Drawing Lessons from the Great Masters: 45th Anniversary Edition Paperback – Aug 1 1989
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About the Author
ROBERT BEVERLY HALE was the Curator of American Paintings and Sculpture at the Metropolitan Museum of Art, a world-renowned teacher at New York Student’s Art League for 40 years, and Adjunct Professor of Drawing and Lecturer on Anatomy at Columbia University. He also co-authored Anatomy Lessons from the Great Masters.
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Top Customer Reviews
Hale's credentials speak for themselves, and his work places him far beyond the herd of drawing authors that rely upon gimmicks such as catch-phrases such as YOGA, or ZEN, RIGHT-BRAIN, or INNER THIS or INNER THAT, in the title to push bland intruction to increase sales. Rather, Hale's work is striking because it reflects the singular focus of an artist who can teach figure drawing without mis-directing the student with irrelevancies.
Hale is also humble, in that he directs the student to genuine Masters of drawing: Durer, Rembrandt, Cambiaso, Rubens, Bruegel, da Vinci, Degas, and Carracci, rather than filling a book with his own drawings. He writes, on page 33:
"BY SIMPLY DRAWING A CUBE, you can understand some of the significance of line in creating the illusion of reality."
That is so refreshing because it stands in diametrical opposition to the DRAW-WHAT-YOU-FEEL genre of instruction which has become the fashion of the day. FIVE STARS is deserved.
Remember, the old masters themselves used to copy master drawings when they were students learning how to draw. Follow their example. This book also has a wonderful section on artistic anatomy. Anatomy is very important, and can't be stressed enough. It provides the foundation of all good figurative art, whether it be drawing, painting, or sculpture. This book, besides discussing and analyzing master drawings and what makes them great, also provides the best introduction to artistic anatomy that I've seen.
Many people feel that if you can copy something exactly as you see it then you are an accomplished artist. This might be true in this era where drawing is hardly the number one subject in school. The beauty of Hales book is that he expounds the subtle and brilliant secrets of masters of the past, most of whom came from a time pre-camera, when drawing and consequently painting was a true science, a deep and profound study of 3D form, underlying anatomy, exquisite subtleties of tonal light CREATED IN THE ARTISTS HEAD and not neccessarily what was seen ( real light moves constantly anyway!)
So, if you are a dedicated and passionate art student or artist who is prepared to humble yourself and really learn to draw, then this book and indeed all of R.B.Hales books including his 'Artistic Anatomy' with Paul Richer is for you. Please feel free to write to me with any questions regarding classical drawing.
Most recent customer reviews
pages 65 to 81 are missing? apart from that the book is very good.Published 15 months ago by Grahame Andrews
As an artist that did not go to art school, I have constantly searched for instructional books only to be disappointed in finding stupid books written for people who are not... Read morePublished on May 12 2004 by Gerald Sequeira
This is the best book for the art student that has ever been written, or ever will be written.Published on Feb. 11 2003
Very generic, some nice figure drawing but on the whole not worth the expense.Published on Dec 16 2002