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The Devil's Rejects Explicit Lyrics, Soundtrack, DualDisc

5.0 out of 5 stars 2 customer reviews

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Product Details

  • Audio CD (June 28 2005)
  • Number of Discs: 1
  • Format: DualDisc, Explicit Lyrics, Soundtrack
  • Label: Universal Music Group
  • Run Time: 107 minutes
  • ASIN: B0009SCUXI
  • In-Print Editions: Audio CD
  • Average Customer Review: 5.0 out of 5 stars 2 customer reviews
  • Amazon Bestsellers Rank: #97,013 in Music (See Top 100 in Music)
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1. SOUND BITE (you ain't getting me)
2. Midnight Rider - Allman Brothers
3. SOUND BITE (I call 'em like I see 'em)
4. Shambala - Three Dog Night
5. SOUND BITE(Find a new angle)
6. Brave Awakening - Terry Reid
7. SOUND BITE (It's just so distressing)
8. It Wasn't God Who Made Honky Tonk Angels-Kitty Wells
9. SOUND BITE (Would you say that again)
10. Satan's Got to Get Along Without Me-Buck Owens & The Buckaroos
11. SOUND BITE (this is insane)
12. Fooled Around And Fell In Love- Elvin Bishop
13. SOUND BITE (Chinese Japanese)
14. I Can't Quit You Baby - Otis Rush
15. SOUND BITE (Top secret clown business)
16. SOUND BITE (Have fun scraping them brains)
17. Funk#49- James Gang
18. SOUND BITE (tootie fruitie)
19. Rock On- David Essex
20. SOUND BITE (What'd you call me?)
See all 29 tracks on this disc

Product Description

Directed by the prolific Rob Zombie, The Devil's Rejects is the sequel to 2003's successful House Of 1000 Corpses, and picks up several weeks after House left off. The music featured on the soundtrack plays an integral part in the film, including the shocking ending featuring the Lynyrd Skynyrd classic 'Free Bird'. Hip-O. 2005.

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Top Customer Reviews

Format: Audio CD
Horror reamake after remake of 70's slasher flix, TCM, TCM:the beginning, Amityville Horror all set in the 70's yet they miaculouly have a 2000's feel to them thanks to casting popular actors and using modern music to sell soundtracks.

Here you have a new film (2005) set in the 1970's with a relevent 70's country, rock and rock-a-billy soundtrack assembled by Zombie himself. If you've seen the movie you know what I mean... With Great actors of that era's horror/slasher and grindhouse films appearing and a dialouge right out 70's gridehouse buddy/road movies and the use of grainy film effect you believe that your watching something filmed in the 70's and not just something set in the 70's!

The same goes for the soundtracks all three The Drop-in music like Free bird or Rock On or Midnight Rider soundtrack or the score soundtrack or even the Banjo and Sullivin compainion disc of the fictional duo that gets on the bad side of the Fireflys' (if you catch my meaning).

I will never be able to listen to Free Bird again with out thinking of the accopanying scene from this film.
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Most Helpful Customer Reviews on (beta) HASH(0x9fee5558) out of 5 stars 77 reviews
22 of 22 people found the following review helpful
HASH(0x9fd6da74) out of 5 stars Surprisingly great Nov. 8 2005
By N. Durham - Published on
Format: Audio CD
You've really got to hand it to Rob Zombie. With the Devil's Rejects, the sequel to his surprise 2003 hit House of 1000 Corpses, he could have just included his own music for the soundtrack (like he did with the 1000 Corpses soundtrack), but he didn't, and instead the soundtrack for the Devil's Rejects includes music from the era of the film's story, as well as some soundbytes from the film as well to go along with selections from fictional band Banjo & Sullivan, and it surprisingly works. Tracks from the James Gang, Three Dog Night, and the Allman Brothers are here, to go along with some selections from Terry Reid and Joe Walsh as well, and they all capture the tone of the film very well. Lynyrd Skynyrd's "Free Bird" is here as well of course, and when you listen to this classic again after seeing the film, you'll never listen to it the same way again. Banjo & Sullivan (which there is a seperate album from this fictional group available as well, and is definitely worth checking out) provide "I'm at Home Getting Hammered (While She's Out Getting Nailed)", which must be heard to be believed, and the dialogue snippets from the film heard throughout this disc are a nice plus as well. All in all, much like the film, the soundtrack to the Devil's Rejects is exactly like the film: definitely not for everyone, but imaginitive and entertaining, and further proof that Rob Zombie knows what he's doing.
18 of 19 people found the following review helpful
HASH(0x9febf378) out of 5 stars A wild funhouse ride! July 24 2005
By Allen Chapman - Published on
Format: Audio CD
This CD, the soundtrack to Rob Zombie's "The Devil's Rejects" is a great summer album! The CD consists primarily of 70's classic rock and a pair of country songs from the 1950's and 1960's. There are two versions of the album out there, this one with soundbites from the movie, and another version without the soundbites. The soundbites for just sort of add a little bit more to the listening experience. Keep in mind though that the sound bites all contain vulgarity, in most cases the "f" word, that one word is spoken by every character in the movie in nearly every line of the script. But getting back to the music. We start off with The Allman Brothers' "Midnight Rider" which seems to set the mood for the whole album. I was very surprised to see the two country songs on there, "It Wasn't God Who Made Honky Tonk Angels" by Kitty Wells, and "Satan's Got To Get Along Without Me" from Buck Owens. These two seem somewhat out of place, but as I said in my headline, listening to this album is like a funhouse ride, so you just go along with it.
"Rocky Mountain Way" was used to perfection in the movie with it's sleazy guitar riff, "Free Bird" works really well also. The three Terry Reid tracks are standouts. Hearing these songs back to back and with sound bites, you can feel the heat of the summer and the reckless abandon depicted in the movie.
The album closes with a few tracks from Banjo & Sullivan who also have a complete album out (Banjo & Sullivan are the fictious country band in the movie). What's interesting though is that although they are on the soundtrack and have a "Hits" album, you don't hear any of their songs in the movie.
I like this album, I liked the movie. If you're a fan of 70's classic rock you'll probably like this album as well. It's a great album to play while going for a summer drive.
16 of 17 people found the following review helpful
HASH(0x9fee5588) out of 5 stars It's Amazing How People STILL Don't Get It....... June 30 2005
By The Game - Published on
Format: Audio CD
Rob Zombie is something like a modern day Renaissance man, living in a world gone mad. His music forged rock, funk, and psych into a whole new genre, making soundtracks for a wasted generation raised on Hot Rod, Hustler, and Tales from The Crypt magazines. After his earthshattering work with White Zombie, Rob did what the critics and fans said he could never himself. He blew everyone away with his first solo CD, Hellbilly Deluxe, and then the incredible tour he did with Korn. Rob began to desire the conquering of a new medium, film. After directing a writing a short segment in "Beavis and Butthead Do America," Rob began to work for his first film, nearly capturing the right to direct a film in the Crow franchise. Disenchanted with the 'red tape' in the film industry, and disgusted with the recent 'bubblegum' type horror movies, Rob set out to create his own horrors....a completely new and original horror film, while still showing his respect to the gritty, bloodspattered films of the seventies. House of 1,000 Corpses brought back memories of The Texas Chainsaw Massacre, Night of the Living Dead....while giving us new faces to fear. Watching this film was like living it. You felt emotionally drained when you came out on the other side.

