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The Deep Paperback – Jan. 13 2015
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Nick Cutter
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Nick Cutter
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Product details
- Publisher : Gallery Books; Canadian Export edition (Jan. 13 2015)
- Language : English
- Paperback : 400 pages
- ISBN-10 : 150110151X
- ISBN-13 : 978-1501101519
- Item Weight : 458 g
- Dimensions : 13.49 x 2.54 x 20.96 cm
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Best Sellers Rank:
#632,958 in Books (See Top 100 in Books)
- #1,360 in Genetic Engineering Science Fiction (Books)
- #3,579 in Space Marine Science Fiction
- #25,774 in Horror Fiction (Books)
- Customer Reviews:
Product description
Review
"Utterly terrifying." (Clive Barker on THE DEEP)
"A gleefully paranoid tweak-out that mixes elements of The Thing, The Abyss, The Shining and It with a smattering of H.P. Lovecraft...Cutter is a master of the snap cliffhanger." (Globe and Mail)
"If you aren't claustrophobic now, you will be after you read The Deep. Terror at its best!" (Ania Ahlborn, bestselling author of The Bird Eater and Seed on THE DEEP)
“The Deep is a thrill ride of the highest order…the novel builds an irresistible momentum…it is an experience.” (Vancouver Sun)
"Fans of unflinching bleakness and all-out horror will love this novel... Disturbing." (Publishers Weekly (starred review) on THE DEEP Publishers Weekly)
“Lean and crisp and over-the-top....Disquieting, disturbing.” (Scott Smith, author of The Ruins and A Simple Plan on THE TROOP)
"Nick Cutter brings a bone-chilling spin to a classic horror scenario in The Troop. It's Lord of the Flies meets Night of the Creeps, and I enjoyed it immensely." (Mira Grant, New York Times bestselling author on THE TROOP)
“Nick Cutter pulls out all the stops in THE TROOP. This is a brilliant and deeply disturbing novel that you absolutely cannot put down. Highly recommended.” (Jonathan Maberry, New York Times bestselling author of Code Zero and Dead of Night on THE TROOP)
“A grim microcosm of terror and desperation…haunting.” (Christopher Golden, New York Times bestselling author on THE TROOP)
“Some thrillers produce shivers, others trigger goose bumps; Cutter's graphic offering will have readers jumping out of their skin…intense…packs a powerful punch….Readers may wish to tackle this heart-pounding novel in highly-populated, well-lit areas--snacks optional.” (Kirkus Reviews)
"A gleefully paranoid tweak-out that mixes elements of The Thing, The Abyss, The Shining and It with a smattering of H.P. Lovecraft...Cutter is a master of the snap cliffhanger." (Globe and Mail)
"If you aren't claustrophobic now, you will be after you read The Deep. Terror at its best!" (Ania Ahlborn, bestselling author of The Bird Eater and Seed on THE DEEP)
“The Deep is a thrill ride of the highest order…the novel builds an irresistible momentum…it is an experience.” (Vancouver Sun)
"Fans of unflinching bleakness and all-out horror will love this novel... Disturbing." (Publishers Weekly (starred review) on THE DEEP Publishers Weekly)
“Lean and crisp and over-the-top....Disquieting, disturbing.” (Scott Smith, author of The Ruins and A Simple Plan on THE TROOP)
"Nick Cutter brings a bone-chilling spin to a classic horror scenario in The Troop. It's Lord of the Flies meets Night of the Creeps, and I enjoyed it immensely." (Mira Grant, New York Times bestselling author on THE TROOP)
“Nick Cutter pulls out all the stops in THE TROOP. This is a brilliant and deeply disturbing novel that you absolutely cannot put down. Highly recommended.” (Jonathan Maberry, New York Times bestselling author of Code Zero and Dead of Night on THE TROOP)
“A grim microcosm of terror and desperation…haunting.” (Christopher Golden, New York Times bestselling author on THE TROOP)
“Some thrillers produce shivers, others trigger goose bumps; Cutter's graphic offering will have readers jumping out of their skin…intense…packs a powerful punch….Readers may wish to tackle this heart-pounding novel in highly-populated, well-lit areas--snacks optional.” (Kirkus Reviews)
About the Author
Nick Cutter is a pseudonym for an acclaimed author of novels and short stories. He lives in Toronto, Canada.
