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Don Quixote Audio CD – Oct 1 2003

4.7 out of 5 stars 31 customer reviews

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Audio CD, Oct 1 2003
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Harry Potter and the Cursed Child
--This text refers to the MP3 CD edition.
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Product Details

  • Audio CD
  • Publisher: Recorded Books (Oct. 1 2003)
  • Language: English
  • ISBN-10: 1402563426
  • ISBN-13: 978-1402563423
  • Product Dimensions: 12.7 x 10.2 x 15.5 cm
  • Shipping Weight: 953 g
  • Average Customer Review: 4.7 out of 5 stars 31 customer reviews
  • Amazon Bestsellers Rank: #874,655 in Books (See Top 100 in Books)
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Product Description

From Publishers Weekly

There would seem to be little reason for yet another translation of Don Quixote. Translated into English some 20 times since the novel appeared in two parts in 1605 and 1615, and at least five times in the last half-century, it is currently available in multiple editions (the most recent is the 1999 Norton Critical Edition translated by Burton Raffel). Yet Grossman bravely attempts a fresh rendition of the adventures of the intrepid knight Don Quixote and his humble squire Sancho Panza. As the respected translator of many of Latin America's finest writers (among them Gabriel Garcia Marquez, Carlos Fuentes and Mario Vargas Llosa), she is well suited to the task, and her translation is admirably readable and consistent while managing to retain the vigor, sly humor and colloquial playfulness of the Spanish. Erring on the side of the literal, she isn't afraid to turn out clunky sentences; what she loses in smoothness and elegance she gains in vitality. The text is free of archaisms the contemporary reader will rarely stumble over a word and the footnotes (though rather erratically supplied) are generally helpful. Her version easily bests Raffel's ambitious but eccentric and uneven effort, and though it may not immediately supplant standard translations by J.M. Cohen, Samuel Putnam and Walter Starkie, it should give them a run for their money. Against the odds, Grossman has given us an honest, robust and freshly revelatory Quixote for our times.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to the Hardcover edition.


“Grossman has given us an honest, robust and freshly revelatory Quixote for our times” (Publishers Weekly (starred review))

“A major literary achievement.” (Carlos Fuentes, New York Times Book Review) --This text refers to the Paperback edition.

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Customer Reviews

4.7 out of 5 stars
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Top Customer Reviews

Format: Hardcover
I have read this book both in English and Spanish, and I can honestly say that it loses very little of its power, wit or message in translation. For all those who have considered reading this book, here are a few good reasons: this book is a very nuanced look at escapism and identity, a wonderful parody of knight stories, along with being a rousing (and very funny) adventure centering around the titular hero, a man who reads one too many books about knighthood and chivalry and decides to become a knight-errant himself. After recruiting a sidekick and choosing a lady to woo per narrative convention, he sets out to conquer the forces of evil, which include, among other things, giant windmills and rogue "knights". Cervantes' insight and ability to parody were both ahead of his time, and in a time where escapism and voyeurism are well and thriving, it is not difficult to imagine someone watching too many TV shows and believing they're a wild west outlaw or what-have-you. A very fascinating experience, and it works well in any language. Highly recommended.
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Format: Hardcover
First of all, I absolutely love this book. It was about a year between the time I bought it and actually got around to reading it, as it's near-1,000 pages of 400 year old writing can seem daunting at first. But, as has been said before, this book is as 'timeless' as they come. It seems alot of the reviewers are missing a major point, however, which I would like to delve into. Perhaps (them missing this point) comes from them reading it as a 'comedy' or reading merely sections of it for a class. But taking this book in as a whole, one cannot help but be moved pretty profoundly.
I mean, yeah, this book is funny as hell!!! I laughed SO hard when Don Quixote and Sancho are at the Inn for the first time, and Don Quixote makes his elixer. And it didn't set so well with either him or Sancho, and almost killed poor Sancho. If you've read it, you know what I'm talking about:)
But the beauty of this book lies in the fact that Don Quixote is living a complete lie. And he seems to know that at times... most of the time, no, but every once in a while it seems like he kind of knows. But it isn't important. What's important is that he KNOWS that he MUST be a knight, that it is the only way for him to live. Screw the world. He'll save damsels in distress (or not) and damn the torpedoes. And believing with all your soul in something that no one else thinks exists, thats something I think one can relate to alot. And another beautiful touch: alot of the people he meets along the way at first are all like 'Your CRAZY man' but they ALL get swept up in it eventually. It's almost like secretly everyone wants to believe.
Truely an amazing book, and one that will find you at page 100, looking ahead to the next 900 pages and instead of thinking 'Bummer! Lots to go' you'll just grin a hungry grin.
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Format: Hardcover
This is a wonderful translation. I first read Quixote seriously in the Putnam, and was completely swept away by it - the prose was just as readable as it is here, and Putnam communicated a love for the text in his notes (as well as a hatred for the translators that had butchered it before) that was a nice accompaniment to the actual story.
Grossman's language is smoother, and I suppose Putnam's prose does have the dust of fifty odd years on it - but that isn't necessarily a bad thing. I don't mind if an old book reads a bit like an old book: slightly dated English gives a book a certain flavor. I like Putnam for the same reason I enjoy Maude's translations of Tolstoy. Grossman does write a better sentence, I think, and she certainly doesn't make the book any more colloquial than Cervantes did - although I was annoyed at her constantly having Sancho say Wassup.
Putnam's Quixote, incidentally, is filled with notes: more notes than most people who aren't scholars will want. Every one of Sancho's proverbs is explained (and those aren't exactly the comic high point of the book, either) and he constantly takes potshots at Motteux and other translations, a la Nabokov when he translated A Hero of Our Time. They're sort of funny, but eventually you want him to get out of the way of Quixote, which is what one actually wants to read - not the translator's thoughts.
But then again: a note can easily be skipped, and it's nice to have the extensive information that Putnam packs in, about the historical situation in Spain, potential variant readings of a passage, all the brouhaha about the fake second half of Don Quixote that actually ends up having a part in the book - and lots of other stuff.
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Format: Hardcover
I'm sure many of you have already read this great piece of literature. Edith Grossman has a new translation which transcends all other translations. The book was written in 1605. It is the story of Don Quixote who after reading tales about Knights-in-shining-armor decides to become a Knight Errant, and sets out to rescue damsels in distress. His peasant neighbor becomes his squire and records all that happens. Most of his adventures are so hilarious that I found myself bursting out laughing quite often. There was a poll taken once that questioned literary authorities as to what was the best book (secular) they thought ever written and this book came out on top. You can't stop laughing at Don Quixote's mishaps as he goes about rescuing maidens that he presumes to be in distress.
It's great fiction as well as great reading. Was the fore-runner of the modern novel.
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