The soundtrack for House came out a few weeks before the movie, and I'm sure there was a lot of confusion about the choice of tracks, from cuts by Buck Owens, Helen Kane, and Slim Whitman. But I don't think anyone can deny the power those songs had in the final work. I know I'll never listen to "I Remember You" in the same way again, after watching Otis, in painful, deliberate pause, delay the shooting of the cowardly police officer.

Rob's use of music is brilliant and visceral. It hearkens to Tarantino's Reservoir Dogs. I'm sure nobody will forget the sinister tone "Stuck In the Middle With You" by Stealers Wheel took during the torture of the police officer.

And now, we have the soundtrack for The Devil's Rejects, and it's deja vu all over again. The only review for this CD so far is by a person who dislikes cuts from the 70's, and wonders why Rob Zombie didn't cut any new tracks for this CD.

Rob has explained this himself, in many interviews. The reason is simple- Rejects is going to be more serious, more driven, more dark. It's a different movie than House. Rob says that he is driving for the more 'documentary' feel of 70's horror, and since Rejects is set in the 70's.....well, you figure it out.

I have thoroughly enjoyed this CD. The audio cuts from the movie only tantalize me with thoughts about what Captain Spaulding, Otis, and the rest of the Firefly Clan will be doing in this movie. And....listening to these great songs makes me wonder what I'll be thinking AFTER I watch this movie.


MIDNIGHT RIDER- The Allman Brothers Band

SHAMBALA- Three Dog Night






FUNK #49- The James Gang

ROCK ON- David Essex



FREE BIRD- Lynyrd Skynyrd



The use of these songs is fitting and correct. They will only add to the style of the movie. If you still don't get it, go rent The Texas Chainsaw Massacre and Dawn of the Dead....
10 of 11 people found the following review helpful
HASH(0xa0655320) out of 5 stars What The Rejects Have In Their 8-Track July 25 2005
By Jeb Nome - Published on
Format: Audio CD
Zombie is turning out to have the Scorsese/Tarantino knack of choosing the right songs for the right scene. Being a musician as well as the director of many of his own videos, "Dragula" being my favorite, this should be no real surprise. Some of my favorite scenes in House Of 1000 Corpses involved music. Namely the Helen Kane number, and Slim Whitman singing "I'll Remember You" while Otis executes a wet-behind-the-ears deputy.

With the sequel, this talent has grown even more. This time out, Zombie decides to ditch any of his own music and instead favoring southern rock type songs. Joe Walsh, The Allman Brothers Band and Lynard Skynard provide perhaps some of the biggest rock anthems in this collection. And though I'm a little weary of "Freebird" it played well in the movie and I suppose it should be in anyones well-rounded music library just as a staple. There are a couple of old-style country and blues which I have a real soft spot for. "It Wasn't God Who Made Honky-Tonk Angels by Kitty Wells is a great track. It makes me want to go to a dank, smelly bar and drink Pabst out of a dirty glass. My real favorites here, however, were the tunes by Terry Reid who I had never heard of before and released only one album I believe. These are a few of the best songs I've heard in a while, and they really played well in the movie. I have to thank Mr. Zombie for making these otherwise forgotten songs available. Also I should mention the song by the ill-fated country duo, Banjo & Sullivan singing "I'm At Home Getting Hammered While She's Out Getting Nailed". You can't forget that one.

Of course on this soundtrack we are treated with a nice number of sound clips from the movie. There really are some funny moments in this otherwise brutal film. And the Dual Disc features a twenty making-of documentary which has a few clips of the movie, comments from the stars and behind-the-scenes footage during filming.

So if you like southern rock, 70's music, and violence and mayhem, buy this CD and crank it while you're barreling down a hot dusty highway with the heat on you're trail.
5 of 5 people found the following review helpful
HASH(0x9fefc1ec) out of 5 stars One of the Best Feb. 14 2006
By Janelle Myers - Published on
Format: Audio CD
This is without a doubt, one of the best movie soundtracks ever compiled. Some of the best songs from the 70's and some really cool soundbites. Of course the movie had so many good lines that not all of them would have fit. A must have for anyone who has seen the movie.