Excerpt. © Reprinted by permission. All rights reserved.
Deep
THE OLD MAN’S HEAD was covered in mantises.
At first Luke thought it was a wig or some weird toupee—but he was at the southern tip of Guam, a few miles from the Pacific, and the man was wearing tattered clothes and what looked like strips of old radial tires lashed to his feet. Why bother with a toupee?
The driver saw the old man, too. He hissed between his teeth—an uneasy tssshk! He said something under his breath: a curse, maybe a prayer? Luke didn’t speak the local dialect.
“I’ll do it,” Luke told the driver. “You wait here.”
He elbowed the Jeep’s door open. Sweet Jesus, the heat. It’d hit him like a fist when he stepped onto the runway at the Agana airport. It hit him again now—the tropical air, laden with the nectar of heliotropes, caused beads of sweat to pop along his brow.
The old man stood facing the wall of a one-story workshop. The ground was strewn with hubcaps and crankcases snarled in rusted wiring. Wrist-thick vines snaked out of the greenery to twine around the industrial junk; with nobody around to hack it back, the jungle would reclaim this spot in a matter of months.
The old man was walking into the wall—his sandals made a gentle whush-whush as they brushed the yellowing adobe. The spotting was pronounced on his bare arms and his throat. The scabs were dime-sized, bigger than what Luke was used to seeing. Some of them had cracked open and were leaking grayish pus.
Luke had no clue what had drawn the mantises. Maybe they’d dropped from the creeping ivy snarled across the shop’s roof. Or maybe something on the man’s scalp, or leaching out of it, had attracted them.
They were the largest insects Luke had ever seen. Each mantis was the length of his thumb, and muscular-looking. They had swollen, cantilevered abdomens that curved above their sharp, considering faces. A baker’s dozen or so carpeted the man’s skull.
Luke got the sense of them turning to stare at him, all at once.
Luke retreated to the ditch. His feet sank into the muck. He didn’t like the way it sucked at his boots—greedy, a lipless brown mouth.
He found a stick and went back. The insects squirmed quarrelsomely on the man’s head, which was covered with wispy white hairs as downy as those on a baby’s skull. Their exoskeletons made a brittle chitter. What the hell were they doing?
Luke watched their choreographed manner. The stink of burned diesel mixed with the heliotropes to create a sticky vapor that coated his throat. Distantly, he heard the driver repeat what he’d said before—that breathless curse or prayer—and Luke was worried he’d set the Jeep in gear and take off, leaving him with the old man and the mantises, the heat and the crawling jungle.
What in God’s name were those bugs doing?
One mantis pinned another in a violent vise grip, then widened its jaws and bit down, cleaving the other’s head in half. Their abdomens were wed. What was clearly the female continued to eat the male’s head while his antenna whipped about frantically.
Using the stick, Luke brushed the mantises off the man’s skull. A decapitated male skittered wildly across Luke’s fingers; he shook it into the mud with the rest of them. The urge arose to step on them. Squash them all to paste.
Instead, Luke set his hands on the old man’s shoulders to turn him around. His expression was familiar: The Big Blank. His eyes gone milky, the edges of his eyelids pebbled with nodules of acne that gave his skin the look of an orange rind. His mouth wide open, his tongue coated in white film. He may not have drunk water in days. He’d forgotten to, probably.
That’s how it went with the ’Gets: you forgot the little things first, then the not-so-little things, then the big ones. Next, the critical ones. In time, your heart forgot how to beat, your lungs how to breathe. You die knowing nothing at all.
As soon as Luke pointed him in a new direction, the old man started to walk. He’d go on until he fell down or stepped off a cliff or stumbled into a leopard’s den, if they had those around here. And Luke couldn’t do a damn thing about that.
He climbed back into the Jeep. The driver eased past the old man as he tottered down the road, that clingy mud sucking up past his ankles already. Luke watched as they pulled away, the old man’s body becoming indistinct through the stinging fumes.
