo 2.0 and 5.1.
• Commentary by George A. Romero, Tom Savini, Christine Forrest
• NEW commentary by Travis Crawford
• NEW optional English subtitles for the hearing impaired
The Cannes Cut ( basically I think this is the director's cut at 137 mins long )
• Produced using 4K scan of the Theatrical Cut Original Camera Negative and 4K scan of the Extended Cut Colour Reversal Internegative
• Presented in HDR10+
• DTS-HD Master Audio 1.0 Mono
• Commentary by Richard P. Rubinstein
• NEW optional English subtitles for the hearing impaired
The Argento Cut (120mins)
• 4K scan of the Interpositive by Michele De Angelis at Backlight Digital, Rome
• Audio: DT-HD Master Audio Mono 1.0 / Surround 5.1 / Stereo 2.0
• Commentary by Ken Foree, Scott Reiniger, Gaylen Ross, David Emge
• NEW optional English subtitles for the hearing impaired
NOTE, sadly this collection does NOT contain a blu ray ( or otherwise ) transfer of the "MALL HOURS CUT" ( 157mins. <-- this version edits in every last second of footage from various releases around the world and is the one to own if you want to see EVERYthing ) which is kind of a shame, but I understand why it isn't here, because it's really a fan - edit and not an official release of the film.
If you DO want a blu ray version of Dawn of the Dead ( Mall Hours Cut ) you can actually buy it on blu ray ( it's actually bluray quality too, not a crummy, thrown together VHS print, just slapped on a bluray disc ) you'll need to hunt down a ( pretty expensive ) 4 Disc blu ray collection from XTVideo in Germany/Austria(?) and that will have it on there. The packaging on that set is all in German, but don't worry, all the versions of the film and extras have English Audio on them too.
Back to this Amazon item review:
BLU-RAY DISC 4: SPECIAL FEATURES
• NEW Zombies and Bikers – With John Amplas, Roy Frumkes, Tom Savini, Christine Forrest, Tom Dubensky, Tony Buba, Taso Stavrakis and a whole host of zombies and bikers! (59 mins)
• NEW Memories of Monroeville
A tour of the mall with Michael Gornick, Tom Savini, Tom Dubensky and Taso Stavrakis (34 mins)
• NEW Raising the Dead: The Production Logistics (25 mins) With Michael Gornick, Christine Forrest, John Amplas, Tom Dubensky (23 mins)
• NEW The FX of Dawn with Tom Savini (13 mins)
• NEW Dummies! Dummies! – An interview with Richard France (12 mins)
• NEW The Lost Romero Dawn Interview: previously unreleased archive interview (20 mins)
• Super 8 Mall Footage by zombie extra Ralph Langer with option of archive commentary by Robert Langer and new commentary by Ralph Langer (13 mins)
• Document of the Dead: The Original Cut (66 mins)
• Document of the Dead: The Definitive Cut with optional commentary by Roy Frumkes (100 mins)
• The Dead Will Walk 2014 Documentary (80 mins)
• Trailers, TV and Radio Spots (TBC)
LIMITED EDITION CONTENTS
This is actually some pretty exciting news for mega fans of DotD, because Second Sight Films have really gone to town with finding the music cues that have never been commercially available before, outside of things like the incredibly hard to find and expensive De Wolfe Library. They haven't just slapped the old Trunk Record's Unreleased Incidental Music into the packaging, they've actually gone and found a whole tonne of previously unavailable cues. Not ALL of them, but A LOT of them.
These have probably been around on the net, in various places, for a few years now, but it's fantastic that this company has provided us with CD quality versions without the need to go hunting on forums etc.
