The Disney Villain Hardcover – Oct 7 1993
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From Library Journal
Using sketches and four-color art, two veteran artists and authors ( Disney Animation: The Illusion of Life , LJ 12/15/81) analyze Walt Disney Studios' animated scoundrels, from Peg Leg Pete to Aladdin's Jafar. Walt Disney's input and his later delegation of authority are discussed. The authors assert that the golden age of animation ended at the close of World War II as a result of postwar costs and a dearth of imagination not remedied until 1950 with the production of Cinderella. They evaluate ensuing successes and failures, the emergence of new animators, and computer enhancement techniques. An appendix contains portraits of all the studio's villain creators. This balanced critique is recommended for art and film collections of public libraries.
- Kim Holston, American Inst. for Chartered Property Casualty Underwriters, Malvern, Pa.
Copyright 1993 Reed Business Information, Inc.
Since launching its Hyperion book division two years ago, the Disney Company has been practicing synergism by mining its archives for material suitable for compiling into lavish gift books. The latest such project is an oversize volume spotlighting memorable villains from more than six decades of the studio's animated films. The rogues' roll call begins well before the wicked queen in Snow White (1937), reaching all the way back to Mickey Mouse's early nemesis Peg Leg Pete, who actually antedated Mickey, and extending through The Three Little Pigs' Big Bad Wolf down to The Little Mermaid's Ursula and Aladdin's Jafar. All are depicted in hundreds of illustrations that include plenty of full-color frame enlargements and animators' sketches. Veteran animators Johnston and Thomas, there at the creation of most of the studio's masterworks, describe the characters' development and provide fascinating insights into the making of the films and the changes in Disney's approach over the years. The resulting volume is sure to appeal to audiences' fascination with villainy--especially when it's presented as frighteningly as Sleeping Beauty's Maleficent or as humorously as 101 Dalmatians' Cruella de Vil. Gordon Flagg
Most Helpful Customer Reviews on Amazon.com (beta)
another plus is that there's an appendix at the end that shows what animators were responsible for every villain (something that I wish was done for all the Disney Characters).
Unfortunately, like many Disney history books, this one is out of print. They really should keep these in print, so that they could remain accessible to newer generations of Disney enthusiasts.
"Because the concept of evil is the most terrifying and thrilling concept in our language. We need terror by which to measure and enjoy our comfort; we need thrill to ameliorate the tedium. We need evil to locate our good. And evil is a concept that has been increasingly undervalued and ignored. We require a devil with whom our gods can do battle, lest our gods become reduced to mere royalty-splendidly clothed, gossiped about, but superfluous."
--T. Jefferson Parker (1992, January 19). The Obsession with Evil Why we are transfixed by serial killers :[Home Edition]. Los Angeles Times (pre-1997 Fulltext),p. 1. Retrieved February 16, 2008, from Los Angeles Times database. (Document ID: 61560068).
Part of the quote above is used by Ollie and Frank in the preface of the book to illustrate one of the reasons they did a book about Disney Villains. That and so many of their colleagues and friends requested it.
They look at 59 villains (only 8 of which were female) over the course of almost 70 years. In the beginning, they talk about the Alice shorts and how Peg Leg Pete was the first villain, although Ollie and Frank refer to him more as a bully. Pete made the transition from Alice to Oswald to Mickey. Ultimately, he was in 32 shorts with Mickey and friends, but he never achieved a starring role.
Throughout the rest of the book, they look at each animated film and discuss the villains. Not just which ones were truly scary (the Evil Queen) but which ones added to the hero's quest and ultimately made the hero a much more beloved character. It is difficult to sum up a work of this caliber. Ollie and Frank are not only terrific animators, but they tell a great story. Each villain is the center of a debate that is bookmarked between the Evil Queen and Jafar. The authors do more than just talk about villains, they also talk about the highs and lows of Disney animation. This book could be used as a starting point for anyone looking for an introduction to the Disney animated library.
Some of the villains are villainous simply because of their nature. The rat in Lady and The Tramp, the bear in The Fox and the Hound and Monstro from Pinocchio. Not that they are true villains, but because their nature is to forage for food, protect their environs or because they are monstrous in size--they act as villains to the hero. Other villains never quite made it. Ollie and Frank point to Ratigan from The Great Mouse Detective, Mr. McLeach from The Rescuers Down Under and Prince John from Robin Hood. For various reasons, they felt that these characters, along with a few others, never quite made the bold statements that were needed. In some cases, the hero was so powerful that it negated the villain's actions entirely.
Beautiful artwork flows throughout the 232 pages of the book. There are full-page shots, thumbnail sketches, storyboards and rough sketches. We see, through the animator's eyes, how a character is developed and comes to life on the page. Both Captain Hook and Gaston were originally seen as foppish characters that were larger than life. In both cases, the animators were instructed to bring the villain down to scale and inject more human characteristics into them. Mainly so we would see them either with flaws or as people we have known--more like a villain archetype.
Bottom Line: This is a wonderful book for any collection. It does center specifically on animation, but through the course of discussing the villains, a lot of history of the films and the Disney Company rises to the top. Frank and Ollie have a wonderful narrative that is interspersed with anecdotes and knowledgeable insights into the world of the animated villain. The amazing artwork alone makes it worth picking this title up--the text is the icing on the cake!