1.
THE OLD MAN’S HEAD was covered in mantises.
At first Luke thought it was a wig or some weird toupee—but he was at the southern tip of Guam, a few miles from the Pacific, and the man was wearing tattered clothes and what looked like strips of old radial tires lashed to his feet. Why bother with a toupee?
The driver saw the old man, too. He hissed between his teeth—an uneasy tssshk! He said something under his breath: a curse, maybe a prayer? Luke didn’t speak the local dialect.
“I’ll do it,” Luke told the driver. “You wait here.”
He elbowed the Jeep’s door open. Sweet Jesus, the heat. It’d hit him like a fist when he stepped onto the runway at the Agana airport. It hit him again now—the tropical air, laden with the nectar of heliotropes, caused beads of sweat to pop along his brow.
The old man stood facing the wall of a one-story workshop. The ground was strewn with hubcaps and crankcases snarled in rusted wiring. Wrist-thick vines snaked out of the greenery to twine around the industrial junk; with nobody around to hack it back, the jungle would reclaim this spot in a matter of months.
The old man was walking into the wall—his sandals made a gentle whush-whush as they brushed the yellowing adobe. The spotting was pronounced on his bare arms and his throat. The scabs were dime-sized, bigger than what Luke was used to seeing. Some of them had cracked open and were leaking grayish pus.
Luke had no clue what had drawn the mantises. Maybe they’d dropped from the creeping ivy snarled across the shop’s roof. Or maybe something on the man’s scalp, or leaching out of it, had attracted them.
They were the largest insects Luke had ever seen. Each mantis was the length of his thumb, and muscular-looking. They had swollen, cantilevered abdomens that curved above their sharp, considering faces. A baker’s dozen or so carpeted the man’s skull.
Luke got the sense of them turning to stare at him, all at once.
Luke retreated to the ditch. His feet sank into the muck. He didn’t like the way it sucked at his boots—greedy, a lipless brown mouth.
He found a stick and went back. The insects squirmed quarrelsomely on the man’s head, which was covered with wispy white hairs as downy as those on a baby’s skull. Their exoskeletons made a brittle chitter. What the hell were they doing?
Luke watched their choreographed manner. The stink of burned diesel mixed with the heliotropes to create a sticky vapor that coated his throat. Distantly, he heard the driver repeat what he’d said before—that breathless curse or prayer—and Luke was worried he’d set the Jeep in gear and take off, leaving him with the old man and the mantises, the heat and the crawling jungle.
What in God’s name were those bugs doing?
One mantis pinned another in a violent vise grip, then widened its jaws and bit down, cleaving the other’s head in half. Their abdomens were wed. What was clearly the female continued to eat the male’s head while his antenna whipped about frantically.
Using the stick, Luke brushed the mantises off the man’s skull. A decapitated male skittered wildly across Luke’s fingers; he shook it into the mud with the rest of them. The urge arose to step on them. Squash them all to paste.
Instead, Luke set his hands on the old man’s shoulders to turn him around. His expression was familiar: The Big Blank. His eyes gone milky, the edges of his eyelids pebbled with nodules of acne that gave his skin the look of an orange rind. His mouth wide open, his tongue coated in white film. He may not have drunk water in days. He’d forgotten to, probably.
That’s how it went with the ’Gets: you forgot the little things first, then the not-so-little things, then the big ones. Next, the critical ones. In time, your heart forgot how to beat, your lungs how to breathe. You die knowing nothing at all.
As soon as Luke pointed him in a new direction, the old man started to walk. He’d go on until he fell down or stepped off a cliff or stumbled into a leopard’s den, if they had those around here. And Luke couldn’t do a damn thing about that.
He climbed back into the Jeep. The driver eased past the old man as he tottered down the road, that clingy mud sucking up past his ankles already. Luke watched as they pulled away, the old man’s body becoming indistinct through the stinging fumes.