AUDIO CD DISC 1
• The Goblin Soundtrack – The usual official Goblin Album of 17 tracks including Alternate and Bonus Tracks
01 - L'alba Dei Morti Viventi
02 - Zombi
03 - Safari
04 - Torte In Faccia
05 - Ai Margini Della Follia
06 - Zaratozom
07 - La Caccia
08 - Tirassegno
09 - Oblio
10 - Risveglio
11 - L'alba Dei Morti Viventi (Alternate Take) [CD Bonus Track]
12 - Ai Margini Della Follia (Alternate Take) [CD Bonus Track]
13 - Zombi (Sexy) [CD Bonus Track]
14 - Ai Margini Della Follia (Alternate Take) [CD Bonus Track]
15 - Zombi (Supermarket) [CD Bonus Track]
16 - L'alba Dei Morti Viventi (Intro — Alternate Take) [CD Bonus Track]
17 - Zombi (The Living Dead's Voices!) [CD Bonus Track]
AUDIO CD DISC 2
• Dawn of the Dead: De Wolfe and Hudson Music Cues (Part 1)
01 - Cosmogony Part 1
02 - Dramatic Moments No.1
03 - Sinestre
04 - Dramatic Moments No.2
05 - Violence
06 - Cosmogony Part 3
07 - Eclipse
08 - Dark Forest
09 - Cause I'm a Man
10 - Figments
11 - Dynamise 65
12 - Cosmogony Part 4
13 - The Mask of Death
14 - Cosmogony Part 2
15 - Victorian Vintage
16 - Queka
17 - Scarey I
18 - Scarey II
19 - Zap
20 - Spinechiller
21 - Violent Payoff Version 2
22 - Waiting For the Man
23 - Flossie
24 - Neurotic Bird
25 - Desert De Glace
26 - Dank Earth (Part 1)
27 - Red Sequence
28 - Barrage
29 - Face At the Window
AUDIO CD DISC 3
• Dawn of the Dead: De Wolfe and Hudson Music Cues (Part 2)
01 - We Are the Champions
02 - Ragtime Razzamatazz
03 - Tango Tango
04 - Fugarock
05 - Sonata
06 - El Chaco
07 - Dramaturgy Part 1
08 - Night Life
09 - Sun High
10 - Cantando
11 - On His Own
12 - Mechanical High Jinks
13 - Dramaturgy Part 2
14 - So Fantastico
15 - Violence Sting 1
16 - Caverne De Glace
17 - Dramatic Moments No.3
18 - Deserted Vaults
19 - Action Pack
20 - Kadath
21 - Proud Action
22 - Dramatic Moments No.4
23 - The Gonk ( Sadly doesn't end like the film's credits with the clock tower chimes and zombie moans etc, but i'm nitpicking )
NOTE: These cues are sometimes edited down from the full original pieces of music, to the cues in the film itself, to give context to what you're hearing, rather playing the entire piece of music that has only 30 seconds of a DotD cue in the middle of it, that was used in the film.
So that's 69 pieces of music and edited cues from the various film releases. So not complete by any means but all the important stuff is in there, like Victorian Vintage ( turning on the mall power ) and Cantando ( melancholy classical guitar piece ) and the superb Fugarock ( part of the shopping music scene ) etc...
Plus you also get
• Rigid box with lid featuring the original iconic artwork
• Two inner digipaks
• Dissecting the Dead – 160 page hardback book featuring 17 new essays, archive article and George A. Romero interview plus original marketing, artwork and merchandise images and behind-the-scenes stills.
• Dawn of the Dead: The novelisation book by George A. Romero and Susanna Sparrow with exclusive artwork
Overall kinda expensive maybe, but not too bad at all, considering what they've put into the package. The music cues alone, make this release a really cool edition for your DotD collection. The DotD novelisation is a HQ paperback and the Dissecting the Dead book is hardback and includes colour images through the middle section of it. Photos of various behind the scenes and paraphernalia, relevant to the film and it's original release.
Images in this review
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JamesT
5.0 out of 5 stars
A Worthy 4K Upgrade
Reviewed in Australia on December 27, 2023Verified Purchase
The care put into the creating the new 4K DI is evident, the bit rate stays high throughout the film. (Even with the few 2K upscaled shots)
The 4K disc is Region Free, as a buyer in Region B I knew the additional Blu-ray discs would not play on my player, they are locked to Region A.
The 4K disc is Region Free, as a buyer in Region B I knew the additional Blu-ray discs would not play on my player, they are locked to Region A.