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TOP 50 REVIEWERVINE VOICE
Verified Purchase
I thoroughly enjoyed The Troop by Nick Cutter; it was one of the goriest and most disturbing horror novels I have ever read, and I got through it in two days. This was a lot slower in terms of narrative style and is peppered with annoying flashback sequences that are somewhat boring and do little to further the plot (there is, for example, an entire chapter about a "scary toybox" which was pretty dumb). It took me a week to read because I was considerably less interested in both the story and the characters in it. In fact, the only character I really cared about was a dog. There are some genuinely creepy scenes, which do somewhat make up for the rest of the story, but I just didn't enjoy this book as much as his previous one as I found it altogether much less gripping and a much more ridiculous in terms of concept than The Troop was.
Helpful
Reviewed in Canada on January 31, 2015
Verified Purchase
This is an extremely well-written book that, unfortunately, goes a little off the ‘deep’ end in the second half. Too much revisiting the past, too much reading of notebooks, too much ‘doing stupid things’... for example two of the protagonists keep separating and every time they find each other again one of them seems to be getting ‘worse’. Maybe stop separating? The author is obviously a Stephen King fan, but in the worst way... referring to monsters as the “put any name here - thing’, a lot of horrific goop, is it real or is it in your head, etc. Worst of all, when the big reveal happens at the end it’s that kind of “well, I had to think of something” resolution that makes you go “I read through all of that for this?”. The characters are generally well drawn, except for the main protagonist’s brother, who’s kind of an over the top Sheldon Cooper on steroids. Oh yeah... there’s also a disease wiping everyone out called the ‘Gets’. Forget everything including (finally) how to breath. It has nothing to do (except in the most superficial way) with what’s going on eight miles down. All in all, a fun read, but if you want a great book about going way down, read ‘The Descent’.
3 people found this helpful
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Reviewed in Canada on August 6, 2016
Verified Purchase
I follow Stephen King's facebook page. He recommended this book in a post so I clicked 'order now' on my kindle within a minute and I 'll bet so did thousands of others. Started reading in bed last night and had to stop myself or I'd be a wreck in the morning. It's good. I appreciate King doing this as I know what he recommends will be well crafted. No disappointment. I'll be up late again tonight.
Reviewed in Canada on December 22, 2020
Verified Purchase
Seriously if you're afraid of water or tight spaces, just don't even bother. If you're up for a horror adventure involving all that, I cannot recommend it enough
Reviewed in Canada on April 2, 2018
Verified Purchase
I really didn't care for this one. I didn't like cruelty he showed to animals. I can't quite put my finger on what I didn't like about the story.
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Reviewed in Canada on February 2, 2020
Verified Purchase
Great Lovecraftian plot that slithers pitilessly through a research project on a deepsea station. Story lures us in & engrosses.
Reviewed in Canada on September 2, 2016
Verified Purchase
The beginning of the book grabbed me, reminiscent of The Stand. As it went on, I was hoping for more. It kept me interested enough to want to know the ending, but in my opinion the ending was lacking.
Reviewed in Canada on April 9, 2019
Verified Purchase
It’s great, not quite the troop but still pretty bad ass. I’d highly recommend all of nick cutter’s (and Craig Davidson’s) books
Top reviews from other countries

The coycaterpillar Reads
4.0 out of 5 stars
Sleep with one eye open...
Reviewed in the United Kingdom on November 22, 2019Verified Purchase
Oh be still my beating heart! I’ve just finished The Deep and I’m sat here wondering just what the actual hell I have just read?! This has been my first read in the horror genre for many years and god what a book to have picked. This book was Bone- Chillingly terrifying, my heart wanted to escape from within my chest it was beating that hard. The book has been described as a mix of The Abyss and The Shining and that comparison has nailed this story. This is classic horror writing at it’s very best – Gruesome, Real and Frightening. The story develops very human emotions to fear with psychological elements. This story very much packs an enormous punch and it leaves you feeling winded and off – balance.
The World has become riddled with “The Gets”
A plague has overcome the earth where it manifests itself physically with pock-marked skin that develops into forgetting small things – like where you left your keys, and develops into forgetting major things like how to drive and finally when your body forgets how to exist and you die. This triggers the main story of what is happening below the ocean – 8 miles down. A substance has potentially been discovered in the deepest recesses of the ocean, further than any human could possibly survive, it’s deadly and crushing. A protected lab has been constructed but at a terrible cost where three scientists will examine and test this wonder substance. Can it be a cure?
Human’s weren’t built for this. There’s a reason nothing exists down here. Or nothing should.
Without examining the horrendous goings on within the lab, there are terrible things that could go wrong down there. The pressure alone would tear them apart, there are deadly creatures that roam the deepest depths of the ocean. Terrible creatures…ugly…
Psychological Elements – Claustrophobia, Isolation and Paranoia
These elements play out throughout the story in glorious HD. You are 8 miles beneath the surface, the mere pressure of the water and the contained way the characters were kept in would be claustrophobic as hell. They haven’t seen daylight in god knows how long and they only have each other and tonnes of water around them for company. No wonder they each fall into madness with their arms outstretched – Or do they? Is it actually some other supernatural force at work here? One scientist openly talks about holes appearing in the lab walls, of it having an exorable pull towards it. How can a hole appear in the wall and not have the water crush them into a pulp?
Flashbacks
This is I think where the author really comes into his own with this story. It is classic horror at its absolute best. The main character Lucas often has flashbacks to his childhood and just how terrible his mother was to both Lucas and his father. It’s this type of writing that reinforces the notion that we are all a product of our upbringing. Those monsters that you were damn sure were under your bed or in your closet – what if they were actually real?
Overall, this was a read with one eye open type of book. If you are squemish then this isn’t a book for you. It’s a horror story what would it be if there wasn’t death, blood, gore and suffering?
The World has become riddled with “The Gets”
A plague has overcome the earth where it manifests itself physically with pock-marked skin that develops into forgetting small things – like where you left your keys, and develops into forgetting major things like how to drive and finally when your body forgets how to exist and you die. This triggers the main story of what is happening below the ocean – 8 miles down. A substance has potentially been discovered in the deepest recesses of the ocean, further than any human could possibly survive, it’s deadly and crushing. A protected lab has been constructed but at a terrible cost where three scientists will examine and test this wonder substance. Can it be a cure?
Human’s weren’t built for this. There’s a reason nothing exists down here. Or nothing should.
Without examining the horrendous goings on within the lab, there are terrible things that could go wrong down there. The pressure alone would tear them apart, there are deadly creatures that roam the deepest depths of the ocean. Terrible creatures…ugly…
Psychological Elements – Claustrophobia, Isolation and Paranoia
These elements play out throughout the story in glorious HD. You are 8 miles beneath the surface, the mere pressure of the water and the contained way the characters were kept in would be claustrophobic as hell. They haven’t seen daylight in god knows how long and they only have each other and tonnes of water around them for company. No wonder they each fall into madness with their arms outstretched – Or do they? Is it actually some other supernatural force at work here? One scientist openly talks about holes appearing in the lab walls, of it having an exorable pull towards it. How can a hole appear in the wall and not have the water crush them into a pulp?
Flashbacks
This is I think where the author really comes into his own with this story. It is classic horror at its absolute best. The main character Lucas often has flashbacks to his childhood and just how terrible his mother was to both Lucas and his father. It’s this type of writing that reinforces the notion that we are all a product of our upbringing. Those monsters that you were damn sure were under your bed or in your closet – what if they were actually real?
Overall, this was a read with one eye open type of book. If you are squemish then this isn’t a book for you. It’s a horror story what would it be if there wasn’t death, blood, gore and suffering?
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B. Lengden
4.0 out of 5 stars
A scary read.
Reviewed in the United Kingdom on November 17, 2016Verified Purchase
'Real horror', as a genre - frightening, perturbing, horrific as in gory and repulsive, and nerve-rackingly suspenseful - seems to have gone out of fashion. There used to be lots of first-rate authors doing it, apart from Stephen King, whose comment on a different book by Nick Cutter appears on the cover of The Deep. But most authors once known for horror, have edged away from scary/gruesome/paranormal - perhaps at the behest of their publishers, maybe at least partly because they themselves have run out of original themes that haven't been done before - into other realms such as 'straight' mystery/thriller, graphic novels, or gentle fantasy. Not so Mr. Cutter. This is the most disturbing, frightening novel I've read in a long time, and certainly delivers on originality, and not telegraphing what's going to happen next (not that you really want to know, but like picking scab, or a hated addiction, you can't leave it alone), or how it's going to end.
That said, it's not particularly well-written in my opinion. There are some glaring mistakes which irritate, and at least one which seriously threatens suspension of disbelief. For instance, it's hard for me to believe in a character who is supposed to be a top biologist, who repeatedly refers to the worker bees in a colony/hive as 'drones'. That's just wrong, and I don't care if the fellow is supposed to be losing his mind - it's not a mistake any biologist, or even somebody with basic common knowledge of bees, would make, and to me, it's infuriating.
But if that sort of thing doesn't bother you, and you just want to read some scary and deeply unsettling fiction, here it is!
That said, it's not particularly well-written in my opinion. There are some glaring mistakes which irritate, and at least one which seriously threatens suspension of disbelief. For instance, it's hard for me to believe in a character who is supposed to be a top biologist, who repeatedly refers to the worker bees in a colony/hive as 'drones'. That's just wrong, and I don't care if the fellow is supposed to be losing his mind - it's not a mistake any biologist, or even somebody with basic common knowledge of bees, would make, and to me, it's infuriating.
But if that sort of thing doesn't bother you, and you just want to read some scary and deeply unsettling fiction, here it is!
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Rae B
3.0 out of 5 stars
It did what? Sorry, can you take me through that bit again please, not sure I understood that!
Reviewed in the United Kingdom on September 5, 2016Verified Purchase
Very Master King style however I don't think I've ever been quite so bored throughout the majority of the middle towards the end. A little too flighty to even visualise which is what books depend on - it's reader's imagination. It was pretty much touch & go for me & I admit I bought it from a comment by S.K. on Twitter upon currently reading this book himself. Maybe my grey stuff imagery is not what it used to be but I'm a voracious reader of intense psychological thrillers with a bit of sci-fi sprinkled over the top for good measure but still, sorry, this book left me scratching my head several times when humans & dogs came to an horrific demise yet still the author is just not getting some of it across enough for the 'movie reel' making part of my brain to complete. Great story line but too tepid in too many places for me despite some brilliant & original concepts - the bee colony was fascinating. Maybe I'm looking for more that is simply not there? Like a jigsaw with the very last really interesting pieces missing.
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Marina Livingstone
3.0 out of 5 stars
I have to say that I was slightly disappointed with the ending
Reviewed in the United Kingdom on September 14, 2016Verified Purchase
A fascinating idea ... going a vertical 8 miles below the ocean surface to locate and harvest a substance that could be a universal healer and might save mankind from a disease that is decimating us. Of course, it's not particularly a new idea that the depths of the ocean, especially the Mariana Trench, might contain all manner of unexpected things. However, it's a fast paced read that left me racing from one page to the next and as others have pointed out, the short chapter lengths helped to keep me hooked. I have to say that I was slightly disappointed with the ending, although I guess it was pretty inevitable given the dire straits that the characters found themselves in aboard the Trieste, a habitat on the ocean floor. The similarities to the Stephen King style of writing were slightly irritating at times, (I'm a big fan), and there was a tendency for Nick Cutter to get bogged down in a lot of descriptive gore, (less is sometimes more, you know). But all in all, it was a good read and I enjoyed it.

Amazon Customer
5.0 out of 5 stars
Chilling!
Reviewed in the United Kingdom on October 11, 2020Verified Purchase
This book was genuinely chilling. I read a lot of horror and not much tends to get under my skin these days but there were parts of this book where I felt I could barely breathe while reading! Perhaps it was the setting (deep water is something which absolutely terrifies me and the thought of being trapped 8 miles under the ocean makes me freak out!) but I loved the slow, creepy build up once they arrived down at the station. Definitely 5 stars from me. I’ve read The Troop a while ago and look forward to reading more from Nick Cutter :)
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